The Boys from Brazil [1978)

CodeMonkeyZ blocked me on Telegram.

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https://t.me/deathwishpauly

Pretty fucking hypocritical of a free speech advocate

I’m sure it was just some jerkoff moderator.

But I’m over it now.

Because we have a mission.

I believe Ron Watkins is a good person.

I believe President Trump is a good person.

The 2020 election was allowed to be stolen.

Operation Warp Speed was a trap.

The globalists fell for it.

Trump’s “I got the Pfizer” interview was military deception.

To throw the NWO off the scent.

And to buy some time.

As Q group takes out (one by one) all the bad actors worldwide.

Methodically.

Patience.

You only get one chance.

The OWS trap was one in which the NWO jumped into a tiger pit.

From which they will hopefully never emerge (God willing).

But the war is not over.

Havana Syndrome + vaccines = mind control [MKUltra 2.0]

Graphene oxide + 5G = mind control

https://www.infowars.com/posts/damn-you-to-hell-you-will-not-destroy-america-read-the-spartacus-covid-letter-thats-gone-viral/

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It was this 5G which really pissed off Twitter.

I had thought the 5G thing was probably a red herring.

Guess not.

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Q group was behind the “Snow White” leak from the Jes Staley case.

It serves a dual purpose.

To put bad actors on notice.

To make them nervous.

They know what it means.

We MIGHT know what it means.

But also to encourage anons and autists.

If you have been living under a rock of fake news, you might not know that the CEO of Barclays bank (UK), Jes Staley, has resigned after it was discovered that he had lied about his relationship with Jeffrey Epstein.

The two exchanged at least 1000 emails.

And the phrase “Snow White” was supposedly passed back and forth between the two (apparently without a common-sense context).

So what does Snow White mean?

What did it mean between these two?

Well, there is this:

https://www.chicagotribune.com/news/ct-xpm-2000-01-13-0001130129-story.html

A code name for the CIA Directorate of Operations.

Why might Epstein (definitely a pedophile [and probably a blackmailer]) be talking about CIA covert ops?

And why would Staley be talking about it?

Indeed, from news reporting in the UK (Financial Times?), it is unclear whether Epstein or (conversely) Staley used the phrase.

Or whether they both used it.

Nor is it clear how many times it was used.

All that has been revealed is that it seemed to be used as a sort of coded phrase.

So who is Jes Staley?

[other than being a former board member of USCBC (an organization with a lot of Pfizer presence over the years)]

http://www.china.org.cn/business/2012-06/28/content_25758315.htm

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Does he have a Twitter profile?

Not that I can find.

But his brother, Peter, does.

AND WHOA IS IT A DOOZY!!!

Any public figure (like AIDS activist Peter Staley) who leaves their Twitter profile set to public (as opposed to private) is inviting snoopers.

Why?

Because enquiring minds want to know.

You can tell a lot about a person from their Twitter profile.

You can tell the ORDER in which they followed people.

Go back.

You can see who they have been following the longest.

And, conversely, who they have been following for the least amount of time.

You can also find interesting groupings.

Various people or organizations whom they followed in relatively quick succession.

Here’s the thing about Peter Staley.

He is Twitter “friends” with Ali Fauci.

Ali Fauci is the daughter of Anthony Fauci.

Ali Fauci has her profile set to private.

This indicates that Peter Staley and Ali Fauci may indeed know each other in real life.

As Anthony Fauci does not have a Twitter profile (as far as I know), this is the closest thing to Anthony Fauci making a trusted online connection with Peter Staley.

But Peter Staley’s interest in “medicine” does not end there.

[BTW…Ali Fauci is a software engineer for Twitter.  Is she in charge of censorship?  Or is that strictly the purview of Vijaya Gadde?]

Peter Staley also follows Peter Daszak.

Now that is a bit weird.

Daszak is the head of the EcoHealth Alliance.

EcoHealth sent National Institutes of Health (U.S. taxpayer) money to the Wuhan Institute of Virology where gain-of-function research on bat coronaviruses was performed.

[to be fair, the Defense Threat Reduction Agency (housed at Fort Belvoir) is STILL sending U.S. taxpayer money to the EcoHealth Alliance to study bat diseases in “western Asia”.  How much you wanna bet that money’s going to WIV?  And how did INSCOM not know about this??? https://www.usaspending.gov/award/ASST_NON_HDTRA11710064_9761 ]

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In private emails, Peter Daszak THANKED Anthony Fauci for dismissing the WIV lab leak theory.

That’s strange.

Because as we all now know, that theory is probably the most plausible.

Although China will not admit it.

Back to Peter Staley.

Sometimes you can’t tell the people.

You must show them.

OSINT is a beautiful thing.

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Following the CEO of Moderna, eh?

Do you see how these data points are piling up?

Epstein’s friend’s brother is REALLY interested in the minutiae of this pandemic and the big pharma aspects of it.

Why?

[BTW…there is a good chance that Bancel is one of the ones who actually released the virus.  Why?  Because Moderna came up with their vaccine in 48 hours. https://www.infowars.com/posts/damn-you-to-hell-you-will-not-destroy-america-read-the-spartacus-covid-letter-thats-gone-viral/  The same suspicion falls on NIAID’s Anthony Fauci.  And Event 201’s Klaus Schwab, Bill Gates, and (now promoted by Biden to head the entire American intelligence community [ODNI]) Avril Haines (a John Brennan promotee within the CIA whose promotion was out of the ordinary [i.e. she did not, in any apparent way, even earn THAT position…didn’t work her way up to it within the ranks.  Odd]]

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Peter Staley (who is HIV-positive) LOVES him some good old fashioned gay sex.

Apparently.

And he also, around the time he was feeling horny (?), decided to follow one of the prime suspects for having unleashed COVID-19 on the world:  the aforementioned Peter Daszak (who, as you can see, has me blocked).

Was it something I said???

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Peter Staley also follows Deborah Birx.

Remember her?

The scarf lady.

Fauci’s right-hand woman (for many absurd press conferences).

You will also notice that Birx’s profile is set to private.

Which means at least two things are possible.

Peter Staley followed Birx before her profile was set to private.

OR

Peter Staley ALSO knows Deborah Birx personally.

The second possibility is supported by the fact that Peter Staley follows Ali Fauci.

It is highly likely that Ali Fauci and Deborah Birx both had to give express permission to ALLOW Peter Staley to follow them.

Why would they do that?

Maybe because they know Peter Staley in real life?

Let’s pause for a moment.

Ask yourself.

Why does a guy, whose brother was emailing “Snow White” in over 1000 emails to Jeffrey Epstein, personally know two of the main players in the COVID-19 saga:  Fauci’s daughter (a proxy for Anthony Fauci) and Deborah Birx (also, in a way, a proxy for Anthony Fauci)?

Now.

REMEMBER that Fauci was involved in AIDS research.

But Fauci is not necessarily highly-thought-of in this context.

Did Fauci run a program where experimental vaccines in the ’80s were given to gay men?

Did the AIDS pandemic break out RIGHT AFTER THAT??

What was in the vaccines???

This isn’t Anthony Fauci’s first rodeo.

He has tortured dogs.

Fact.

Now he wants to give your kids vaccines (when the vaccines have been shown to be dangerous [particularly to young people]) even though kids do not get sick and die from COVID.

Fact.

It is very rare for a child to succumb to COVID-19.

On the other hand, there are almost 10,000 (9,549) reports of death associated with the administration of the three COVID vaccines in the USA so far:

https://www.cdc.gov/coronavirus/2019-ncov/vaccines/safety/adverse-events.html

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But let’s get back to Peter Staley.

 

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I’m gonna go out on a limb and say that Peter Staley votes Democrat.

Lincoln Project is all but a front operation for jackasses like Mitt Romney, Liz Cheney, and Adam Kinzinger.

And they have problems with pedophilia.

As in, certain among the Lincoln Project are apparently pedophiles.

How many?

One?

More?

I will let you do the digging on that.

But let’s pause again.

Pedophile Jeffrey Epstein and Jes Staley (until a few days ago, head of one of the biggest banks on earth) were apparently emailing the coded phrase “Snow White” back and forth.

And Staley’s brother Peter appears to support the pedophiles over at the Lincoln Project.

Hmmm…

Also in the last shot, we see that Peter Staley felt it necessary to follow Francis Collins from the NIH.

Collins is also suspect for his behavior during this pandemic.

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Peter Staley also appears to be a fan of both Greta Thunberg and CDC Director (and serial liar) Rochelle Walensky.

Thunberg is also a serial liar (or, in this case, more like an actor [from the same central casting that gave us Malala]), but that’s another story for another time.

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Here’s a real classic.

Nothing says “I was so careful I can’t believe I got AIDS” like following Jack “Cum Machine” Mackenroth.

But, again, there is a very real possibility that the AIDS pandemic was caused by Fauci and the vaccines he pushed just prior to the first big AIDS outbreak in the United States.

Indeed, you might call that Fauci’s practice run.

No one cares about the homos, right?

So just test an experimental vaccine on them.

Watch them die from some new, exotic disease right after that.

What were they testing?

A time-delayed bioweapon, perchance?

https://www.bitchute.com/video/qs9X8Blr4Ucv/

I think you are going to see the current crop of time-delayed bioweapons (made by Pfizer, BioNTech, Moderna, Johnson & Johnson, and AstraZeneca) start causing mass death within the next two months.

And it will be called “COVID”.

A new wave.

The “fifth wave”.

[if that doesn’t do the trick, Bill Gates (who just outlined this scenario https://www.independent.co.uk/news/science/bill-gates-smallpox-terror-attack-b1951245.html ) and company will likely release smallpox.  What Gates was referring to was war-gamed back in 2001 under the title Dark Winter.  It was executed by the same people (Johns Hopkins Center for Health Security) who gave the world Event 201 RIGHT BEFORE THE CURRENT PANDEMIC.  How many times have you heard Joe Biden strangely utter the phrase “dark winter”???  Here’s why.  Check out the CIA presence (Woolsey) which would be replicated by Avril Haines in 2019 for Event 201:  https://www.centerforhealthsecurity.org/our-work/events-archive/2001_dark-winter/ ]

And in the process, the Northern Hemisphere (particularly the USA and Europe) will then be subjected to the same tyranny to which Australia has just recently been subjected.

Australia was the test run.

How much will people put up with?

The absurd “no tolerance” policies of Australia and New Zealand (and, to a certain extent, China) have been a pretext to unleash the most unseemly policing ever to be seen on this planet.

I believe that is coming to the USA.

And Europe.

It is already fairly well advanced in Canada.

And it will come back…even harder.

In the next two months.

Jes Staley might not have a Twitter account, but his brother (and one of his two daughters) do(es).

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Meet Alexa Staley.

While Fauci is obviously the Mengele of this whole pandemic, who is gonna oversee the electromagnetic mind control of the Havana Syndrome/vaccine graphene oxide/5G synergy?

You’d think you might need a few physicists, right?

[N.B.  Jeffrey Epstein likely had plenty of scientists (Santa Fe Institute) blackmailed.  Why was Epstein so interested in underage girls…and science?  I believe the science part was to make sure that this plandemic went off without a hitch.  No (very few) whistleblowers.  The big doctors are compromised.  Harvard as an institution is compromised.  Larry Summers (Harvard) most certainly rode on Lolita Express.  Find his name.  It’s in there.  How many prominent scientists can you also identify?]

epstein-flight-manifests

[Excursus

Epstein most definitely wanted to create his own “super soldiers”:  https://www.thesun.co.uk/news/9741060/jeffrey-epstein-new-mexico-zorro-ranch-prince-andrew/

Is the New World Order’s super soldier research about to come out?  Are they preemptively covering their asses by exposing Russia?  https://www.the-sun.com/news/4055022/russian-humanzee-human-ape-experiments/

Will the NWO try to pass off vaccine/Havana Syndrome/graphene oxide/5G mind control as “a good thing” (the same way their minion Biden administration has attempted to portray inflation as a good thing?) https://www.thedailybeast.com/injectable-gel-reversed-paralysis-in-mice-with-spinal-cord-injuries-human-clinical-trials-are-next

Look at Dr. Jonathan McGreevey’s (aka Ryan Dark White’s) interviews from the past year.

He was right.]

But back to Alexa Staley.

Where does she fit into this nexus between her dad and Jeffrey Epstein?

Do her qualifications even fit the kind of DARPA mind control stuff we are talking about?

See for yourself.

http://alexastaley.com/resume.html

[N.B.  Alexa Staley seems to have made her current employer a matter of privacy on her resume.  I believe she has done that within the past 24 hours.  Why?  I can find no archived version of her website.  That is a bit odd.  Any good researchers wanna find one?]

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She lives in San Francisco.

She wouldn’t happen to be friends with Ali Fauci, would she?

Alexa Staley appears to have gone to Colombia, while Ali Fauci went to Stanford.

But they’re both in San Francisco?

Where is Twitter HQ?

Are all their software engineers there?

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Thank you for the help, Peter Staley.

Oh, BTW…he was also allowed to follow the personal Twitter account of Elton John’s husband David Furnish.

So that makes a third (Ali Fauci, Deborah Birx, David Furnish) instance where he appears to personally know some very powerful, well-placed people.  

Two of those people (Fauci [through her father] and Birx) are intimately connected to this pandemic.

Good.

Our director, Franklin J. Schaffner, was in the predecessor to the CIA:  the OSS.

At least the OSS were military.

Schaffner is better known for Patton and Planet of the Apes.

But this film is a masterpiece.

I’m just a Steve Guttenberg.

Police academy.

Fauci is most definitely Mengele.

Fauci Jesuit fascist.

[Bergoglio Jesuit communist…first Jesuit pope in the 500 years of the organization]

Fauci and Bergoglio working closely together.

The Fourth Reich.

Klaus Schwab.

Was his father really a Nazi collaborator like George Soros?

https://unlimitedhangout.com/2021/02/investigative-reports/schwab-family-values/

As is well-documented, Soros has admitted to posing as a Christian during the Holocaust and going around with his fake godfather confiscating the property of Jews.

And Soros feels no remorse about this whatsoever.

https://www.youtube.com/watch?v=OT1Qn6COp6Y

Lawrence Olivier is Steve Pieczenik.

Hitler’s home country will now lock down the unvaccinated.

Hitler must be proud.

https://www.dw.com/en/coronavirus-digest-austria-to-approve-lockdown-for-unvaccinated/a-59813093

Why 94?

Plutonium?

You have to track down the deaths.

This was a twenty-year plan (9/11).

https://www.theglobeandmail.com/news/world/scientists-deaths-are-under-the-microscope/article4134797/

Or maybe longer.

https://apnews.com/article/0f96d2d3641717f2e71df0a6fdd99a2b

The microbiologists.

https://groups.google.com/g/misc.activism.progressive/c/RKJJ-cJwZjQ

A different source.

https://cbrainard.blogspot.com/2008/08/many-dead-scientists-microbiologists.html

Updated.

Lisa Colson:  [7/28/99] Maine, age 34

https://www.orlandosentinel.com/news/os-xpm-1999-07-28-9907280051-story.html

Malcolm Casadaban (died from bubonic plague):  [9/21/09] Chicago, age 60

https://www.dailymail.co.uk/news/article-1215092/New-victim-Black-Death-Professor-killed-plague-bug-studied.html

Tom Berman (Israeli):  [4/17/13]  Galapagos Islands, age 79

https://www.timesofisrael.com/israeli-expert-found-dead-in-galapagos-islands/

Mayur Mehta (stabbed during road rage):  [12/16/13] Mumbai, 53

https://www.deccanherald.com/content/374942/microbiologist-stabbed-death-brazen-act.html

Any recently?

Suzanne Eaton (death unsolved?  disappeared while running?  body found six miles away):  [7/9/19] Crete (Greece), 59

https://www.mercurynews.com/2019/07/09/bay-area-native-found-dead-during-scientific-conference-in-greece/

Stuart Levy: [9/19/19] Boston, age 80

https://www.washingtonpost.com/local/obituaries/stuart-levy-microbiologist-who-sounded-alarm-on-antibiotic-resistance-dies-at-80/2019/09/19/4011ea96-dae9-11e9-a688-303693fb4b0b_story.html

Frank Plummer:  [2/4/20] Winnipeg, age 67

https://winnipeg.ctvnews.ca/frank-plummer-former-head-of-the-national-microbiology-lab-dead-at-67-1.4797116

Paul Matewele:  [4/22/20] London, age 62

https://www.the-scientist.com/news-opinion/microbiologist-who-studied-deadly-bacteria-in-public-places-dies-67452

David Boothman (was accidentally administered fentanyl in hospital after stroke):  [10/30/20] Indianapolis, age 61

https://www.indystar.com/story/news/investigations/2020/10/30/drug-error-cancer-researcher-eskenazi-hospital-killed/5979448002/

Alexander Kagansky (fell 14 stories with stab wound):  [12/22/20]  St. Petersburg, age 45

https://www.dailymail.co.uk/news/article-9079491/Dead-Russian-scientist-involved-British-Covid-research.html

Thomas Brock:  [4/4/21] Madison (WI), age 94

https://www.nytimes.com/2021/04/22/science/thomas-brock-dead.html

Ogehenetejiri Omiragua (tortured to death by police):  [5/16/21], Nigeria, age 28

https://punchng.com/tortured-to-death-by-killer-cops-family-of-microbiologist-accused-of-gunrunning-demands-justice/

Alina Llop:  [9/30/21] Cuba, age 84

https://www.plenglish.com/news/2021/09/30/diaz-canel-mourns-death-of-prominent-cuban-microbiologist/

Wyndham Lathem (convicted of stabbing murder of his boyfriend):  [10/8/21] Chicago

https://www.nbcnews.com/news/us-news/former-northwestern-professor-convicted-murder-boyfriend-s-stabbing-death-n1281123

Microbiology is a dangerous profession (apparently).

And it all started in earnest right after 9/11/01.

[N.B. Dark Winter was the summer before 9/11/01.  Strategic signalling?  Fake out?  Audible called?]

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Robert Schwartz was killed with a sword and had an X carved into the back of his neck.  Witchcraft/vampire-obsessed daughter ostensibly persuaded a friend to murder him. https://www.washingtonpost.com/archive/local/2003/02/11/daughter-gets-48-years-in-slaying-of-her-father/a1d3e0b1-698f-48e1-844c-a0403f7eaf73/

[N.B.  There is certainly a possibility that the CIA released COVID-19 at the World Military Games in Wuhan simultaneous to releases in northern Italy and Iran.  This would have been the coopted CIA working at the behest of the New World Order (just as they did in carrying out 9/11).  If this sounds farfetched, consider the possibility that the CIA has been running North Korea for a long time.  If that is true, it would not be impossible to release the virus in Iran.  Indeed, it begs the question:  is the CIA running Iran too?  Where did all those planeloads of cash from the Iran deal go?  Barack Obama???]

Nature AND nurture.

Follows exactly the brilliant, anti-CIA, Saoirse Ronan film Hanna.

Dolly the sheep (1996).

https://en.wikipedia.org/wiki/Dolly_(sheep)

Operation Warp Speed was a trap.

Klaus Schwab et al. fell for it.

A handshake deal with Hitler.

-PD

 

Kamikaze 89 [1982)

Here is a strange case.

I thought I was watching a movie by Rainer Werner Fassbinder.

The first I had ever seen.

But I was not.

And I still haven’t seen a Fassbinder movie per se.

This movie was directed by the late- Wolf Gremm.

Gremm might be most well-known for the 1980 film Fabian.

For that movie, Gremm adapted a work of Erich Kästner.

Kästner was always a bridesmaid and never a bride.

Nominated four times for the Nobel in literature, Kästner nevertheless was an important writer in that he used cinematic techniques in his literature.

Think about that for a second.

What might that mean?

Jump cuts, anyone?

‘Tis now that we pay homage to the great Jean-Paul Belmondo.

AND to my favorite drummer ever:  Charlie Watts.

Back to Kästner.

The Nazis burned his books.

These book burnings were instigated by (Psaki) Goebbels.

Kästner may not have really been a man of much integrity.

He wrote for UfA in 1942 under the pseudonym Berthold Bürger.

But you may know Kästner most for a Hollywood adaption of one of his children’s books:  The Parent Trap.

Made twice.

Which brings us to our film by Wolf Gremm.

It’s true:  Gremm and Fassbinder were close friends.

And I was tricked because Fassbinder is the all-consuming star of Gremm’s masterpiece Kamikaze 89 (alternately Kamikaze 1989).

Like a German version of Godard’s Alphaville.

Fassbinder is 100% Lemmy Caution.

But this whole thing needed a premise.

And that story was provide by Swedish author Per Wahlöö.

Before there was Stieg Larsson, there was Per Wahlöö.

Active between 1965 and 1975, and focusing on his character detective Martin Beck (a Stockholm policeman), Wahlöö collaborated with Maj Sjöwall on ten novels featuring Beck.

Like Erich Kästner, Wahlöö and Sjöwall were leftists.  

Communists.

Marxists.

Not unusual in Sweden.

You will find the same idealistic naïveté in the biographical details of Steig Larsson.

Gremm’s film did well as Fantasporto in Portugal.

And for good reason.

Because it is a fucking masterpiece!

The soundtrack is even by Tangerine Dream.

Edgar Froese.

Lester Bangs would have been proud.

Bangs died about three months after this film came out.

We see Brigitte Mira.

We see Nicole Heesters.

Someone briefly gets naked.

We might even see Fassbinder’s junk briefly.

I’ve gotta hand it to Xaver Schwarzenberger.

This film is stunning.

It pops!

Like a more punk version of Nicolas Roeg’s work on Truffaut’s Fahrenheit 451.

Schwarzenberger was (and is) perhaps the equivalent of Godard’s Raoul Coutard.

So what?

The world, in general, has not heard of Wolf Gremm.

So this film must be discussed in relation to Fassbinder.

Was Fassbinder as good a director as he was an actor?

I don’t know.

Was Fassbinder as good a director as Gremm?

I don’t know.

Did Fassbinder ever make a film as good as the masterpiece Kamikaze 89?

I don’t know.

Something else should be noted.

Fassbinder himself died two months after Kamikaze 89 was released.

Which is to say, a month before Lester Bangs.

Let’s talk about New German Cinema.

I have devoted plenty of time to my favorite (the Nouvelle Vague aka French New Wave).

But I do not recall ever having broached the topic of Neuer Deutscher Film.

I will say this.

I think Werner Herzog may be the most overrated filmmaker of all-time.

Right next to Tarantino.

I hate to fucking admit it, but Tarantino (whom I hate) has WAY more talent than Herzog.

But hey:  my favorite director ever is Godard.

We first join Fassbinder about 1974 with Ali:  Fear Eats the Soul.

Eight years later, Fassbinder would be dead.

At age 37.

From a cocaine/barbiturate overdose.

I have lived seven years longer than Fassbinder.

Fassbinder crammed his career into his 30s.

Bangs died of an (accidental?) overdose of an analgesic opioid (Darvon), Valium, and cough syrup.

Bangs was 33.

Someone else important died at that age.

Bangs had a great mustache.

Fassbinder had a weird beard.

A nasty, seven-day stubble.

But Fassbinder fucking had style!

1975 saw him come out with Fox and His Friends.

Fassbinder was married for two years.

He then divorced.

I feel that.

Ingrid Caven.

A beautiful lady.

They say.

Hanna Schygulla.

Godard’s Passion.

1982.

There’s a reason I like Fassbinder.

I think.

Because Fassbinder liked Godard.

The Merchant of Four Seasons.

This precedes my earlier introduction.

1971.

The Bitter Tears of Petra von Kant.

1972.

Fassbinder was bisexual.

He bought Günther Kauffman, who appears in Kamikaze 89, four Lamborghinis over the period of one year.

“calculatedly provocative”, they called him.

A verbal kamikaze.

I feel that.

The Tenderness of Wolves.

1973.

As actor.

I have focused on films available in the United States.

On iTunes.

I am.

Pauly Deathwish.

Twenty years coming.

10/11.

-PD

 

Raiders of the Lost Ark [1981)

Oak Island.

Military is the only way.

INSCOM.

The ostensible death of Michael Aquino.

Click to access AquinoVitae.pdf

Pieczenik G-2.

Karen Allen is pretty good here.

The money pit.

Theories.

How did Harrison Ford get into the submarine as it was preparing to dive?

Spielberg has some talent.

Not much.

And this film ends as ridiculously as Tarantino’s Inglorious Basterds.

Jewish anti-Nazi revenge porn.

Really quite childish and absurd.

The best thing might be the end credits.

A warehouse.

Where the Ark of the Covenant is merely one trinket among many other secret acquisitions whose presence is too sensitive to publicize.

Army Intelligence.

-PD

First Blood [1982)

The war is here.

Good vs. evil.

Patriots vs. traitors.

To fight overseas for free and fair elections.

Only to lose them in your own land.

To fight communism abroad.

Only to see it ascend to the highest levels at home.

Law enforcement officers are usually good.

But sometimes they are not.

Like Comey.

Like McCabe.

Like Strzok.

Attacked our boy from Bragg.

Flynn.

We did not fight abroad to be steamrolled in our own country.

You can only push people so far.

Before they fight back.

On the information battle field.

Ambidextrous.

This is my jungle.

I have survived for over 20 years.

The close relationship between psychological warfare and information warfare.

Where are our friends?

Where are the defenders of the Constitution?

Where is justice?

The United States is overseen by one big small-town, corrupt police force:

the Federal Bureau of Investigation.

There are many good agents there.

In places like Albany, St. Louis, Buffalo, Pittsburgh…

Good agents in Cleveland and Cincinnati.

Good agents in Minneapolis.

But there are no more Ted Gundersons.

And in justice, there are no more Jim Garrisons.

There are only pricks like Rod Rosenstein.

FULL-Transcript-of-Whistleblower-Interview

Where’s my 82?

Where’s my 101?

Why is Chris Miller such an abomination?

https://www.vanityfair.com/news/2021/01/embedding-with-pentagon-leadership-in-trumps-chaotic-last-week

No wonder he was so cozy with Mike Pence.

Pence:  the gay pedo (according to the whistleblower link above).

And the President, Joe Biden, also a child-abusing pedophile.

Same document.

The whistleblower.

Ryan Dark White.

Read it.

150 pages.

Biden abusing kids in Delaware.

In houses owned by Federal judge Emmet Sullivan.

Who went after our boy from Bragg.

For four years.

So now we regroup.

Opus 1.

Harvard.  Kissinger.  Cornell.  Fauci.  MIT.  CFR.  RAND.

China Russia Iran.

Israel desperate to stop Tehran’s nuke program.

Biden set to appease the Ayatollahs.

For the next four years.

At least.

Israel can’t wait that long.

Taiwan in peril.

Ukraine as good as annexed.

All because Biden couldn’t keep his mouth shut.

Calling Putin a “killer” was his worst gaffe of all.

And taking Chinese money means the Chinese know.

https://nypost.com/2020/10/15/emails-reveal-how-hunter-biden-tried-to-cash-in-big-with-chinese-firm/

He will do nothing when they take Taiwan.

But Iran is perhaps even more troubling.

Because the U.S. Fifth Fleet is headquartered in Qatar.

If there is not close coordination between Israel and the U.S., American troops are in imminent danger.

Biden has brought the world to the brink of a three-front war.

I will not give up.

China’s bio attack (COVID19) followed by a second bio attack in the form of vaccines:

https://www.infowars.com/posts/covid-vaccines-are-illegal-bioweapon-says-author-of-bioweapons-law/

Apple is part of a tech cartel which includes Facebook (Instagram), Twitter, Alphabet (Google [YouTube]), and Amazon Web Services.

Might as well throw Cloudflare into that mix.

These are all deeply anti-American companies in violation of EO13848 and thus subject to 18USC2381.

RICO route appropriate.

Layman’s explanation of bio attack phase two (Gates/Fauci/Soros/World Economic Forum/CIA/Avril Haines/John Brennan):

https://vernoncoleman.org/videos/covid-19-vaccines-are-weapons-mass-destruction-and-could-wipe-out-human-race

It’s the vaccines.

And what the vaccines will be setting you up for.

Autumn/winter.

SPARS.

Our boy from Bragg is awake.

Ivermectin.

McInerney.

Hydroxychloroquine.

The vaccines are poison.

Medicine needed to counteract vaccines.

Two bio attacks and a cyber attack (stolen election).

China and domestic enemies (traitors [18USC2381]).

Vaccine CANNOT be mandated for military.

IMG_8445

Contrary to international law used to prosecute and execute Nazi war criminal doctors.

Prison camp guards (those who administer) will not be excused for “just following orders”.

Where are our fighting men and women?

We cannot have a pedophile President (those frequent trips to Delaware) who is simultaneously beholden to China, Ukraine, and Iran.

Wajda negotiated the canal.

Panama.

Given to the Chinese.

Now is the time.

It will not come again.

Indictments diversion for Saudi arrests.

Cyber can make you go dark.

Diversion to approach.

Isaiah 6:8

Send me.

IMG_8389

https://en.wikipedia.org/wiki/Intelligence_Support_Activity

Stallone is excellent here.

I once stood next to Sly.

It was my privilege to be in one of his films.

We now see Sidney Powell.

Killer elite.

-PD

Baby Driver [2017)

What happens in war?

The CDC declared war on the psyches of Americans when it started counting probable cases of coronavirus and probable deaths resulting from COVID as ACTUAL cases and ACTUAL deaths attributable to COVID-19.

CNN declared war on Donald Trump and waged this war for four-straight years by way of merciless propaganda.

In 1980, an anonymous group erected a mysterious stone structure in the United States which prioritized their stated desires starting thusly: “Maintain humanity under 500,000,000 in perpetual balance with nature.”

[the world’s population at the time was 4.43 billion (meaning that this anonymous group thought there were about 4 billion excess humans on the planet)]

In 1910, seven men met in utmost secrecy just off the coast of the United States on Jekyll Island to plan what would become the Federal Reserve System.

Georgia.

Jayne Mansfield was, in all likelihood, a Satanist.

She died when the car in which she was traveling crashed into the back of a tractor-trailer just east of New Orleans.

Did Hitler have tinnitus?

20 July plot.

Operation Valkyrie.

1944.

Could we call those Nazis heroes?

They tried to assassinate Hitler with plastic explosives.

It failed.

But they fucked up his ears.

Kevin Spacey embodies evil in this film (and some might say, in real life).

I avoided watching this film for a long time…strictly because Spacey was in it.

It is well known that he took a trip to Africa aboard Jeffrey Epstein’s “Lolita Express”.

Sexual assault charges have been filed against Spacey by multiple people.

And multiple accusers have subsequently died.

If there is such a thing as the New World Order (some might just call it the Bilderberg Meetings), then Kevin Spacey might well be the most thoroughly-connected Hollywood actor.

It’s just a hunch.

But one thing is certain: Kevin Spacey possesses an amazing thespian talent.

Which brings us to another point.

Do we have to approve of the lifestyles of artists?

Not necessarily so.

I love Pablo Picasso’s work.

I don’t judge his work based on the details of his life.

So I am somewhat remiss to say: Kevin Spacey is brilliant in this film.

And if he be evil in real life, then he had no problem channeling that force for this role.

For he is, undoubtedly, the villain.

And yet, he is human.

There is shading.

Like a Dostoyevsky character.

No one is completely good.

And no one is completely bad.

Which brings us back to war.

We must respect our enemies.

If they indeed demand our respect.

If the Central Intelligence Agency was to have a primary asset in Hollywood, that asset might very well be Kevin Spacey.

Again, just a hunch.

And so we can appreciate brilliance.

Brilliance in conception.

Brilliance in execution.

There are many battlefields.

Many geometric planes on which to do battle.

Kevin Spacey is an infinitely-talented actor.

It is almost scary how deft he truly is.

This movie may have saved my romantic relationship.

My engagement.

On again after four hellish days of arguments.

Because music saves us.

And we make music.

There is a connection which no one can get at.

Our DNA is musical.

Thinking back to Jayne’s measurements.

And songs I’ve written.

A timely shock of hair.

A jawline.

A purity.

Thank you for your service.

Few industries are as sick and corrupt as the acting and music industries.

I know the latter firsthand.

There’s no such thing as a former KGB man.

When life was carefree in Austin, Texas.

Before Antifa ruined it.

Anything was possible.

Everything.

Summer nights.

Potential bursting from every moment.

A sensual heaviness to the air.

Humidity.

Crickets.

The 2020 election was stolen.

And Georgia was centerstage.

Ruby Freeman got caught.

On film.

And (apparently) paid no price.

But this travesty gave us at least one American hero: Lin Wood.

And now L. Lin Wood stands as one of the few remaining beacons in the darkness which has settled over America.

But there were other heroes.

Like Jesse Morgan.

What happened to his truck-full of ballots that he transported from Bethpage, New York to Harrisburg, Pennsylvania?

His truck disappeared.

The 2020 election was a heist of the most grand proportions.

Analog, digital…you name it.

Ask Phill Kline what happened to that truck.

Ask Anthony Shaffer.

The Amistad Project tried to preserve “one person, one vote” in America.

So far, not a single court in the land (post-election) has had the guts to look at the evidence.

And the evidence is embarrassingly-copious.

Jamie Foxx is excellent in this film.

Don’t underestimate the thug.

Street smarts and book smarts differ.

The latter can earn you a living.

The former can keep you alive.

Staying alive in the world of crime and secrecy (a deadly combination) is no small feat.

Especially when the stakes are high.

For criminals, cops are bad.

Unless the cops are corrupt.

In which case, the cops may very well be working to supply the criminals (among other things).

Which makes me think of the highly-questionable Eric Holder.

And the genre this movie emerges from.

A franchise and a genre.

Fast and furious.

We are the scum that keep it alive.

We are the 7 billion people who will not make the cut alluded to in the Georgia Guidestones.

But romance continues in war.

As love is more desperate.

And each moment savored more so.

A morsel here.

There.

We get bold.

Nerds of the world.

Quiet.

Wallflowers.

Desperate times.

Measured.

Yes, we have no bananas.

Just writing songs.

A potential deserter.

Every man has his breaking point.

Ansel Elgort is also brilliant in this film.

Edgar Wright may be the most important film director working in the world today.

This film is a masterpiece.

The problem is (and it’s hardly a problem), all his films are masterpieces.

I watch them repeatedly.

Wright is truly an auteur.

He is truly an indispensable filmmaker.

I didn’t GET that at first.

Just like I didn’t GET the first Grinderman record when it came out.

Some things take time.

Each artist has their own language.

You must first learn the language.

Maybe you can only run so long.

Which is why an army is not one man or one woman.

That day will come when you are not so lucky.

If you only have one memory.

It is priceless.

Can bad people do a good turn?

Yes.

And we pray that they see the light.

Can quiet nerds be bad motherfuckers?

You better believe it.

But they never stop being (simultaneously) fragile.

It is a tenuous balance.

Breathe on it and it collapses.

Yet no hurricane could shake it.

Love.

Chase it.

Fight for it.

Enjoy it.

Be thankful.

Seek it.

God is love.

We must reward those who stick with us.

It is the sweetest honey.

Death is certain.

Life is optional upon participation.

God bless.

-PD

Stieg Larssons Millennium: Del 1 [2010)

You thought we were done.

You’ve wasted so much ammunition.

Having fun yet?

Electoral College meeting date.

December 14.

Sandy Hook.

Harriet Vanger disappearance.

September 22.

Stieg Larsson’s death.

November 9.

Election day.

November 3.

Larsson dies before any of his novels are published?

Dies before the fantastic success of both the novels and subsequent films.

Heart attack at age 50 “after climbing the stairs at work”.

His grandfather had also died of a heart attack at age 50?

He was a smoker, they say.

Like Lisbeth Salander.

Search CIA heart attack gun.

Get this.

The Soviets developed first (ostensibly).

Just like MKUltra.

Not brainwashing, but “deprogramming” those POWs brainwashed during the Korean war.

Ostensibly.

And the Nazis were just “researching” when they conducted human experiments on Jews and other prisoners, right?

https://sofrep.com/news/watch-former-cia-employees-discuss-heart-attack-gun/

Per Oscarsson dies in house fire after appearing in the final Millennium Trilogy film.

December 31.

Wennerström.

Corrupt billionaire of fiction.

Stig Wennerström.

Actual Swedish Air Force colonel convicted of spying on behalf of the Soviets.

He was suspected by SÄPO (the Swedish equivalent of the FBI) of working for the Nazis as early as 1943.

From working with the Nazis (national socialism), he dovetailed into working for the Soviets (socialism/communism).

OPUS 240 Fascism comes from the Left!

Wennerström could have been executed by firing squad for treason because, after all, there was a war on (the Cold War).

War on Terrorism.

Was the end declared?

Instead, he was given a life sentence (which was later commuted to 20 years).

In 1972.

Think hippies.

What country do Bernie Sanders, AOC, et al. most want to copy?

Replicate their “democratic-socialist” utopia?

Sweden.

And I get it.

It is an alluring trick.

Sweden is a beautiful country.

The land is beautiful.

The women (with cans of General Snus in the back pockets of their tight bluejeans) are beautiful.

Even rednecks like me could be fooled.

Briefly.

By the façade.

The “Nordic model” countries (with their literal female models in tow).

Denmark, Finland, Iceland, Norway, and (chiefly powering the Left’s zeitgeist) Sweden.

But Norway has a shit-ton of oil.

Oops.

But I see it.

Walk down the cobbled streets of a small Danish town and you too may be swayed by the seeming utopia.

America is not a Nordic country.

And as Nordic countries (particularly Sweden) attempt to mimic AMERICAN leftist policies (think immigration), they see their homogenous utopias ripped apart.

There are reasons certain forms of government work IN CERTAIN PLACES.

There are factors.

Variables.

America, at this point in its history, cannot whole-cloth adopt the Swedish system.

And any leftist with a brain knows this.

But it doesn’t prevent American leftists from dangling the Swedish carrot (fish?) in front of the noses of their moronic acolytes.

And, as alluded to earlier, it is meant to draw the weak-minded “across the aisle”.

“Come on over.  Everything will be just like Sweden.  Not the current Sweden, of course, but…you know:  the old Sweden.”

Two years after Wennerström’s life sentence was commuted to 20 years, he was paroled.

He had only been in custody for 10 years.

10 years for sharing 20,000 secret documents with the Soviets concerning Swedish air defenses, clandestine Swedish bases, etc.

This was the Swedish custom.

Serve half your sentence and get paroled.

Initial sentence could have been death [treason] (Cold War).

Actual sentence was life.

Sentence commuted to 20 years.

Cut in half (10 years) by parole.

That’s Sweden (in the early ’70s) and, perhaps, quintessential Swedish policy.

The “Nordic model”.

Lovely.

No justice, really.

No defense, really.

No state secrets, really.

No sovereignty, in actuality.

Bad trajectory.

About as robust a defense apparatus as an IKEA bed.

Which is to say.

Cheap.

Disposable.

Nice-looking.

Interesting that Sweden is not a part of NATO.

What if the big, bad Russians (who have 20,000 secret documents pertaining to radar, strategy, mobilization plans…) actually were to invade Sweden?

Those are old documents by now, of course.

But the Russians have a very easy sell to potential Swedish spies.

“Don’t worry.  There’s no declared war.  This isn’t the Cold War.  No treason. No firing squad.  If you get life in prison, it will probably be commuted to a paltry 20 years.  And you’ll be paroled after 10.  If you even get caught.”

Great deterrence, Sweden!

Back to the “Nordic model”…

Guess who ARE members of NATO?

Denmark, Iceland, and Norway.

Finland, right on Russia’s doorstep, are (like the Swedes) not members of NATO.

For more examples of Sweden’s liberal (lax) justice/prison apparatus, see the case of spy Stig Bergling.

Sentenced to life (like Wennerström).

Fled to Moscow during a conjugal visit (you can’t make this shit up!).

Voluntarily returned to Sweden seven years after his escape.

And was PAROLED three years later.

Again, this was DURING the Cold War.

Bergling’s arrest was a full 15 YEARS after Wennerström’s.

In other words, this was the next generation (same shitty policies) of spies being slapped on the wrist.

Bergling was parolled in 1997.

Ahh, that liberal paradise…Sweden.

Unlike Switzerland, it has no natural defenses (mountains) to guarantee its continued paradisal existence.

Need more?

Bertil Ströberg.

Swedish Air Force.

Convicted of spying for Poland [Soviet bloc] during the Cold War.

Sentenced to a mere six years in prison.

Paroled after three years.

Which brings us back to the brilliant (I mean it!) Swedish storyteller Stieg Larsson…himself a committed leftist (going so far as to train guerrillas in Eritrea in the firing or mortars).

What of Vanger?

VOLVO?

Volvokoncernen.

ASEA (the now-defunct General Swedish Electrical Company Limited) removed the swastika from their logo in 1933.

The company’s swastika logo had been used since the late-19th century.

Etymology

What if it’s a similar sound?

Fanger

In Swedish, “catches”.

Like in a cage?

Fanger.

In closely-related Danish, “prisoners”.

Like in cages?

What if a letter is missing?

Svanger.

In Swedish, “pregnant”.

Like, pregnant with meaning?

[svan, btw, means “swan” in Swedish]

Pregnant swan?

Like Leda of Greek mythology?

Zeus, in the form of a swan, raped Leda (a woman) who became pregnant and gave birth to “the most beautiful woman in the world”:  Helen of Troy.

And around whom does this mystery revolve?

The hauntingly-beautiful Henrietta (Helen?) Vanger.

Who had been been repeatedly raped by her father and brother.

[it is true that the Swedish equivalent of Helen would be Helena or Elin, but the initials match]

How did Larsson come to settle on this name Vanger?

Some have suggested Wagner.

Perhaps even Wegner.

Wenger?

Wolf, in Swedish, is “varg”.

Varger?

Vargar, in Swedish, is “wolves”.

Now we are getting somewhere.

But we must flesh out the story.

We are looking for three Swedish Nazi brothers.

I believe the fourth (the good guy) was invented by Larsson.

Three Swedish Nazis?

How about Birger, Gunnar, and Sigurd Furugård?

They founded the Swedish National Socialist Farmers’ and Workers’ Party in 1924.

It’s a good fit.

The good guy might just be IKEA founder Ingvar Kamprad.

By “good”, I mean that he was a member of the Swedish SSS (Svensk Socialistisk Samling [National Socialist Workers’ Party…basically Swedish Nazis]) at age 17 and before that, at age 16, a member of the fascist New Swedish Movement WHO LATER DECLARED (in 1994) that his membership in the latter was the “greatest mistake” of his life.  His association with the SSS wasn’t publicly revealed until 2011 (at which time he made no further comment on having been a part of these types of groups).

So maybe Ingvar Kamprad wasn’t the good guy after all?

Did Larsson meld the Furugårds (Nazis) and Kamprad (a successful business man…and Nazi) into the amalgamation we know as the Vanger family?

https://web.archive.org/web/20120420065622/https://www.telegraph.co.uk/history/world-war-two/8720214/IKEA-founder-was-Nazi-recruiter.html

Kamprad, incidentally, is a variant of “comrade”.

Again, National SOCIALIST German Workers’ Party.

NAZIs.

So “far right” (says Wikipedia) that they were fucking socialists!?!

NAtionalsoZIalistische.

Socialist.

IKEA.

Sweden.

This is exactly what Pieczenik is talking about in the above video.

Fascism coming from the Left.

Kamprad started off with fascism (New Swedish Movement) and a year later went full-Nazi (National Socialist Workers’ Party).

Again, socialist.

You can’t take that word out of there.

And Antifa started as “anti-fascist” [against the Nazis, but FOR communism].

And they remain communist (leftist) and have devolved, ironically, into a fascist organization themselves (at least in America…where their tactics are indistinguishable from those of Hitler and Mussolini’s respective gangs [Sturmabteilung/SA/Braunhemden/Brownshirts & MVSM/Blackshirts/squadristi]).

BTW…IKEA was founded by a 17-year-old Ingvar Kamprad.

Yes, that’s right:  he is confirmed in the above link to have been a member of the SSS [essentially the Swedish Nazi party] that very same year.

1943.

As for Lisbeth, look no further than the alleged Norwegian witch Lisbeth Nypan.

Salander.

Salamander.

Fire.

“blotches on its back”.

From mythology to the real life fire salamander (Salamandra salamandra).

Poisonous.

Europe.

Frigidity (able to extinguish fire).

But also “a product of fire”.

Newts.

Witchcraft.

Wizards and warlocks.

1966.

Disappearance of the Beaumont children (on Australia Day).

Church of Satan formed by Anton LaVey.

Moors murder trial.

Five children (between the ages of 10 and 17) murdered in and around Manchester between 1963 and 1965.  At least four were sexually assaulted.

Killer (Ian Brady) read Mein Kampf and books on Nazi atrocities.

Gertrude Baniszewski found guilty of murdering and torturing Sylvia Likens in Indianapolis.  Paroled in 1985 [American justice failure].

Charles Whitman kills 14 people with a sniper rifle from above the UT-Austin Tower (after killing his wife and mother).

September 22.

Lindwal railway incident.

Anna Karina born.

Nick Cave born.

Magda 30112.

Sara     32016.

BJ         32027.

LI         31208.

Mari    32018.

-PD

 

Histoire(s) du cinéma {Chapter 1(a): Toutes les histoires} [1988]

Times seem apocalyptic.

So here is the greatest movie ever made.

But it is not available on iTunes.

You may have a hard time finding it.

And an even harder time playing it.

I did.

Back in the day.

I had to acquire a region-free DVD player.

And I did.

Solely to watch this film.

It is in four parts.

Each of which is divided in two.

So, therefore, eight parts.

This much-féted masterwork was not only released on television (which is to say, it was not a “theatrical” film per se), but it was accompanied by a soundtrack on the very erudite German record label ECM and further augmented by a book (text and screenshots) published by the most famous French publishing house Gallimard.

The soundtrack is very difficult to find on CD, but it is becoming less-difficult to find in the digital realm (unlike the film itself).

You can at least “listen to the movie” on Spotify.

And so for this film review, we will only be considering (to start with) the first section (which runs 51 minutes).

It is the section with which I am most familiar.

It is my personal favorite.

But it is important to note that the entire 266 minute film is essential to the “weight” of this creation (even if this first part is the most finely-crafted).

But we will reconsider as we go along.

The first section of the film (that which is under consideration) dates from 1988.

The book was not released till 1998 (when the film was completed).

So we have a sort of serial composition here (in the sense of Finnegans Wake).

It came out in parts.

It dribbled out.

Like QAnon.

And its influence spread.

Like COVID-19.

We remember William S. Burroughs and his concept of the “word virus”.

That is certainly germane here.

But I return, again, to Finnegans Wake.

No film creation in the history of cinema is more like James Joyce’s aforementioned masterpiece than Histoire(s) du cinéma.

Indeed, the only other creation I know of which enters into this same sui generis realm is Walter Benjamin’s Passagenwerk (translated in English as Arcades Project).

These are DENSE works…these three masterpieces.

One (Joyce) a “novel”.

One (Godard) a “movie”.

And one (Benjamin) a philosophical book.

Two books and a movie.

And the movie eventually became a book (Godard’s Gallimard creation).

The reverse of the usual.

Here, book doesn’t become film.

And there is not “more” in the book than there is in the film in Godard’s case.

If anything, there is certainly less.

Which doesn’t make it any less poignant.

So, what Godard has created for us with the book is a perfect guide to REMEMBERING WHAT WE SAW.

Which is a big theme of Histoire(s) du cinéma.

Film preserves the holiness of real life (to paraphrase).

Film (and video…of which this movie makes extensive use) preserves a moment.

Film can be (and is, always) a document.

Godard outlines a very French dichotomy here.

Film can be either predominantly of the Lumière brothers’ tradition (what we might call “documentary”).

Or of the Méliès tradition (a doctored reality…a “staged” document…what we might call “drama” [and its various subgenres such as “comedy”]).

But this dichotomy is not strictly “mutually exclusive”.

And here Godard brings us the example of Robert Flaherty.

Known as a director of documentaries, Godard points out that Flaherty “staged” his documentaries (which blurs the lines between the Lumière/Méliès dichotomy).

And what of Histoire(s) du cinéma?

Is it a documentary?

In many ways, yes.

It is a history of film.

But it is also a history of the filmmaker who is MAKING that very same history of film (namely, Godard himself).

To add further layers of surreality, Godard must address his own contribution to the history of cinema (which is considerable by even the most unbiased estimation).

Which is to say…

Godard is important to the history of film.

Very important.

Whether you like him and his films or not, he cannot be ignored.

And so we have here a very curious and “loaded” document indeed.

It is a matter of historiography.

Godard cannot (and indeed, does not even try) to remove his own opinion from this exercise of surveying the history of cinema.

That may be, ultimately, because Jean-Luc Godard never stopped being a film critic.

It was as a lowly film critic that he started…and it is as a film critic with his caméra-stylo (“camera pen”) that he continues to create today.

All of his films are, in and of themselves, film criticism.

From Breathless to The Image Book, he is always making a statement.

Pointing out how vapid Hollywood can be.

Pointing out what doesn’t exist in the marketplace.

Perhaps he is creating that which he would most like to watch…as a film lover.

His favorite film didn’t exist (except in his head–except as a vague concept).

No one had made it.

So, in order to watch it, he had to create it himself.

Then he could (theoretically) “enjoy” it.

I imagine he does this with each new film he makes.

It is always an attempt (“essay”…from French etymology…”to try”) to materialize what he would like to watch.

No director has his cutting wit.

No director’s mind pivots so nimbly.

So he must become his own favorite director…over and over and over and over again.

But this film is indeed a special case.

Ten years of creation.

Joyce spent 17 years on Finnegans Wake.

Benjamin spent 13 years on his Arcades Project.

And all of this which I have written is merely a preface.

That is how IMMENSE and pithy(!) Histoire(s) du cinéma truly is.

To be a creator is tiresome.

It makes one weary.

To always dream.

To imagine.

And to sweat in pursuance of crystalizing ones inspiration.

Jean-Luc Godard has always been a bitter sort of chap.

Bitter about Hollywood.

A love/hate relationship (LOVE/HATE…Robert Mitchum…knuckle tats).

And it is true.

Godard delves very early on into the parallel birth and adolescence of cinema and the Holocaust.

Cinema and the Holocaust.

Cinema was still young.

Cinema had a responsibility to document.

The Germans were very technologically advanced (particularly in sound and video recording).

They kept records of everything.

Even when they went astray during the Third Reich.

Germany had already produced great directors by the time of the Holocaust.

At the top of the list would be F.W. Murnau and Fritz Lang.

But they were not alone.

Wiene, Pabst…

There were others.

UFA (which still exists till this day) was a giant.

Think Metropolis.

So where is the documentation of the Holocaust?

[you can see what a “dangerous” question Godard is asking]

Is he “denying” the Holocaust happened?

I don’t think so.

But he’s asking a relatively simple and (I think) sincere question.

Where is the video record?

All that has been passed down to us of the concentration camps (and “death” camps) is the record made by American directors like George Stevens AFTER the camps had been liberated.

So what really went on there?

Are we to really believe the Germans shot no footage whatsoever in these camps?

And if so, why can’t we see it?

Wouldn’t it truly help us to “never forget” and “never again” and stuff etc. etc.???

It is a very inconvenient fact that, as far as the general public has been made aware, there are NO (and I repeat NO) films (NO FOOTAGE) shot by the Nazis in the concentration camps during WWII.

Surely it exists, right?

But where is it?

Who has it?

What does it show?

Godard is the ultimate enfant terrible here (and elsewhere).

He wants to know.

He’s curious.

Because he’s a film lover.

And he ultimately blames Hollywood (which had, by WWII, become the global center of the film industry) for not truly DOCUMENTING what happened in the concentration camps (neither while the camps were active nor anytime afterwards).

But here Godard branches off into an aesthetic direction.

Godard flatly rejects the talentless Spielberg evocation of Schindler’s List.

For Godard, a directer as mediocre as Steven Spielberg has no business trying to tackle humanity’s darkest hour.

This is the conundrum at the heart of Histoire(s) du cinéma.

What Godard (I think) is saying is this:  there is no way to “write” a history of cinema…because a large portion of contemporaneous history (1939-1945) was not addressed in any true way by the BUSINESS (ironically represented heavily by Jews) of Hollywood.

Godard seems to be saying that Hollywood’s Jews (which is to say, Hollywood) let down world jewry during the years 1939-1945…all for a buck (as it were).

It is a persuasive argument in many ways.

But let’s back up a step.

To reiterate, a history of cinema cannot be told…because there is a portion of that history which is MISSING.

This is a very important word here (and a very important term).

There are films which SHOULD HAVE BEEN MADE, but weren’t (by Hollywood).

And there are films which may have be made (by the Nazis), but as far as we know (factually) were not made.  They do not exist (officially).

Two kinds of films missing.

Hollywood was responsible for the Méliès portion.

Hollywood should have used its immense power (and magic) to save the Jews of Europe.

EVERY FUCKING FILM should have been about the plight of the Jews in Europe who had been rounded up.

But we know very well that that’s not what Hollywood did.

The Nazis were responsible for the Lumière portion.

As twisted as the Nazis were, there is no way in hell those sick fucks did not film (with their Agfa technology, etc.) what was going on in the camps.

No fucking way.

Of course they filmed.

Like a goddamned serial killer.

And it was of pristine quality.

So where the fuck are those films?

But, sadly, Godard is called an “anti-Semite” for asking about these films.

Very sad.

He is coming from a “pure film” stance.

He wants to see the films.

He wants the world to see them.

And so the history of cinema is incomplete.

There is a gap.

Irving Thalberg.  Howard Hughes.  CIA.  RKO.  Starlets.

Film directors have been projecting their fantasies onto the screen since the beginning.

Their perfect women.

Their dream lovers.

But you can’t approach film history without approaching Hitler.

Film was at such an important point in its development.

And along came Adolph.

Chaplin and Hitler overlap.

They have the same mustache.

The Great Dictator was a comedy…more or less.

But it was also an attempt (“essay”) to address Hitler’s presence on the world stage.

An attempt to repudiate Hitler.

And yet, Chaplin could not quite hit the right tones.

It is maudlin.

As a comedy, The Great Dictator is pretty superb.

But it hasn’t aged that well as a piece of poetic philosophy.

Not really.

In that moment, the great Chaplin was powerless.

But at least he tried.

He tried.

But something was missing.

The camps.

Direct reference to the camps.

Addressing the problem with no beating around the bush.

No horseshit.

We need to see the bodies rotting.

We have seen that.

But we need to see the gas chambers.

We need to see the German efficiency and precision.

We need to see their documents.

Their film documents.

No Hollywood recreation can convey what those mythical reels contain.

No backlot will suffice.

We have the propaganda films.

Leni Riefenstahl.

I think what Godard is saying is this…

Hollywood has, since WWII, had to live with the guilt of NOT DOING ENOUGH during the Holocaust.

At the time (while it was happening), it was not kosher (no pun intended) to address the camps.

The public needed uplifting fare.

And Hollywood provided.

Hollywood provided a service.

Entertainment.

But Hollywood (as an entity) was permanently cheapened by not addressing the deep philosophical issue of mass death…mass murder.

Hollywood could have yelled, “Fire!” in a crowded theater.

And, indeed, the theater WAS on fire.

But Hollywood said nothing.

Hollywood told jokes.

No medium is perfect.

Hollywood is people.

But as an institution, Hollywood was exposed as being essentially artless and vacuous.

There were exceptions.

Hitchcock (British…but part of Hollywood).  Chaplin (British…but part of Hollywood).

Nicholas Ray.  Erich von Stroheim (Germanic…but part of Hollywood).  D.W. Griffith.  Howard Hawks.  Orson Welles.

But WWII was also the death of European cinema.

This is a very important concept that Godard conveys.

Not only were European Jews liquidated by the Nazis, but European cinema was effectively liquidated by Hollywood.

Europe would never be the same.

Fritz Lang.  Jean Renoir.  Abel Gance.  Jean Vigo.  Jean Cocteau.  Roberto Rossellini.  Max Ophüls.

America won the war.

The Soviet Union also won the war.

Germany lost.

France was “liberated”.

Italy lost.

And as Europe was subsequently split in half (the capitalist West and the communist East), the hegemony of American film [Hollywood] spread.

At the end of the Cold War, that hegemony became complete.

And so Godard is lamenting the death of his national film industry.

Godard is Swiss.

But he is, in many ways, also French.

He is a French speaker.

His years of highest-visibility were spent in Paris.

And there is not really a Swiss film industry of which to speak.

French film died (“liberated”/occupied).

Italian film died (lost war…occupied).

German film died (lost war…occupied).

Scandinavian film died.

Everything was pushed out by Hollywood.

Europe was relegated to the the realm of “art film”.

European cinema was put in a corner.

The wrecked economies of Europe could not compete with the war-machine-rich studios of America.

America had the magic–the fantasy–the special effects–the Technicolor.

Weary Europeans wanted happiness.

And they bought into the American idea of happiness.

To the detriment of their own unique cultures and philosophies.

Europe became Americanized (at least in the realm of the cinema).

To be continued…

 

-PD

Das Boot [1981)

Here we sit at the bottom of the ocean.

280 meters below Gibraltar.

On a high place.

In a film which (throughout) performs the strange trick of forcing us through cinematic language to sympathize with a boat full of Nazis.

Funny trick, that.

I challenge you to watch this film and see if you don’t also end up pulling for the Nazi U-boat crew.

There is no shame in it.

For Das Boot is itself a propaganda film.

But to what end?

It seems, more than anything, like an intellectual exercise.

And it is precisely because it eschews convention that it is an enjoyable and riveting film.

Indeed, it comes close to being a masterpiece.

It is also a case study in personalities.

Nothing magnifies personality clashes like a claustrophobic metal tube.

I guess we all have to pay our dues.

And sometimes we have to pay them again.

Perhaps we are always paying dues.

Until we are dead.

The stress can drive you crazy.

And there are always people floating in the water.

Which is to say, life is war.

A war to feed ourselves.

To retain shelter.

To ward off the tax man.

To warm our bones.

To stay dry and clothed against the elements.

Urgent need to let some rest.

In need of medical attention.

Eating an orange like a scurvied maniac.

In which you root for the Nazis.

Like Godard as a boy in Switzerland.

In this strange, strange film.

And then the Allied hammer comes down.

And you are shown your sins.

You realize you have been rooting for the Nazis.

And as you watch them die, you are sad.

Because they were the stars of a good story.

And you became emotionally invested in them.

Even though they were (in reality) scumbags.

Or maybe they were just doing their jobs.

This isn’t sympathy for concentration camp guards.

This is a portrait of the poor schmucks who were floating on (and beneath) the sea.

And if I remember correctly, 75% of the 40,000 U-boat submariners in WWII died.

These guys had a very slim chance of surviving this ordeal.

Hard to tell if this is a great film (elegant simplicity) or a shit film (clunky ending).

It’s worth watching, though.

 

-PD

The Blues Brothers [1980)

This one just barely makes the cut as “’80s comedy”.

Narrowly avoids “Big Bush”.

But certainly “Notre Musique”.

The Blues Brothers is one of my childhood favorites.

And I was craving this film.

I tried to locate it on DVD (to no avail).

And so tonight I broke down and splurged on iTunes’ exorbitant à-la-carte business model.

I was willing to pay the premium.

Because I’m sick.

No way around it.

But let me update you as to my progress.

HUGE progress.

Weeks ago (a month?) I cut my sleeping medicine in half (the dosage).

It was hard.

Really hard.

I was disoriented.

Headaches.

But largely just slow as fuck.

I felt like I had a crayon lodged in my brain 🙂

Yes, my body and brain had gotten used to a certain dosage over the past 2 years.

Eventually I returned to some normalcy.

I got used to the new dose.

Half-as-much as previous.

It was time.

My graduate studies had long been over.

And my wonderful psychologist (whom I am so lucky to have) challenged me to break my addictions.

Understand, I didn’t conceive of my dependencies upon prescription drugs as “addictions”.

But I think it is helpful that my paradigm has shifted.

Yes, I was addicted to a sleeping medicine.

Because I took it every fucking night.

And eventually it called to me…to take it earlier than bedtime.

Ugh…horrible.

A few short weeks ago (two?) I made a psychologist-approved adjustment to the dosage of another of my medicines.

This one is for anxiety.

I reduced my dependence from three pills to two.

This was an achievement.

And a tribulation.

VERY FUCKING DIFFICULT.

Again I had that same confusion.

That same disoriented stupor.

Strangely, this detox was a little different.

The whiplash effect (“rebound anxiety”) hit me a full two weeks later.

There was a delayed effect.

The first days were headaches and stuff.

No prob.

I thought I had it beat.

Like nicotine.

Rough, but possible.

So when the delayed effect hit, it really sucked.

But I got through it.

I trudged on.

I got back on the horse.

And now these past few days have brought a return to the sleeping medicine.

But not, you understand, a regression.

No.

Rather, a full stop.

It’s been three days.

And now I am totally off my sleeping meds.

The first night was really rough.

It sucked.

Anxious “sleep”.

Inability GOING to sleep.

But I stuck it out.

Each night has gotten better.

But the DAYS…

Ugh…

Aches, pains, headaches, stomach…trips to the restroom.

Bad stuff.

And that same disorientation.

It is a really strange feeling.

Very unsettling.

But it is an accomplishment.

And so tonight I made it through a movie.

I didn’t have the brain-power to review a film with subtitles.

No art films this time around.

But The Blues Brothers was just what I needed.

Something comforting.

This really is a masterpiece of sorts.

John Landis turned in an excellent effort here.

The costars John Belushi and Dan Aykroyd were magnificent.

And the cameos just keep on coming 🙂

The blues.

Yeah.

I’ve had the blues.

Not depression, so much, but another kind of blues (lately).

Like climbing up a hill.

Like Sisyphus.

When I get to the top (and get used to a new, lower dosage of medicines), my feet are pulled from under me again (as I start on a new challenge).

I am learning (slowly) to deal with my anxiety in natural ways (rather than with drugs).

Suffice it to say that this is VERY FUCKING HARD (for me).

In some respects, I am already back to an engagement with the world which I haven’t had in seven years.

Indeed, I have rolled my medicines back (under psychological supervision) to a level I last “mastered” seven years ago.

That is SOME FUCKING ACCOMPLISHMENT! 🙂

Just a few short months ago (this dog-day summer), I was in the pits of debilitating anxiety.

My cousin died of a heart attack on July 5th.

That sent me into a tailspin.

Not too long afterwards, I myself was on heart medicine.

My dear cousin perished at age 43.

I’m 40.

It scared the fucking shit out of me.

So here we are 🙂

I hope to start a new job soon. (Yay!)

I am scared to death.

Scared I can’t handle it.

But I WANT to do it.

I WANT to handle it.

I WANT the challenge.

I had a great job interview the other day.

First time any company had bothered to listen to me in forever.

AND I WAS OFFERED A JOB! 🙂

I am just waiting on my background check to be completed.

As I have no criminal record (and no credit…neither good nor bad), I don’t see how a fair company could preclude my employment.

But life offers no promises.

I speak my mind.

A bit too freely, perhaps.

And I am not anonymous.

Sometimes I wish I were.

But I am flying out in the fucking wind.

I am not a secret.

My pen name is strictly that.

I am not hiding behind it.

It was my stage name.

I earned it.

I toured the world as Pauly Deathwish.

And so it seemed only natural that my film critic persona take the baton from my musician self.

Indeed.

Music.

I have been making it again.

Playing open mics.

Trying to get my drug-addled brain to MEMORIZE songs.

[ugh…]

Was never my strong suit.

But I’ve gotten (more or less) a couple of tunes under my belt.

And being a middle-aged geezer, I don’t feel too bad showing up with a music stand and some extra lyrics for songs which I haven’t quite set to memory yet.

Music.

Music is what’s at issue here.

The Blues Brothers.

A beautiful film.

I have lived this film.

I have fucking lived these roads.

I’ve played just about every possible analogous shithole to Bob’s Country Bunker.

Believe me.

I have been in the disgruntled band 🙂

As close to chicken wire as imaginable…

Which drags me back to topic.

This is a really fucking good film.

And I am cursing like a sailor.

For my conservative, proper readers, I do apologize.

It is a defect in my personality.

I feel it necessary that I curse.

Otherwise, I don’t feel I am getting my point across.

Because what I am expressing is a very pithy matter.

Life.

The grunge and grit of life.

Every word is in lieu of weeping.

Experiences so pungent as to suck all fight out of a person.

That is what I have lived.

And it is that to which I bear witness.

I am not thinking real clearly, but I am thinking (and writing) a lot clearer than I was a month ago.

I am on the good drugs now 🙂

Tylenol, Advil…

I have been fighting through multiple addictions.

Things which I didn’t see as addictions.

And life is coming back into focus.

And THAT IS TERRIFYING…

But also EXHILARATING!!!

But mostly terrifying 🙂

So here we are.

A movie.

On a mission from God.

Sinners.

Redeemed.

Walking with the Lord.

I ask, here, that God grant me mercy.

I’m just as fucked up as anyone.

But I ask for the grace of Jesus.

And I ask for strength to do the right things.

To help people.

To not be afraid.

I am living through the spiritual battle.

May God protect me.

Yes.

I have seen the light.

And I weep.  Jesus wept.

Too.

I’ve been through so much shit.

And I feel like maybe I am finally emerging from the “dead mall” of limbo.

Like Jake and Elwood crashing out of the JCPenney in 1980 🙂

I want to exist in that flophouse minute.

Buttered toast on a coat-hanger over a hotplate.

And a 78 rpm Decca blues record spins and the elevated lines churn by endlessly.

I want to live in that moment.

Brings us back to the Danish concept of hygge [coziness].

John Landis nails it in the scene where Jake is drinking Night Train wine and Elwood is making toast.

Very close to what Roberto Benigni would do 17 years later in the Schopenhauer scene of La vita è bella.

Those scenes from films…

Those scenes in which we want to live.

They never get old.

They never cease to comfort.

That somewhere in this fucked-up world is a little closet we can call home.

Barely big enough to open the door.

Just a bed.

Basically.

But it’s our little space.

Carrie Fisher tries all manner of destruction in this film 🙂

Even a flame thrower!

But Jake and Elwood keep getting up.

Just some rubble.

Just keep dusting off those black suits.

“Maybe CIA”, says Aretha Franklin (like the key to Dylan’s Tarantula).

Keep climbing from ‘neath those bricks.

Gotta make it seem real.

Maybe use real bricks.

Better to be the first man up.

Let’s get this in one take.

Hit on the head too many times with a brick…

Because there are private pressings on vinyl of American acts that went no further than their local Holiday Inn.

It is almost a fabled purgatory.

Red-shag.

Very Charlottesville with the car and the cartoonish Nazis.

But I just wanna hear me some more John Lee Hooker.

Electrify.

My evenings.

I got the blues.

Days of Delta slide…feathery as an aeolian harp.

And nights of thin, wild mercury.

Just like in the movies…

Get a record contract backstage.

You could wait your whole life.

Carrie Fisher goes full-automatic.

And most of this film takes place in the hellhole of Chicago (but nearly 40 years ago).

Hey…I’m not much for car chases, but this film does something real special with the device.

Exhilarating.  x2

That’s where they have that Picasso, right?

And perhaps it will be notable that Spielberg is the Cook County Tax Assessor clerk?

We shall see.

 

-PD

La vita è bella [1997)

If would be a shame if there were any lies wrapped up in Holocaust historiography.

Because, if there were, they would have the potential to seriously degrade what should be a pure remembrance.

If, for instance, the majority of concentration camp prisoners/workers died as a direct result of the Allies cutting Nazi supply lines.

And when these camps were “liberated” or otherwise found, public relations needed a story (and fast!) to account for this horrible loss of life which technically fell on the shoulders of the Allies.

If (and it’s a big if) that was the case, then such a “noble” lie might have been “borrowed” by the emerging Zionist state of Israel.

Anything to make way for the Jewish homeland.

To recap, if a majority of Jewish casualties in WWII were actually the result of the Allies attempting to starve the Nazi state into submission through siege tactics, then the Allies would have had motive and opportunity to foist upon the world a caricatured distortion of the facts.

Caricatures do not do true honor to the victims.

And if the emerging Jewish state of Israel used such distorted facts to further lobby for a “homeland” (a place where people were already living…non-Jews…for a long time), we could say that “Israel” also had motive and opportunity to participate in this “noble lie” (for different reasons).

But what is most sad is that what I have just written would get me arrested in several countries of the world (mostly in Europe).

We will mention one:  France.

I have spoken about the Loi Gayssot in critical terms before.

And I do not think it is a smart piece of legislation.

It is, ironically, a very authoritarian law.

If I understand it correctly, this law (aimed at “Holocaust deniers”) punishes even those who object on critical grounds to any factual aspect of Holocaust “history”.

As we know, history has been wrong before.

And it can be wrong again.

Furthermore, we never close the door on a particular epoch.

For every other event (except the Holocaust), we welcome new research which brings the situation into clearer focus.

The Holocaust is the one period of history which is off limits (verboten) to any sort of skepticism.

And it is this sort of authoritarian attitude of anti-history which will be the unraveling of whatever the liars of history are trying to hide.

Lies are a big part of every world event.

Operators at the lower level just want to cover their butts.

White lies.

But these white lies can pile up.

And pretty soon the official historiography bears little resemblance to the actual event in question.

Mid-level operators merely want to move up in life.

They want to keep the bigwigs off their backs.

So they condone low-level lies.

And they even concoct some fairly witty stratagems of their own.

And these regional efforts coalesce into inexplicable gumbos of narrative (like the story we have all been given concerning 9/11).

But the real fuckery happens at the high-level.

Here is where everything is a game.

Here is where hubris reigns supreme.

Here is where the Ivy League and the Oxford/Cambridge set conspire in an unholy matrimony of minds to make “a new world”.

These are the minds which, largely, have been so besotted with “logic” that they can no longer entertain the idea of a God or any sort of higher power.

And it is at this level that public relations and social engineering churn out lies which are meant to shape world history.

Lies which are meant to redraw the map.

If the gas chambers did not exist (except in the propagandistic imagination of Allied copy) in any Nazi camp, then it would have likely been a high-level wonk who conceived of such a grand macabre to once and for all paint the Nazis as “pure evil” and the Allies as “beneficent warriors” fighting a “just war”.

So let’s see how censored the Internet is, ok?

As of today, you can still harbor some doubts.

A mathematician doubts.

Bertrand Russell doubted Gottlob Frege.

And Russell was right to doubt.

Logic and mathematics teach us that most “complete, unified” systems eventually fall by the wayside.

That is because they are flawed.

Our knowledge improves.

Some discoveries are truly special, but it is always a process of learning.

The Gayssot Act in France (and other similar legislation in neighboring countries) wants you to take (on faith) the complete accuracy of Holocaust historiography SO FAR.

Such legislation is eager to CLOSE THE BOOK on all nuance and scholarship.

But there is at least one website which seems to harbor healthy doubts about aspects of the Holocaust.

Remember:  questioning ANY PART OF THE HOLOCAUST in France is a violation of the Gayssot Act.

Excuse my French, but that is fucked up!

Don’t we want the truth?

If Hillary Clinton was running a child trafficking ring, do we want to know that?

Yes.

If Donald Trump was colluding with the Russian government to get elected, don’t we want to know that?

Yes.

If the gas chambers were a fanciful way to paint the Nazis as the ultimate enemies, don’t we want to know that there were (in fact) no gas chambers in any concentration camp?

Yes.

We want to know.

And we also want to know how bad the Nazis were.

We want to know about babies on bayonets.

We want to know every Jew-hating idea they ever penned or yelled.

Because we do not approve of this Jew hating.

But we will not punish speech.

In our quest to quash the Nazi strain of hatred, we will not become (ourselves) “Nazis”.

Because the Loi Gayssot only encourages people to seek out “taboo” knowledge.

I can’t believe I agree with the scumbag Cass Sunstein on an actual point, but I think I do.

In other words:  don’t make the knowledge taboo.

Let the cream rise to the top.

Let the crap sink.

Do not criminalize idiocy.

AND DO NOT EVEN think ABOUT A CHINESE METHOD LIKE REEDUCATION!

So here is the site, dear friends:

http://codoh.com

Committee for Open Debate on the Holocaust.

Sounds reasonable, right?

Don’t let some shit-stained-pants-wearing talking head deter you from visiting this site.

Remember when CNN told the world that only “they” could report on WikiLeaks?

These tactics are wearing thin.

If the truth is out there (thank you X-Files), then people will find it.

And the frauds will be exposed.

And the genuine articles will be raised up on cheerful arms.

The global media wants you to think that only dumb Arabs and Persians would ever “deny” the Holocaust.

Do some fucking research!

And I fall into the same target.

I tell myself, “Do some fucking research!”

I do.

All the time.

Just as it was impractical to get an unbiased assessment of 9/11 when the commissioners were appointed by the Bush administration, so too is it impractical to think that a Jewish (or, God forbid, Israeli) author can give an impartial account of any aspect of the Holocaust.

And yet, this is a conundrum.

For Jews, no period of history is so important.

And I sympathize with the call to “never forget”.

But we must be extremely careful to get right exactly what it is we are to “never forget”.

“Never forget” rings especially hollow in the United States regarding 9/11…because most people have absolutely no deep understanding of that event.

I have done my research on that fateful day.

And everything which led up to it.

And much of what followed.

So in the case of 9/11, “never forget” is meaningless…because the vast majority NEVER KNEW IN THE FIRST PLACE.

Which is the trouble with such campaigns.

The message, then, is “Never forget…what we’ve told you…happened.”

Well, that’s not very bloody comforting!

And the propaganda is pretty transparent.

Which brings us to the “Holocaust industry” and this masterpiece of a film (really):  Life is Beautiful.

There is very little propaganda in this film.

There is very little mindless regurgitation of dubious assertions.

But yet it is still there.

And hence my opening diatribe.

First, let me get in one more jab.

Here is something I have actually read.

By Robert Faurisson.

It is called, “The ‘Problem of the Gas Chambers'”.

http://codoh.com/library/document/868/?lang=en

It is from 1980.

There are 141 pieces by Dr. Faurisson (among many other authors) on the CODOH site.

I have read few of them.

But enough to pique my curiosity.

As I said, it makes me highly suspicious when an obviously brilliant scholar such as Dr. Faurisson is “refuted” solely by ad hominem attacks.

When such is the case, said victim only grows stronger.

And Dr. Faurisson is not attacking the Jews.

He’s attacking history.

With logic.

Read it for yourself.

To be recursive, he seems to have found a “fatal flaw” in the historiography which predominates in such shite as Schindler’s List.

We don’t need a John Williams swooning violin melody to tell us the truth.

We just need the fucking truth.

Whatever it is.

We don’t need music in our museums to drive home a particular point.

We just need the artifacts.

They must be laid out in a way which allows for logical conclusion.

They must not LEAD the museum-goer to a particular conclusion.

If they do, then we have entered the realm of propaganda.

And we should be made aware of our participation as guinea pigs in such attempted thought control.

You can read about Dr. Faurisson’s struggles against the French government here (in his biography on the CODOH site):

http://codoh.com/library/categories/1104/

Ok…

La vita è bella.

🙂

It’s a beautiful movie.

Which I saw many times in the theater.

When it came out.

One of the most important and formative films for me as a cinephile.

Roberto Benigni is my favorite actor ever.

And Nicoletta Braschi is wonderful in this film.

Furthermore, Benigni’s film direction is underrated.

The scene, for instance, where he and Sergio Bustric lay in bed is such a lushly-filmed tableau.

I wanted to live in that scene.

Amongst those antiques.

And their hilarious repartee involving Schopenhauer 🙂

But Life is Beautiful is notable mostly as a work of naïveté.

Like Cinema Paradiso.

Instead of Ennio Morricone’s gossamer score, we get Nicola Piovani’s criminally-unavailable musical backing.

[get on that, Spotify!]

There is true magic in this film.

The kiss between Benigni and Braschi under the banquet table.

Sure…

There is so much Chaplin in this film.

Mistaken identity.

The whole thing starts with a virtual rip of The Great Dictator.

But Benigni tells a new story.

And the details don’t matter.

One death was too many…during World War II.

And one family torn apart…was too many…during the Holocaust.

-PD