I was wrong about Lady Bird.
I was wrong about Lady Bird.
This may be the worst film I’ve ever “seen”.
The first five minutes of it.
It’s that bad.
I already knew that Greta Gerwig had no talent.
But I tried to ignore that.
For the sake of the amazing Saoirse Ronan.
But it’s no use.
Gerwig is so atrocious that she even drags Ronan down.
Ronan sucks here.
This is a dire film.
I paid an arm and a leg to BUY this movie.
That’s how much faith I had in Saoirse.
When we see a film, we want it to make sense within its own confines.
Jodorowsky makes sense in that he doesn’t make sense (in Holy Mountain, for example).
Godard makes very little sense in Week-end.
And that too, in its own way, makes sense.
The Romanian New Wave seduces us with what we can only imagine to be a sort of pithiness which must have imbued early Rossellini.
We are stunned that ACTORS (they are, after all, acting) can IMITATE LIFE (so accurately!).
And so Anamaria Marinca is a goddess in 4 Months, 3 Weeks and 2 Days and Cristian Mungiu a true auteur.
Buy Lady Bird does none of this well.
Lady Bird only makes sense as a shit film…in the context of a shit film.
This flick deserves to go straight into the cutout bin.
Never mind all the hype around this one.
This is some watery American Beauty fare.
And Saoirse Ronan fails to capture the élan of a Thora Birch.
Nay, not even the panache of a Christina Ricci circa Pumpkin can be mustered.
I fear that Lady Bird would try to fuse Ghost World and John Hughes films into one ball of wax.
But Greta Gerwig forgot to turn the oven on.
This is like an undercooked cake.
What is the worst part of Lady Bird?
What is the second-worst part?
Gerwig’s mise-en-scène is so clunky that her actors don’t stand a chance.
Which leaves poor Saoirse Ronan.
My favorite working actress.
[well, I hear Birch is working again as well…]
This is really a disappointing outcome.
Sam Levy’s cinematography also misses the mark.
Perhaps the goal was Sofian El Fani’s great work from Blue is the Warmest Color.
Everything about Lady Bird sucks.
And, ugh…the melodramatic script.
Oscar my ass 🙂
The funny thing about propaganda…
You don’t realize you’re under its sway…until you’re no longer under its sway 🙂
Like that great song by the Stones.
Just what ARE those lyrics???
But never mind.
Let’s back to the point.
JUST WHAT KIND of propaganda would this be?
It is with every bone of logic in my body that I soberly assess National Treasure to be Masonic propaganda.
Prove me wrong.
Especially from the beginning.
Near the top of the film.
This is OVER THE TOP endorsement of Freemasonry AND of the Knights Templar.
It’s STILL a good film.
A REALLY ENJOYABLE FILM!
And we’re gonna get down to the nuts and bolts of it…
But I just want to point out another thing which had previously escaped me about this flick.
Nicolas Cage is effectively channeling Alex Jones throughout the entirety of this motion picture.
I can’t believe I never caught this!!!
So there you have it.
The protagonist (not at all an “anti-hero” in the context of this film) is a “conspiracy theorist”.
The protagonist also emanates from a clear lineage in thrall to Freemasonry.
You think I’m kidding?
Watch this flick and observe the clear propagandistic tone* re: George Washington and the rest of America’s “founding fathers”.
“At least nine…”
Signers of the Declaration of Independence.
But I fucking love this movie.
Let me get to a very important component right off: Diane Kruger.
Though she seriously sullied her career by appearing in what might be the worst film ever made (Tarantino’s Inglorious Basterds), Kruger is a goddess of IQ herein.
And her chemistry with Cage is palpable.
Not least, Justin Bartha makes this whole thing quasi-believable.
On its own merits, National Treasure “works”.
Bartha is a lot like Ben Whishaw in the recent Bond films.
A computer geek cast in a very sympathetic light.
And Jon Turteltaub made a pretty fucking great film here.
A lot like a 007 flick!
Witness Cage as he shucks his janitor uniform for a tux.
Straight out of the opening from Goldfinger.
But Benjamin Franklin Gates [Nicolas Cage] is more a “workingman’s” Bond.
A nut job.
Although Gates tries to use his “Submariner” as collateral to get his $100 bill back, we don’t really believe it.
We don’t for a second believe that Gates wears a Rolex.
Cage yes, Gates no.
Which is one of the ways this film goes off the rails.
For all of Cage’s acting prowess, he comes off more as a “star” than a true nerd.
Unfortunately, that is damaging for the narrative of this picture.
But all-in-all, National Treasure is a film I want to return to time and again.
The story seduces.
For God and country.
The Freemasonry stuff is a little weird.
[ok, a LOT weird]
But it makes us face the facts re: George Washington, et al.
And brings up a tangential and potentially-timely question:
“Is President Trump a Mason?”
I must admit: I have seen Trump make this hand gesture ABOUT A MILLION FUCKING TIMES!
In fact…there is AT LEAST another possibility.
Is Trump’s ostentatious display of “Freemason” hand signals a PRETENSE?
In other words, is Trump PRETENDING to be a Freemason??
But who the fuck really cares???
If George Washington was a Freemason (and he was), then that kinda serves as a cornerstone of expectations (to say the least).
I’m not a Freemason.
I could care less.
But there is an important caveat.
Was the secrecy of Freemason lodges an essential aspect of communications security leading to victory in the American Revolution?
And what about the French Revolution??
Again, these possibilities seduce.
Suffice it to say, National Treasure can be a strangely enthralling work if viewed through the lens of theory on propaganda films as well as through the kaleidoscopic peephole of current events.
Something certainly seems afoot in the USA.
I am even reluctant to utter its name.
Mostly because I know not what it is.
This new era of the republic.
Trump as President.
Hard-pressed on all sides.
The winner, fair and square.
Elected by the rules of the country.
The Electoral College.
Which rewards the residual “statehood” of lands which chose to join the USA.
At any rate, things seem far from settled.
Indeed, there is a war going on in the United States.
And it is mostly being waged in the realm of “the spectacle”.
President Trump has an OVERWHELMING MAJORITY of the mass media AGAINST HIM.
It is almost comical 🙂
I would liken it to rats having been driven from a burning ship.
Or termites running for cover during a house fire.
Something is off.
Clearly, the media “darling” (that repulsive shell of a human being, Hillary Clinton) did not ascend the throne.
And the owners of the corporate mass media continue to take her defeat VERY POORLY 🙂
Indeed, Trump is positively “mature” compared to the childish response of the U.S mass media.
Which begs the question: WHAT ARE THEY SO AFRAID OF???
And further: did an “outsider” REALLY win the White House 12 months ago?
Judging from media reaction, Trump must be a fucking Messiah.
And further judging from the bungling media info warfare, the psychological operations techniques being employed IN CONCERT by the U.S. mass media ARE HOPELESSLY DAFT 🙂
Every time Jim Acosta tries to rip Trump, it just adds fuel to the #MAGA fire.
Every time the White House press corps comes off as a Mormon Tabernacle Choir of homogeneity (anti-Trump in tenor), the “deplorables” who voted Trump in are proven right.
To be quite frank, I would hate to be on the other side.
The U.S. Democratic Party appears to be trying to reinvent the wheel…AND FAILING BADLY 🙂
But let us leave the chisel of disingenuous chiselers behind for the time being.
May you know joy.
May the Lord Jesus Christ shine upon you today.
May that grace which surpasses all understanding soothe your heart and uplift your spirit.
May a twinkle of love float lightly into your life tonight.
And may it bloom into charity and generosity forevermore.
Greetings, Professor Falken.
Today is my birthday.
The age at which you “died”.
But you didn’t really die.
Is this real world or exercise?
Dawn Deskins wanted to know.
WHAT’S THE DIFFERENCE?
And the tree of life.
Greetings, my friends.
It has been a long time.
Perhaps you thought I was dead.
Perhaps I thought I was dead.
And so this is a perfect movie with which to attempt a comeback.
“You can always come back/but you can’t come back all the way”
Bob Dylan said that.
To get her together.
I said that.
It was a rough day.
NEADS thought it was part of an exercise called Vigilant Guardian.
Michael Ruppert (may God rest his soul) documented the litany of war-games which were active on 9/11/01.
And Michael Ruppert wrote about this in a tome which should serve in some ways as a sort of bible for those wishing to know the truth about 9/11: Crossing the Rubicon: The Decline of the American Empire at the End of the Age of Oil.
Ruppert was wrong about some things.
“Peak oil”, for instance.
Perhaps my understanding is hopelessly daft, but it seems that hydraulic fracturing (“fracking”) changed the geopolitical world immensely.
Just a few years ago, rather intelligent folks like Leonardo Maugeri (to name a typical example) were bemoaning the hydrocarbon “cliff” off of which we were about to leap.
That has not been the case.
Maugeri’s book The Age of Oil: The Mythology, History, and Future of the World’s Most Controversial Resource is wildly, spectacularly wrong.
Which also means that Dick Cheney and all those arch conspirators* were also wildly, spectacularly wrong about the importance of the Caspian Basin.
Let me put it to you this way: if you really believe 19 blokes with box cutters brought the U.S. military machine to its knees, then I can’t help you.
As for me and my house (so to speak), we do not believe the box cutter theory.
And so we come to the DoD and fictional characters such as Stephen Falken.
And Albert Wohlstetter (not forgetting his ever-so-important-to-the-neocons wife Roberta).
And Steve Pieczenik.
So much has happened.
And so much is at a precipice.
“The Far East Strategy”.
It is my firm belief that 9/11 was some sort of engineered* conspiracy which involved boxcutters and Muslims in only the most tangential of ways.
But you will have to learn that parallel history.
If in fact you are interested.
And I shall show my enlightened, nonpartisan wisdom by recommending Trump-hater Webster Tarpley’s 9/11 Synthetic Terror: Made in USA above all other books on the subject.
Indeed, I look forward to hopefully adding another Trump-hater (Wayne Madsen) book to my collection soon…one which discusses to what extent and in exactly what ways Saudi Arabia and Israel were involved in the 9/11 false-flag/stand-down.
Which brings us back to Pieczenik.
And the Wohlstetters.
But let us at least attempt to make passing reference to the film under consideration.
If you’ve never seen this movie from the beginning (a cold start), I highly recommend adding such footage to your filmic knowledge.
The Great Plains.
Humans in the loop.
As humans are removed, MAD (what, me worry?) becomes even more unequivocally assured.
You might remember WHOPPER’s (WOPR) cousin [Siemens System 4004] from Willy Wonka…
It is somehow fitting that WarGames should make a Burger King allusion in 1983.
Indeed, this was the period of the very real (and ridiculous) “burger wars“.
But let’s get on with it…
Matthew Broderick plays basically the Bill Gates of this famous picture:
I must say…this film deeply affected me as a kid.
Perhaps it was due to the wonderfully effervescent (what is she, a sparkling wine?!?) Ally Sheedy.
Sure… There are a couple of moments of unbearable melodrama to make this movie slightly imperfect, but a kid doesn’t notice such things.
And so as a youth, I ate this film up.
Broderick and Sheedy as “partners in crime” (somewhat literally…).
It would be like some high school kid hacking into the USAF’s Space and Missile Systems Center (SMC) to play a “game”.
Is this real world or exercise?
WHAT’S THE DIFFERENCE?
Which brings us back to the ubiquitous Baudrillard.
And, if you can bear it, Debord.
GLOBAL THERMONUCLEAR WAR.
But let’s change tacks for a second.
Back in the Cold War days.
David Lightman would have been a prime target for recruitment by a foreign intelligence service (or so this film claims).
However, I would point out a plane which the passing analysis seems to miss: industrious brilliance.
Recording the analog [?) signal of the infirmary door with a psychiatrist’s micro-tape recorder.
Removing the tap from a pay phone and using a pull tab to hotwire a call back home (in lieu of a quarter).
These are the assets of operators.
Whether CIA or early FBI, appreciation for unconventional skill sets has been a hallmark of organizations engaged in successful growth.
Put differently, David Lightman would have made a pretty great spook.
Indeed, his skill set might have been best utilized by the NSA (no such agency).
Back in the day.
Before the world changed.
The average citizen had no idea about the National Security Agency back in the Bobby Ray Inman days (1977-1981).
Know your enemy.
Half the battle.
Mirror’s other half.
It’s not impossible.
To make a matrix.
Must be organized.
Few films capture this.
This anxiety of being ushered into an FBI van.
Picked up on the street.
Fresh out of the 7-11.
A unique take on “talent spotting”.
Almost an accidental spy.
Like the DIA buffoons seen here:
These films are real.
And offer us hope.
About unconventional paths.
Former DIA head Gen. Flynn has an appreciation for this.
“…you magnificent bastard, I read your book!”
[or some of it]
Enter the jaded Richard Dawkins character.
Really a rather laborious (and dead-on) archetype.
The “science worshipper”.
Obsessed with mass extinction.
Really, Dr. Falken is very much a J. Robert Oppenheimer character.
Which is appropriate, seeing as how the subject under consideration is Global Thermonuclear War.
WarGames is a genuinely moving, inspired film.
But it stumbles in a few places.
Not least, at the end.
Both of them 🙂
Yes, like the slew of “disaster movies” (such as Deep Impact) which glutted picture houses at the end of the last century, WarGames hones in on a maudlin tessitura which is made ineffective by repeated use.
In plain English, this film has two endings.
And they are identical.
And the aforementioned melodrama.
Yet for all its imperfections, WarGames is a masterpiece of sorts.
And so I salute director John Badham.
Truly an indispensable film.
This one just barely makes the cut as “’80s comedy”.
Narrowly avoids “Big Bush”.
But certainly “Notre Musique”.
The Blues Brothers is one of my childhood favorites.
And I was craving this film.
I tried to locate it on DVD (to no avail).
And so tonight I broke down and splurged on iTunes’ exorbitant à-la-carte business model.
I was willing to pay the premium.
Because I’m sick.
No way around it.
But let me update you as to my progress.
Weeks ago (a month?) I cut my sleeping medicine in half (the dosage).
It was hard.
I was disoriented.
But largely just slow as fuck.
I felt like I had a crayon lodged in my brain 🙂
Yes, my body and brain had gotten used to a certain dosage over the past 2 years.
Eventually I returned to some normalcy.
I got used to the new dose.
Half-as-much as previous.
It was time.
My graduate studies had long been over.
And my wonderful psychologist (whom I am so lucky to have) challenged me to break my addictions.
Understand, I didn’t conceive of my dependencies upon prescription drugs as “addictions”.
But I think it is helpful that my paradigm has shifted.
Yes, I was addicted to a sleeping medicine.
Because I took it every fucking night.
And eventually it called to me…to take it earlier than bedtime.
A few short weeks ago (two?) I made a psychologist-approved adjustment to the dosage of another of my medicines.
This one is for anxiety.
I reduced my dependence from three pills to two.
This was an achievement.
And a tribulation.
VERY FUCKING DIFFICULT.
Again I had that same confusion.
That same disoriented stupor.
Strangely, this detox was a little different.
The whiplash effect (“rebound anxiety”) hit me a full two weeks later.
There was a delayed effect.
The first days were headaches and stuff.
I thought I had it beat.
Rough, but possible.
So when the delayed effect hit, it really sucked.
But I got through it.
I trudged on.
I got back on the horse.
And now these past few days have brought a return to the sleeping medicine.
But not, you understand, a regression.
Rather, a full stop.
It’s been three days.
And now I am totally off my sleeping meds.
The first night was really rough.
Inability GOING to sleep.
But I stuck it out.
Each night has gotten better.
But the DAYS…
Aches, pains, headaches, stomach…trips to the restroom.
And that same disorientation.
It is a really strange feeling.
But it is an accomplishment.
And so tonight I made it through a movie.
I didn’t have the brain-power to review a film with subtitles.
No art films this time around.
But The Blues Brothers was just what I needed.
This really is a masterpiece of sorts.
John Landis turned in an excellent effort here.
The costars John Belushi and Dan Aykroyd were magnificent.
And the cameos just keep on coming 🙂
I’ve had the blues.
Not depression, so much, but another kind of blues (lately).
Like climbing up a hill.
When I get to the top (and get used to a new, lower dosage of medicines), my feet are pulled from under me again (as I start on a new challenge).
I am learning (slowly) to deal with my anxiety in natural ways (rather than with drugs).
Suffice it to say that this is VERY FUCKING HARD (for me).
In some respects, I am already back to an engagement with the world which I haven’t had in seven years.
Indeed, I have rolled my medicines back (under psychological supervision) to a level I last “mastered” seven years ago.
That is SOME FUCKING ACCOMPLISHMENT! 🙂
Just a few short months ago (this dog-day summer), I was in the pits of debilitating anxiety.
My cousin died of a heart attack on July 5th.
That sent me into a tailspin.
Not too long afterwards, I myself was on heart medicine.
My dear cousin perished at age 43.
It scared the fucking shit out of me.
So here we are 🙂
I hope to start a new job soon. (Yay!)
I am scared to death.
Scared I can’t handle it.
But I WANT to do it.
I WANT to handle it.
I WANT the challenge.
I had a great job interview the other day.
First time any company had bothered to listen to me in forever.
AND I WAS OFFERED A JOB! 🙂
I am just waiting on my background check to be completed.
As I have no criminal record (and no credit…neither good nor bad), I don’t see how a fair company could preclude my employment.
But life offers no promises.
I speak my mind.
A bit too freely, perhaps.
And I am not anonymous.
Sometimes I wish I were.
But I am flying out in the fucking wind.
I am not a secret.
My pen name is strictly that.
I am not hiding behind it.
It was my stage name.
I earned it.
I toured the world as Pauly Deathwish.
And so it seemed only natural that my film critic persona take the baton from my musician self.
I have been making it again.
Playing open mics.
Trying to get my drug-addled brain to MEMORIZE songs.
Was never my strong suit.
But I’ve gotten (more or less) a couple of tunes under my belt.
And being a middle-aged geezer, I don’t feel too bad showing up with a music stand and some extra lyrics for songs which I haven’t quite set to memory yet.
Music is what’s at issue here.
The Blues Brothers.
A beautiful film.
I have lived this film.
I have fucking lived these roads.
I’ve played just about every possible analogous shithole to Bob’s Country Bunker.
I have been in the disgruntled band 🙂
As close to chicken wire as imaginable…
Which drags me back to topic.
This is a really fucking good film.
And I am cursing like a sailor.
For my conservative, proper readers, I do apologize.
It is a defect in my personality.
I feel it necessary that I curse.
Otherwise, I don’t feel I am getting my point across.
Because what I am expressing is a very pithy matter.
The grunge and grit of life.
Every word is in lieu of weeping.
Experiences so pungent as to suck all fight out of a person.
That is what I have lived.
And it is that to which I bear witness.
I am not thinking real clearly, but I am thinking (and writing) a lot clearer than I was a month ago.
I am on the good drugs now 🙂
I have been fighting through multiple addictions.
Things which I didn’t see as addictions.
And life is coming back into focus.
And THAT IS TERRIFYING…
But also EXHILARATING!!!
But mostly terrifying 🙂
So here we are.
On a mission from God.
Walking with the Lord.
I ask, here, that God grant me mercy.
I’m just as fucked up as anyone.
But I ask for the grace of Jesus.
And I ask for strength to do the right things.
To help people.
To not be afraid.
I am living through the spiritual battle.
May God protect me.
I have seen the light.
And I weep. Jesus wept.
I’ve been through so much shit.
And I feel like maybe I am finally emerging from the “dead mall” of limbo.
Like Jake and Elwood crashing out of the JCPenney in 1980 🙂
I want to exist in that flophouse minute.
Buttered toast on a coat-hanger over a hotplate.
And a 78 rpm Decca blues record spins and the elevated lines churn by endlessly.
I want to live in that moment.
Brings us back to the Danish concept of hygge [coziness].
John Landis nails it in the scene where Jake is drinking Night Train wine and Elwood is making toast.
Very close to what Roberto Benigni would do 17 years later in the Schopenhauer scene of La vita è bella.
Those scenes from films…
Those scenes in which we want to live.
They never get old.
They never cease to comfort.
That somewhere in this fucked-up world is a little closet we can call home.
Barely big enough to open the door.
Just a bed.
But it’s our little space.
Carrie Fisher tries all manner of destruction in this film 🙂
Even a flame thrower!
But Jake and Elwood keep getting up.
Just some rubble.
Just keep dusting off those black suits.
“Maybe CIA”, says Aretha Franklin (like the key to Dylan’s Tarantula).
Keep climbing from ‘neath those bricks.
Gotta make it seem real.
Maybe use real bricks.
Better to be the first man up.
Let’s get this in one take.
Hit on the head too many times with a brick…
Because there are private pressings on vinyl of American acts that went no further than their local Holiday Inn.
It is almost a fabled purgatory.
Very Charlottesville with the car and the cartoonish Nazis.
But I just wanna hear me some more John Lee Hooker.
I got the blues.
Days of Delta slide…feathery as an aeolian harp.
And nights of thin, wild mercury.
Just like in the movies…
Get a record contract backstage.
You could wait your whole life.
Carrie Fisher goes full-automatic.
And most of this film takes place in the hellhole of Chicago (but nearly 40 years ago).
Hey…I’m not much for car chases, but this film does something real special with the device.
That’s where they have that Picasso, right?
And perhaps it will be notable that Spielberg is the Cook County Tax Assessor clerk?
We shall see.
Film by Godard.
Group in Mozambique.
Cowboys and Indians.
I must be wrong.
That was much later.
I was confused.
So this is just Italy.
Quite possibly the only Marxist Western ever made 🙂
And, yes: the Dziga Vertov Group.
With Jean-Pierre Gorin.
So here was the great filmmaker (Godard) subsuming himself in the communalism of group creation.
Like being in a rock band.
There might be a main songwriter (or two).
And there might be a lead vocalist.
But it is a group effort.
Rock bands are kinda like little democracies (in my experience).
So, does that mean that communism/socialism starts at its most cellular level as something resembling democracy?
It is an interesting thought.
Because Godard was most certainly a hardcore socialist at this point.
But we remember those strange counterintuitive phrases like “dictatorship of the people”.
In other words, Marxist-Leninist thought was promising popular representation SO POWERFUL that the PEOPLE became a META-DICTATOR.
But it all kinda turned out like Tom Cruise’s witchcraft 🙂
A big bollocks burger in Eastern Europe.
And a Soviet Union that collapsed beneath its own weight.
But China soldiered on.
And juche (North Korea).
Notice that “zhoosh or tjuz” means to “smarten up” or “stylize” in that Cockney code language known as Polari.
And for my dear pizzagate researchers, you should be heartened by this further corroboration of James Alefantis’ sick mind:
Why do I have a feeling about this?
Because of Bowie’s last album: Blackstar.
But reinserting ourselves in history, it is rather obvious that communism soldiered on mostly in the East.
Let’s not forget Vietnam and Laos (both still communist to this day).
Thus, Wind from the East.
Yes, Peter Wollen, there’s definitely some Brecht in here.
Especially in that scene when a fucking horse finally shows up 🙂
Not much of a Western without a horse.
So there is eventually one horse for Gian Maria Volontè.
Volentè, of course, really WAS in Westerns (about five years previous).
A couple of those great Sergio Leone “spaghetti Westerners” with Clint Eastwood: A Fistful of Dollars and also For a Few Dollars More.
So kudus to Godard, Gorin, and the whole Dziga Vertov Group for getting Volontè.
But really the star is the beautiful redhead Anne Wiazemsky, who passed away just nine days ago.
It is no wonder Godard fell in love with her.
As he had fallen for Anna Karina previously.
But Wiazemsky was a mind.
A beauty, but a total 180 from Karina.
Of course, neither marriage worked out.
But Wiazemsky is lovely in this film.
Indeed, she is one of the few breaths of air in the whole picture.
There are certainly some suffocating scenes.
The opening shot is interminable.
But eventually things get rolling.
Wiazemsky is splashed with blood as she is repeatedly choked by Volontè.
A bizarre scene.
Also part of this amalgam was Daniel Cohn-Bendit.
I thought I was seeing Mozambique.
It colored everything I was watching.
I was looking out for poisonous snakes.
Godard would eventually make it to Mozambique…later in the 1970s…but I was merely confused.
I mean, here’s a film that until recently was available only as a Japanese DVD (with no English subtitles).
That is the version I watched.
I hear there is another release of this film recently with other of the Dziga Vertov work, but I am happy enough (for the time being) to have seen it as a Frenchman might have in 1970.
My French was tested.
This is a rather experimental film.
Perhaps it is no great masterpiece.
But it teaches that we can go backwards or forwards through time by way of cinema.
Forwards with imagination, and backwards in reality.
We were already beyond this point, and yet we have been blessed to return.
To get one step closer.
To close a loop.
Solve a riddle.
Replace a missing stone.
It was a lot of work seeing this film.
That is love.
This is a pretty damned perfect film.
Depending on where you’re coming from.
I set out for San Antone and I never felt so good.
It might seem like a light watch (and in many ways it is), but Talladega Nights… captures something essential.
Will Ferrell distinguishes himself here as something of an auteur.
Sure, it’s really just an extended George W. Bush impersonation transposed onto the milieu of NASCAR, but there is quite a remarkable naïveté here from Ferrell.
It is kayfabe all the way to Alabama.
Ferrell never gives away the game.
Did Will Ferrell despise George W. Bush?
Did Will Ferrell secretly love George W. Bush?
Was Will Ferrell completely apolitical at this time?
It doesn’t matter.
What we see in his role as Ricky Bobby is pure.
There is something of Andy Kaufman in his performance.
Ferrell plays this role as if in a trance.
And this makes this film truly remarkable.
Sure, there are a ton of one-liners throughout.
The one-liners hook you in.
You see a bit on TV. You hear a quote by the water cooler.
But when you finally sit down to view the whole film, you are greeted by a very complete work of art.
And, it must be said: the brilliance of this film hinges as much on Sacha Baron Cohen as it does on Ferrell.
The two play off one-another.
Don’t be fooled: Cohen’s turn as the Perrier-sponsored NASCAR driver Jean Girard is not a gratuitous cameo.
There is real drama here.
But most of all, it is one of those rare times when two comedic geniuses face off and create a sum greater than the parts.
Indeed, this may be Cohen’s best film role aside from the timeless Borat…
Cohen’s Girard comes off as a rather insipid, tongue-in-cheek Bond villain.
Think Hugo Drax.
But it works.
Because Cohen mixes in an equal part Serge Gainsbourg.
For my money, there are few things funnier than seeing a NASCAR driver reading Camus’ L’Étranger WHILE DRIVING!!! 🙂
And there are so many of these moments.
Many of them are lowbrow.
But this film is classic.
This is truly a slice of Americana.
And, at the same time, it is a good story about overcoming anxiety.
Amy Adams plays a very important, mostly-understated role as Ricky Bobby’s assistant.
Her impassioned monologue in The Unfriendly Possum (before she climbs up on the table and makes out with Ferrell) is truly a bit of acting brilliance.
She channels something.
Can you buy that?
Can you just pay an actress to be that good??
Adams adds a depth which this film dearly needed.
Cohen added a bizarre twist which perfectly seasoned the whole concoction.
But Ferrell is the big enchilada here.
Adam McKay did a nice job reeling this one in.
But he had a juggernaut in Ferrell.
Truly a special film.
It is a niche film.
But I live in that niche 🙂
It’s been a long time.
And a rough time.
Cousin died of a heart attack.
Freaked me the fuck out.
I was sick for two months.
Had to start taking heart medicine.
Thought I could sleep it off.
But, more so, overwhelming fear.
My cousin went at age 43.
Like a thief in the night.
And here I am sittin’ at age 40.
Jesus has happened to me.
A funny thing happened on the way to my mid-life crisis…
Sure 🙂 Whatever…
Doesn’t matter what you call it.
Just matters that grieving can fuck you up.
Our minds are fragile.
And I am not used to death.
I am not a hardened individual.
I have seen a lot of things.
But I haven’t seen a lot of death.
So my cousin’s death fucked me up.
But I’m back.
And I’m getting better than ever.
Which brings us to this film: The Big Lebowski.
You know, I used to be such a snobby prick.
Probably still am in some people’s eyes.
But believe me: life has brought me low.
And so I say prayers…all the time…for anyone I’ve ever hurt.
Anyone I’ve ever insulted.
Karma follow us.
And thus the East-West divide of The Big Lebowski.
Cowboys as Confucians.
My cousin was a cowboy.
Big, Copenhagen-dipping hoss!
I miss that motherfucker.
Shit, I miss Copenhagen 🙂
The city and the tobacco…
Well, at least Denmark.
Never been to København.
My new readers (if I have any) might be wondering, “Does he have to curse so much?”
I’m working on it.
I don’t know how to be me.
I love God.
I believe in Jesus.
And I drop f-bombs everywhere…when I write.
Let me explain: Pauly Deathwish is a persona.
It’s me, to a certain extent.
But it’s also the badass (failed) musician who toured the world in Young Heart Attack (yes, you read right) and Lost Bayou Ramblers.
I am that guy.
And I am getting back to music.
After 2 1/2 torturous years in business school.
Now I have a BM and an MBA.
[bachelor’s of music is the first one…in case you were wondering]
The Big Lebowski.
Is a masterpiece.
This is The Beatles’ of films.
Everyone loves it.
And should love it.
Film snobs will scoff at it (as I once did).
But I have seen the error of my ways.
Life is too fucking hard to forego a laugh.
I needed this film tonight.
I needed John Goodman.
I needed Jeff Bridges.
And I needed les frères Coen 🙂
Being a snob is a hard habit to break.
Critic is just another word for snob.
And cursing is really hard to quit…once you’re balls-deep.
“What the fuck are you talking about…man?”
The exception that PROVES the rule?
I don’t know.
Etymology has shifted.
Words have taken on their opposite meanings.
Much stranger than dialectics.
Defined by opposition.
No, that is much simpler.
Yin and yang.
But language is slippery.
And, so, do not fear…dear friends.
I am back.
I am scared as shit.
But here I am, writing my ass off.
Trying to bring you some glimmer of REAL in this world of fake.
That is the whole point.
We are searching for those treasures…
We want to keep our best moments.
We love vérité.
I owe to Jesus my salvation.
I am a sinner.
No better than any other man or woman.
I have a long road to walk (God willing)…to get back to the godliness I once knew.
But the point is simple: all glory to God!
It is not my doing.
I am saved by the grace of the Lord.
This may sound like psychobabble.
That is fine 🙂
Don’t worry about a thing, my friends.
Love one another. And seek God.
God is love.
I hope to bring you many more film reviews.
I praise God for this opportunity to share my writing with you.
Thank you for reading.
God bless you.
I love you all.
This may be the funniest film ever made.
An erudite film critic shouldn’t admit such, should they?
But I learned long ago that I must have my own voice.
I can scour the Earth for every film to which Jean-Luc Godard made reference in Histories(s) du cinéma, but I still must contend with my own personal predilections.
We like stuff because it resonates with us.
For me, the realization was with the Romanian New Wave…and ’80s American comedies 🙂
The serious, austere, heartrending, bleak works of the Romanian New Wave have not been canonized by Godard.
Godard, the man, will (sadly) pass away.
Which is a terrible thought to me.
Because he has made his best films [sic] in his “later” years.
But the Romanian New Wave was “mine”.
I discovered it by accident.
And I dug a little deeper.
I would say about 90% of Romanian film resonates with me in a powerful way.
Almost as much as French film resonates with me.
But then I had to come to term with ’80s American comedies.
These were the things on which I grew up 🙂
And there is no greater joy in my film-viewing experience than to see a film which elicits hyperventilating belly laughs 🙂
And so, Borat [directed brilliantly by Larry Charles].
If Sacha Baron Cohen never again makes a good film, he’s still a genius in my book…based solely on this one masterpiece.
No, it is not Citizen Kane.
But it is something.
Something closer to Cohen’s hero Peter Sellers.
And to the bent mind of Andy Kaufman.
Borat Sagdiyev is the epitome of awkward…once he is placed within American society.
He is from the “backwards” land of Kazakhstan.
[of course, there is a great deal of exaggeration in this film…because such caricature can be quite funny]
The special thing about Borat (and Cohen, working through Borat) is that HE INSULTS EVERYBODY 🙂
Borat very much prefigures the Trump Presidency.
Not to mention the young Trump supporters fond of Pepe the Frog 😉
The idea is, “Lighten the fuck up!”
Laugh a little.
Laugh at yourself.
And, naughty naughty, laugh at what you’re not SUPPOSED to laugh at.
The forbidden subjects of laughter make us laugh the heartiest.
Our conscience kicks in.
We feel BAD about making light of such and such.
But it is a reflex: it just simply is fucking funny 🙂
Nothing is going to take the fun out of this world quicker than those who scrub history, those who censor films, those who impose sensitivity training liberally…
Let’s get nitty-gritty.
Ken Davitian is excellent as Borat’s assistant Azamat Bagatov.
Nothing like having to hairdry the balls of your boss 🙂
[not to mention “back pussy”]
Yes, the humor is SO WRONG.
But, as I overheard two days ago at the video story, white guys still reminisce fondly about Eddie Murphy standup routines.
Not exactly my bag, but I get it.
[and black guys, hispanic guys…Eddie Murphy was very much a “taboo” comedian]
Which brings us to Lenny Bruce.
I love Lenny Bruce.
Guy was messed up.
But he was brave.
So the point is, crude humor is maybe not the smartest…maybe not the best influence on society…but we need a little of it, it seems.
Maybe it’s because we’re all sinners?
I don’t know.
I don’t want to get too theological.
If I was a better Christian, perhaps I would repudiate Borat.
But I simply cannot do that.
And so I’ll keep it brief:
God works in mysterious ways.
I may be wrong.
But this film helps my heart with a laughter unlike any other.