Boogie Nights [1997)

Something big is going down.

A country is getting taken down.

And that country is the USA.

It is getting taken down using methods suspiciously-similar to those used by the CIA in their regime change activities around the world.

Iran, Guatemala, Indonesia, Chile…

You know their work.

But this time it’s different.

Just as the American intelligence community was weaponized by President Barack Obama against Presidential candidate (and President-Elect) Donald Trump, so is the Deep State (chockfull of former CIA officers) now attempting to bring down the United States to save their asses.

Does China have any reason to attempt to totally destroy the United States AT THIS TIME?

No.  [but they are a part of (willing accomplice to) the takedown]

Does Russia have any reason to attempt to totally destroy the United States AT THIS TIME?

No.

Is there any intelligence organization in the world capable of orchestrating the total war to which the United States has been subjected over the past three months?

Only China and Russia.

And perhaps Israel.

But Israel has absolutely no reason to attempt to depose their greatest ally (Donald Trump).

Iran does not have the capability or sophistication.

Nor does North Korea.

[and North Korea, even if they had the capability (which they do not), has no reason to run a regime change campaign against the most formidable counterintelligence apparatus in the world AT THIS TIME]

And so that leaves us but one “country”:  a country within a country.

The American (Globalist) Deep State.

It is almost synonymous with the CIA.

And the CIA’s methods and signatures are all over the multi-pronged onslaught we have witnessed these past months.

It’s not necessary at this time to point out the biggest players.

Soros?  Yes.

The Clintons?  Yes.

Obama?  Yes.

Bill Gates?  Yes.

What is most important is to locate the quarterback.

And that man is (in my opinion) none other than former Director of the CIA John Brennan.

There are other traitors involved.

But let’s outline the structure of what we have endured:

  1.  Biological Warfare–Here, China sacrificed one of its own cities [Wuhan] to create plausible deniability that they were in any way waging offensive BIOWAR.  As China miraculously shielded the rest of ITS country from COVID-19, they made sure the virus made it (in droves) to the homeland of their arch nemesis:  the USA
  2. Economic Warfare–Here, the Deep State (with a giddy China looking on) watched as the U.S. economy ground to a halt because of COVID-19.  Record unemployment.  All economic activity ceased.  The greatest economy on Earth was ruined (for the time being).  Each U.S. citizen received a pittance of $1,200 which has not been enough to really sustain anyone.
  3. Psychological Warfare–The masses of Americans were told to stay home.  They were cooped up in their houses for two months.  They had nothing to do.  No place to go.  Underlying depressions and anxieties were exponentially amplified.  The populace grew frustrated.  Most of all, the PANIC was conveyed daily by news organizations with heavy connections to the CIA and Democratic Party.  This propaganda terrorized the populace into being afraid to leave their homes–being afraid even to breathe.
  4. Divide and Conquer–Whether the death of George Floyd was a real or synthetic (staged) event, the news coverage would have been the same.  In terms of planning, it is likely that the event never took place at all.  But for the sake of argument, let’s assume for a moment that a man named George Floyd actually did die as a result of an incompetent and cruel police officer.  Magically, the big bogeyman (COVID-19) WAS COMPLETELY FORGOTTEN.  All of a sudden, the pent-up rage and frustration and poverty (see #3 and #2) were activated.  This is the “match in a tinderbox” scenario.  After two months of wall-to-wall coverage of the coronavirus (which ostensibly killed 100,000 Americans by Memorial Day), ALL OF A SUDDEN…THE LIFE OF ONE MAN (george floyd) has become more important than the lives of the 100,000 coronavirus victims (assuming that death toll is accurate [which it is not…it is grossly-inflated]).

So what we have here is a VERY SOPHISTICATED campaign designed to remove Donald Trump from the Presidency.  Worst case scenario (for the Deep State), it is supposed to prevent him from being reelected.

It is also a last-ditch effort to save the asses of those Deep State members whose treason has been pinpointed and for whom justice may not be far off:

-Loretta Lynch

-Sally Yates

-John Brennan*

-James Clapper

-James Comey

-Andrew McCabe

-Bruce Ohr

-James Baker [FBI]

-Peter Strzok

-Lisa Page

-Rod Rosenstein

-Susan Rice

It is my guess that these will be the first pawns to fall.

John Brennan is very important.

More than a pawn (in some ways).

But still a pawn.

How deep will this go?

Barack Obama?

Hillary Clinton?

Bill Gates?

George Soros?

So much depends on each move in this chess game.

Which brings us to Boogie Nights.

There’s a riot goin’ on.

Each of us has a gift.

Heather Graham is great here.

Mark Wahlberg does a really nice job.

We get the Corvette.

Symbol of summer.

Porn with “plots”.

An admirable pursuit.

Burt Reynolds is really phenomenal in this film.

But like Lovelace, this tale of sexual freedom gets darker and darker as it goes along.

You got the touch.

Feel, feel, feel, feel my heat.

Darker and darker.

But very real.

There is a great realism to certain scenes here.

Paul Thomas Anderson really does an amazing job with this one.

Even the usually-vapid Julianne Moore has some actual moments of artful acting herein.

They’re taking her children away.

Black people can like country music.

Definitely a bit of Tarantino in the donut shop scene.

But Anderson is a far superior director to QT.

QT is very talented, but very overrated.

Lots of hype…very little timeless filmmaking.

Anderson is a much more solid auteur.

There is something of Aronofsky here too.

Funny thing is, Anderson got there first.

But Requiem for a Dream goes MUCH DEEPER into drug darkness.

And yet, Anderson paints a portrait of a period of time.

So vividly.

And the colors are washed out.

The soul-eating burn of cocaine is depicted as it really is:  torrid.

Desperate.

Exciting.

Elusive.

Utterly destructive.

Psychosis-inducing.

How many more nights will the “divide and conquer” boogie?

Military police.

82nd Airborne.

101st Airborne.

1st Infantry.

10th Mountain Division.

The United States is under attack…mainly from within.

China played a small (though not insignificant) role.

The main culprits are liberal globalists.

4B.

A second wave of coronavirus will hit the U.S.

This will happen as a result of the fake-news media pushing the narrative that one man’s death (george floyd) is more important than 100,000 ostensible fatalities.

The CIA/liberal media is distracting the country from being vigilant about hand washing, social distancing, etc.

And when will this second wave hit?

Right before November 3rd, perhaps?

 

-PD

Histoire(s) du cinéma {Chapter 2(a): Seul le cinéma} [1989]

So here we go again.

They told Beethoven it was a horrible way to begin his 5th Symphony.

With a rest.

It’s unheard.

Of.

Unheard.

Only the players see it.

Only the conductor pays it much mind.

So the first “note” (beat) is silent.

The conductor must give it.

But there are at least two schools of thought on how this is to be done.

First, a conductor might do as they always do and swiftly move their baton downwards to indicate visually that the first (silent) beat is occurring.

The only problem with this is that the symphony players must then abruptly jump onto the very next beat (which is an “upbeat”).

They happen in very quick succession.

Nothing/Everything.

The whole orchestra.

Tutti.

And they get one shot.

To come in together.

Like an attack.

[rest] da da da daaaaaaaaaa

[rest] da da da daaaaaaaaaa

The second school of thought is more practical.

It advises that, in this particular situation, a conductor giving a downbeat is not particularly helpful to the orchestra (because no sounds occur on that downbeat).

Therefore, the conductor motions the orchestra that the UPBEAT is happening.

When the baton (or hand(s)) come down, that is the precise time to make noise.

It is not hard to see why this might lead to a more successful outcome.

For the goal is to have the orchestra stick together.

An orchestra of individuals who are a mere microsecond off from one another creates a sound which is generally not highly-valued in Western music (at least not in the performance of Beethoven).

But this STILL leaves a problem.

The conductor of this second school, whose job it is to try and lead his orchestra to a faithful rendition of this masterwork, is thereby IGNORING what Beethoven wrote (or, more precisely, HOW Beethoven wrote it).

The beginning.

Godard comes back more fit and trim in this episode of his greatest work.

1a is probably the nuke.

1b is a psychological warfare manual (perhaps)

2a returns us to kinetic warfare.

More or less.

With some lulls.

But there is genuine artistry within these 26 minutes.

Like a symphony by Beethoven or Bruckner.

The beginning is weighted heavily.

1a = 51 mins. (the longest of all eight parts)

1b = 42 mins. (the second longest “movement” of the bunch)

The entire first section is, therefore (carry the zero), 1 hour and 33 minutes.

That’s the first quarter of this “ring cycle”.

And it is truly operatic.

So now we are into a bit of a scherzo.

26 minutes.

Now you can see the influence of television.

The “producers” of this film.

Canal+ (French TV channel)

CNC (part of the French Ministry of Culture [and Godard is Swiss!])

France 3 (a French TV channel)

Gaumont (a French film studio)

La Sept (a defunct French TV channel)

Télévision Suisse Romande (a defunct, French-language Swiss TV network)

Vega Films (Godard’s production company at the time)

26 minutes.

Enough time for eight 30-second commercials.

Arriving precisely at a sum total of 30 minutes’ programming.

It’s generous (no doubt owing to the fact that this was educational programming).

If you look at the true running time of an American half-hour sitcom these days, it is roughly 21 minutes of what you want to see.

The other 9 minutes are reserved for at least 18 30-second commercials.

In the tradition of James Joyce.

The pun.

Which Hitchcock so admired.

…and the Oscar goes to.

Oscar Wilde.

Irishmen in France.

The recurring scene from Salò…

Julius Kelp.

Literary history vs. cinematic history.

Godard has a curious frame which reads, “Your breasts are the only shells I love.”

It is a line from the poet Apollinaire.

[tes seins sont les seuls obus que j’aime]

But I must say, the exciting parts here are the “booms”!

The fighter jet exploding in midair.

Bernard Herrmann’s music from Psycho juxtaposed with scenes from Disney’s Snow White…(1937).

The agitation of Stravinsky.

Cluster chords on the piano.

Godard’s voice fed through an Echoplex.

And, just as in 1a, world-class editing!

Let me be clear.

EDITING is what makes Histoire(s) du cinéma the greatest film ever made.

It’s what makes F for Fake the second-greatest film ever made.

And what makes Dog Star Man the third-greatest film ever made.

It is more pronounced in Histoire(s) and Dog Star Man.

Orson Welles’ “editing” (montage) in F for Fake is done more at the story level.

It is a juxtaposition of content.

The Kuleshov effect with ideas rather than images.

[more or less]

Godard’s camera-pen makes some of its boldest strokes in this episode.

It rivals the 1a excerpt involving Irving Thalberg.

Which brings us to a very important point.

Godard CHOSE to use the concept of “double exposure” (two images–one on top of the other–but both seen to a greater or lesser extent) to ILLUSTRATE the subject and title of his greatest film.

Though it runs 266 minutes, that amount of time STILL wasn’t enough in which to lay out the history of cinema.

So images needed to be doubled up.

Tripled up.

Simultaneous to that, words needed to be spoken.

And furthermore, DIFFERENT words than those being spoken NEEDED TO BE WRITTEN ON THE SCREEN.

If you are not a native French speaker, you will probably need to have the subtitles on when viewing this film.

Which gives you A-N-O-T-H-E-R visual stimulus which must be taken into account.

Yes.

This film should be mandatory viewing for fighter pilots.

Practice your OODA loop here.

Observe.

Orient.

Decide.

Act.

Constantly looping.

If you want to survive in this jungle of meaning.

Night of the hunter…

Klimt.

Fred Astaire.

James Dean.

Burt Lancaster.

It’s all true.

That weary look.

From Hollywood.

It’s all true.

Which brings us to value (that thing which capitalism so gloriously creates…far more efficiently and in much greater abundance than with any other economic system).

“What is the value of knowing how to read this film,” you ask?

Just this.

It allows you to know how to read the complexity of the world.

It is a brain teaser.

With an infinite layering of meaning.

Like Finnegans Wake.

Joyce’s masterpiece should be the only required reading for a codebreaker.

Or a codemaker.

Take heed, National Security Agency.

Your curriculum needs adjusting.

Assign only Finnegan.

And reap your gains.

And what of Histoire(s)?

Its most direct application would be for analysts.

Whether they be Federal Bureau of Investigation, Central Intelligence Agency, or  INSCOM.

Know how to read the image.

Know how to analyze the video.

You must think outside the box.

Sudoku the fuck out of your employees.

And thereby fight crime and keep hostile actors in check.

Which is where we musicians come in.

To analyze the phone call.

To make sense of the audio…from the video.

It cannot be taught in a bootcamp.

It has to be loved.

Nurtured.

If you had one analyst like Godard, you would have a super-soldier equal to an entire special forces unit.

The trial of Joan of Arc.

Not to be confused with her passion.

Laurel and Hardy.

Gustave Courbet.

Marcel Duchamp.

The Philadelphia Museum of Art.

Which brings us to a very delicate situation.

What is the President planning this weekend?

And with whom is he planning it?

If Ronald Reagan was an actor (and he was), then how much more talented is Donald Trump in getting a reaction with his lines…and his gestures?

HIS lines.

HIS gestures.

Accordion music.

Munch’s vampire.

A President who has been attacked from ALL sides UNRELENTINGLY for nearly four years.

And now finds himself in the midst of the hottest biological/psychological/economic war in recorded history.

Where complexity reigns.

As globalization magnifies each twitch of activity.

And this same President STILL finds himself under attack from the same “bad actors” who have unremittingly assailed him.

As in peacetime, so in war.

These enemies of the state.

Masquerading as journalists.

And their masters above them.

Straight from the latest conclave.

“…two if by sea.”

 

-PD

 

Who Is America? [2018)

Who is #QAnon?

Or, more aptly, what is QAnon?

Is it a joke?

Is it a trick?

Is it a flypaper coup (as Wayne Madsen might call it)?

I don’t know.

But there is an essential point to consider:

  1.  A party/person in power cannot (by virtue of their ruling position) effect a coup
  2. In the event of a coup, is a “counter coup” then justified?
  3. Ottoman countercoup of 1909, 1960 Laotian counter-coup, Indonesian mass killings of 1965-66, 1966 Nigerian counter-coup, 1967 Greek counter-coup, 1971 Sudanese counter-coup…
  4. Notice the grouping.  How likely is it that Steve Pieczenik came to know of these countercoups during his PhD studies (international relations) at MIT?
  5. A simple search on Google of a specific term (“counter coup d’état”) will presently yield a very intriguing pair of videos featuring Dr. Pieczenik.
  6. Clinton silent coup of November 1, 2016.  Silent countercoup “through Julian Assange and WikiLeaks” effected the next day (11/2/16) by element of the American intelligence community.  Corruption.  Clinton Foundation.  Both coups initiated through the Internet.  “Second American Revolution”.  Forced Comey’s hand re:  Weiner investigation.
  7. https://youtu.be/LHN66mfgsKk
  8. If this video is to be understood in the context of other statements by Pieczenik, it appears that Donald Trump gained power by way of a (counter)-coup.
  9. Which is to say, the coup has already happened.  Yet another reason to embrace the counterintuitive truth that QANON IS NOT A COUP.
  10. Counterintuitive because QAnon indeed SEEMS like a coup.
  11.  Baudrillard.
  12. Debord.
  13. Who is America?
  14. Bernie is exasperated at Billy Wayne Ruddick, Jr., PhD
  15. Dr. Nira Cain-N’Degeocello and his conservative hosts both fancy Herman Miller chairs
  16. Rick Sherman does some “spirit cooking” art with his bodily fluids and excrement
  17. Erran Morad dupes some dense conservatives (but not Matt Gaetz*)
  18. Jason Spencer yells, “Nigger!  Nigger!  Nigger!  Nigger!!!” and thereby has his legislative career ended by Sacha Baron Cohen
  19. Corinne Olympios (!) stood no chance
  20. Dick Cheney
  21. redneck “dream mosque”
  22. Show becomes indistinguishable from political op with extremely mean-spirited character assassination of Judge Roy Moore
  23. Rohypnol in the guacamole at a quinceañera
  24. jokes about human trafficking…stacking girls 20 or 30-high in compartments aboard a luxury yacht (attributed to Bashar al-Assad)
  25. OMGWhizzBoyOMG! Finland hipster Shopkins
  26. Rick Sherman as DJ Solitary walking ground already tread by Matmos on A Chance to Cut is a Chance to Cure
  27. Lewandowski doesn’t fall for it
  28. OMG Antifa dig at black sheriff (implied to be a fascist) by way of inaccurate reference to 1930s Germany
  29. Truth reveals itself.  “Anti-fascists” were communists.  And “fascists” were anti-communist.  A worthwhile movement would be anti-totalitarian (irrespective of right/left paradigm)
  30. Rick Sherman:  chef
  31. #Pizzagate cover from SBC
  32. Infiltration of Antifa.
  33. O.J. hidden footage not really funny
  34. But series is worth watching.
  35. Sacha Baron Cohen is essential

-PD

The Brothers Grimsby [2016)

This one approaches masterpiece.

Spy spoof.

But falls off in the second half.

And yet, it is a real treat.

In the vein of Ali G.

Sacha Baron Cohen is the most important comedian working.

Aside from my other hero, Donald Trump.

There will never be another Peter Sellers.

Never another Andy Kaufman.

But we have Cohen and Trump.

As you were, lads.

 

-PD

Lady Bird [2017)

So much has happened since I last wrote.

Since I last really wrote.

The world has changed.

Donald Trump is President.

And the effort to oust him continues.

But I still support him.

Not blindly.

And yet.

A movie.

Here.

Lady Bird.

At first glance, a daft filmic gesture.

Taken again, a poignant slow-boiler.

And finally I watched the whole thing.

On the third try.

It’s like making a hazelnut blonde latte.

You put the hazelnut.

Pump-specific for size.

And you pull your shots of espresso.

And midway through, you realize you are pulling regular shots.

So you start over.

BLONDE espresso.

And you make the drink the second time.

And you hand it off.

And the drink comes back.

It wa sup be ic.

Iced.

All these fucking abbreviations.

Like being a part of the “intelligence community”.

So you make this same pitiful beverage a third time.

And by now you are woefully behind on the assembly line.

Once behind, there is very little chance of catching up.

Oh.

You will catch up.

Or fall over dead.

And probably no one will care either way.

This is Lady Bird.

Sacramento.

San Antonio.

Orlando.

Shitholes masquerading as metropolises.

Oklahoma City.

Provincial nightmares.

Greta Gerwig did a good job.

I ripped her to shreds the first time I saw her mise-en-scène.

Like a fucking JV football coach blocking The Tempest on a chalkboard.

Bad.

But, as we know, each film is its own language.

Each auteur, or metteur en scène (as the case may be), is a Rosetta Stone.

Mashed together.

Bleeding from one translation to another.

Along the gnarled edge pulled from from the Nile.

Trump is hard-pressed on every side.

And what is this #QAnon business?

Is it real?

I hope so.

Yet it’s terrifying.

Life, mainly.

The whole enchilada.

You work your balls off.

For what?

Are you happy?

Yeah, me neither.

And then you get to a place in life where you have no friends.

Yep.

That’s me.

It’s over.

Right now.

No friends.

Family, yes.

Thank God.

But no friends.

And you feel like a failure to have let down your family.

But maybe you came back for them.

You lazy Messiah, you.

You laid it all on the table…the altar.

Hammered to the sacrifice plane.

And also, you were really dumb.

As always.

But it is an idiot-savant dumbness.

Fuck.

I have a Master’s degree.

And a really specialized bachelor’s degree.

And the two together put me in position to do…just about nothing.

I could find that job.

But it wouldn’t be here.

But let’s talk about drugs.

Sickness.

Exercise.

Work.

Exhaustion.

Sacramento.

Mundane life.

I have hung on.

Barely, sometimes.

As today.

Fucking horrible shift.

God damn it.

Don’t get me started at this late hour.

This elderly midnight.

Premature.

“Time to make the donuts.”

I watch a film, and then I write about it.

Except that it hasn’t happened in a long time.

Because my job is a shock to the senses.

It is a brutal concatenation of events which beat upon my body and soul.

And my PSYCHE!

My brain.

My health.

Exercise good.

Stress bad.

Laziness gets no exercise.

Work gets exercise.

Work gets stress.

It is a tradeoff.

Decision theory.

And so I humbly pray to God.

That God will send me friends.

That love has not passed me by forever.

That my mind will be healed.

That my body will be strengthened.

That i will find the will to make difficult choices.

Which lead to health and happiness.

It is uphill.

I am not young like Lady Bird.

I’m old.

I’m a failure.

“I been all around the world, boys…”

What does life hold for me?

What does tomorrow hold?

Can I get out of fucking bed?

Will my joints ache as much as they usually do?

What’s the point?

What’s the plan?

Must rest to continue.

Must have hope to continue.

Where’s the hope?

I need hope.

I am a religious man.

And so I ask God, here among witnesses, to grant me hope.

I ask that my method be acceptable.

I believe in God.

And I feel the Spirit with me now.

I am scared.

I don’t know what the next day brings.

I don’t know which way to steer my ship.

And so I ask for Divine intervention.

A nudge.

A signal.

A sign.

That still-small voice.

Lord, help me to know.

Where to go.

Help me in my weakness.

Shore up my deficiencies.

Make your power evident in my poverty.

A film.

Lady Bird.

A country.

Coup and countercoup.

Q is the countercoup.

Assuming it’s real.

And a life.

I am here.

I can watch films.

When my brain allows.

But I know that in order to keep going, I need a miracle.

What will it be?

I have no idea.

I ask, Lord, that you have mercy upon me.

I ask that you comfort me and give me guidance.

I come to your feet humbly.

This is an excellent movie.

Saoirse Ronan is great here.

It is a poignant story by Greta Gerwig.

May we all be richly blessed by the Creator.

I pray this is Jesus’ name.

 

-PD

National Treasure [2004)

The funny thing about propaganda…

You don’t realize you’re under its sway…until you’re no longer under its sway 🙂

Ahh…

Like that great song by the Stones.

Just what ARE those lyrics???

But never mind.

Let’s back to the point.

JUST WHAT KIND of propaganda would this be?

It is with every bone of logic in my body that I soberly assess National Treasure to be Masonic propaganda.

Watch it.

Prove me wrong.

Especially from the beginning.

Near the top of the film.

This is OVER THE TOP endorsement of Freemasonry AND of the Knights Templar.

Ok.

So what?

It’s STILL a good film.

A REALLY ENJOYABLE FILM!

And we’re gonna get down to the nuts and bolts of it…

But I just want to point out another thing which had previously escaped me about this flick.

Nicolas Cage is effectively channeling Alex Jones throughout the entirety of this motion picture.

The accent.

The posture.

The wardrobe.

THE MANNERISMS!

I can’t believe I never caught this!!!

So there you have it.

The protagonist (not at all an “anti-hero” in the context of this film) is a “conspiracy theorist”.

But!  BUT!!!

The protagonist also emanates from a clear lineage in thrall to Freemasonry.

You think I’m kidding?

Watch this flick and observe the clear propagandistic tone* re: George Washington and the rest of America’s “founding fathers”.

“At least nine…”

Signers of the Declaration of Independence.

But I fucking love this movie.

Let me get to a very important component right off:  Diane Kruger.

Though she seriously sullied her career by appearing in what might be the worst film ever made (Tarantino’s Inglorious Basterds), Kruger is a goddess of IQ herein.

And her chemistry with Cage is palpable.

Not least, Justin Bartha makes this whole thing quasi-believable.

On its own merits, National Treasure “works”.

Bartha is a lot like Ben Whishaw in the recent Bond films.

A computer geek cast in a very sympathetic light.

And Jon Turteltaub made a pretty fucking great film here.

A lot like a 007 flick!

Witness Cage as he shucks his janitor uniform for a tux.

Straight out of the opening from Goldfinger.

But Benjamin Franklin Gates [Nicolas Cage] is more a “workingman’s” Bond.

A nut job.

A reader.

A NERD!

Yes.

Although Gates tries to use his “Submariner” as collateral to get his $100 bill back, we don’t really believe it.

We don’t for a second believe that Gates wears a Rolex.

Cage yes, Gates no.

Which is one of the ways this film goes off the rails.

For all of Cage’s acting prowess, he comes off more as a “star” than a true nerd.

Unfortunately, that is damaging for the narrative of this picture.

But all-in-all, National Treasure is a film I want to return to time and again.

The story seduces.

For God and country.

The Freemasonry stuff is a little weird.

[ok, a LOT weird]

But it makes us face the facts re: George Washington, et al.

And brings up a tangential and potentially-timely question:

“Is President Trump a Mason?”

I must admit:  I have seen Trump make this hand gesture ABOUT A MILLION FUCKING TIMES!

trumpMason

So what?

In fact…there is AT LEAST another possibility.

Is Trump’s ostentatious display of “Freemason” hand signals a PRETENSE?

In other words, is Trump PRETENDING to be a Freemason??

It’s possible.

But who the fuck really cares???

If George Washington was a Freemason (and he was), then that kinda serves as a cornerstone of expectations (to say the least).

I’m not a Freemason.

I could care less.

Fuck ’em.

But there is an important caveat.

Q:

Was the secrecy of Freemason lodges an essential aspect of communications security leading to victory in the American Revolution?

And what about the French Revolution??

Again, these possibilities seduce.

Suffice it to say, National Treasure can be a strangely enthralling work if viewed through the lens of theory on propaganda films as well as through the kaleidoscopic peephole of current events.

Something certainly seems afoot in the USA.

I am even reluctant to utter its name.

Mostly because I know not what it is.

This new era of the republic.

Trump as President.

Hard-pressed on all sides.

The winner, fair and square.

Elected by the rules of the country.

The Electoral College.

Which rewards the residual “statehood” of lands which chose to join the USA.

At any rate, things seem far from settled.

Indeed, there is a war going on in the United States.

And it is mostly being waged in the realm of “the spectacle”.

President Trump has an OVERWHELMING MAJORITY of the mass media AGAINST HIM.

It is almost comical 🙂

I would liken it to rats having been driven from a burning ship.

Or termites running for cover during a house fire.

Something is off.

Clearly, the media “darling” (that repulsive shell of a human being, Hillary Clinton) did not ascend the throne.

And the owners of the corporate mass media continue to take her defeat VERY POORLY 🙂

Indeed, Trump is positively “mature” compared to the childish response of the U.S mass media.

Which begs the question:  WHAT ARE THEY SO AFRAID OF???

And further:  did an “outsider” REALLY win the White House 12 months ago?

Judging from media reaction, Trump must be a fucking Messiah.

And further judging from the bungling media info warfare, the psychological operations techniques being employed IN CONCERT by the U.S. mass media ARE HOPELESSLY DAFT 🙂

Every time Jim Acosta tries to rip Trump, it just adds fuel to the #MAGA fire.

Every time the White House press corps comes off as a Mormon Tabernacle Choir of homogeneity (anti-Trump in tenor), the “deplorables” who voted Trump in are proven right.

To be quite frank, I would hate to be on the other side.

The U.S. Democratic Party appears to be trying to reinvent the wheel…AND FAILING BADLY 🙂

But let us leave the chisel of disingenuous chiselers behind for the time being.

Merry Christmas.

May you know joy.

May the Lord Jesus Christ shine upon you today.

May that grace which surpasses all understanding soothe your heart and uplift your spirit.

May a twinkle of love float lightly into your life tonight.

And may it bloom into charity and generosity forevermore.

 

-PD

 

Borat [2006)

This may be the funniest film ever made.

🙂

Really!

An erudite film critic shouldn’t admit such, should they?

But I learned long ago that I must have my own voice.

I can scour the Earth for every film to which Jean-Luc Godard made reference in Histories(s) du cinéma, but I still must contend with my own personal predilections.

We like stuff because it resonates with us.

For me, the realization was with the Romanian New Wave…and ’80s American comedies 🙂

The serious, austere, heartrending, bleak works of the Romanian New Wave have not been canonized by Godard.

Godard, the man, will (sadly) pass away.

Which is a terrible thought to me.

Because he has made his best films [sic] in his “later” years.

But the Romanian New Wave was “mine”.

I discovered it by accident.

And I dug a little deeper.

I would say about 90% of Romanian film resonates with me in a powerful way.

Almost as much as French film resonates with me.

But then I had to come to term with ’80s American comedies.

These were the things on which I grew up 🙂

And there is no greater joy in my film-viewing experience than to see a film which elicits hyperventilating belly laughs 🙂

And so, Borat [directed brilliantly by Larry Charles].

If Sacha Baron Cohen never again makes a good film, he’s still a genius in my book…based solely on this one masterpiece.

No, it is not Citizen Kane.

But it is something.

Something closer to Cohen’s hero Peter Sellers.

And to the bent mind of Andy Kaufman.

Borat Sagdiyev is the epitome of awkward…once he is placed within American society.

He is from the “backwards” land of Kazakhstan.

[of course, there is a great deal of exaggeration in this film…because such caricature can be quite funny]

The special thing about Borat (and Cohen, working through Borat) is that HE INSULTS EVERYBODY 🙂

Borat very much prefigures the Trump Presidency.

Not to mention the young Trump supporters fond of Pepe the Frog 😉

The idea is, “Lighten the fuck up!”

Laugh a little.

Laugh at yourself.

And, naughty naughty, laugh at what you’re not SUPPOSED to laugh at.

The forbidden subjects of laughter make us laugh the heartiest.

Our conscience kicks in.

We feel BAD about making light of such and such.

But it is a reflex:  it just simply is fucking funny 🙂

Nothing is going to take the fun out of this world quicker than those who scrub history, those who censor films, those who impose sensitivity training liberally…

Let’s get nitty-gritty.

Ken Davitian is excellent as Borat’s assistant Azamat Bagatov.

Nothing like having to hairdry the balls of your boss 🙂

[not to mention “back pussy”]

Yes, the humor is SO WRONG.

So bad!

But, as I overheard two days ago at the video story, white guys still reminisce fondly about Eddie Murphy standup routines.

Not exactly my bag, but I get it.

[and black guys, hispanic guys…Eddie Murphy was very much a “taboo” comedian]

Which brings us to Lenny Bruce.

I love Lenny Bruce.

Guy was messed up.

But he was brave.

So the point is, crude humor is maybe not the smartest…maybe not the best influence on society…but we need a little of it, it seems.

Maybe it’s because we’re all sinners?

I don’t know.

I don’t want to get too theological.

If I was a better Christian, perhaps I would repudiate Borat.

But I simply cannot do that.

And so I’ll keep it brief:

God works in mysterious ways.

I may be wrong.

But this film helps my heart with a laughter unlike any other.

 

-PD

Beynelmilel [2006)

Wow 🙂

What a beautiful and perfect movie!

The International.

Yes, we are back to Turkey.

But this film is very much about the passions of youthful revolution.

Is Trump a revolutionary?

Of course.

Was George Washington a revolutionary?

Of course.

But the strain of revolutionary verve in this film is that of communism.

I don’t hate communism.

I don’t hate anything.

But I think some things are not so good.

With communism, I mainly criticize it on an economic level.

Have I read Marx?

Not very much.

But I’ve read enough Debord to get the late-60s version of Marxism.

I would argue that Debord, one of my three favorite writers, was at his best when he was NOT talking about Marxism.

When he goes off on Marxist tangents, he loses me.

I find it boring.

And, as I’ve said, I object to it on economic grounds.

I have a college degree in music.

[which will be very important in reviewing this film]

But I have an advanced degree (above and beyond that) in business.

Am I a genius of economics?  No.

But I questioned.  I was skeptical.  I studied Marx.

And I found the capitalist system to be the best system.

It is, by no means, perfect.

And so why, then, do I like Guy Debord?

Perhaps no one in history hated capitalism more than Guy Debord 🙂

I respect Debord because he was a brilliant social critic.

I do not agree with his economic assumptions.

I do not agree with his Marxist assumptions.

But when it comes to a critique of capitalism (which is the underpinning of globalism), no one has found the flaws like Debord.

No one has completely dismantled the matrix in which we live (the “spectacle”) quite like Debord.

And so his book The Society of the Spectacle is essential reading in my opinion.

At least the first few chapters.

As I said, Debord gets a bit bogged down in Marxism and loses his poetic divining power concomitantly.

But let’s discuss this film.

This is, by far, the best Turkish film I’ve ever seen.

Granted, I think this is only the fourth I’ve ever watched 🙂

But this is really a special movie!

Wikipedia says that it is set in a small town near Adana.

For that, I will say hi to the American soldiers at Incirlik Air Base 🙂

Thank you, ladies and gentlemen, for representing the United States.  Thank you for your service.  We love you and we pray for your safety and happiness!

It is true.

I love our American troops.

Most of my life I did not appreciate these wonderful people.

I took it for granted…

“Somebody will do that job…”

But in my older age, I respect these soldiers very much.

But let us shift back to this film.

First, let us thank the two directors:  Sırrı Süreyya Önder and Muharrem Gülmez.

They have made an almost perfect movie.

Really, this film is so, so good!

But you must be warned, my dear friends:  it is simple.

It you are looking for a complex, confusing film, then you will be disappointed.

Such that, you must be like a child–like a youth to appreciate the naïveté of this masterwork.

So I would say this:  it’s a bit like a Turkish version of Cinema Paradiso.

Do you see what I am getting at?

It is poetic.

The mise-en-scène is a bit like what we might expect from Claude Monet (were he still alive).

It is loving.

Large swaths of color.

And, perhaps most quintessential, it is unassuming.

Down to earth.

There’s no condescension in this film.

Come as you are.

First movie you’ve ever seen?

No problem 🙂

It is that sort of loving masterpiece!

It is set in Turkey in 1982.

Cassettes 🙂

80s-style clothing.  The Turkish version 🙂

A junta is in place.  A military government.  Martial law.

And one band of musicians gets rooked into being a “marching band” (of sorts).

But these are folk musicians 🙂

They don’t play brass instruments.  They don’t play the sousaphone.

So it is a very steep learning curve (which sounds a lot like Charles Ives in its beginning stages) 🙂

But let’s get to the most important point.

“I fell in love with the actress/She was playing a part that I could understand”

[Neil Young]

Yes.

Özgü Namal.

Just two years younger than me.

She is the star of this film.

Amazing facility as an actress.

But really just a glow–a vibrance in her every gesture.

Here is someone who is glad to be alive 🙂

And it made me glad to be alive!!!

But let me tell you the other star:  Cezmi Baskın!

This man!

He has no Wikipedia page in English, but he is a wiseman.

A humanist.

A saint of an actor.

A craftsman.

He plays the bandleader.

And his daughter in the film is Özgü Namal.

Umut Kurt does a very good job as the young communist.

And, hence, the title of the film:  The International.

“L’Internationale” 🙂

The most famous of communist anthems.

Yes, dear friends, it is that melody written in 1888 by Pierre De Geyter which is the MacGuffin of this film.

The whole plot hinges on it.

Derrida would call it the brisure (if film were a text).

To deconstruct.

The hinge.

I will say this:  the struggles in this film are very real to this day for the people of Turkey.

I would say our communist character would probably today be a member of the CHP party in Turkey:  Cumhuriyet Halk Partisi.

The Republican People’s Party 🙂

Which is funny because in the U.S., the Republicans (whom I support…more or less) are conservative or “right wing”.

So, yes:  the CHP is “left wing”.

But as I say, this is a very fine film.

It shows very much the love which a father can have for his daughter.

It shows the sacrifices which parents make for their children.

Parents will even die to save their children.

This is a funny movie, but it has this tone of seriousness as well.

Actually, the whole film is like a brilliant joke 🙂

It starts very serious…

But the it becomes festive and ridiculous!

Most of all, there are so many poetic camera shots of Turkish life.

Little things which we don’t see in America.

So an American can learn some of another culture.

But also, we see that people all around the world have similar worries and dreams as us.

Well, I don’t want to tell you too much.

I will just say that this is well-worth watching.

It is a bit long, but I watched it in two installments.

And the subtitles are good 🙂

Anyway, it is on Netflix streaming in the U.S. currently as Beynelmilel.

I am so glad I found this film 🙂

Güle güle

 

-PD

Romancing the Stone [1984)

This movie was very dear to me as a kid.

It’s one of those which came on TV all the time.

And it always pulled me in.

For me, nothing in this film beats the scene in which Kathleen Turner and Michael Douglas huddle ’round a marijuana campfire in the fuselage of a crashed plane.

Taking strong belts of Jose Cuervo tequila.

Basically sitting in a giant bong 🙂

But the best part–the cutest part…is KT eating olives.

An old jar.  To be sure.

But they last awhile.

And liquor kills all germs, right?

Who cares if the dead pilot took a few swigs long ago 🙂

It’s such a cozy scene.

Perhaps it’s what the Danish mean by hygge.

And it’s an ambiance I’ve only seen approached in Vertigo (Kim Novak and Jimmy Stewart by the fireplace in his apartment…after he rescues her from the waters of San Francisco Bay) and, surprisingly, The Pink Panther (David Niven and Claudia Cardinale by the fireplace…Claudia on the tiger-skin rug).

But Romancing the Stone, unlike those two films, is a full-on romcom.

Sure, there’s action…to entice the leery men 🙂

But there’s no denying that this is a romantic comedy.

And so I’m glad to join the ranks of romcom lovers.

Glad to christen a new category on my site with this fine film.

Some of it hasn’t aged so well (like Alan Silvestri’s sequenced electro-samba soundtrack), but most of it has…so kudos to director Robert Zemeckis.

Zach Norman plays a gay villain in such a way that one cannot help thinking of John Podesta.

Danny DeVito, who plays Norman’s cousin, is definitely the funniest thing in this film.

Neither Turner nor Douglas are particularly funny, but they are graceful and charming (respectively).

I would even add that Michael Douglas encapsulates a sort of masculinity which has been on the wane since the 1980s in America…UNTIL DONALD TRUMP WON THE FUCKING PRESIDENCY!

Yeah 🙂

It is trippy.

To watch this movie late at night.

To relive childhood memories.

And then to rouse oneself to one’s feet and think, “Is Donald Trump really the President? Is this not some kind of dream???” 🙂

I know for many it is a nightmare.

So I will just leave that train of thought there.  For now.

Actually, there is a more serious villain in this film:  Manuel Ojeda.

He is certainly a BAD HOMBRE 🙂

[sorry, can’t help it]

So yeah…

The bulk of the action takes place in Colombia.

It’s like William S. Burroughs, in search of yage, writing back to Allen Ginsberg.

Though the narrative becomes evermore-farfetched as it unfurls, it’s so much fun that we don’t much care 🙂

Buried treasure?  Check.

Wrestling crocodiles?  Check.

Mr. Dundee and The Goonies were from this same era 🙂

Alfonso Arau is here too…with his little “mule” 🙂

[I guess, on second thought, that is a drug-smuggling joke]

This was the performance which preceded Mr. Arau’s all-world turn as El Guapo in Three Amigos.

Yeah…the plot really gets ridiculous right after the waterfall 🙂

But this is a feel-good movie!

And we need this kind of stuff.

Sitting down to ENJOY a movie 🙂

What a concept!

 

-PD

Young Frankenstein [1974)

Hollywood.

It’s been a bad week for Hollywood.

And a rough week for me.

But John Cusack hasn’t sent a hitman after me 🙂

Not yet.

I guess.

But let’s dispense with all these murderous liberals.

Let’s give them no more airtime here.

Jerks like Seth Rogen (who made jokes last week at the expense of a man in intensive care who at been stabbed nine times).

And let’s only mention Pedowood in passing.

The Hollywood run by pedophiles.

About which Corey Feldman has spoken.

About which Elijah Wood has spoken.

About which Ashton Kutcher has spoken.

About which Nicole Kidman has spoken.

And about which Stanley Kubrick spoke.

Ugly, nasty Hollywood.

Let’s not speak about Operation Broken Heart III (in which 238 “suspected child sex predators” [including “household names” as yet to be divulged] were recently arrested).

http://www.latimes.com/local/lanow/la-me-ln-operation-broken-heart-arrests-20160621-snap-story.html

And yet, the “household names” seem to be slithering away so far.

So let us not talk of John Podesta, of whom we have talked so much.

Nor Kevin Spacey, who has preemptively (?) blocked me on Twitter 🙂

What do these folks have to fear?

Spacey, of course, famously rode on convicted child sex offender Jeffrey Epstein’s infamous Lolita Express (private plane).  If I am not mistaken, Spacey’s trip aboard the aircraft coincided with one of Bill Clinton’s MANY trips aboard that airplane.

So yes.

Let us not speak of this.

Let us, in fact, celebrate (?) the fact that I am actually once again reviewing a film in my own peculiar way 🙂

This was a personal favorite of mine as a kid.

Mel Brooks made a very fine film.

It hangs together nicely.

And the trio of actresses (Madeline Kahn, Teri Garr, and Cloris Leachman) who festoon this production bring a real joy of variety to the whole affair.

But the real star, besides the amazing Gene Wilder, is Marty Feldman.

Which brings us to Jimmy Savile.

Let me be clear:  Marty Feldman, for all I know, was just a damned funny comedian.

But he bears a striking resemblance to the infamous Savile.

And thus we must talk about what needs talking about.

Savile was a British eccentric.

[one who gave eccentricity an extremely bad name]

His Wikipedia page lists the following as his métiers:

  • DJ
  • television personality
  • radio personality
  • dance hall manager

But he will sadly be remembered mainly as a sexual predator who preyed (it seems) primarily on those in hospitals and psychiatric institutions to which he had access as part of his celebrity and “charity fundraising”.

He may have raped children (and elderly) in as many as 28 National Health Service hospitals in the U.K.

Said Jeremy Hunt, U.K. Secretary of State for Health in 2014:

“Savile was a callous, opportunistic, wicked predator who abused and raped individuals, many of them patients and young people, who expected and had a right to expect to be safe. His actions span five decades — from the 1960s to 2010. … As a nation at that time we held Savile in our affection as a somewhat eccentric national treasure with a strong commitment to charitable causes. Today’s reports show that in reality he was a sickening and prolific sexual abuser who repeatedly exploited the trust of a nation for his own vile purposes.”

So I should just go back to reviewing Young Frankenstein, right?

Or should I wonder why John Cusack has blocked me and thousands of Trump supporters on Twitter?

Or why Kevin Spacey seems to have blocked a very large number of people on Twitter who have (at one time or another) talked about “pizzagate” or “pedogate”?

Or should we talk of Cardinal George Pell?

This week has been a bad week for Cardinal Pell 🙂

New York magazine’s article title about sums it up:  “The Pope’s Pedophile?”

http://nymag.com/daily/intelligencer/2017/06/cardinal-pell-and-the-vaticans-day-of-reckoning.html

That’s right.

Pope Francis’s “right-hand man”.

The man [Pell] in charge of the Vatican’s finances.

[remember the infamous Mr. Michele Sindona]

And for one more ingredient, let’s add former U.S. Attorney General Eric Holder’s strange 3 a.m. tweet from last night:

“To the career men & women at DOJ/FBI: your actions and integrity will be unfairly questioned. Be prepared, be strong. Duty. Honor. Country.”

What the fuck?!?

I thought only nutbags like me tweeted at 3 a.m. 🙂

And Trump!

But Holder seems to be telegraphing something.

What the fuck is about to happen?

Something/Anything?

Nothing?

Will the U.S. “Deep State” (which appears to be so highly-addicted to pedophilia and occult ritual) finally be exposed?

Will Hollywood finally be exposed in such a way as to make Kenneth Anger rise from the grave?

What is this Babylon that we are witnessing?

In closing, Young Frankenstein is a very entertaining film…which I highly recommend.

No 🙂

Remember friends:  sometimes only humor can get us through the valley of the shadow of death.

And, for me, I pray to God.

I saw this wickedness coming long ago.

The level of vile crimes has already disgusted me and freaked me out before.

So I pray that you will be strong, my friends, as many bad things are revealed.

There are heroes in the world.

And those are such as former Navy SEAL Craig Sawyer.

His organization Veterans for Child Rescue is taking on the scourge of child sex trafficking.

He’s a sniper.

He’s been to war.

He’s not afraid of guys in suits.

Guys like Podesta and Soros.

And he’s not alone.

He’s been on the teams that go in and rescue kids that are literally in cages.

Check out that first article above.

It’s talking about a 6-year-old kid being raped.

The kid is lent out by the parent for $250 dollars.

And it gets much worse than that.

Let’s not talk about New York City Mayor Bill di Blasio’s employee Jacob Schwartz who was recently busted for child pornography.

http://www.dailymail.co.uk/news/article-4546320/De-Blasio-employee-arrested-child-pornography.html

My friends, this young man (age 29) was apparently aroused by sexual photos of SIX-MONTH-OLD BABIES.

And I have to say it one more time:  it gets worse than that.

So when you see photos of Mr. Schwartz and Hillary Clinton campaign manager Robby Mook, pay those photos no mind, right?

And when you find to what ends Mr. Mook and Mr. John Podesta (Hillary Clinton’s campaign chair) went to concoct the “Russian collusion” (or, variously, “Russian hacking”) story which the largely-liberal U.S. media swallowed whole-cloth, you might begin to wonder just what dark secrets Mr. Podesta (and Hillary Clinton, for that matter) is hiding.

http://www.breitbart.com/big-government/2017/04/21/shattered-revelation-clinton-campaign-hatched-russian-hacking-narrative-24-hours-after-hillarys-loss/

For those in a hurry:

“That strategy had been set within twenty-four hours of her concession speech. Mook and Podesta assembled her communications team at the Brooklyn headquarters to engineer the case that the election wasn’t entirely on the up-and-up. For a couple of hours, with Shake Shack containers littering the room, they went over the script they would pitch to the press and the public. Already, Russian hacking was the centerpiece of the argument.”

The quote comes from Jonathan Allen and Amie Parnes’s book Shattered:  Inside Hillary Clinton’s Doomed Campaign.

So once again, see Young Frankenstein 🙂

 

-PD