Last Night in Soho [2021)

First off.

I am in love with Thomasin McKenzie.

I think Saoirse Ronan has lost her touch.

Kat Dennings doesn’t even bother with films anymore.

And Thora Birch is too much of a liberal moron.

But then all actors are liberal morons, aren’t they?

Except for a precious few.

Jon Voight.

James Woods.

Rob Schneider.

Kirstie Alley.

Robert Davi.

Jim Caviezel.

Secondly.

This film is a masterpiece.

Edgar Wright is the best filmmaker in the world right now.

Is he better than Jean-Luc Godard?

No.

But Godard is not making films for mass consumption.

Is he better than Wes Anderson?

BY A MILLION FUCKING MILES!!!

Don’t get me wrong.

Wes Anderson made one perfect film.

And that film was The Grand Budapest Hotel.

And that film wouldn’t have been perfect without Saoirse Ronan.

That’s how important her presence in that film was.

Saoirse has made another perfect film.

Hanna.

But her others are mediocre.

Brooklyn.

Meh.

Lady Bird.

Even more meh (not a good thing).

Saoirse has gone astray.

Just as Thora Birch went astray.

Ghost World is a perfect film.

And American Beauty is close to perfect.

For my money, Homeless to Harvard is her other perfect film.

Kat Dennings films kinda suck.

Her masterpiece is actually 2 Broke Girls.

I’m serious.

But that’s not cinema.

Twin Peaks is cinema.

Even though it’s a TV show.

Histoire(s) du cinéma is the best film ever made.

And it was made for TV.

Homeless to Harvard is a Lifetime movie.

Made for TV.

It is not cinema.

Not exactly.

But it may be a perfect film.

Wes Anderson made his perfect film with Saoirse Ronan.

And he made a good film (Tenenbaums).

The rest are shite.

I did not understand Edgar Wright’s film language when I first saw Shaun of the Dead.

I thought it was crap.

How wrong I was!

Here is my contention.

Every Edgar Wright film is perfect.

Shaun of the Dead?

Yes.

Hot Fuzz?

Yes.

The World’s End?

Yes.

Baby Driver?

Yes.

Scott Pilgrim?

Yes.

And this film is perfect too.

But this is not quite the Wright you are used to.

This is a genuinely scary film.

But it stands up with Psycho, Rosemary’s Baby, and The Shining as one of the four best horror films ever made.

Edgar Wright films are all about detail.

But not the twee obsession with detail that Wes Anderson has.

Edgar Wright is overflowing with talent.

Wes Anderson is not.

Anderson needed Saoirse Ronan to make his perfect film.

And there was a bit (just a bit!) of grit in Grand Budapest.

Saoirse is missing from his other films.

And there is no real grit in any of the others.

Tenenbaums is good.

But the Wes Anderson players are tiresome.

Is Bill Murray amazing?

Yes.

But are his performances in Wes Anderson films his best work?

Absolutely not.

No more Jason Schwatzman (for fuck’s sake!).

Is Luke Wilson a great actor?

Yes.

What’s his best film?

Masked and Anonymous.

Maybe it’s Paltrow and Hackman which make Tenenbaums good.

For my money, Luke Wilson is the one who makes that film go.

But it is not on the same level as Grand Budapest.

Last Night in Soho is the Grand Budapest of the ’20s.

We’re in the ’20s now.

Are they roaring?

Like a fucking mouse.

Last Night in Soho is a gazillion times better than No Time to Die.

This film has everything the Bond film didn’t.

Substance.

Competent directing.

A story worth sticking with.

And so it is fitting that Diana Rigg’s last role should absolutely trump the death of James Bond.

The one George Lazenby film was WAY better than No Time to Die.

The death of love is more sad than the death of the hero.

Diana Rigg is the linchpin in the Bond franchise.

Pull that thread, and the sweater unravels.

Léa Seydoux is boring as fuck in the Bond films.

She was great in Blue.

But she was nothing compared to the one who carried that film (Adele Exarchopoulos).

Exarchopoulos made one perfect film.

Blue is the Warmest Color.

None of her other films are even good.

Wright makes what Youth in Revolt might have been.

He is not glib.

This is not a hipster film.

Michael Cera (who has made one perfect film [Nick and Norah’s Infinite Playlist]) is, mercifully, NOT in Last Night in Soho.

[correction…Kat Dennings DID make one perfect film]

Thomasin McKenzie’s obsession with ’60s London music is real.

It’s not a fucking Austin Powers joke.

Rita Tushingham is wonderful as Gram.

Excellent casting.

[take note, Bond franchise]

Thomasin hooks up with a black dude.

No big deal.

Take note, Bond franchise.

NOT EVERY FUCKING PERSON HAS TO BE BLACK IN ORDER FOR A FILM TO BE VIABLE!!!

Thomasin’s love interest is a black fellow.

I have no problem with that.

He does a good job.

For fuck’s sake…he doesn’t even have a Wikipedia page!

Michael Ajao.

Fine acting!

There can be important black characters WITHOUT A FILM BEING A WOKE FUCKING JOKE (like the recent Bond film).

No big deal.

Don’t make it a big deal.

It has to fit with the story.

The story is the most important thing.

The writers of the Bond film (Purvis and Wade) have allowed their name to be attached to the fucking pathetic shit of No Time to Die.

So you get a kiwi to speak in a Cornish accent.

GREAT ACTRESS!

Thomasin McKenzie.

Say that name with me.

Jacinda Ardern’s father (or mother?) was a horse.

Ugly bitch.

Ugly soul.

Thomasin McKenzie is the best thing to ever come out of New Zealand.

However, there has been one perfect kiwi movie:  Eagle vs Shark.

Synnøve Karlsen is so fucking annoying in Soho.

And she was supposed to be.

So, good job (I guess).

Every film needs a villain.

And Jocasta (Karlsen’s character) is the real villain of this film.

Thomasin is different.

Jocasta beats her down.

Mentally.

A stingy spirit.

Can never share in any of her joys.

Do you know anyone like that?

But Thomasin is troubled.

Hallucinations?

Maybe.

Seeing ghosts?

Maybe.

We’re trying to solve a case here.

Cold case.

Maybe a lot of cold cases.

Maybe a serial killer.

To the Belle and Sebastian bedsit.

Salad days are short-lived.

Don’t underestimate Sandie Shaw.

Always something there to remind me.

1964.

Puppet on a string.

Gotta pay your dues.

As a wind-up bird girl.

Brian Epstein.

Giorgio Gomelsky.

Andrew Loog Oldham.

ABKCO.

The influence of Vertigo upon Last Night in Soho cannot be understated.

The red of the Café de Paris.

The blonde of Anya Taylor-Joy’s hair.

And Thomasin’s hair.

[also, don’t underestimate Bergman’s Persona]

The glance to the side.

It’s not Jimmy Stewart.

It’s Thomasin.

Allusions to The Way of the Dragon and The Lady from Shanghai in the mirrors.

Sure, a bit of Pulp Fiction.

But that’s just for the kids.

Edgar Wright’s grasp of cinema history is way deeper than some Tarantino bullshit.

And yet, he likes zombies.

And shitty horror films from the ’80s.

I mean REALLY shitty, camp ones.

Slasher films.

Back to Vertigo.

Kim Novak’s apartment is bathed in green neon.

But Thomasin’s bedsit is a red, white, and blue homage to Godard.

An homage to Une Femme est une femme.

Dancing.

Dancing girls.

Prostitutes.

Vivre sa vie.

Pink dress fembot.

Pew pew.

Thomasin is way sexier than Anya Taylor-Joy.

Thomasin is the girl next door.

The frumpy hair of Homeless to Harvard.

I love it.

It must be this way.

To juxtapose the transition to Swinging Sixties glamour.

Is Trump just culture jamming with his vaccine tack?

Either that, or the hero has become the villain.

Did the D.C. swamp make Trump into a swamp zombie?

Maybe no one comes out clean.

International law was broken.

War crimes.

All these Wright films have zombies.

Or robots.

Faceless automatons.

A bit of Dragon Tattoo.

We all like a good microfiche scene!

Is Terence Stamp her father?

If Sandie is her mother?

Could be.

Otherwise, she would be the daughter of a prick.

But Stamp tried to save Sandie.

Arsenic and old lace.

The ones you never suspect.

Sicario.

“Buried” in the walls.

Decomposing.

Poe.

Gacy.

Wright’s “sympathy for the serial killer”.

What happened to these people that made them monsters?

Don’t underestimate Truffaut’s Fahrenheit 451 (his only English-language film…and a flat-out masterpiece).

In the world of Edgar Wright, it is records.

Vinyl.

Not books.

And sometimes the elderly want to die with their memories.

They are not going anywhere.

They are not fleeing.

It’s been a good life.

Going down with the ship.

Up in flames.

The shitbags want their deaths avenged.

After all, they were just horny, well-to-do dads who needed a little excitement.

Prostitution.

It’s the law, after all.

Murder is murder.

Crimes of passion.

By reason of insanity.

Not guilty.

Not insane.

But traumatized.

But Thomasin has been on the adventure.

She knows what Sandie has been through.

Trump was abused for four years.

That is true.

And he fought like a champ.

Is there no justice?

Is it culture jamming (I ask again)?

Confusion.

Keeping his enemies off balance.

Getting a foot in the door.

Truth Social will censor “hate speech” with a Silicon Valley AI bot.

In order to get on Apple App Store and Google Play.

But the roll out is delayed?

Lie about the vaccines.

“Safe and effective”.

Move in for the kill shot.

Against whom?

Big Pharma and the New World Order.

But we have to call out serial killers for who they are.

If you are saying the COVID vaccines are “safe and effective”, you are spreading misinformation that is endangering the lives of those who hear and trust you.

CDC:  11,879

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Open VAERS:  23,149

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Neither safe,

https://www.cdc.gov/coronavirus/2019-ncov/vaccines/safety/adverse-events.html

https://openvaers.com/covid-data/mortality

nor effective.

https://www.independent.co.uk/news/world/americas/us-covid-deaths-2021-vaccines-b1963790.html

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10,000-20,000 vaccine deaths should be read as 100,000-200,000 vaccine deaths because of this:

https://www.bmj.com/rapid-response/2011/11/02/underreporting-vaccine-adverse-events

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And correlation does not necessarily equal causation…unless this (peep the myocarditis…you think that’s all JnJ? [nigga please!]):

https://openvaers.com/covid-data

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But the election was stolen.

Or was it allowed to be stolen?

When will the other shoe drop?

Or does the other shoe even exist?

This charade is going to go on until 2024?

Maybe Sandie is not her mother.

-PD

No Time to Die [2021)

This is not a game.

Pull quote.

C-17.

This film was a rip of Blood Heat novel 1988 Steve Pieczenik.

Out of print.

Buy now.

https://stevepieczenik.com/product/blood-heat-audiobook/

Little man Fauci Malek.

Unit 731.

https://en.wikipedia.org/wiki/Unit_731

Pieczenik banned from Japan.

Current.

Persona non grata.

Khabarovsk War Crime Trials.

https://en.wikipedia.org/wiki/Khabarovsk_War_Crime_Trials

CIA paperclipped.

But so did Soviets.

No doubt.

Unit 100.

https://en.wikipedia.org/wiki/Unit_100

Unit 516.

https://en.wikipedia.org/wiki/Unit_516

Unit 1855.

https://en.wikipedia.org/wiki/Unit_1855

Unit Ei 1644.

https://en.wikipedia.org/wiki/Unit_Ei_1644

Unit 8604.

https://en.wikipedia.org/wiki/Unit_8604

Unit 9420.

https://en.wikipedia.org/wiki/Unit_9420

Diseases disguised as vaccinations.

Fleas*.

Delivery mechanism.

Marine vessel Ning-Po.

Smallpox joke dropped early.

Date:  November 9, 2021.

https://www.independent.co.uk/news/science/bill-gates-smallpox-terror-attack-b1958789.html

Date:  November 18, 2021.  [note* nine days later]

https://www.theguardian.com/society/2021/nov/18/philadelphia-lab-smallpox-vials-freezer

Frame of reference.

https://www.centerforhealthsecurity.org/our-work/events-archive/2001_dark-winter/

How many times did Joe Biden drop the phrase “dark winter”?

Can the Democrats allow the midterms (2022) to happen?

Won’t they get politically slaughtered at the polls?

How much has the system which allowed the rigged 2020 U.S. Presidential election been shored up?

Was Virginia (Youngkin) a test?

Gates really likes the number 9.

BioNTech (Pfizer COVID vaccine) cash infusion ($55 mil.) from Gates Foundation.

Date:  September 4, 2019.

https://investors.biontech.de/news-releases/news-release-details/biontech-announces-new-collaboration-develop-hiv-and/

BioNTech NASDAQ IPO.

Date:  October 9, 2019

https://www.reuters.com/article/us-biontech-ipo-idUSKBN1WO29B

Event 201.

Date:  October 18, 2019 [nine days later]

https://www.centerforhealthsecurity.org/event201/

I see five major players of the non-game 6uild6ack6etter:

Klaus Schwab (a Kissinger protégé), Bill Gates, Anthony Fauci, Prince Charles, and Pope Bergoglio.

Shirō Ishii.

https://en.wikipedia.org/wiki/Shir%C5%8D_Ishii

Deaths of microbiologists in months following 9/11/01.

Benito Que, Donald C. Wiley, Vladimir Pasechnik, Robert Schwartz, Set Van Nguyen, Vladimir Korshunov, and Ian Langford.  Not to mention Air Sibir 1812 (shot down by Ukrainian SAM).  Five microbiologists aboard.  Israeli microbiologists?  En route to Novosibirsk.  Also not to mention Swissair crash on approach to Zurich.  Died:  head of hematology Ichilov Hospital (Israel).  Died:  directors of Tel Aviv Public Health Department and Hebrew University of Medicine.  33 passengers.  24 died.  All Israelis aboard died.  Possible names (pseudonyms?):  Avishai Berkman, Amiram Eldor, and Yaacov Matzner.

https://www.fromthewilderness.net/free/ww3/02_14_02_microbio.html

Masaji Kitano.

https://en.wikipedia.org/wiki/Masaji_Kitano

Doctors of death.

Listen to the master, Dr. Steve Pieczenik, M.D., Ph.D., speak about this.

https://stevepieczenik.com/2021/08/09/opus-8821-doctors-of-death/

Yoshio Shinozuka.

https://en.wikipedia.org/wiki/Yoshio_Shinozuka

Yasuji Kaneko.

https://en.wikipedia.org/wiki/Yasuji_Kaneko

War criminals.

Ichirō Hatoyama (Japanese PM 1954-1956).

https://en.wikipedia.org/wiki/Ichir%C5%8D_Hatoyama

Nobusuke Kishi (Japanese PM 1957-1960).

https://en.wikipedia.org/wiki/Nobusuke_Kishi

Hayato Ikeda (Japanese PM 1960-1964).

https://en.wikipedia.org/wiki/Hayato_Ikeda

Three Japanese Prime Ministers.

Not indicted.

Please explain Trump’s position on the COVID vaccines.

General Otozō Yamada.

Sentenced to 25 years in a labor camp by the Soviets.

Served only seven years before being repatriated to Japan.

https://en.wikipedia.org/wiki/Otoz%C5%8D_Yamada

General Shunji Sato (a physician).

Sentenced to 20 years in prison.

Served only seven years before being repatriated to Japan.

https://en.wikipedia.org/wiki/Shunji_Sato

Bacteria mass production.

Under “epidemic prevention” and “water purification” euphemisms:

https://en.wikipedia.org/wiki/Epidemic_Prevention_and_Water_Purification_Department

Rami Malek character Lucifer (Lyutsifer).

Peter Daszak working for CIA?

Anthony Fauci covering for CIA?

Fauci covering for U.S. military?

Sticky situation.

Are the statements of Dr. Jon McGreevey (Ryan Dark White) legitimate?

I believe Lin Wood has thoroughly discredited himself by now with his incessant attacks on (particulary) General Michael Flynn.

But could Lin Wood’s whistleblower by bona fide?

He’s running for U.S. Senate in Maryland.

And then you have Ron Watkins (CodeMonkeyZ) running for U.S. House of Representatives in Arizona.

Might as well throw in Bobby Piton running for U.S. Senate in Illinois.

Per McGreevey:

he claims that COVID is a defensive bioweapon “designed to protect the United States” and also (most notably) that he himself designed it.  According to McGreevey, it is called GenAegis (Genetic Shield).  McGreevey elaborates on it a bit here…”a weapon designed to seek out certain DNA, programmable […] they can make endless variants”.

Sound familiar?

https://web.archive.org/web/20210725044535/https://threadreaderapp.com/thread/1418973700108476420.html

McGreevey’s assertion is that Obama and Biden gave this bioweapon to China (who then converted it to an offensive bioweapon?).

It was (according to him) developed at Fort Detrick (Maryland).

How does this comport with USMC Major Joseph Murphy’s recent whistleblowing to Project Veritas?

Murphy claims that COVID was a vaccine FOR bats (which was to be administered in an aerosolized version by spraying it into caves in China), but that it leaked out of the Wuhan lab before it was finished.

Murphy’s main contention is that DARPA refused the project, but NIAID (which Fauci runs) then subsequently accepted the project.

The project was proposed to DARPA by the EcoHealth Alliance (run by Peter Daszak).

JAG_Docs_pt1_Og_WATERMARK_OVER_Redacted 2

This evidence was discovered by Murphy in his capacity at DARPA.

The evidence is now ostensibly being held by the Marine Corps Intelligence Activity (MCIA) at Quantico.

Note that NCIS is also HQ at Quantico.

And of course there is FBI there as well.

[not to mention United States Army Criminal Investigation Command (USACID) and U.S. Air Force Office of Special Investigations (AFOSI or OSI)]

But let’s back up to NCIS for a moment.

Why does Ron DeSantis (Navy JAG) seem so much more wise than Donald Trump on the COVID vaccines in these last couple of months?

DeSantis has not gone full-retard like the man who should win the Nobel Peace Prize (Dr. Robert Malone), but DeSantis also hasn’t shot his mouth off like the buffoon Trump.

What happened to Trump?

Great President.

And then he broadcasts to the world that he got the Pfizer vaccine (while encouraging people to take these shots)?

https://finance.yahoo.com/news/donald-trump-i-got-the-pfizer-125703879.html

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And he casually drops his booster status after a crowd in Dallas gathered to hear him speak had just sung the Christian hymn “How Great Thou Art”?  [sounds like Hochul’s church vaccine speech]

https://www.yahoo.com/entertainment/trump-played-conspiracy-theory-hits-024518810.html

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And then Trump lies (?) to Candace Owens about people taking the vaccines not dying?

https://www.axios.com/trump-candace-owens-dying-vaccine-covid-92fd3eb3-f5ec-4167-8649-113903119de1.html

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And finally, Trump makes what appears to be a pointed reference to DeSantis in which Trump insinuates that DeSantis is “gutless” for not revealing his booster status?

https://www.thedailybeast.com/trump-roasts-gutless-desantis-for-keeping-his-booster-status-a-secret

Just what the hell has been going on with Donald Trump?!?

These outbursts have caused me to lose all faith in him.

I would take DeSantis (or Ron Paul, or Tucker Carlson, or Candace Owens, or Robert Malone, or RFK Jr. or almost anyone) over Trump at this point.

Trump has backed off the vaccine-pushing.

But I have to say:  that is not good enough.

The man need only visit two websites to understand the danger of these vaccines:

the criminally-parsed version

https://www.cdc.gov/coronavirus/2019-ncov/vaccines/safety/adverse-events.html

IMG_6975

-and-

the actual version

https://openvaers.com/covid-data/mortality

IMG_6976

IMG_6977

These figures (11,879 and 23,149 [respectively]) should be increased by a factor of 10 to account for the historical underreporting to the passive-surveillance (voluntary) VAERS system [HHS] of serious adverse events such as Kawasaki disease (i.e. 118,790 deaths or 231,490 deaths).

https://www.bmj.com/rapid-response/2011/11/02/underreporting-vaccine-adverse-events

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And in case anyone wants to play the “correlation does not necessarily equal causation” card, consider this:

https://openvaers.com/covid-data

IMG_6981

As for their efficacy…

https://www.independent.co.uk/news/world/americas/us-covid-deaths-2021-vaccines-b1963790.html

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And of course there is this gem about ethno-specific bioweapons:

https://www.wired.com/1998/11/israels-ethnic-weapon/

Are you starting to understand why China and Silicon Valley want your DNA?

This is a new kind of war where certain people will be purposefully made susceptible and others purposefully made nonsusceptible to bioweapons released on a massive scale.

Not to mention that the vaccines are debilitating the U.S. military (while SecDef Austin [a General] and CJCS Milley stand around with their dicks in their hands).  

That’s treason!

They should have known.

And if they didn’t know, they’re still responsible.

The buck stops with them.

https://vimeo.com/533241402

Why the insane push for all of humanity to receive vaccines that are neither safe, nor effective?

And why is Trump’s “solidarity” with the Canadian truckers (Freedom Convoy) so at odds with his months of moronic statements regarding the vaccines?

Does he not realize that these people are rising up PRIMARILY BECAUSE OF THE VACCINES HE BROUGHT INTO THE WORLD?!?

Don’t forget that Trump’s Operation Warp Speed (of which he is evidently so proud [see Candace Owens article above]) ALSO PAID FOR THE AstraZenca VACCINE (WHICH IS NOT EVEN AVAILABLE AT ALL IN THE USA)!!!

[not to mention three others we funded that are also not available at all in the USA:  Novavax, Sanofi, and GlaxoSmithKline]

https://web.archive.org/web/20201219231756/https://www.hhs.gov/coronavirus/explaining-operation-warp-speed/index.html

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https://en.wikipedia.org/wiki/Oxford%E2%80%93AstraZeneca_COVID-19_vaccine

https://en.wikipedia.org/wiki/Novavax_COVID-19_vaccine

It should be noted that there is not a Sanofi or GSK COVID vaccine approved anywhere in the world.

Where did those $2 billion dollars we gave them go?

While Sanofi and GSK took HHS (U.S. taxpayer) money and ran (producing nothing?), here are the other countries which have developed their own COVID vaccines:

–China (8 different vaccines [Sinopharm BIBP, CoronaVac, Convidecia, Sinopharm WIBP, Zifivax, Minhai, Chinese Academy of Medical Sciences, and Sinopharm CNBG])

–Russia (4 different vaccines [Sputnik V, Sputnik Light, EpiVacCorona, and CoviVac])

–Iran (4 different vaccines [COVIran Barekat, FAKHRAVAC, COVAX-19 {in conjunction with Australian company CinnaGen}, and Razi Cov Pars])

–India (3 different vaccines [Covaxin, ZyCoV-D, and Corbevax {developed by Texas Children’s Hospital < ! > and Baylor College of Medicine <Houston>}])

–Cuba (3 different vaccines [Abdala, Soberana 02, Soberana Plus])

–Turkey (Turkovac)

–Kazakhstan (QazCovid-in)

–Taiwan (Medigen)

https://en.wikipedia.org/wiki/List_of_COVID-19_vaccine_authorizations

Why was a children’s hospital and medical school in Texas developing a COVID vaccine that is only available in India (licensed to Biological E. Limited [BioE])?

Who paid for it?

Where’s Rand Paul?

This is a huge waste of money.

The three vaccines we got (Pfizer, Moderna, and Johnson & Johnson [which were totally unnecessary to rush {considering the low mortality rate of COVID-19 <relative to ebola or smallpox, for instance>}]) are neither safe, nor effective.

If Trump knows the available vaccines in the USA aren’t safe (how could he not know?), then he is liable for the death and injury caused by his encouragement for people to take the vaccines.

State Department character based on Ash Carter?

State Department infiltrated by Rami Malek.

CIA is trusting a foreign agent.

Death of Felix Leiter.

Death of James Bond.

Is 007 now a black lesbian like mayor Lightfoot of Chicago and disgraced BLM cofounder Patrice Cullors?

Q is gay.

Houston recently had a white lesbian mayor [Annise Parker].

And what about black lesbian Karine Jean-Pierre (KJP [Psaki’s backup])?

Is this some kind of cult?

That’s a lot of black lesbians.

And one white lesbian.

Muriel Bowser (D.C. mayor)?

Donna Brazile?

Lashana Lynch is aptly named after androgynous Klaus Nomi.

Is 007 now a black transexual?

Spoiler alert:  James Bond dies.

Is this the end of the series?

And the Bond franchise has to keep the diversity in high gear.

Who cast this movie:  Richard Torres-Estrada?

Bishop Garrison?

Lloyd Austin?

Mark Milley?

Michael Gilday?

At least Ana de Armas is charming.

I can’t say the same about Lashana Lynch.

What the fuck is this woke shit?!?

Ian Fleming would be puking his guts out.

Assange in Belmarsh.

But let’s make sure we have the score here.

The one representative of the CIA (Felix Leiter):  black male.

Miss Moneypenny:  black female.

The new 007:  black female.

What percentage of the U.K. is black?

3.3%.

Three percent.

https://www.ethnicity-facts-figures.service.gov.uk/uk-population-by-ethnicity/national-and-regional-populations/population-of-england-and-wales/latest

This is a British film.

Eon Productions Ltd.

Piccadilly (London).

Pinewood Studios.

But the film was also produced by MGM.

Beverly Hills.

Ok.

What percentage of the USA is black?

14.2%.

https://www.pewresearch.org/social-trends/fact-sheet/facts-about-the-us-black-population/

Ok.

So let’s look at the main characters.

Daniel Craig:  British white male.

Léa Seydoux:  French white female.

Rami Malek:  Egyptian-American [African-American] male.

Lashana Lynch:  British black female.

Ben Whishaw:  British white male.

Naomie Harris:  British black female.

Jeffrey Wright:  African-American [black] male.

Christoph Waltz:  Austrian-German white male.

Ralph Fiennes:  British white male.

Billy Magnussen:  American white male.

Ana De Armas:  Cuban-Spanish female.

David Dencik:  Danish-Swedish white male.

Rory Kinnear:  British white male.

Dali Benssalah:  French-Algerian male.

14 characters.

It’s nominally a British movie (although co-produced by American company MGM).

What percentage of the main cast is British?

6/14 (43%).

Less than half of the main cast is British.

What percentage of the main cast is American?

3/14 (21%).

That means 36% of the main cast is neither British, nor American.

Why?

Maybe the story called for it.

The evil guys have to be exotic.

Rami Malek (Egyptian heritage) and Christoph Waltz (Germanic).

Dencik (the biological weapons guy) is a Scandinavian playing a Russian.

Also a baddie.

What percentage of the main cast is white?

8/14 (57%).

The good guy (James Bond) is white.

But two of the three villains are also white.

The third main villain is of Egyptian descent.

What percentage of the main cast is male?

10/14 (71%).

It is an action movie.

Who goes to war?

Men?

Are women drafted into most militaries in the world?

Do they participate in combat roles?

How often?

What percentage of the main cast is white male?

7/14 (50%).

Let’s be honest.

The James Bond franchise cucked out to the looters and arsonists of BLM.

Eon and MGM kneeled in fealty to woke Hollywood.

Continuing.

What percentage of the main cast is black?

3/14 (21%).

This is the important number.

Britain is 3.3% black.

So blacks are WAY overrepresented in what is a British franchise.

But even if we figure in the American coproducer MGM, blacks are still overrepresented.

America is 14.2% black.

So blacks are even overrepresented here by 50% in relation to the American production company.

But here’s the other important part.

Of the top seven characters (as they are listed in the Wikipedia entry for this film [presumably based on screentime]), three are black.

3/7 (43% of the “stars” or leading roles in this film are played black people).

Compare that to the 3.3% British black population.

Or the 14.2% American black population.

This is an absurdly-high overrepresentation of black people!

For what?

Are 43% of box office returns in the USA because of black viewers?

I highly fucking doubt it.

And do the 3.3% of Britain who are black make up 43% of the viewership (i.e. revenue) there?

There is strictly no chance.

So this movie is a woke joke.

A woke disaster.

In terms of casting.

The worst is Lashana Lynch.

Not talented.  Not charming.  Completely ill-cast.

Jeffrey Wright is mediocre.

Nothing special.

The best is Naomie Harris.

SHE should have been the black, female 007 (if they were going to go that route).

For fucksake…she was a field agent in Skyfall.

Why the fuck did she get relegated to becoming M’s secretary?

She’s charming.

She’s capable.

Neither of which (in the acting sense) can be said about Lashana Lynch.

Lynch is most similar to Gloria Hendry in Live and Let Die.

At least Hendry was attractive.

Sexy.

And funny.

Or we could compare Lynch to another androgynous abomination:  Trina Parks (Thumper) in Diamonds Are Forever.

Nothing like a flat-as-a-board, muscular black woman to get the heterosexual male fired up.

This is, again (after all), an action movie.

Who is the target audience?

Does the LGBTQ community really get into James Bond?

I don’t fucking think so.

At least Trump is right about this:  “Everything woke turns to shit.”

There are disaster movies.

And then there are movies that are disasters.

This is the latter.

What a fucking woke piece of shit.

And who was responsible for this artistic abomination?

Bay Area failed-snowboarder, Japanese-American Cary Joji Fukunaga.

This dude was totally unqualified to shoot a Bond film.

And it shows.

What a fucking ripoff.

Don’t waste your money on this piece-of-shit film.

Danny Boyle (both excellent Trainspotting films) should have directed this movie.

It appears that Fukunaga not only killed James Bond, but killed the James Bond franchise as well.

Great job, fucktard!

Fuck you, you piece-of-shit, no-talent director.

-PD

 

bucolic [2021)

It starts just like Charlotte Gainsbourg.

5:55.

Air.

Nigel Godrich.

But there is something different.

A shruti box?

A little distorto guitar.

Ah, yes.

Chuchotements.

Françoise Hardy.

A little Yo La Tengo.

Built to Spill.

Guitar carries it for a second.

Good lyrics.

All mood.

And then into an Amon Düül II warble.

Like Marc Bolan.

Jim Carrey.

Most annoying sound in the world.

Into Pink Floyd.

David Gilmour.

Circa The Wall.

Strange sadness.

Almost a premonition of impending doom.

Calm before the storm.

J. Spaceman telephony.

Floating with no highs and no lows.

All mids.

Strong opening track.

Very slow-moving.

Luxurious.

Immediate Delgados shift.

Paul Savage.

Pauly Deathwish.

Glasgow effect.

Great counterpoint for a pop musician.

But if you check this bloke’s CV…

You’ll know he went through Fux.

Gonna have to say Elliott Smith.

Gorky’s Zygotic Mynci.

Megan Childs violin.

Around the warm fire.

Welsh.

Expansive.

Strings open up.

Hate.

More Fridmann.

Pointillism.

Schoenberg.

Timbre.

Richard James.

GZM.

Beethoven.

Another Welshman.

John Cale.

Orchestral bass that Lou loved.

This guy’s a bastard.

Jaded.

Hurt.

Is this a breakup album?

I thought the last one was a breakup album?

Ahhh…

Into Gorwel Owen.

1968.

Floyd.

Atom.

Mad cow.

The last GZM album.

Rockfield.

Bohemian.

String band.

Money never runs out.

Cheap air organ.

Tubes?

Fan.

A very apropos album title.

Woody.

Tobacco.

Spring water Scotch.

And then the Great Reset arrives.

Like a fucking spaceship.

Dark shit.

What is this glitch business?

Thom Yorke blasts upon the scene.

Drums James Brown.

Good groove.

Savvy.

Whoa!

Marching band.

Drumline.

Snares.

Caught by Lee “Scratch”.

Guitar all mangled.

Melodies solid.

Mogwai?

Bert Jansch out of fucking nowhere.

Definitely Lips.

Pet Sounds.

Track rejected by Bond franchise.

Convincing.

Acoustic to electric.

Now it’s Serge.

Requiem.

Stereolab.

Break beat.

Absolutely boffo.

BOF.

More Brian Wilson.

Van Dyke Parks.

Phil Spector.

High Llamas.

Still a sadness.

That the old world is passing away.

FUCK!!!

Right into some Leonard Cohen shit!

Scott Walker.

How the FUCK was this recorded?

Sounds like 2″ tape.

Question:

how has this Pauly Deathwish released three albums in two months?

I can’t even keep up with this guy.

Mercury Rev.

Deserter’s Songs.

Levon Helm.

Chamberlin.

Mellotron?

Like a Christmas album.

See You on the Other Side.

David Fricke.

A review in the liner notes.

“Everlasting Arm”.

Definite vibe.

Record pillaging wizard.

Baritone.

Lots of fucking glockenspiel on this record.

But it’s nice.

Like Ennio Morricone.

Cinema Paradiso.

Mandolins.

Jackie Gleason.

Dean Martin.

Herb Alpert.

Tchaikovsky.

Again with sugar plum.

Slick!

Very light.

Chiaroscuro.

Fresher than the sweetness in water.

Hearing Dungen.

IV Thieves.

Makes sense.

“Frenchie” Smith.

Dig CV.

Light, British, airy.

Good hook.

Hooky.

Is this the single?

A little neo-psych Hendrix moment.

It’s definitely GZM.

Repetition until transcend.

Stereolab first album.

Not looped.

Manuel.

Carpenters.

Messiaen.

Definitely some breakup here.

Sonic Youth.

Sister.

Experimental.

Thurston.

Lots of drum machine.

Drum and bass.

Panning.

Definitely holds up with Radiohead.

How the fuck was this made?

PD tells us that it was all made on an iPhone with only a Telecaster.

That is some serious trickery.

Ear fooling.

This is COMPLEX music.

Mixes sound polished.

Clarity.

Some Chinese stuff.

Noise floor fucked for the first time ever.

Bacon?

Rollerskate Skinny.

It’s THAT good.

Shoulder Voices.

How was this made?

This heralds a new talent.

But this bloke is 44.

Tour sponsored by Ensure.

Not hearing a sophomore slump here.

Two albums in two months.

Review third forthcoming.

This dude is emo as fuck.

I dig it.

This guy is a mystery.

What is his deal?

This sounds more like a cohesive album that Introversion.

Introversion sounds like a debut album…in all the best ways.

Songs saved up.

A greatest hits.

Go big or go home.

This album deals much more in subtlety.

Not every song here is a home run.

This album breathes.

Ambiance.

Negative space.

More Beach Boys vibes.

70s.

Sad.

Bathrobe.

But mentally sharp.

A spark of genius.

A little bluegrass.

Bill Monroe.

Dock Boggs.

The old world is passing away.

Jonny Greenwood.

Georges Bizet.

Live forever.

Nonesuch.

Elektra.

Hoyt Ming.

Incredible String Band.

Wales, Scotland.

Back and forth.

And across to Ireland.

Oh, no.

There’s the single.

“Makes Me Wanna Stay in Bed”.

Emma Pollock.

Hate is all you need.

Coming in from the cold.

New Radicals.

Delayed bass from The Wall.

Pavement.

Spoon.

Good fucking song!

Eisteddfod.

All Is Dream.

Hard following up.

Unenviable.

Emma Pollock solo.

With Alun Woodward singing.

The Great Eastern.

New Spiritualized.

Banjo.

Let It Come Down.

Abbey Road.

Coldplay.

A Rush of Blood to the Head.

This bloke is serious as fuck.

Sad eyes.

I’m sensing a Jandek promotional strategy.

Final track Richter.

Ravel.

Emperor.

Philip Glass.

Conlon Nancarrow.

City/country dichotomy.

Urban/rural.

Urban encroaching.

Something felt.

Big symphony night.

Excitement of New York Phil.

The fucking french horns!

Automation.

A story in dynamics.

Lesson.

A folk album.

bucolic.

Pauly Deathwish.

iTunes.

Spotify.

-PD

Patriot Games [1992)

This is not a game.

Assassination attempts on motorcades.

Jack Ryan jumps in here.

An expert by Clear and Present Danger.

Since 1972.

Tom Clancy.

Minister of State, Northern Ireland.

The answer.

Paul Channon.

Six months.

We are.

In that period.

Married Ingrid Guinness.

Former wife of his cousin.

Jonathan Guinness.

PC.

Guinness board of directors.

Guinness Trust.

By the way.

What ever happened to Rachel Chandler?

Wife of Thomas Guinness-Taylor?

He being son of the aforementioned Jonathan Guinness and mistress Susan “Shoe” Taylor?

The date of birth seems to match.

1986.

Northern Ireland Office.

Would be equivalent to Robin Walker.

1972-1974: Conservative (Edward Heath).

1974-1979: Labour (Harold Wilson/James Callaghan).

1979-1997: Conservative (Margaret Thatcher/John Major).

1997-2010: Labour (Tony Blair/Gordon Brown)

2010-present: Conservative (David Cameron/Theresa May/Boris Johnson).

The Provisional IRA was socialist.

Not to be confused with the IRA of 1919-1922.

Cells.

Splinters.

Gilded.

Annette is English.

Red wig.

Not a real ginger.

Prisoner transfer motorcade ambushed.

On the move.

Dangerous.

David Robinson.

This was before the Colombian PTSD.

A healthy amount of paranoia.

Highway attack.

By 1994, Fort Huachuca had come into the mix.

Film misdated as 1998 is actually 1992.

Watched out of order.

Keyhole.

Who dares wins.

Flynn.

Lindell.

SAS because British citizens.

CIA assist.

Assassination attempt on American.

Terrorists.

Pence was a mole.

Traitor.

McInerney correct.

London.

Alaska.

Chevy Chase, Maryland.

Diplomatic Security Service.

Maryland State Police.

HRT Quantico.

Crisis management.

A career of crises.

Diversion.

Spartacus.

Next film was already in the works.

You are watching a movie.

-PD

Full Metal Jacket [1987)

America is at war.

With communism.

With China.

And with those who collaborate with China to suppress freedom.

Some of those communist agents have risen to the highest levels of U.S. government.

It is not a stretch to say that America is now run by communist China.

Which means people like myself–people who like to have their votes actually count–are placed in a very delicate situation.

I am no longer under any illusion that my vote counts.

My vote was stolen by Eric Coomer.

My vote was stolen by Ruby Freeman.

My vote was stolen by Fulton County and Wayne County.

My vote was stolen by Philadelphia, Detroit, and Milwaukee.

My vote was stolen by Maricopa County.

My vote was stolen by Phoenix.

My vote was stolen by Las Vegas.

My vote was stolen by Arizona and Nevada.

My vote was stolen by Chinese hackers.

My vote was stolen by the CIA.

My vote was stolen by the Deep State.

I could go on and on.

My vote was stolen by Mark Zuckerberg and his pathetic wife Priscilla Chan.

My vote was stolen by Mitch McConnell and his pathetic wife Elaine Chao.

And her pathetic sister Angela Chao.

And the Bank of China.

My vote was stolen by China.

China who gave the world COVID.

On purpose.

America is in a war.

It is undeclared publicly.

I’m not sure our military is even smart enough to realize we are under attack.

Because many of our top brass appear to be corrupt.

My vote was stolen by Michael Hayden and John Brennan.

My vote was stolen by Gina Haspel and Avril Haines.

My vote was stolen by Bill Gates.

My vote was stolen by James Mattis and John Kelly.

My vote was stolen by Colin Powell and James Comey.

My vote was stolen by Andrew McCabe and Peter Strzok.

My vote was stolen and given to Joe Biden.

My vote appears to have been stolen by Mark Milley.

My vote appears to have been stolen by Chris Miller and Ezra Cohen-Watnick.

My vote was stolen by Mike Pence.

My vote was stolen by Brett Kavanaugh.

My vote was stolen by Amy Coney Barrett.

My vote was stolen by John Roberts.

My vote was stolen by Chris Krebs.

My vote was stolen by Christopher Wray.

South Carolina is where cars crash into trees.

Where drunks wreck their hoopties.

Fucked up on malt liquor.

Cheap wine.

Fuck it.

Beaufort.

You’re almost in Georgia by that point.

But you gotta go inland to find the Georgia Guidestones.

So transparently talking about global depopulation.

But still on the South Carolina border.

Heading towards Alabama hit Atlanta.

CDC.

Depopulation.

CNN.

Suppression.

Fake news.

Was it Ted Turner built the Guidestones or some other worthless fuck?

Some worthless piece of shit like Bill Gates.

Parris Island will get you to Jekyll Island.

Straight shot.

Where those filthy bankers plotted the Federal Reserve System in secret in 1910.

111 years ago.

Two world wars.

A Cold War.

Vietnam.

Afghanistan for us and the Soviets.

Iraq twice.

And now we can never get out of debt.

All goes back to 9/11.

False-flag.

I liked R. Lee Ermey.

Some might say.

Like liking Darth Vader.

But I don’t think so.

Because Stanley Kubrick is a (very talented) propagandist.

True, war is disgusting.

True, Vietnam was depressing.

But now you see what we were fighting against.

Was it misguided?

Perhaps.

But now Chinese communism has conquered our nation (with the installment of Joe Biden).

And so now the heroes of Vietnam–our American Vietnam vets–are truly heroes after all.

To stem the tide.

To buy us time.

And our politicians (and military brass) have pissed it away.

But mainly our politicians.

And our filthy intelligence (CIA) community.

America is not shit.

At its heart.

But Stanley Kubrick and all his commie fag friends want you to believe it’s so.

But we will not tolerate that.

We respect Kubrick’s talent.

But politely disagree with his artistic premise…that America is shit.

Wrong!

D’Onofrio breaks your heart.

And it is more schoolmaster bullying than anything.

Very British.

But it’s all plausible.

Yet Kubrick has to shoot it like The Shining.

Yeah, war will drive you crazy.

And real training should be the same intensity as the war you’re going to.

Otherwise, it’s worthless.

America is at war.

Now.

Already.

China doesn’t declare war anymore.

They just sneak around and poison you.

And fuck with your weather.

And buy off your politicians.

I love jelly donuts.

We’re not all cut out for the military.

But when the enemy invades the homeland (as China has done to us), all bets are off.

I am a digital soldier.

Born To Kill.

Matthew Modine good here too.

The terror.

In the eyes.

Kubrick was a genius.

An evil genius.

Yes, war is bad.

But Kubrick was a communist.

So, for him, a communist world was better than a war.

For me, a war is better than a communist world.

Because at least we got the chance of coming out the other side with some freedoms.

Freedom, motherfucker!

That thing I am using right now to write this blog.

That thing that guarantees I can insult the government.

I can make my views known.

I cannot be violent, but I can unleash a shitstorm of invective.

And my government is supposed to not be able to stop me.

Because they are constrained by our Constitution.

Political speech.

Is protected speech.

I wish no harm to anyone listed above.

Even if they have literally taken communist Chinese money (like Joe Biden).

I don’t wish them harm.

But I can’t vote them out.

Not anymore.

Which puts me in a very delicate situation.

Which necessitates that I study war.

To fight China myself.

Because my government has become (in many ways) one with China.

My loyalty is to the USA.

My loyalty is to my country.

America.

Joe Biden’s loyalty is to money.

And those who give him money.

He and his family have profited handsomely off of Chinese dealings.

And Ukrainian dealings.

China has released a plague upon us.

This is not the time to make friends with China.

But Joe Biden doesn’t understand that.

He just understands corruption.

He just wants his pockets lined.

And Joe Biden’s handlers don’t care about the plague.

For them, it’s just another opportunity to make money (off of vaccines).

And really, they worship the plague…because the plague let them dethrone Trump.

It was the only way.

To get the mail-in ballots.

But some, like Bill Gates (and Avril Haines), are quite obviously more privy to a deeper plan.

A plan to cull the herd.

Unfortunately for them, the rapper Pitbull is onto their Event 201 bullshit.

So it is not looking good for Gates and Haines re: stealthiness.

Do you remember Charles Whitman?

Lee Harvey Oswald?

Gunnery Sergeant Hartman does.

Them’s the facts of life.

The Virgin Mary.

Mary Jane Rottencrotch.

A man can only be pushed so far.

How many people voted for Trump?

What do the rotten bastards say?

69 million?

That’s no small potatoes.

Based on post-election polling, I’m guessing the current number of Trump voters who believe the election was stolen sits at about 46 million people or more. Maybe closer to 50 million. And this is assuming the 69 million total is correct (which it cannot, in reality, be).

But I am not here to lay out the evidence.

I have done it before.

I am sick of doing it.

Research it yourself.

Nothing could possibly happen on Tet.

Never has before.

There couldn’t possibly be a military coup.

Never has been before.

Except in just about every country on Earth (America not withstanding).

But what we have had are:

–a Revolutionary War (which birthed the country)

and

–a Civil War (which tore the country in two).

It was a rebirth.

China (and Russia) would like nothing more than to see us go through a civil war.

China because they want to beat us.

Russia because they still hate us.

But Russia respects us.

Not our leaders, of course.

But us.

Those of us fighting against the New World Order.

China owns the New World Order.

Or vice versa.

It is symbiotic.

Russia is on the sidelines.

More or less self-sufficient.

But a little nervous.

About their neighbor China.

And about the disintegration of the U.S.

Of course Russia wants the E.U. to collapse.

But the E.U. deserves to collapse.

Because it is Chinese communism in disguise.

It is the pet project of the globalists (the Bilderberg set).

Adam Baldwin is also the most real thing here.

But D’Onofrio breaks your heart.

And mine too.

Fat boy.

We fucked up.

But we all get the punishment.

Gotta accept Jesus.

It’s not communism.

It’s grace.

It’s mercy.

It’s harmony.

Order out of chaos (some say).

Sure.

But not cynical.

You gotta offer a choice.

God is the ultimate capitalist.

Free will.

A free market of souls.

Take your pick.

Look around.

Choose the Devil.

Or choose God.

Feel evil.

And feel good.

Make your bed.

Kubrick always goes a bit squiffy just when he could nail it.

Same in The Shining.

That stupid maze scene at the end.

More funny than scary.

Ruins a masterpiece.

Blood in slow-motion.

Empty filmmaking.

Kubrick doesn’t know…why…he’s doing what he’s doing.

Which is why this film is NOT as good (nor as important) as Apocalypse Now.

But Kubrick gets very close.

There’s a lot of Strangelove in this.

The irreverence of Joker.

A little bit of Cries and Whispers.

The gook sniper.

Kubrick is going for juxtaposition.

A nuke and Vera Lynn.

A war crime and the Mickey Mouse song.

Quite aware.

Marx and Coca-Cola.

Learn your lessons now, boys!

-PD

Anchorman: The Legend of Ron Burgundy [2004)

The world is fucked up.

This is probably the craziest year most of us have ever lived through.

When has the world, in its entirety, faced such chaos in recent memory?

9/11 brought us terror on a horrific, spectacular* level.

Guy Debord predicted this in 1967 with his seminal book La société du spectacle.

No, he did not pull a Nostradamus (who happens to share my birthday).

He did not predict the three towers (including the 47-story WTC7) falling into their own footprints.

But he predicted something much more useful, or at least applicable, to our present times.

The “locus of illusion” that Debord talked about remains (though it be besieged on all sides) television.

For our purposes, we shall call it “video”.

Moving pictures.

Debord also predicted our current age of social-media dominance.

Though he could not name it then, he described it perfectly as, “a social relationship between people…mediated by images.”

What does the word “Facebook” evoke when you hear it?

Does it sound a bit like a dating site?

What role do memes (manipulated images) play in our social discourse?

“The spectacle”, Debord told us, “…turns reality on its head.”

How much of what you hear “on the news” (whether that be television, radio, Internet, social media) do you trust?

Because you are smart, dear reader, you consider the source.

And so do I.

Debord wanted to say something about fakes.

The epigrammatic beginning to the first chapter of The Society of the Spectacle gets right to this point.

It was the philosopher Feuerbach who said that in, “…the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, the appearance to essence…illusion only is sacred, truth profane.”

Ludwig Feuerbach wrote those words in the 1800s.

But the Irish rock band U2 would come to a similar epiphany in their song “Even Better Than the Real Thing”.

Debord wanted to talk about fake-ness.

But he also wanted to qualify his description of “the spectacle”.

For Debord, “reality erupts within the spectacle, and the spectacle is real”.

To translate (from French to English to philosophy to layman’s terms), there are some aspects of our image-driven information culture that are real (though a good deal of fake news exists).  But owing to the lack of a competing narrative to the overwhelming chorus of voices in agreement (corporate news), “the spectacle” (whatever the talking heads tell you) is, de facto, real.  Never mind that it might all be rubbish.  The sheer repetition of certain truths–day after day, hour after hour (from all the many “options” [ABC, CBS, NBC, New York Times, Washington Post])–renders those “truths” the currency of “factual” discourse.  Without an independent, competing narrative from alternative news sources (which currently lack the scale and reach to pose a symmetric threat to “legacy media”), whatever the aforementioned “usual suspects” (ABCBSNBC…) tell you is TRUE becomes “truth” the moment they report it.  The national news coverage of American current events is indistinguishable whether one has ABC, CBS, or NBC dialed up on the tele.

But the times, they are a-changin’.

Donald Trump’s 3+ years in office have been “a moment of falsehood”, which is to say, truth.

As Debord wrote, “In a world that really has been turned on its head, truth is a moment of falsehood.”

Debord seemed to be describing the “legacy media” when he wrote of an entity “out of reach and beyond all dispute”.

Of particular concern in this current situation (which already existed in Debord’s day) is the role that vision plays in our mediated understanding of the world.

As Debord wrote, “…it is inevitable that it should elevate the human sense of sight to the special place once occupied by touch…”.

He goes on to describe “sight” as, “…the most abstract of the senses, and the most easily deceived…”.

Think about a painting by Monet.

Waterlilies.

What are you seeing?

You are seeing the work of someone [Monet] whose eyesight was impaired.  Literally.  But though it be impaired, he still painted wonderful, huge canvases which EVOKED the atmosphere of a pond with waterlilies.

You are seeing blurry images.

Your brain has to fill in the details.

You are not seeing a high-definition photograph.

Furthermore, you are seeing oil paints which have been applied to a cloth canvas.

You are seeing a depiction.

This takes us all the way back to Plato’s “cave”, but I digress…

What happens when the big three TV networks in the U.S. get something wrong?

What about the New York Times and Washington Post (to just name the two most widely-distributed offenders)?

Do any of these entities make a concerted, SINCERE effort arising from true integrity to correct their previous, faulty coverage on events?

Debord could answer before the question was asked…because he knew the nature of these organizations (even in his native France).

He wrote, “The spectacle is by definition immune from human activity, inaccessible to any projected review or correction.  It is the opposite of dialogue.”

Social media changed this briefly.

But now, Twitter is acting like the generalissimo of a banana republic by banning accounts which “promote” the “conspiracy theory” known as QAnon.

This is just one example–from one social media platform–where the fleeting dialogue which threatened (?) “the spectacle” has been shut down.

Google, working closely with the communist Chinese government, is all too happy to facilitate similar totalitarian censorship in China…all for a buck (or yuan).

So let’s talk about vision/sight for a moment.

Did George Floyd die under the knee of Derek Chauvin?

All of the “usual suspects” (ABCBSNBC) tell me he did.

And there’s video!

Video never lies, does it?

I mean…movies are all true, right?

Is the video that Darnella Frazier ostensibly shot on her cell phone “documentary” footage?

It may be more than one thing.

It is possible to honestly document fake-ness (without knowing you are filming a pageant).

Have you ever seen an actress cry on command?

I have.

It is quite an astounding thing.

I have a friend who is a major motion-picture actress.

She once burst out in tears…right next to me.

I started to offer my condolences.

I was generally concerned.

I almost started crying.

Then she abruptly jumped out of character with a smile…to let me know she was just pranking me.

It was VERY convincing.

She had never done that to me before.

It was novel.

I had no experience against which to measure her crying fit.

I thought of her as a friend first and as an actress second.

I forgot, temporarily, that she was unequivocally a professional faker.

But Guy Debord saw more to “the spectacle” than just a stream of fake-ness.

Debord seemed to also sense an approaching hour when human relations would become totally stifled.

To hear Debord tell it, “Separation is the alpha and omega of the spectacle.”

Both its goal and its essence.

While mass media seems to bring us together (shared touchstones, talismans…), in actuality, it separates us more from one another.

We are always obliged to mention what “the news” says about a certain topic.

It is rare (almost impossible) that two people have a conversation where they each give their opinion of a recent event and “the spectacle” (a mass, homogenized media) is not invoked (in deferential terms) at some stage as a reference point.

Debord describes the “weapons of that system” as ranging “from cars to television”:  all meant to “reinforce the isolation of ‘the lonely crowd'”.

But Guy Debord was not merely taking aim at television and mass media.  He saw further.  He seems to have, though writing in 1967, seen the inevitably of the Internet.

As he describes it, “The spectacle is a map of this new world–a map drawn to the scale of the territory itself.”

While this is indeed a reference to a story by Borges (the world=the map), Debord’s insight in applying this to mass communication and information dissemination is extraordinarily prescient.

Guy Debord, it must be said, was not without fault.

Most importantly, he was an avowed Marxist.

So his perspicacity ended where mass media stops and economics begins.

Which brings us to the film Anchorman…

Will Ferrell is awkward here.

And gloriously so!

We get gender division.

1970s.

As today we continue to get race divisions.

Who is driving this?

Cui bono?

The British were quite good at “divide and conquer”.

In the Indian subcontinent, Hindus and Muslims had lived relatively peaceably together…until the British decided to stoke this latent division for cynical ends.

“If the Hindus and Muslims are fighting each other, they can’t pose a unitary threat to us.”

That is what I can imagine British military strategists saying at the time when India was under their occupation.

And it worked.

It was brilliant.

Evil, but brilliant.

Ask yourself a question:  who benefits (cui bono) from blacks and whites and Hispanics and Asians and police and civilians in America being divided and at each other’s throats?

What series of events led to the isolation (frustration) needed to create the current powder keg that went up in smoke with the George Floyd event?

Ron Burgundy will read anything that is put in front of him on a Tele-Promp-Ter.

…as evidenced by his most unfortunate sign-off, “Go fuck yourself, San Diego!”

Which brings us to Joe Biden.

FDR managed to keep it a secret that he was stricken with polio.

He was carted around in a wheelchair during his Presidency.

He had the Resolute desk in the Oval Office modified so that a panel on the front obscured the prying eyes of news cameras.

You could not see his legs fastened to his wheelchair.

And the press obliged.

They loved FDR.

Good old liberal, Democrat FDR.

Elected to the Presidency FOUR times (an American record).

In the White House for over 12 (!) years.

Our Constitution was amended to make this impossible from there on out.

Now the limit is eight years (two terms).

All that notwithstanding, FDR never lost his mental faculties to any significant degree.

He had a physical disability which prevented him from ambulating fully.

Joe Biden can walk fairly well.

Sadly, there is no desk panel that can hide his mental deterioration.

It is there.  It will be there.  And it will get worse.

Which makes Joe Biden a FAR MORE RIDICULOUS candidate than Donald Trump.

And again, “the spectacle” is running defense for Biden.

Making excuses.

Tossing softball questions (if any at all).

The best thing that vicious, Marxist Democrats in the United States can come up with is a dud missile named Joe Biden.

He is harmless (to extend the missile metaphor), and in that he is very harmful.

He is, as regards the responsibilities of the Chief of the Executive Branch, useless.

Which gives us just one more example of how fakes are being foisted upon us.

Never has there been such a poor candidate for the American Presidency as Joe Biden.

It is becoming apparent to all that, if elected, he would not run his own government.

What a sham!

Why didn’t the Democrats have the foresight to nominate Cory Booker or Kamala Harris?

It couldn’t be because they are RACIST, could it?

Remember, Donald Trump is such a horrible misogynist.

How was it that the Democrats failed to nominate Elizabeth Warren or Amy Klobuchar?

Democrats REALLY care about Latinos in the U.S.

That’s why they failed to nominate a guy named Castro.

Democrats are so diverse!

That’s why they passed on nominating a guy named Yang.

And what did the Democrats end up with?

A halfwit, old, white man named Joe Biden.

Halfwit is really too kind a descriptor here.

The mobs wanted Ron Burgundy’s head.

Because he told them to “go fuck themselves”.

But it was a false-flag.

Did Ron Burgundy write the line, “Go fuck yourself, San Diego!” on the Tele-Promp-Ter?

No.

Veronica Corningstone did.

Did the truth about who REALLY wrote it come out?

No.

Not even from a news organization.

Burgundy was summarily fired and his life went to shit.

He ended up wandering the streets like a cross between fat Jim Morrison (Val Kilmer-influenced) and Brian Wilson.

Bathrobe and cheeseburgers.

Nilsson Schmilsson.

Drinking milk in the…hot sun!

But what goes around comes around.

Ms. Corningstone is pushed into a bear pit at the zoo.

An unenviable position, that.

And it takes a little dog to diffuse the situation.

A mob of bears.

A proud species.

Wronged by this intrusion into their hibernation.

But Baxter, the little dog, has a message.

“These are not the droids you are looking for.”

The bears consider the source.

They will not take Ron Burgundy’s word for it.

They will not take Veronica Corningstone’s word for it.

But they will listen to a fellow creature from the animal kingdom.

“I know your cousin,” Baxter says (and I paraphrase).

Baxter’s message rings true.

The bears reconsider.

They are able to retreat gracefully.

Baxter has just acted as crisis negotiator.

A feel-good movie ends with former enemies expressing respect for one another.

Respect.

Not total reconciliation.

But a cessation of the mad chaos.

Brick Tamland (played brilliantly by Steve Carell) ends up (we are told) becoming a “top political advisor” to the Bush administration.

Mass media.

The spectacle.

Hollywood could not help taking a pot shot at a Republican President (even in a light-hearted comedy [and even though the bastard Bush deserved it]).

Why?

Because Bush was a (shitty) Republican (and a war criminal).

But for the eight years of Obama’s Presidency (and the eight years of Bill Clinton’s Presidency), you never saw Hollywood comment (on film) about the merits of these two Democrats.

Why?

Because the Democrat Party is inseparable from the mass media in the United States.

So let me ask you one final question:

do you think you are getting the truth about President Trump, coronavirus, George Floyd, or anything else from this tight-knit cabal of fakers?

Stay classy!

 

-PD

Miranda [2009-2015)

Here is a lovely TV show called Miranda starring the inimitable Miranda Hart.

A big, goofy, awkward, and endearing woman.

I share a birthday with her.

Tom Ellis is quite good as Gary.

I hear he’s gone on to play Lucifer.

Yikes!

Sarah Hadland is good as Stevie (the titular Miranda’s best friend).

Tit-ular.

Patricia Hodge plays Miranda’s mum.

Such fun!

Sally Phillips’ character Tilly punctures the romance of this sitcom with her ridiculous, Joycean patois.

Bear with.  Bear with…

James Holmes (not the Colorado movie theater shooter) has a few good bits as Clive.

Adrian Scarborough is strangely essential.

He bloody loves crisps!

I was so glad to see Mark Heap here as the therapist.

I had missed him since binging Spaced.

I must admit:  I had many laugh-out-loud moments while watching this series.

There is quite a bit of physical comedy.

Miranda Hart really is a special comedienne.

And while Belinda Stewart-Wilson’s small role as Stinky might cause you to pine away,

Miranda is really the winner here.

Beauty is, indeed, deeper.

 

-PD

Spaced [1999-2001)

Very long time away.

Simon Pegg.

Let’s talk about how great Jessica Hynes (Stevenson) was (is).

As Daisy.

What a great show!

And directed by Edgar Wright.

All those movies in TV form.

Not mature creation, but fascinating to see where the great talent came from.

Shaun of the Dead, Hot Fuzz, The World’s End.

You know what I mean.

I came to fall in love with Daisy Steiner.

Ah, the comfort of television!

And Julia Deakin as Marsha the landlady.

Makes you feel at home.

This series.

Surrogate friends.

And Mark Heap is very underrated.

[we’ll be getting to him in Miranda]

British TV.

Once the bug has bitten you, it is difficult to retreat.

Also a good bit of Nick Frost here.

Lots of alcohol.

David Walliams as Vulva.

Serafinowicz.

Michael Smiley is also so underrated here!

Wot?!?

 

-PD

Trainspotting [1996)

There’s something special about Scotland.

Several of my favorite bands are from there.

The Delgados.  Teenage Fanclub.  Primal Scream.

And it is this final band which really sums up this film.

The British really have never learned how to make films.

There are two major exceptions:

Chaplin and Hitchcock.

Why would they be exceptions?

Because they made their best films in America.  Hollywood.

It’s ironic.

Because Chaplin and Hitchcock are perhaps the two best.  Ever.

Hitchcock was the better director.  Perhaps the most important ever.

But Chaplin was the bigger genius.  His talent was limitless.

So my insult is not meant to imply that the British can’t make timeless films.

They can.

But perhaps not in Britain.

But this whole British blah blah blah.

This film is going in my new category:  Scotland.

Another of my favorite bands (Gorky’s Zygotic Mynci) is Welsh.

I hope to have that category someday.  Wales.

And last but not least:  Ireland.

Which is not to say I don’t have a fond place in my heart for England.

I do.

Manchester.  Liverpool.  Bristol.  Birmingham.  Newcastle.  I could go on.

But we’re here to talk about Scotland.  And this film.

Trainspotting is, at once, a great film and not a great film.  Simultaneously.

Let me explain.

7/7

Looks like as much of a false-flag synthetic terror…the state attacking its own people as.

9/11

Heroin addicts don’t know what day it is.  Not to mention the “date”.

Heroin addicts don’t know what month it is.  Even the year is a bit fuzzy.

They’re fairly sure that a new century has ticked over.

Ewan McGregor is pretty great here.  In his too-small shirt.  Accidentally shagging a minor.

Oops.

Ewen Bremner is good here.  Especially the job interview.

Beautiful to hear English which begs for subtitles.

Jonny Lee Miller has the best hair.  Like Thom Yorke once upon a time.

Bleach-blond chop.

But McGregor has the utilitarian buzz cut.  The sad skinhead.

Spud on the curb.  Talking up at Diane.

And Sick Boy always prattling on about James Bond movies.  [like me]

Kevin McKidd is classic rifling through his VHS collection.  Desperately.

Kelly Macdonald is a revelation.

But Robert Carlyle is really the only indispensable element of this entire film.

He’s not great.  And yet he’s better than great.

Danny Boyle’s direction is generally daft.

It’s good.  Then it’s great.  Then it sucks.

But I’ll say this:  this is an essential film.

You can’t know rock and roll without knowing this film.

Boyle lifted the DNA of rock (with the help of Irvine Welsh).

The story’s alright.  The direction is passable.

But Robert Carlyle is a goddamned miracle.

He’s not conveying anything sublime.

But he’s conveying Scotland.

To me.

King Tut’s Wah-Wah Hut.

Yeah, I know…Edinburgh.

But it’s just as applicable to Glasgow.

I hear it in the music of Primal Scream.

And it shows up in the music of another of my favorites:  Spiritualized.

And I hear it in the ravaging sounds of Nick Cave circa Grinderman.

The Anglophone world.

We Americans speak the weirdest.

Especially in my neck of the woods.  Texas.  The South.

But even New York.  The Northeast.

There’s one more essential element about this film:  Iggy Pop.

From “Lust For Life” to “Nightclubbing”, these tunes are moments of crystalized perfection.

Even Lou Reed is well-represented with “Perfect Day”.

If you wanna understand scumbag rock and roll, see this film.

Because the rockers are alive.

They have shite lives.

They live on nothing.

Unless they get lucky.

But there’s a vitality to their way of life.

See them in their natural habitat 🙂

 

-PD

#8 Mr. Bean in Room 426 [1993)

First, a short list of Hulu failings:

-Pootie Tang (shite)

-Mordecai (shite)

-Lars and the Real Girl (epically shite)

-The Voices (shite)

-Mystery Team (shite)

-Hot Tub Time Machine 2 (shite squared) [catalog dilemma]

-Anchorman 2 (shite to the second power)

-Beverly Hills Cop II (repetitive shiteness) [catalog dilemma]

-Cannonball Run II (must see first episode to appreciate this shite)

-Teen Wolf Too (now with word shite!)

-The Naked Gun 2 1/2 (quasi-decimal shite)

-The Naked Gun 33 1/3 (LP shite)

-My Best Friend’s Wedding (shite)

-Cashback (shite)

-Dear White People (shite)

-Everything Must Go (shite)

-Jerry Maguire (shite)

-The Skeleton Twins (shite)

-Trailer Park Boys (shite)

-16-Love (shite)

-Novocaine (sic shite)

-Dark Horse (Judeo-Nepotistic shite)

-Little Paradise (shite)

-Frances Ha (epically shite)

-Stranger Than Fiction (shite)

-8 Heads in a Duffel Bag (shite)

-C.S.A.:  The Confederate States of America (ambitious shite)

-Trees Lounge (depressing attempt at shite)

-King of California (total shite)

-Dead Hooker in a Trunk (go-back-to-film-school shite)

-Are You Joking? (more Judeo-Nepotistic shite)

-And Now a Word From Our Sponsors (shite)

-Falling Star (Kosher Casino shite)

-Jewtopia (no comment)

-The Girl With the Dragon Tattoo (Swedish shite)

-Heathers (cruel shite)

-Sleeping Beauty (barely shite)

-Gold (Irish shite)

-The Hunger Games:  Catching Fire (quintessential shite)

-Jack Ryan:  Shadow Recruit (lazy shite)

-Mission:  Impossible (a colon-full of Scientologist shite)

-Space Milkshake (actually, not too bad…)

[I hate to say it, but the number of films by mediocre directors named Schwarz is really astonishing.]

Now, you might reason:  these are just the rantings of an anti-Semitic film snob.

I admit I don’t laugh easily.

It takes a lot to laugh, it takes a train to cry.

Mostly I don’t like waste.

Entitled filmmakers are more likely to make shite.

They didn’t earn their stripes.

They have an uncle who works for Sony Pictures.

Actually, the film school rubbish on Hulu is astonishing.

It is completely venal in nature.

I just happen to have had some bad experiences with unfunny Jewish films.

What do I mean, “Jewish films”?

I mean exactly what Brandon Tartikoff was referring to when he first saw the Seinfeld pilot.

In that instance, Tartikoff (himself Jewish) was wrong.

Seinfeld was genius!

Seinfeld is a funny show.

Yes, it exists in a Jewish milieu.

Tartikoff thought the show was “too Jewish” to appeal to Americans in general.

He was wrong.

But, sadly, now we have a gaggle of filmmakers who think they are Woody Allen or Mel Brooks.

Status update:  those two guys actually have talent!

Which is not to say they didn’t make some clunkers.

Hulu happens to have picked up two of those clunkers:  Bananas and Life Stinks.

No one’s perfect.

But please…dear world Jewry,

Please tell your precocious sons and daughters that they aren’t all geniuses.

Who’s funding this shit?

Hulu:  who the fuck is in charge over there!?!

Your catalog indicates that you enjoy wasting the monthly fees people pay for your woeful service.

Ok, ok…

A short list of Hulu successes:

-the Criterion collection

THE END.

And so…what part of the Hulu catalog presently needs the most work?

Answer:  the comedy genre of movies.

Second most problematic lack of imaginative curation?

Answer:  the drama genre of movies.

[If you think that Hulu’s selection of movies might be lacking (based on my first two points of emphasis), then you are right:  it is!]

Third crappiest category on Hulu?

Answer:  the “action & adventure” genre of movies.

Even Hulu’s genres are ass-backwards compared to the pinpoint precision of iTunes.

Korean Drama?  Really???  Ok.  I guess Hulu is really killing it in Seoul (and Pyongyang).

CEO Mike Hopkins needs to take a long look in the mirror.

Whoever got the Criterion catalog, give that person an infinite raise.

The rest of them?  Fire their sorry asses.

Beth Comstock needs to overturn the moneychangers’ tables.

Destroy YOUR business, Ms. Comstock.

Jason Kilar…you know what doesn’t work?  Faux-dreams.

Faux-tographs.

A catalog of shite.

Make a call.  Do lunch.

“Anywhere, Anytime:  Shite”

“For the Love of shite”

“Come Shite with Us”

Lot of people drawing a check at Hulu and turning out a subpar service.

The name Hulu comes from two Mandarin Chinese words…both of which translate roughly to “shite”.

Now, just to be fair…I wouldn’t sign up for Netflix if my life depended on it.

iTunes is a horribly antiquated business model (and offers very little value for consumers).

Amazon Prime Video was petty to disallow MacBooks (as incompatible devices) as late as last year.  Not to mention that Jeff Bezos is just a wannabe Rupert Murdoch who bans books like Nobody Died at Sandy Hook.  [And yes, Virginia, Murdoch is the great Satan.]

And so, with such a paltry selection of movies on Hulu, I’ve been forced to examine its television offerings.  The prospects are not much better.

But I will give credit where credit is due.

Mr. Bean was an excellent pickup.

If you want a tight, seamless work of art (unlike this rambling, frothing review), then check out the episode under consideration.

You know, not even the childlike Rowan Atkinson was above making fun of old people (in this episode) or suggesting that continental Europeans be purposefully killed by British drivers (tourists).  Check out his standup comedy album from 1995 for the latter bit.

Which just goes to show…we all lose our heads.

We all exercise poor judgment.  We all have poor taste now and then.

You may not believe it, but I have put my own sorry butt on the line to stand up for world Jewry.

I will be the first to admit that my term “Judeo-Nepotistic” is incredibly crass and insensitive.

And still, I would ask that Jews (who are no doubt hard-pressed on all sides) please exercise some judgment of their own.  Transparent nepotism is really tasteless.  It goes against our better Jeffersonian principles.

So there you have it.  Bobby Fischer was a jerk.  The Holocaust really happened.  Not so sure about the gas chambers.  You’re welcome Faurisson.  The Earth is not flat.  9/11 was an inside job (and therefore not an Israeli job).  Insofar as it was an Israeli job, the U.S. government was at least half-responsible.  It was much more likely an Israeli job than a Saudi job.  Much more likely a purely self-inflicted inside job (no substantial Israeli involvement) than an Israeli job.  And finally, Israel is a criminal country oppressing the Palestinians in a most disgusting manner.

And for good measure, yes Donald Trump is a bigot.  And he’s horribly wrong about immigration (both in regards to our Mexican brothers and sisters and our Islamic brothers and sisters).  But he’s still the only real choice for President.

Sanders has been right about one thing:  Snowden.  Snowden’s a hero.  But America is not a socialist country.  Sanders would actually be a bigger step backwards than Trump.

The other candidates (Clinton and Cruz) are worthless.

So there you go, Hulu…I need some better circuses here!

To keep me out of the political arena!!

I could use some bread as well 🙂

In any case, I’m sorry for my vile ranting.

But film is my religion.  Through film, omnism.

Stop defiling my religion, Hulu.  Your thoughtlessness is ghastly.

Hire some people who love cinema.

Get your shit together.

 

-PD