Hochzeitsgäste [1990)

Finding beauty in a crowd.

You will never find it again.

The ne plus ultra of “fleeting”.

Was it just a dream?

Her hair?

We can pin nothing down.

About this brilliant film.

Except for its brilliance.

And that it’s a Polish movie directed by a German.

Who has no arms.

And who changed his name.

I have run the names of all the actresses in the credits.

And none of them are an obvious match for the star of this film.

The star is not Christina Ormani.

It’s the other girl.

The one that gets cheated on.

The jilted lover.

She gets cheated on, so she cheats back.

And in cheating, she finds love.

True love.

This masterpiece short film (feature?) was credited to Niko Brücher.

It was his first film.

You may know him (but probably not) as Niko von Glasow.

It makes sense that this is a masterpiece.

Because Von Glasow trained with Fassbinder.

The actor-auteur of Kamikaze 1989.

I could be wrong, but I think Rainer Werner Fassbinder was a better actor than he was a director.

And let me be unequivocal:  he was a GREAT actor.

On par with Bogart.

Really.

Back to Von Glasow.

He studied film at NYU.

And in Poland.

From the latter is drawn the cast of this film.

They are, it seems, Polish student actors.

Some went on to stable careers.

Others didn’t.

The star.

Who is she?

What is her name?

Which one of these inscrutable Polish names represents her?

I can’t be a fanboy if I don’t have a name.

My suspicion is that this is just about the only film she made.

But I don’t even know what to call her.

These are OBSCURE actors in this film (with a couple of exceptions).

Von Glasow has no arms because of Thalidomide.

Born this way.

But none of this adulation for this mystery actress would matter had Von Glasow not made this masterpiece where there are no spoken words for the first nine minutes of the film.

Indeed, over the course of its 38 minutes, there is no FUNCTIONAL dialogue whatsoever.

There is some whispering.

Some chattering.

But there are no subtitles.

And there need not be.

For this is essentially a silent film with sound.

Not to be confused with a silent film with musical accompaniment.

There’s music here, alright.

A strange, mournful (and rather clownish) marimba scores much of this film.

Just little melodies.

No crazy four-part harmonies or anything.

Very minimal.

Marimba (!)

What a choice!!

It makes for an ODD amalgam.

To reiterate, this film is powered strictly by VISUAL SYMBOLISM.

The actors’ movements and the camera’s light-sucking registration make up the entirety of this visual poem.

I must give credit to the cinematographer.

Although she is credited with merely “Kamera”, it is Jolanta Dylewska.

Between Von Glasow and herself, this is one of the most beautifully-shot black and white films I have ever seen.

It is on par with the two early Godard masterpieces À Bout de souffle and Vivre sa vie in this regard.

As well as being reminiscent in tone and mood to Antonioni’s breathtaking L’Avventura.

And our mystery actress (Anna Dabrowska?) is the equivalent of Monica Vitti.

We are talking about the same level of beauty.

And we are talking about having that beauty captured on film in such a singular way.

This film is currently free to watch on Tubi.

Don’t miss it.

-PD

Last Night in Soho [2021)

First off.

I am in love with Thomasin McKenzie.

I think Saoirse Ronan has lost her touch.

Kat Dennings doesn’t even bother with films anymore.

And Thora Birch is too much of a liberal moron.

But then all actors are liberal morons, aren’t they?

Except for a precious few.

Jon Voight.

James Woods.

Rob Schneider.

Kirstie Alley.

Robert Davi.

Jim Caviezel.

Secondly.

This film is a masterpiece.

Edgar Wright is the best filmmaker in the world right now.

Is he better than Jean-Luc Godard?

No.

But Godard is not making films for mass consumption.

Is he better than Wes Anderson?

BY A MILLION FUCKING MILES!!!

Don’t get me wrong.

Wes Anderson made one perfect film.

And that film was The Grand Budapest Hotel.

And that film wouldn’t have been perfect without Saoirse Ronan.

That’s how important her presence in that film was.

Saoirse has made another perfect film.

Hanna.

But her others are mediocre.

Brooklyn.

Meh.

Lady Bird.

Even more meh (not a good thing).

Saoirse has gone astray.

Just as Thora Birch went astray.

Ghost World is a perfect film.

And American Beauty is close to perfect.

For my money, Homeless to Harvard is her other perfect film.

Kat Dennings films kinda suck.

Her masterpiece is actually 2 Broke Girls.

I’m serious.

But that’s not cinema.

Twin Peaks is cinema.

Even though it’s a TV show.

Histoire(s) du cinéma is the best film ever made.

And it was made for TV.

Homeless to Harvard is a Lifetime movie.

Made for TV.

It is not cinema.

Not exactly.

But it may be a perfect film.

Wes Anderson made his perfect film with Saoirse Ronan.

And he made a good film (Tenenbaums).

The rest are shite.

I did not understand Edgar Wright’s film language when I first saw Shaun of the Dead.

I thought it was crap.

How wrong I was!

Here is my contention.

Every Edgar Wright film is perfect.

Shaun of the Dead?

Yes.

Hot Fuzz?

Yes.

The World’s End?

Yes.

Baby Driver?

Yes.

Scott Pilgrim?

Yes.

And this film is perfect too.

But this is not quite the Wright you are used to.

This is a genuinely scary film.

But it stands up with Psycho, Rosemary’s Baby, and The Shining as one of the four best horror films ever made.

Edgar Wright films are all about detail.

But not the twee obsession with detail that Wes Anderson has.

Edgar Wright is overflowing with talent.

Wes Anderson is not.

Anderson needed Saoirse Ronan to make his perfect film.

And there was a bit (just a bit!) of grit in Grand Budapest.

Saoirse is missing from his other films.

And there is no real grit in any of the others.

Tenenbaums is good.

But the Wes Anderson players are tiresome.

Is Bill Murray amazing?

Yes.

But are his performances in Wes Anderson films his best work?

Absolutely not.

No more Jason Schwatzman (for fuck’s sake!).

Is Luke Wilson a great actor?

Yes.

What’s his best film?

Masked and Anonymous.

Maybe it’s Paltrow and Hackman which make Tenenbaums good.

For my money, Luke Wilson is the one who makes that film go.

But it is not on the same level as Grand Budapest.

Last Night in Soho is the Grand Budapest of the ’20s.

We’re in the ’20s now.

Are they roaring?

Like a fucking mouse.

Last Night in Soho is a gazillion times better than No Time to Die.

This film has everything the Bond film didn’t.

Substance.

Competent directing.

A story worth sticking with.

And so it is fitting that Diana Rigg’s last role should absolutely trump the death of James Bond.

The one George Lazenby film was WAY better than No Time to Die.

The death of love is more sad than the death of the hero.

Diana Rigg is the linchpin in the Bond franchise.

Pull that thread, and the sweater unravels.

Léa Seydoux is boring as fuck in the Bond films.

She was great in Blue.

But she was nothing compared to the one who carried that film (Adele Exarchopoulos).

Exarchopoulos made one perfect film.

Blue is the Warmest Color.

None of her other films are even good.

Wright makes what Youth in Revolt might have been.

He is not glib.

This is not a hipster film.

Michael Cera (who has made one perfect film [Nick and Norah’s Infinite Playlist]) is, mercifully, NOT in Last Night in Soho.

[correction…Kat Dennings DID make one perfect film]

Thomasin McKenzie’s obsession with ’60s London music is real.

It’s not a fucking Austin Powers joke.

Rita Tushingham is wonderful as Gram.

Excellent casting.

[take note, Bond franchise]

Thomasin hooks up with a black dude.

No big deal.

Take note, Bond franchise.

NOT EVERY FUCKING PERSON HAS TO BE BLACK IN ORDER FOR A FILM TO BE VIABLE!!!

Thomasin’s love interest is a black fellow.

I have no problem with that.

He does a good job.

For fuck’s sake…he doesn’t even have a Wikipedia page!

Michael Ajao.

Fine acting!

There can be important black characters WITHOUT A FILM BEING A WOKE FUCKING JOKE (like the recent Bond film).

No big deal.

Don’t make it a big deal.

It has to fit with the story.

The story is the most important thing.

The writers of the Bond film (Purvis and Wade) have allowed their name to be attached to the fucking pathetic shit of No Time to Die.

So you get a kiwi to speak in a Cornish accent.

GREAT ACTRESS!

Thomasin McKenzie.

Say that name with me.

Jacinda Ardern’s father (or mother?) was a horse.

Ugly bitch.

Ugly soul.

Thomasin McKenzie is the best thing to ever come out of New Zealand.

However, there has been one perfect kiwi movie:  Eagle vs Shark.

Synnøve Karlsen is so fucking annoying in Soho.

And she was supposed to be.

So, good job (I guess).

Every film needs a villain.

And Jocasta (Karlsen’s character) is the real villain of this film.

Thomasin is different.

Jocasta beats her down.

Mentally.

A stingy spirit.

Can never share in any of her joys.

Do you know anyone like that?

But Thomasin is troubled.

Hallucinations?

Maybe.

Seeing ghosts?

Maybe.

We’re trying to solve a case here.

Cold case.

Maybe a lot of cold cases.

Maybe a serial killer.

To the Belle and Sebastian bedsit.

Salad days are short-lived.

Don’t underestimate Sandie Shaw.

Always something there to remind me.

1964.

Puppet on a string.

Gotta pay your dues.

As a wind-up bird girl.

Brian Epstein.

Giorgio Gomelsky.

Andrew Loog Oldham.

ABKCO.

The influence of Vertigo upon Last Night in Soho cannot be understated.

The red of the Café de Paris.

The blonde of Anya Taylor-Joy’s hair.

And Thomasin’s hair.

[also, don’t underestimate Bergman’s Persona]

The glance to the side.

It’s not Jimmy Stewart.

It’s Thomasin.

Allusions to The Way of the Dragon and The Lady from Shanghai in the mirrors.

Sure, a bit of Pulp Fiction.

But that’s just for the kids.

Edgar Wright’s grasp of cinema history is way deeper than some Tarantino bullshit.

And yet, he likes zombies.

And shitty horror films from the ’80s.

I mean REALLY shitty, camp ones.

Slasher films.

Back to Vertigo.

Kim Novak’s apartment is bathed in green neon.

But Thomasin’s bedsit is a red, white, and blue homage to Godard.

An homage to Une Femme est une femme.

Dancing.

Dancing girls.

Prostitutes.

Vivre sa vie.

Pink dress fembot.

Pew pew.

Thomasin is way sexier than Anya Taylor-Joy.

Thomasin is the girl next door.

The frumpy hair of Homeless to Harvard.

I love it.

It must be this way.

To juxtapose the transition to Swinging Sixties glamour.

Is Trump just culture jamming with his vaccine tack?

Either that, or the hero has become the villain.

Did the D.C. swamp make Trump into a swamp zombie?

Maybe no one comes out clean.

International law was broken.

War crimes.

All these Wright films have zombies.

Or robots.

Faceless automatons.

A bit of Dragon Tattoo.

We all like a good microfiche scene!

Is Terence Stamp her father?

If Sandie is her mother?

Could be.

Otherwise, she would be the daughter of a prick.

But Stamp tried to save Sandie.

Arsenic and old lace.

The ones you never suspect.

Sicario.

“Buried” in the walls.

Decomposing.

Poe.

Gacy.

Wright’s “sympathy for the serial killer”.

What happened to these people that made them monsters?

Don’t underestimate Truffaut’s Fahrenheit 451 (his only English-language film…and a flat-out masterpiece).

In the world of Edgar Wright, it is records.

Vinyl.

Not books.

And sometimes the elderly want to die with their memories.

They are not going anywhere.

They are not fleeing.

It’s been a good life.

Going down with the ship.

Up in flames.

The shitbags want their deaths avenged.

After all, they were just horny, well-to-do dads who needed a little excitement.

Prostitution.

It’s the law, after all.

Murder is murder.

Crimes of passion.

By reason of insanity.

Not guilty.

Not insane.

But traumatized.

But Thomasin has been on the adventure.

She knows what Sandie has been through.

Trump was abused for four years.

That is true.

And he fought like a champ.

Is there no justice?

Is it culture jamming (I ask again)?

Confusion.

Keeping his enemies off balance.

Getting a foot in the door.

Truth Social will censor “hate speech” with a Silicon Valley AI bot.

In order to get on Apple App Store and Google Play.

But the roll out is delayed?

Lie about the vaccines.

“Safe and effective”.

Move in for the kill shot.

Against whom?

Big Pharma and the New World Order.

But we have to call out serial killers for who they are.

If you are saying the COVID vaccines are “safe and effective”, you are spreading misinformation that is endangering the lives of those who hear and trust you.

CDC:  11,879

  IMG_6975

Open VAERS:  23,149

IMG_6976

IMG_6977

Neither safe,

https://www.cdc.gov/coronavirus/2019-ncov/vaccines/safety/adverse-events.html

https://openvaers.com/covid-data/mortality

nor effective.

https://www.independent.co.uk/news/world/americas/us-covid-deaths-2021-vaccines-b1963790.html

IMG_5785

10,000-20,000 vaccine deaths should be read as 100,000-200,000 vaccine deaths because of this:

https://www.bmj.com/rapid-response/2011/11/02/underreporting-vaccine-adverse-events

IMG_6468

IMG_6469

And correlation does not necessarily equal causation…unless this (peep the myocarditis…you think that’s all JnJ? [nigga please!]):

https://openvaers.com/covid-data

IMG_6981

But the election was stolen.

Or was it allowed to be stolen?

When will the other shoe drop?

Or does the other shoe even exist?

This charade is going to go on until 2024?

Maybe Sandie is not her mother.

-PD

Career Opportunities [1991)

Special operations.

Fail.

Disregard.

Dispose ASAP.

Forthwith.

Wasteland.

T.S. Eliot and William S. Burroughs.

Overqualified.

Working at night.

Alone.

In a store.

Mannequin meets Pretty in Pink.

Which makes sense.

Since John Hughes wrote this.

But didn’t direct it.

OCD.

Moral dilemma.

Crise cœur.

Two roads diverge in the wilderness.

Yellow wood.

Jennifer Connelly on a mechanical horse.

For kids.

In the concession area.

How love begins.

A song.

Spark.

Magic in the eyes.

Chain reaction.

Some good story.

How it ties together.

Double-cross.

Triple-cross.

How many levels to this matryoshka?

You let fools make fools of themselves.

We all have our talents.

Special agents.

Secret.

State-sanctioned skills.

You need a plan.

And another.

You never bank on one outcome.

No realm is so entirely concerned with contingencies as the military.

Many elements needed for this outcome to come together.

An abundance of force.

A disarming amount of shock.

A way to reload.

Repeatedly.

To hold criminals at bay.

Criminals who have multiple rounds to spend.

Asymmetry.

Know yourself.

Know your enemy.

Know your enemy.

Know yourself.

Dream big.

Trust in God.

-PD

Baby Driver [2017)

What happens in war?

The CDC declared war on the psyches of Americans when it started counting probable cases of coronavirus and probable deaths resulting from COVID as ACTUAL cases and ACTUAL deaths attributable to COVID-19.

CNN declared war on Donald Trump and waged this war for four-straight years by way of merciless propaganda.

In 1980, an anonymous group erected a mysterious stone structure in the United States which prioritized their stated desires starting thusly: “Maintain humanity under 500,000,000 in perpetual balance with nature.”

[the world’s population at the time was 4.43 billion (meaning that this anonymous group thought there were about 4 billion excess humans on the planet)]

In 1910, seven men met in utmost secrecy just off the coast of the United States on Jekyll Island to plan what would become the Federal Reserve System.

Georgia.

Jayne Mansfield was, in all likelihood, a Satanist.

She died when the car in which she was traveling crashed into the back of a tractor-trailer just east of New Orleans.

Did Hitler have tinnitus?

20 July plot.

Operation Valkyrie.

1944.

Could we call those Nazis heroes?

They tried to assassinate Hitler with plastic explosives.

It failed.

But they fucked up his ears.

Kevin Spacey embodies evil in this film (and some might say, in real life).

I avoided watching this film for a long time…strictly because Spacey was in it.

It is well known that he took a trip to Africa aboard Jeffrey Epstein’s “Lolita Express”.

Sexual assault charges have been filed against Spacey by multiple people.

And multiple accusers have subsequently died.

If there is such a thing as the New World Order (some might just call it the Bilderberg Meetings), then Kevin Spacey might well be the most thoroughly-connected Hollywood actor.

It’s just a hunch.

But one thing is certain: Kevin Spacey possesses an amazing thespian talent.

Which brings us to another point.

Do we have to approve of the lifestyles of artists?

Not necessarily so.

I love Pablo Picasso’s work.

I don’t judge his work based on the details of his life.

So I am somewhat remiss to say: Kevin Spacey is brilliant in this film.

And if he be evil in real life, then he had no problem channeling that force for this role.

For he is, undoubtedly, the villain.

And yet, he is human.

There is shading.

Like a Dostoyevsky character.

No one is completely good.

And no one is completely bad.

Which brings us back to war.

We must respect our enemies.

If they indeed demand our respect.

If the Central Intelligence Agency was to have a primary asset in Hollywood, that asset might very well be Kevin Spacey.

Again, just a hunch.

And so we can appreciate brilliance.

Brilliance in conception.

Brilliance in execution.

There are many battlefields.

Many geometric planes on which to do battle.

Kevin Spacey is an infinitely-talented actor.

It is almost scary how deft he truly is.

This movie may have saved my romantic relationship.

My engagement.

On again after four hellish days of arguments.

Because music saves us.

And we make music.

There is a connection which no one can get at.

Our DNA is musical.

Thinking back to Jayne’s measurements.

And songs I’ve written.

A timely shock of hair.

A jawline.

A purity.

Thank you for your service.

Few industries are as sick and corrupt as the acting and music industries.

I know the latter firsthand.

There’s no such thing as a former KGB man.

When life was carefree in Austin, Texas.

Before Antifa ruined it.

Anything was possible.

Everything.

Summer nights.

Potential bursting from every moment.

A sensual heaviness to the air.

Humidity.

Crickets.

The 2020 election was stolen.

And Georgia was centerstage.

Ruby Freeman got caught.

On film.

And (apparently) paid no price.

But this travesty gave us at least one American hero: Lin Wood.

And now L. Lin Wood stands as one of the few remaining beacons in the darkness which has settled over America.

But there were other heroes.

Like Jesse Morgan.

What happened to his truck-full of ballots that he transported from Bethpage, New York to Harrisburg, Pennsylvania?

His truck disappeared.

The 2020 election was a heist of the most grand proportions.

Analog, digital…you name it.

Ask Phill Kline what happened to that truck.

Ask Anthony Shaffer.

The Amistad Project tried to preserve “one person, one vote” in America.

So far, not a single court in the land (post-election) has had the guts to look at the evidence.

And the evidence is embarrassingly-copious.

Jamie Foxx is excellent in this film.

Don’t underestimate the thug.

Street smarts and book smarts differ.

The latter can earn you a living.

The former can keep you alive.

Staying alive in the world of crime and secrecy (a deadly combination) is no small feat.

Especially when the stakes are high.

For criminals, cops are bad.

Unless the cops are corrupt.

In which case, the cops may very well be working to supply the criminals (among other things).

Which makes me think of the highly-questionable Eric Holder.

And the genre this movie emerges from.

A franchise and a genre.

Fast and furious.

We are the scum that keep it alive.

We are the 7 billion people who will not make the cut alluded to in the Georgia Guidestones.

But romance continues in war.

As love is more desperate.

And each moment savored more so.

A morsel here.

There.

We get bold.

Nerds of the world.

Quiet.

Wallflowers.

Desperate times.

Measured.

Yes, we have no bananas.

Just writing songs.

A potential deserter.

Every man has his breaking point.

Ansel Elgort is also brilliant in this film.

Edgar Wright may be the most important film director working in the world today.

This film is a masterpiece.

The problem is (and it’s hardly a problem), all his films are masterpieces.

I watch them repeatedly.

Wright is truly an auteur.

He is truly an indispensable filmmaker.

I didn’t GET that at first.

Just like I didn’t GET the first Grinderman record when it came out.

Some things take time.

Each artist has their own language.

You must first learn the language.

Maybe you can only run so long.

Which is why an army is not one man or one woman.

That day will come when you are not so lucky.

If you only have one memory.

It is priceless.

Can bad people do a good turn?

Yes.

And we pray that they see the light.

Can quiet nerds be bad motherfuckers?

You better believe it.

But they never stop being (simultaneously) fragile.

It is a tenuous balance.

Breathe on it and it collapses.

Yet no hurricane could shake it.

Love.

Chase it.

Fight for it.

Enjoy it.

Be thankful.

Seek it.

God is love.

We must reward those who stick with us.

It is the sweetest honey.

Death is certain.

Life is optional upon participation.

God bless.

-PD

Cuban Fury [2014)

“You got no fear of the underdog/

That’s why you will not survive.”

Britt Daniel wrote that lyric.

And it’s the only song by his band Spoon which has even the most remote bit of soul in it.

Such a soulless band, Spoon…

The ultimate plastic hipsters.

A male supermodel and his gang of H&M monkeys behind him.

It would almost be artistic…in sort of an Andy Warhol/Factory sort of way.

Except there is no humor in it.

Spoon are dead serious.

The irony is (ATTN:  hipsters) there’s no irony here.

All that being said, Britt Daniel wrote one of the best songs I’ve ever heard.

And it’s the one I quoted above.

“The Underdog”

It doesn’t matter.

It doesn’t matter that my path crossed Britt’s path.

It doesn’t matter that I was invited to audition for his band Spoon as a keyboard player.

It doesn’t matter that he probably saw me in an outfit that wasn’t quite svelte enough and promptly canceled my audition before it ever happened.

Because he underestimated the underdog.

And that’s why he will not survive.

Last I heard, Spoon (or at least their godhead, Britt) relocated to Portland.

I suppose Austin wasn’t hip enough anymore.

Either that, or his shitty personality had shit off everyone in Austin and he needed a new lot of cunts to shit on.

But I digress…

Because, as stated, Britt had a point.

Once.

In one song.

[whether he learned the lesson he sang about or not is a different story]

But it is very much germane to OUR story–to this fantastic film:

Cuban Fury.

You almost always see Nick Frost in tow behind his partner in comedy Simon Pegg.

But not this time.

And so here we start a new investigation.

The test was simple:  could Nick Frost carry a film by himself (without the great talents of Simon Pegg)?

And the answer is a resounding YES!

We start all Billy Elliott (that one thing upon which Admiral General Aladeen and his presumptive torturer could agree).

Ass kicked.

Sequins eaten.

A future star quits mid-stride.

What could have been…

Have you ever had such a moment in your life?

I have.

LIFE beat me up.

In the span of a couple of months.

And now, instead of laying down tracks on 2-inch tape, I’m making songs solely with an iPhone.

You can feel the excitement.

It had to have been at least 20 years for Bruce (Nick Frost).

He gave up his passion.

Thought he would never cross paths again with salsa dancing.

He had been on the precipice of the youth national title in Britain.

Then his life went humdrum.

Works an office job for a company specializing in lathes.

The most nondescript industry possible.

But he gets a new boss.

Rashida Jones.

She is excellent here.

She hits just the right notes in her performance.

She is Bruce’s new boss.

But, as fortune would have it, she (an American in Britain) loves salsa.

Bruce is gobsmacked.

Enough so to turn his life around.

To attempt to reel in the years.

Equally brilliant as the first two players I’ve mentioned (Frost and Jones) is Ian McShane.

You might remember him as the head of MI6 in The Brothers Grimsby.

But ironically, his role here (as Bruce’s former dance teacher) is far heavier.

Think Burgess Meredith with an occasional lisping Spanish one would expect to hear in Madrid.

And McShane injects some Keith Richards pirate couture for good measure.

This is a HARD man.

Drinking tequila the whole film.

And he’s a fucking dance teacher.

A TOUGH dance teacher.

He’s tough because he sees the potential in his student.

And he won’t let his student half-ass this endeavor.

Either you go “all in”, or you go home.

Passion.

El corazón.

This film is truly a joy to watch.

…to see Nick Frost regain what truly makes him happy.

To dance.

It’s the story of someone reclaiming themselves.

Rewinding life…just enough to relive ones happiest former version of being (and relocate oneself).

But here’s the other part.

The ladies.

Or lady, here.

They just see Nick as a fat schlub.

No way this guy could dance salsa, right?

Every day suffering insults from a particularly nasty coworker.

Let me illustrate.

For me, supporting President Trump brings me daily grief.

Every day I am made aware (by “liberals”) that they hate me.

I am treated badly.

In person.

At work.

Online.

Simply trying to start my romantic life over and date.

I am very upfront.

Listed front and center:  “I voted for Trump.”

Kind of like an, “Abandon hope, ye who enter”.

But more like:  Let the Buyer Beware.

I lay it all out there.

“I live with my parents.”

etc.

And I get some shitty shit.

Which is why, every once in awhile, I think God is looking out for me.

I think maybe that God sees what I go through.

I’m not mean.

I’m not rude.

I don’t proselytize in a political sense.

I try to show warmth to others.

I try to show God’s love with my actions.

And boy do I end up throwing my pearls before swine sometimes…

Often, perhaps.

Lots of swine.

And it gets me down.

But I thought today was gonna be better.

Since last night.

Things had been going really well for me.

And now, here at 4 in the morning, I find myself back in a similar spot.

But it’s ok.

Because God loves me.

And if a bunch of braindead bitches wanna ignore the underdog,

then we won’t be surprised why they didn’t find happiness.

So this is a love story.

Forbidden love.

Nick Frost is in love with his boss.

Because his boss is perfect…for him.

It’s FaTE.

God puts us in the position to win.

But true winning is not always capturing first place.

“You can’t always get what you want…

But if you try sometimes,

you might find,

you get what you need.”

Where have I heard that song these past four years?

Ah, yes.

She was never supposed to lose.

Hillary Clinton.

She underestimated the underdog.

That’s why she did not survive.

Before this goes totally off the rails.

Love is the greatest victory there is.

But love has to be reciprocated.

If you’re a superstar (and I know you are, my dear reader), then you deserve AT LEAST as much as you give.

When you give love, compliments, gifts, affection, etc.

If you find yourself always to be the giver…and never allowed to be the taker (because nothing is given to you), then you just might be in the wrong situation.

I know I was.

And, praise God, I am out of that for the time being.

Except for at least one catch.

The world, our world, is primarily composed of takers.

Ingrates.

People without manners.

Humans unfamiliar with common courtesy.

Unpracticed at recognizing fairness.

People who have very little conscience (if any whatsoever).

And they are either unaware that they are such assholes, or they are aware and they simply do not care.

So again, it’s just me on this computer here.

Sitting in the dark.

Typing.

But that’s ok.

Because in this movie, a fat guy gets a beautiful girl.

And he gets her because he’s good at something.

Do you feel me?

But we must be righteous too.

Let us not underestimate OUR personal underdogs.

Let us not defile the name of God by letting superficiality reign.

God will show us the way.

Let us do what is just.

I ask that all who read this may be helped.

That each of them may know that God loves them.

And I ask this in the name of the Son of God.

I ask this by the power that is in the name Jesus.

God works in mysterious ways.

Our loving God will not be mocked.

God will not lose in the end.

We are entrusted with great responsibility.

But we know who wins.

And we know that the ending is magnificent.

And we know that all are welcome in the Kingdom of Heaven.

God only asks that we have humility.

The humility to ask forgiveness.

And God does not demand perfection.

The coin which God accepts, for eternal life, is faith.

And God charges no interest on this coin.

It is given freely, yet it is the most valuable thing in the universe.

Praise be to His holy name.

Indictments = start.

 

-PD

Lost River [2014)

There’s something very weird going on in Hollywood.

And it has been going on for a long time.

You can look for yourself in Kenneth Anger’s books.

Strange stories about Clara Bow.

The first “It” girl.

From the film of the same name.

And how she kept her skin so soft (ostensibly).

But the range of weirdness in Hollywood seems to move along a continuum.

There are levels.

Not unlike Freemasonry.

Or Scientology.

The hedonism of Henry Miller would be a very low level.

But what we are dealing with here, in this film, is an allusion to a higher level.

Really, the highest level.

There really isn’t a more mot juste for this phenomenon than Satanism.

And, perhaps, even that word does not fully describe what is at issue.

If one was hard-pressed to boil it down–to refine it further, perhaps “evil” would be the essential element.

Recently, the internet collective known only as QAnon “dropped” a crumb of information regarding an establishment in Los Angeles known as the Cannibal Club.

You can find all Q drops here.

The drop in question is #3917 from April 8th of this month.

Here is the website to which Q linked.

It indeed follows the train of thought I delineated above.

You will see the Henry Miller quote (an author I deeply admire).

But then you will see a perversion far beyond (to my knowledge) anything Henry Miller ever wrote about.

What you see on the Cannibal Club website appears to be a restaurant which serves human flesh.

However, with a bit of research, I came to the conclusion that this particular institution (as it is presented) is likely fake.

Why?

The names of the principals all come back empty.  None of them have a digital footprint that I can find.  Sophie Lafitte.  Elspeth Blake.  Hero Conners.  Raven Chan.

The photo of Cannibal Club’s proprietress, Elspeth Blake, was first cached as a stock photo in 2012.

The photo of Raven Chan also was first cached (before it was used on the Cannibal Club website) as a stock photo.  Both photos appear to have originated on the website istockphoto.com .  They are generic pictures.

The Cannibal Club website went live with content in 2009.  Neither the menu, nor the “events” have changed.

My conclusion was that this was a joke made by demented, artsy liberals in order to seed panic in America’s conservative population.

That was my hypothesis:  it is almost certainly a sick joke.

But here’s the rub…

Things like this very well may exist.

Indeed, they probably do.

And thereby we come to the film Lost River.

It came out a mere two years before Trump was elected.

Before Harvey Weinstein was convicted of sex crimes and sent to prison (where, last I heard, he had coronavirus).

Before jet-setter Jeffrey Epstein “hung himself” in a Manhattan jail cell.

You know, Epstein…the guy who flew Bill Clinton and Kevin Spacey to Africa.

All this was before Kevin Spacey had numerous sex crime charges brought against him.

And two of his accusers recently dropped dead (over the past year) bringing both cases to a halt.

Lost River.

I appreciate the style.

Very heavy on the David Lynch (with a modicum of Harmony Korine thrown in).

The focus on “place” is very similar to the technique David Lynch and Mark Frost used to ground the town of Twin Peaks in the TV series of the same name.

Evil.

In the woods.

Underwater.

Underground.

And in secret clubs.

Director Ryan Gosling did a pretty good job with this film.

We will forgive him for lifting the ambiance of that Orbison scene from Mulholland Dr. to repurpose it in his Lost River blood-and-guts cabaret.

Because the reason I watched this film at all was for Christina Hendricks.

She has the potential to join a modern pantheon which, at this time, includes only Thora Birch and Kat Dennings.

Though we are never told this in the film, it is set in Detroit.

And that makes sense.

Deserted neighborhoods with crumbling houses.

But it could be anywhere in America if China’s economic warfare (COVID-19) is not soon countered.

Matt Smith does a good job as Bully:  the embodiment of serial-killer animalism.

The thug.

The gangster.

The cartel head.

Extreme cruelty.

Sadistic.

Gosling did a great job location scouting for the zoo scene.

The abandoned zoo.

Very much like the film Hanna and its scenes in the abandoned Spreepark of East Berlin.

Ben Mendelsohn is a fucker.

Such a prick.

But smart.

He’s not an animal like Bully, though he has rage inside him.

He is more of a predator.

And he is much more powerful.

His character, Dave, is a banker.

And Dave tells us, during the course of the film, that he sets up a little “club” in each of the towns he goes to.

Seems Dave gets moved around a lot.

Comes in.

Fires people.

Gets the books on a firmer footing.

And moves on to the next town where he can oblige the poor and demented with a bit of blood lust with his clubs.

Lots of blood.

Lots of lust.

Dave overlaps nicely onto the persona of Harvey Weinstein.

Christina Hendricks is immediately propositioned by the bank manager.

Dave is a thoroughly-unscrupulous scumbag.

Hendricks just wants to hang on to her home…dilapidated though it may be.

Saoirse Ronan does a nice job in a relatively-minor role here.

She glitters occasionally…as she plays her Casio on her bed with sparkly finger polish.

Whispering out a little song.

Or as she tucks in her pet rat for the night.

But it is not the ginger Ronan we are used to.

Her hair is black.

To fit with the landscape.

And to let Hendricks (also a redhead) stand out as the star.

Saoirse is the “girl next door”…literally.

In the tradition of American Beauty.

By this method we can trace Gosling’s influences.

The overarching one is David Lynch.

This film is creepy.

Plenty creepy.

Much of the creepiness comes from the casting.

It really is an amalgam of Lynch’s freaks with Harmony Korine’s amateurs.

There is the grief of the mute grandmother.

Caught in a loop of family films.

Mourning her late-husband who died tragically.

It is sad.

It happens.

The inability to talk for some time after a shock.

Extreme PTSD.

The family films are sad.

Watching how they used to be.

The way they were.

And the grandmother still a widow…with a fishnet veil for mourning.

There is some rubbish in this movie.

Kind of how the second season of Twin Peaks went off the rails.

Eva Mendes is good here.

And scary.

In the basement is something very Ex Machina (also 2014).

And even more so John Cale’s Vintage Violence.

Shells.

Mortal coils.

Simulation.

Apparently, customers can come down and “murder” real people in these shells.

The shells are of a hard, clear plastic.

And formfitting.

The shells supposedly prevent any real bodily harm.

But we never really see them in action.

Iain De Caestecker is pretty good here.

There is a realness in the urgency of his running.

Gosling’s editing crystalizes this.

Running for love.

Panic.

Running to save.

To set off running.

Unprepared for how long the journey really is.

Something special here.

Good vs. evil.

To give.

Charity.

To be selfish.

To ignore the needs of others.

To follow the voice of God.

To follow the instruction of the Holy Spirit.

To be humble before God.

To fear God.

To feel evil all around.

When it comes, and when it goes.

But the most quizzical scene is when Christina Hendricks cuts her own face off (in simulation, of course) in exactly the way we have heard about in the infamous, rumored Frazzledrip video.

In 2014.

Two years before such a thing came to light.

What a strange coincidence.

Let us synthesize more.

Could there be clubs (in L.A., for instance) where children have their faces cut off (for real) in front of an audience of sickos?

Further question, how does Hollywood (in L.A.) have the “imagination” to write these sorts of scenes?

Sure, there’s the old French film Eyes Without a Face.

But that was cosmetic.

It wasn’t for the thrill of spectators.

It was a medical procedure gone wrong.

Gory as it was, it was to SAVE the face of his daughter that the misguided doctor went on a hunt for faces.

Here, the faces are potlatched (apparently).

Or eaten.

But again, this is just a “cabaret”, we are told.

We see behind the scenes.

“Fake blood”.

So where is the truth in these “jokes”?

What kinds of personalities find humor in this?

John Podesta famously jokes about cannibalism in Time magazine and elsewhere.

He jokes about the cannibalistic Donner party.

He had cannibal art hanging on his office wall (a loan from his art-collector-brother Tony Podesta).

Strange fixation, that.

Very creepy.

Verging on Silence of the Lambs.

Ed Gein.

Dahmer.

Really vile stuff.

This is an interesting movie.

Gosling has talent as a director.

He should make more films.

This was his debut.

He has directed nothing sense.

My only quibble is this:  Christina Hendricks was so misused here.

Saoirse Ronan was almost equally misused.

Gosling needs to watch more Godard.

More Hitchcock.

You don’t cast Grace Kelly only to have her wear the same sweater for the whole film.

But it’s also Hendricks’ fault.

She has talent.

But she must embrace who she is.

She is not a good enough actor to be a puritan.

 

-PD

Willy Wonka & the Chocolate Factory [1971)

Now we come to a crucial crossroads.

30,665 deaths so far in the United States from COVID-19.

Over a month ago, on or about March 12th, my girlfriend broke up with me.

But she didn’t do it in any sort of clearcut way.

I committed a transgression.

I wrote a very unflattering song about her.

Musically speaking, it was a very good song.

And so, out of blind pride, I posted it on my SoundCloud page.

It was written out of frustration.

I did not feel that I could discuss anything of substance with my girlfriend.

But I must qualify that statement.

I was unable to give her criticism…at all…ever.

No matter how tactfully I phrased it, she was not open to critique.

And she was always this way.

I will let the psychiatrists in the room now give their opinions as to the reason why.

[             ]

Thank you, good sirs.

You see, my girlfriend used to be my fiancée.

And before that she was my girlfriend.

My beginning is my end.

Understand that I waited 41 years to propose to a girl.

And propose I did.

And she accepted.

It was a joyful day.

I wore my best (only) suit.

I brought flowers (as I did every time I saw her).

We were happy.

I thought that giving her the reassurance of engagement would improve her attitude.

While I was never allowed to give her criticism (without a resulting emotional explosion from her), she was allowed to give me criticism.

And she did.

From the moment I met her.

Her very first words to me when we first met in person were a CORRECTION of my faux pas.

I didn’t stand when she entered the room and approached my table.

I admit that I was in error.

But I was enraptured by her beauty.

And that was the first of many, MANY criticisms I would receive from her over the ensuing four months until our engagement.

Perhaps my optimism was misguided.

After a brief “honeymoon period”, the criticisms came back.

But I must give some “back story” to fill in her character profile.

She had lost a child mid-pregnancy just two years prior.

And less than one year before meeting me, she had lost her husband in a tragic traffic collision.

I was very compassionate to the special needs of this truly unique child of God.

My fiancée.

I wanted to help.

I overlooked many of her character flaws…attributing them to her PTSD and depression.

But every anniversary was like an eruption.

The date when her child died.

The date when her child was supposed to have been born.

The date when her husband died.

Her and her late-husband’s wedding anniversary.

Amidst all this struggle, she wanted to have another child.

Her one child had been lost.

Before ever really entering the world.

I obliged.

I loved her.

I was scared.

“What kind of father material am I?,” I thought.

But I pressed on.

I always acquiesced to her demands.

We did things HER WAY.

ALWAYS.

And it was stressful.

“Let’s go to a fertility clinic.”

Yadayadayada.

All while I am working to make ends meet.

“I will soon be too old to have children.”

A frantic pace.

Interspersed with bouts of her extreme depression.

Lovely stuff, I assure you.

It drove me back to tobacco.

And it drove me nuts.

Everything snapped for me.

One day I woke up and realized I couldn’t go to work.

I was done.

And so for 9 months, I had to be reborn.

I had to detox.

To her credit, she stuck by me (more or less).

And then tragedy struck again.

Her mother died.

I frantically tried to get my old job back (though I was not quite fully healed).

And I did.

I wanted to help her save her apartment which she loved.

But she got sick.

And sicker.

And sicker.

I kept the job.

But the apartment was lost.

And now she lives with her dad.

Just as I live with my parents (a situation she gave me grief about many times).

“Many who are first shall be last, and the last shall be first.”

Jesus spoke of karma.

And I’m sure I have a lifetime of wrecked karma ready to crash down on ME at any moment.

But sometimes the irony is too dripping.

There was the hospitalization.

Six days she was there.

I came every night (five nights).

After working until midnight sometimes.

But it was not enough.

She wasn’t satisfied.

After the hospital, she got worse (in many ways).

Finally, I was asked by her family not to contact her anymore.

Not to cause her “grief”.

And like that, our engagement vanished into thin air.

For 17 days I lived in a darkness.

And so did she.

She was very sick.

I heard nothing from her.

And then she slipped back into my life.

Slowly.

But it was so confusing.

She didn’t want to be engaged anymore (she said).

She wanted to take a (big) step backwards.

I wasn’t too happy about this, but I accepted.

And so we made it several months.

A nice Valentine’s Day.

But something was worse than before.

There was absolutely no reciprocation.

If I complimented her (which I did often), she would not compliment me.

If I did something nice for her (which I often did), it was very soon forgotten (and certainly not answered with a loving action from her).

I wanted to say something, but I couldn’t.

She was still too sick, she said.

And so things dragged on thusly.

And then I wrote that song which changed my life.

That song of frustration.

I am not proud of it.

Though it be musically a good composition, it caused her sadness.

When she happened to find it.

You see, I would write songs for this girl of mine.

I recorded 183 songs for her over the course of two years.

Some covers.

Some original instrumentals.

Some original songs.

Many of these gifts barely got a word of thanks in return.

Same for the thousands of dollars of flowers I bought for her over the same time period.

There’s even one song that she appears to have never bothered even listening to.

And it’s a good one.

After six months, it shows that it has zero listens.

Well, no one is perfect.

There were probably (almost certainly) other songs she never heard.

It just wasn’t what she needed at the time.

I can attest.

She was very, very sick.

183 songs.

Some she never got around to listening to.

In my frustration, I sang to the world.

I wrote…and put it in a bottle.

Like putting a leaf in a flowing stream.

To get rid of that care.

But of course, she found that particular leaf.

She interrogated me about it.

“No,” I said (trying to be tactful), “it’s not about you.”

But my conscience got to me.

And so the next day I came clean.

Yes, the song is about you.

I apologized sincerely.

I made no excuses whatsoever.

I didn’t plead my case.

She didn’t ask (never has) how I came to a place of such frustration.

But that was the last I heard from her.

For 10 days.

The first 10 days of this coronavirus pandemic in the United States.

I went through it alone.

I sent texts.

I sent emails.

All went unanswered for 10 days.

And when we came out, she was less than my girlfriend.

I told her I loved her…and got no response.

That was five weeks ago.

And so we have been winding things down.

We still talk.

But she is incapable of discussing our former relationship.

It stresses her out to much.

And she never even bothered breaking up with me.

So we are “just friends” now.

And I have tried to be there for her during this coronavirus crisis.

Which brings us to Willy Wonka.

This was one of the most formative movies of my life.

Perhaps THE most formative.

In elementary school, when the teachers were too lazy to teach, they’d put this film on.

And I would sit enraptured.

No matter how many times they showed it.

And they showed it to us MANY times.

It must have been one of the few VHS tapes which was approved for them to screen.

So what does this all mean?

Coronavirus, a wrecked romantic relationship, Willy Wonka…

Here is a partial answer:

a film reviewer should be cognizant of what is going on in their life and how that affects their “reading” of a certain film.

I rewatched this film tonight (for the umpteenth time) and saw stuff I had never seen before.

New details noticed.

But I was watching it with the sadness of romantic loss.

And with the stress of total societal isolation.

I have worked on the front lines of the service industry all throughout this crisis.

Precisely for the mental health BENEFIT it gave me.

Exercise.

Ersatz social interaction (with coworkers and customers).

But now, my store has been hit with a close encounter.

And so our hours have been shaved.

No more midnight.

Midnight shifted to 10 p.m.

And now, abruptly, 10 p.m has shifted to 2 p.m.

Can you imagine a coffee shop closing at 2 p.m.?

Well, that’s us right now.

And I am fairly certain I have delayed sleep phase disorder.

My “availability” starts at 4 p.m. each day.

So I have AT LEAST the next eight days off.

And I have had the past two off as well.

But five of my coworkers are home self-isolating…because they had potential second-hand exposure to COVID-19.

I miss them.  I’m making them music playlists.  I’m buying them groceries.  I’m sending them texts and emojis.

What a horrible situation to be in.

I myself was homebound today because of my asthma.

And that is our world.

Every sniffle.

Every sneeze.

Every sore throat.

As the mold floats on the breeze.

And the oaks bloom.

As particle pollution undulates.

Along with ozone.

Is it ‘rona?

If I need to take a Tylenol, is it ‘rona?

If I were to get coronavirus, it would be very bad indeed.

I live with my two elderly parents.

I have asthma.

I have high blood pressure.

And I have a whole bevy of mental problems.

But I chose to work.

I ran towards the sound of gunfire.

Whether it was stupid or brave, that is for others to decide.

And so now, here I sit with this masterpiece:

Willy Wonka & the Chocolate Factory.

Mel Stuart may be an auteur whose time is yet to come.

But the secret weapon is Walter Scharf.

Did he write the music?

No.

But he orchestrated it.

And such gossamer orchestration it is!

We start poor.

Shaggy dog.

Charlie Bucket.

A peasant’s name if there ever was one.

Crazy man plants the seeds of conspiracy.

About the factory.

*Charlie lives with his parents (as most young boys do).

But he also lives with all four of his grandparents.

And his father is deceased.

Willy Wonka is certainly a film about espionage.

Economic espionage.

Business espionage.

With overtones of state espionage.

International espionage.

Remnants of war.  England.  Germany.

Wonka’s factory is like Area 51.

But this film is unique in that it delineates a search.

A search by a man.

Or an organization.

Or agency.

Or entity.

A search for that one special person.

[decades before The Matrix]

God tested Abraham.

“…kill me a son/Abe said, ‘Man, you must be puttin’ me on!’/

God said, ‘No.’/Abe said, ‘What?’/God said, ‘You can do what you want Abe, but…uh/

next time you see me comin’ you better run.’/Abe said, ‘Where you want this killin’ done?’/  God said, ‘Out on Highway 61.'”

God, of course, STOPPED Abraham from killing his son.

But only AFTER Abraham had committed fully…knife in hand…to slit his son’s throat.

Great reading, that.

The Bible.

And this is a very biblical tale, Willy Wonka.

The eccentric Jesus.

God the Father…in the Heavens…with his Inventing Room.

The chocolate factory is heaven.

And only those who become like a child can enter…and stay.

Only those who are born again (made pure like a child) can inherit this chocolate factory.

God wants to pass on his greatest creation.

Heaven.

And God tests us.

But there is grace.

Charlie and Grandpa Joe mess up.

They drink the fizzy lifting drink.

They hang suspended like Icarus and Daedalus.

Their wings don’t melt.

They have the opposite problem.

They are on a collision course with the edge of ether.

Until they learn how to burp.

Stephen Dedalus…

Cicada 3301.

GCHQ recruiting.

Puzzles.

QAnon.

NSA.

Kryptos.

Who can solve the final part?

Right there at Langley.

Some might say I was engaged to Veruca Salt.

Wonka running counterespionage.

Counterintelligence.

Slugworth in Switzerland.

For Your Eyes Only.

Octagonal.

And hope.

Get out of bed.

Go back to work.

Warning strictly against “frippery”.

Again with Roger Moore in A View to a Kill.

Sideways fan.

Spoiled brat.

Always got what she wanted.

Cautionary tale of poor parenting.

God is merciful.

All is dream.

But God cannot be mocked.

His word is eternal.

Jesus was the Word made flesh.

Superseding the Ten Commandments.

There is freedom in Christ, but we are not to go on sinning.

We will mess up.

But it is by grace that we are saved.

So that no man may boast.

It is not by good works.

But the heart must be contrite.

And, above all, pure.

Made pure by the Holy Spirit.

When one invites God into ones life.

A little bit of divinity in each of us.

And quite a bit of divinity in this film.

By this logic, Satan (created by God) may be a Slugworth to be unmasked in the end times.

Lucifer…with that scar on his face.

The mark of Cain.

The murderer.

Finally, this is Gene Wilder’s best work.

He channels something here which is otherworldly.

Wilder became immortal with this film.

And he lives on.

As long as there is goodness in this world, we have a chance.

I want to thank my friend, the great writer Chris Lindsay, for encouraging me to write onwards during these dark times.

Thank you, Chris.

 

-PD

Hector and the Search for Happiness [2014)

The thought occurred to me to give up.

On this website.

And on just about everything.

About a month ago I thought my fiancée dumped me.

And she probably did (in a way).

But it doesn’t matter.

She was sick.

And, thanks be to God, she is getting well again.

And though she couldn’t jump right back in to being my fiancée (after 18 days of darkness), I am learning to live with that.

I am learning to truly love.

Facing my own shortcomings.

Trying to own up (in my own way) to my role in our relationship’s failure.

It was certainly sickness.

Malady.

And act of God.

And then another act of God to stem the tide of her misery.

As she has emerged, I have been very confused.

Confused on where I stand.

I was hurt.

But I am getting over that.

I was hurt that she didn’t seem to want me anymore.

But that wasn’t entirely true.

I am beginning to see now just how far she was pushed.

Just how much her spirit was crushed by her three losses.

  1.  of her child
  2. of her husband
  3. of her mother

And so I happened again upon this wonderful site called Tubi.

Sounds like porn.

It’s not.

It’s free movies (with a minimum of advertisements).

Kicked in the head by a mule (so the saying goes)…and kicked in the head again (and everything’s alright).

Randy Quaid said that.

But there’s more before we get there.

I have had to learn a powerful lesson of love.

I have had to dispense with labels.

I’m pretty sure I’m not engaged anymore (though not entirely sure).

I’m not even sure if I’m in a relationship.

Not even sure if I have a girlfriend.

But that’s the crux of this epiphany.

To her credit, in my frustration and confusion, she reached out and told me she loved me.

This was, granted, even more confusing.

“I don’t want to (can’t?) be engaged to you right now, but I love you.”

To paraphrase.

And I had to dig deep.

I had to trust that I was not being taken.

Not being taken advantage of.

Not being tricked.

And so the prompt appears:

you must love to your fullest ability…without any guarantees.

You must love simply because you DO love.

Either you do, or you don’t.

Either you love someone, or you don’t.

Clarity is good.

Clarity is great.

But not everyone can give us a clear answer.

At the particular time we want them to give such answer.

And that, FINALLY, brings us to this Simon Pegg film.

How’s that for a preamble?!?

Midlife crisis.

Goes chasing his doctor.

His flame.

Love is patient.

Patience.

Letting your other take their journey.

Jesus HAD to be tempted.

Beethoven said it must be.

You gotta see dark and dirty.

What people do for a dollar.

How commerce is impersonal and disrespectful.

A bit like Carl Spackler’s loopering for the Dalai Lama.

Meet friends.

Slave trade seething in urban ruins.

Made new.

Starbucking.

Family.

Happiness.

And unhappiness.

Duty.

Obligation.

Sorrow.

Weighs heavy.

Pushed to Schnabel brink.

Exploding Plastic Inevitable.

Extreme sickness.

Hallucination.

Separated from loved ones by the veil between life and death.

Creaky amusement park.

Rusted rides.

Bad call.

Good call.

Sad to deny love.

Sad to even deny sadness.

Sure, this film is not perfect.

A bit hokey.

Often trite.

But not painfully so.

While it is low on eccentricity and originality, it makes up in sincerity.

Pegg is good.

Rosamund Pike is really stunning.

Both of them excel most at then end…on a phone call separated by an ocean.

Stellan Skarsgård is excellent as the jaded international banker.

Jean Reno is powerful in his small role.

Director Peter Chelsom needs to find his own personal voice a bit more.

This film could have been great.

Instead, it is mediocre-to-good.

This whole affair was a bit too vanilla for me, but I’m glad it exists.

 

-PD

Two Night Stand [2014)

This year has sucked.

But maybe the past sucked more.

Writing lonely movie reviews in the middle of the night.

Again.

Because antidepressants are a motherfucker to get off of.

I haven’t written like this in a long time.

Because I haven’t been lonely enough to hunt through piles of movies to find a gem.

This is a gem.

Do you know that feeling?

Has a movie ever saved your life??

Elton knows that feeling.

I bet.

Sometimes we get degrees without thinking our lives through.

Reincarnation.

Me?

I have two such degrees.

And the first one makes more sense.

Because I DO love music.

But I live in Texas.

Don’t let anyone tell you that Austin is the capital of dick as far as music goes.

It’s mediocre.

Modestly vibrant.

Business makes less sense.

I can’t get a job at a bank.

I am weird.

Like our lead character Megan.

It’s embarrassing as fuck.

To be unemployed.

When you want to work.

I want to work.

Let me tell you.

I stopped drinking.

I stopped using tobacco.

I got off of Ambien.

I got off of Xanax.

And now maybe I’m on the last part.

But it’s taken 8 months.

And my insomnia has gotten worse.

That’s a good first draft of a life.

A story that might connect.

Who knows?

It is my story.

And absolutely true.

But it will float in the ether.

Probably until the Internet ceases to exist.

I am as close as you are going to find to Herman Melville.

Or Henry Miller.

I am a film critic.

And a musician.

And a recovering drug addict.

It’s fucking embarrassing.

Maybe it helps my street cred.

Have you ever had a verbal altercation?

A really nasty conversation.

Where two sides are trying to demoralize each other.

Are you familiar with those?

There is some great acting here by Analeigh Tipton and Miles Teller.

God damn.

And some great writing by Mark Hammer.

The story takes it a long way.

But having really inspired, talented actors is necessary to take it over the top.

And we shouldn’t forget director Max Nichols…who made this all fit together.

Hammer gives us “Please be a crossdresser.”

There is, in fact, a Psycho reference earlier in the film.

Part of some witty banter.

God…relationships are complicated.

And this film takes weird romance to a whole new level.

It is very inventive.

And, frankly, heartwarming.

Have you ever done something stupid in love?

Ever regretted anything?

Ever almost lost it all???

Maybe like It Happened One Night.

But hell if I know.

Because I’m a lousy film critic.

I just do it for the fun.

For the expression.

To express.

No other realm will have me.

Those who can’t, critique.

Yep.

But I’m a feisty little devil.

As Roger Moore said in For Your Eyes Only, “We’re not dead yet.”

That’s right.

Special ed forces.

Survival.

Positive mental attitude.

The Spy Who Loved Me.

And, in case of a blizzard, “shared bodily warmth”.

Stalking is a skill.

Google.

And some duct tape to fix the neighbors’ window.

Pretty bad ass.

Megan is PISSED OFF.

Great acting!

Yep.

I’ve done that.

Hundreds of songs.

Some not even listened to.

Why?

Is it because the rest of the world are morons?

Perhaps.

Drozd.

Maybe because I’m so captivating.

Self-harm tattoos.

Reliving childhood trauma.

I’m still working.

Hollywood can go to hell.

I’m still here.

I came out the other side.

[more or less]

I almost blacked out there in the middle*

I guess there is a connection to Austin.

But not me.

Down here living in bumfuck San Antonio.

Sitting on my luggage.

With my Stetson.

Done been run over by a stagecoach.

Horses.

And manure in the air.

Yeah.

I was in Brooklyn when this film was shot.

But I had no idea it was being shot.

Back when I was a professional musician.

It’s true.

And sad.

But I’m still here.

Rotten Tomatoes can kiss my ass.

I don’t need anybody to tell me what’s good.

I waded through a ton of crap tonight to find Two Night Stand.

It is a fine movie.

Inspired.

Clever.

It will last.

Fuck everybody else.

 

-PD

Vénus et Fleur [2004)

Why?

Why sexual tension.

Why do we like who we like.

Why do we choose certain people.

We must make a choice.

Did you ever have to make up your mind?

Vénus et Fleur operates on the principle of sexual tension.

The world turns on the tips of tits.

We can wait a lifetime.

20 years.

Or 1 hr. and 16 minutes (in this case).

To see the bride stripped bare.

In the end, perhaps it doesn’t matter.

If it happens or not.

Because the journey has been sustained by sexual tension.

So I will give director Emmanuel Mouret credit.

He buoyed a whole film on the prospect of nudity.

There is some nudity here, but perhaps not the nudity which we seek.

That is my take.

Like Finnegans Wake.

Something is disallowed.

Something is taboo.

It is our puritanical instinct which causes us shame.

One would think such honi soit would only be found in England.

We become tangled in a web of meaning.

That any French person could feel shame is astounding.

But Fleur feels it.

She in an SJW.

A BBW.

Honestly, Isabelle Pirès is stunning here!

She is the reason I kept watching.

Sure, her character can be pitifully PC.

As when she lectures the third world about their plight.

It is maudlin.

Or is Russia the second world?

It was second.

But what is it now?

Doesn’t matter.

People still get drunk and fuck.

Says Venus.

Marseille.

Beautiful film.

Keep hoping.

And Veroushka Knoge reminds us of yet another lover.

Love is quintessentially French.

Four films and then career falls off.

Tough.

Magic moment by the sea.

 

-PD