zenith [2021)

Jesus and Mary Chain.

Black tar.

Caramelized sugar.

A dangerous confection.

Hit to Death in the Future Head.

Summer is here.

I hear.

Vacuum cleaner solo.

Theremin.

Race cars.

Boys peel out.

High-speed boats.

And again with the UPC scan.

Breaking up on reentry.

Serious audio fuckery.

And from this right into kung fu.  Peter Sellers on Bowie’s Low.  Trance.  But really what we have here is excellent counterpoint.  Lunatic Harness.  Polyrhythms.  Album breaks down soon.  Fast.  Abruptly.  Mental block regarding Wuhan origin.  Harmonic outline you would never find in China.  Terry Riley.  A Rainbow in Curved Air.  Eno.  Visconti.  And the others involved.  A beauty that inspired Philip Glass.  This is what we have.  Low and heroes.  Symphonies.  Glass.  Riley.  Minimalism.  Album called zenith.  Track two already hits “Nadir”.  What’s the arc here?  Arc-en-ciel?  Arkansas?  Immediately pensive.  Very unnerving.  Pop rock track.  Into existential oblivion.  Abrupt modulation.  Uncomfortable.  Eccentric.  Was there a thought process behind this?  Commerce ruins everything.  Imperfect masterpieces.  The rules of the game.  Radiohead.  Joseph Arthur?  Sparklehorse.  The Magnetic Fields.  Gay baritone.  Sad sack confessional poetry in the world of Berryman’s Dream Songs.  Brian Jonestown Massacre.  The Verve.  Strung out in heaven.  J. Spaceman shooting up while praying.  Don’t knock it…  Drug addiction is real.  Mental problems are real.  Here we are.  2020 fucked us up.  And now we wait for the next shoe to drop.  Smashing Pumpkins.  “Silver Fuck”?  Into Sonny Rollins?  Epstein.  Gene Ammons.  Hard to tell it’s (not) real.  Which parts?  Yes.  No.  Fooling the ear with Dave Fridmann.  A totally schizophrenic record so far.  Here we go!  “Belgian Lace, Pale Black Mascara…”  This is more like it.  Rollerskate Skinny.  Martin Rev.  Lots of counterpoint here.  Fux me up.  Disney xylophones.  Internal rhyme-sanity.  Dylan puking up brilliance.  Always Roger Waters with the bass.  Always The Wall.  Pompeii.  Hail to the Thief.  Again and again.  Trying to break new ground.  And it does.  Yerself is Steam.  Album starts to make sense after five tracks.  1 & 5.  This is not bullshit.  I don’t know about the jazz.  I don’t know about the monotonous instrumentals.  Absolutely “Car Wash Hair”.  Suzanne Thorpe would be proud.  Seems to be talking about tits.  A good ride.  Drum machine chugging away.  Can still have a good groove.  Wild Acoustic Chamber Orchestra.  W.A.C.O.  Woodwinds and glockenspiel.  Boces.  What the fuck is this shit?  O.K. computer.  Sounds like some QAnon stuff.  I feel Carlos Santana coming on.  This is what Assange jams out to.  Lots of plays at Fort Meade.  Salsa.  James Brown.  Puerto Rican funk.  As AOC goes to jail.  Serious national security issues for lyrics.  Fictional charges?  Tracers everywhere.  This theory involves an actual conspiracy.  Criminal conspiracy outlined.  By players.  Event 201.  Short circuit.  Johnny 5 is alive.  Legalistic funk.  QAnon wet dream.  FISAgate.  “Spy Gate”.  Somebody send this to Sean Hannity.  Obamagate.  Where is John Durham?  Ryan Dark White knows the truth about Rosenstein.  How many coup attempts by the Left?  Back to Billy Corgan.  Ok, so we have an Alex Jones connection.  Early-’90s goodness.  Butch Vig.  Dream pop.  James Iha.  Bet this guy knows the real story about the Standard Hotel(s).  Great lyrics!  Must be some inside jokes here.  But HOLY FUCK!  He nailed the “Holes” trumpet solo.  Deserter’s Songs.  God damn it.  How did they do this?  The liner notes say Pauly Deathwish has also produced all four of these albums.  Kind of a Jimmy Page thing going on.  Great drum sound.  Yo La Tengo.  “Mayonnaise”.  Siamese Dream.  Benjamin Britten reference?  Slick!  So this guy basically had a music education on par with Jack Nitzsche.  And then went for scumbag rockroll like Phil Spector.  Gotta respect this weird marriage.  This fascination with grunge.  Dinge.  And the facility to clean it up like a chandelier.  Very fucking impressive.  No record label.  Kinda sounds like no funding.  No budget.  The Delgados.  Hate.  The Great Eastern.  More Spiritualized telephony.  The Wall.  Which is to say, Bob Erzin.  And as dark as Berlin.  Which is to say, Bob Ezrin.  Neil Young vibe.  Tonight’s the Night.  Some dark-ass shit.  Nick Kent, where y@t?  IV Thieves.  Coulda done this.  What if Chris “Frenchie” Smith had produced this?  This kid like a protege.  I hear the moniker (stage name) was bestowed by Frenchie Smith.  Strings good.  Eastern European orchestra.  Must have cost a small fortune.  Arcade Fire.  French cinema.  Romantic-era harmony.  But pierced.  Sophisticated.  Absolutely Floyd.  “In The Flesh”.  Last track on Harvest.  Words between the lines.  The promise of the ’60s went to shit in the ’70s.  Where’s QAnon?  Where’s Nakasone?  Where’s CYBERCOM?  Keith Alexander on Amazon board.  Velvet Underground feeding back.  Les Rallizes Denudes.  Primal Scream.  “Swastika Eyes”.  ADAT.  DAT machine.  Sampling.  Stereolab.  Back to another standout track.  “Chaconne”.  Will Smith in the summertime.  Some slick shit.  Messiaen.  Jonny Greenwood.  Lyrics world-class.  All those sand paintings.  Write and destroy.  Suicide girls.  Thom Yorke’s brain doesn’t have this facility.  He’s a great stylist.  Definitely an homage.  And to Godard.  Snow white and psycho.  Heavy shit for Laetitia Sadier and Tim Gane to check out.  Not far from Faust IV.  So sweet.  John Paul Jones.  Ramble on.  Charlotte Gainsbourg.  Keren Ann.  Last track noisy as fuck.  Lo-fi.  Tom Waits.  Sticks together.  Some sad shit.  Music from Big Pink.  Mournful trombone(s).  John Simon.  “Bird on a Wire”.  They don’t make records like this anymore.  David Bowie not dead.  Great phrasing.  Sinatra.  Mark Linkous.  It’s a Wonderful Life.  Believable bass.  Upright citizen.  Bayou curious.  Noise floor drops out.  Some perverse humor here.  An “album”.  It is.  Ten songs.  Ten different directions.  Some tracks stick together.  Like a deck of cards shuffled.  Lots of variety.  Circus peanuts.  The orange ones.  Pure sugar.  Chewy.  Strange texture.  Lots of melancholy here.  What’s this bloke so sad about?  Tell Thurston Moore.  You gotta hear this shit.  Pauly Deathwish’s 4th album (this summer!).  Is this guy trying to set a Guinness record or something?  And he already has a 5th one out.  Christ!

-PD

bucolic [2021)

It starts just like Charlotte Gainsbourg.

5:55.

Air.

Nigel Godrich.

But there is something different.

A shruti box?

A little distorto guitar.

Ah, yes.

Chuchotements.

Françoise Hardy.

A little Yo La Tengo.

Built to Spill.

Guitar carries it for a second.

Good lyrics.

All mood.

And then into an Amon Düül II warble.

Like Marc Bolan.

Jim Carrey.

Most annoying sound in the world.

Into Pink Floyd.

David Gilmour.

Circa The Wall.

Strange sadness.

Almost a premonition of impending doom.

Calm before the storm.

J. Spaceman telephony.

Floating with no highs and no lows.

All mids.

Strong opening track.

Very slow-moving.

Luxurious.

Immediate Delgados shift.

Paul Savage.

Pauly Deathwish.

Glasgow effect.

Great counterpoint for a pop musician.

But if you check this bloke’s CV…

You’ll know he went through Fux.

Gonna have to say Elliott Smith.

Gorky’s Zygotic Mynci.

Megan Childs violin.

Around the warm fire.

Welsh.

Expansive.

Strings open up.

Hate.

More Fridmann.

Pointillism.

Schoenberg.

Timbre.

Richard James.

GZM.

Beethoven.

Another Welshman.

John Cale.

Orchestral bass that Lou loved.

This guy’s a bastard.

Jaded.

Hurt.

Is this a breakup album?

I thought the last one was a breakup album?

Ahhh…

Into Gorwel Owen.

1968.

Floyd.

Atom.

Mad cow.

The last GZM album.

Rockfield.

Bohemian.

String band.

Money never runs out.

Cheap air organ.

Tubes?

Fan.

A very apropos album title.

Woody.

Tobacco.

Spring water Scotch.

And then the Great Reset arrives.

Like a fucking spaceship.

Dark shit.

What is this glitch business?

Thom Yorke blasts upon the scene.

Drums James Brown.

Good groove.

Savvy.

Whoa!

Marching band.

Drumline.

Snares.

Caught by Lee “Scratch”.

Guitar all mangled.

Melodies solid.

Mogwai?

Bert Jansch out of fucking nowhere.

Definitely Lips.

Pet Sounds.

Track rejected by Bond franchise.

Convincing.

Acoustic to electric.

Now it’s Serge.

Requiem.

Stereolab.

Break beat.

Absolutely boffo.

BOF.

More Brian Wilson.

Van Dyke Parks.

Phil Spector.

High Llamas.

Still a sadness.

That the old world is passing away.

FUCK!!!

Right into some Leonard Cohen shit!

Scott Walker.

How the FUCK was this recorded?

Sounds like 2″ tape.

Question:

how has this Pauly Deathwish released three albums in two months?

I can’t even keep up with this guy.

Mercury Rev.

Deserter’s Songs.

Levon Helm.

Chamberlin.

Mellotron?

Like a Christmas album.

See You on the Other Side.

David Fricke.

A review in the liner notes.

“Everlasting Arm”.

Definite vibe.

Record pillaging wizard.

Baritone.

Lots of fucking glockenspiel on this record.

But it’s nice.

Like Ennio Morricone.

Cinema Paradiso.

Mandolins.

Jackie Gleason.

Dean Martin.

Herb Alpert.

Tchaikovsky.

Again with sugar plum.

Slick!

Very light.

Chiaroscuro.

Fresher than the sweetness in water.

Hearing Dungen.

IV Thieves.

Makes sense.

“Frenchie” Smith.

Dig CV.

Light, British, airy.

Good hook.

Hooky.

Is this the single?

A little neo-psych Hendrix moment.

It’s definitely GZM.

Repetition until transcend.

Stereolab first album.

Not looped.

Manuel.

Carpenters.

Messiaen.

Definitely some breakup here.

Sonic Youth.

Sister.

Experimental.

Thurston.

Lots of drum machine.

Drum and bass.

Panning.

Definitely holds up with Radiohead.

How the fuck was this made?

PD tells us that it was all made on an iPhone with only a Telecaster.

That is some serious trickery.

Ear fooling.

This is COMPLEX music.

Mixes sound polished.

Clarity.

Some Chinese stuff.

Noise floor fucked for the first time ever.

Bacon?

Rollerskate Skinny.

It’s THAT good.

Shoulder Voices.

How was this made?

This heralds a new talent.

But this bloke is 44.

Tour sponsored by Ensure.

Not hearing a sophomore slump here.

Two albums in two months.

Review third forthcoming.

This dude is emo as fuck.

I dig it.

This guy is a mystery.

What is his deal?

This sounds more like a cohesive album that Introversion.

Introversion sounds like a debut album…in all the best ways.

Songs saved up.

A greatest hits.

Go big or go home.

This album deals much more in subtlety.

Not every song here is a home run.

This album breathes.

Ambiance.

Negative space.

More Beach Boys vibes.

70s.

Sad.

Bathrobe.

But mentally sharp.

A spark of genius.

A little bluegrass.

Bill Monroe.

Dock Boggs.

The old world is passing away.

Jonny Greenwood.

Georges Bizet.

Live forever.

Nonesuch.

Elektra.

Hoyt Ming.

Incredible String Band.

Wales, Scotland.

Back and forth.

And across to Ireland.

Oh, no.

There’s the single.

“Makes Me Wanna Stay in Bed”.

Emma Pollock.

Hate is all you need.

Coming in from the cold.

New Radicals.

Delayed bass from The Wall.

Pavement.

Spoon.

Good fucking song!

Eisteddfod.

All Is Dream.

Hard following up.

Unenviable.

Emma Pollock solo.

With Alun Woodward singing.

The Great Eastern.

New Spiritualized.

Banjo.

Let It Come Down.

Abbey Road.

Coldplay.

A Rush of Blood to the Head.

This bloke is serious as fuck.

Sad eyes.

I’m sensing a Jandek promotional strategy.

Final track Richter.

Ravel.

Emperor.

Philip Glass.

Conlon Nancarrow.

City/country dichotomy.

Urban/rural.

Urban encroaching.

Something felt.

Big symphony night.

Excitement of New York Phil.

The fucking french horns!

Automation.

A story in dynamics.

Lesson.

A folk album.

bucolic.

Pauly Deathwish.

iTunes.

Spotify.

-PD