Why sexual tension.
Why do we like who we like.
Why do we choose certain people.
We must make a choice.
Did you ever have to make up your mind?
Vénus et Fleur operates on the principle of sexual tension.
The world turns on the tips of tits.
We can wait a lifetime.
Or 1 hr. and 16 minutes (in this case).
To see the bride stripped bare.
In the end, perhaps it doesn’t matter.
If it happens or not.
Because the journey has been sustained by sexual tension.
So I will give director Emmanuel Mouret credit.
He buoyed a whole film on the prospect of nudity.
There is some nudity here, but perhaps not the nudity which we seek.
That is my take.
Like Finnegans Wake.
Something is disallowed.
Something is taboo.
It is our puritanical instinct which causes us shame.
One would think such honi soit would only be found in England.
We become tangled in a web of meaning.
That any French person could feel shame is astounding.
But Fleur feels it.
She in an SJW.
Honestly, Isabelle Pirès is stunning here!
She is the reason I kept watching.
Sure, her character can be pitifully PC.
As when she lectures the third world about their plight.
It is maudlin.
Or is Russia the second world?
It was second.
But what is it now?
People still get drunk and fuck.
And Veroushka Knoge reminds us of yet another lover.
Love is quintessentially French.
Four films and then career falls off.
Magic moment by the sea.