“I Saw Horrific War Crimes Committed by Azov” [2022)

https://www.youtube.com/watch?app=desktop&v=gzERUR003EQ

A former French soldier goes on Radio Sud.

His name is Adrien Bocquet.

He had been in Ukraine for 16 days.

A special operator (commando) there to render humanitarian (medical) aid.

He was in Kiev, Bucha, and Lvov.

Which is to say–he was everywhere.

He was where most don’t go (particularly Bucha).

Here is a man with extensive military and war experience.

[He is a paraplegic as a result of a military training exercise.]

The French speak to the French.

The carrots are cooked.

The carrots are cooked.

Study your history.

The French Resistance.

What were they resisting?

The Nazis.

Who had occupied their country.

And what were these cryptic radio broadcasts?

They were mainly rubbish.

Until the Resistance got the message they had been waiting for.

The French Resistance received a message.

And that message activated a network of saboteurs who wrecked railway lines, etc.

The French Resistance prepared the battlefield (the best they could) in a very important way for the Allies who landed on the beaches of Normandy (D-Day).

And today…the former allied countries (USA, France, etc.) are sending weapons to Ukrainian neo-Nazis (and lying to their domestic populations about the nature of this new ally [Ukraine] which they are supporting with unspeakable monetary and military donations).

Sud Radio Bercoff.

Present-day.

Parlons vrai.

Bocquet has written a book about his paralysis.

Published by Max Milo.

Every detail is important.

Lève toi et marche.

YouTube removed my song “Crimes Against Humanity”.

Here it is:

https://open.spotify.com/track/0MzTHxuzAqgGhkcukKDsBf?si=aa308652430d4839

https://music.apple.com/us/album/crimes-against-humanity/1606516493?i=1606516495

Who can most-easily recognize war crimes?

A soldier.

A soldier who has been trained to never (under no circumstances) ever commit these violations of the Geneva Conventions.

Mr. Bocquet says he saw no war crimes committed by Russians in Ukraine.

But that he saw MANY, MANY war crimes committed in Ukraine.

By the Ukrainian military (primarily the Azov Battalion [which, by the way, is a group which is closer to 20,000 neo-Nazi soldiers rather than just 5,000 neo-Nazi soldiers]).

And, as has been stated repeatedly here and elsewhere, the Azov Battalion is part of the official Ukrainian military force structure.

They are not a militia.

They are not separate from the Ukrainian military.

They are very much indeed a substantial portion of the mainline Ukrainian military.

And they are neo-Nazis.

And they were trained by NATO.

And they are currently being funded by the countries of NATO (including the $46 BILLION dollars flowing from the USA [thanks to the U.S. Congress being a bunch of ignorant fucking retards]).

Why did the Azov Battalion take as their main symbol the Wolfsangel of the Nazi SS?

Why did they likewise complement it with the Nazi “black sun” symbol (merely inverted to a white sun)?

[The Azov Battalion has, of course, recently (in the last few weeks) completely redesigned its patch.  Does that satisfy you, dear readers, that they are decidedly no longer neo-Nazis?  I’m sorry.  It doesn’t satisfy me.]

IMG_8420

Compare to the emblem (below) of the 2nd SS Panzer Division Das Reich (to cite but one example).

IMG_0104

What did Zelensky say about the Azov Battalion when questioned about them by (it must be admitted) rather pathetic Fox News journalist Bret Baier?

https://www.youtube.com/watch?app=desktop&v=yGiNzgxeoNk

This was the translation that played on Fox News:

“So, Azov was [sic] one of those many battalions.  They are what they are. (!)  They were defending our country.  And later I want to explain to you.  Everything, uh, from, uh, all the components of those volunteer battalions later, uh, were, uh, incorporated into the…the military of Ukraine.  Those, uh, Azov, uh, fighters are no longer self-, uh, established, uh, group:  they are a component of the Ukrainian military.  Back in 2014, there was [sic] situations when our volunteers was [sic] encircled and some of them did violate laws.  Uh, laws of Ukraine.  And they actually were taken to court and got, uh, prison sentences.  So law is above all.”

Have you ever known a Jew (like Zelensky) to defend neo-Nazis?

“They are what they are”?!?

“They were defending our country”???

It should be noted that Fox News seems to have eliminated this segment from the main Bret Baier broadcast featuring Zelensky.

It cannot be found within this clip:

https://www.youtube.com/watch?app=desktop&v=pgxJwmL2_h0

But here it is again (as an isolated clip):

https://www.youtube.com/watch?app=desktop&v=nBYopwtwQ9U

Indeed, it appears Fox News was trying to cover for Jewish Zelensky’s rather unfortunate (and perhaps inadvertently-candid) defense of the neo-Nazi Azov Battalion:

https://theconservativetreehouse.com/blog/2022/04/02/brett-baier-asks-volodymyr-zelenskyy-about-azov-battalion-reportedly-shooting-pows/

But let’s get back to the video at hand.

Radio Sud.

Bocquet continues:

The Azov Battalion (still very much existing and not, as Zelensky claimed, a thing of the past) were speaking in front of him in English, Russian, and Ukrainian (all languages in which Bocquet has at least some level of comprehension) and, “The joked and laughed that if they came across Jews or blacks, they would skin them.”).

Keep in mind that Zelensky, as commander-in-chief of the Ukrainian military, could (at any time over the past eight years [including now]) BREAK UP the Azov Battalion.

He could disband them.

He could disown them.

They could be deported.

Zelensky could (and should) refuse their services in “defending our country”.

But he doesn’t do this.

And it is quite surprising to me.

Because, as an actor, he should know the EASY, EASY impression this makes upon people across the world.

If a battalion sports Nazi symbols on its patch, it is VERY, VERY bad public relations.

Unless the goal is to tell the world, “We’re neo-Nazis.  Please save us from the awful Russians!”

The most epic and quintessential meme of the war:

IMG_9180

Bocquet says that the Azov members talking about skinning Jews and blacks seemed to view this kind of talk as “a total blast of fun for them”.

Hmmm…

I wonder why?

MAYBE THE FUCKING NAZI PATCH ON THEIR ARM SHOULD HAVE GIVEN THEM AWAY????????

But it gets worse.

It goes beyond talk.

Bocquet says he witnessed (and possesses video evidence of) “…Russian soldiers who had been captured and who were already badly beaten and were tied up. […]  And these Russian soldiers who were captured, they were brought in in little vans, three or four at a time.  Every time they brought [sic] made these soldiers get out of the van, the Ukrainian military, asked them, ‘Who’s the officer?  Who’s the officer?’  […] Every soldier who got out of the van was shot in the knee with a Kalashnikov.  […] while they were defenseless, tied up.  […]  And those who had the misfortune to say, ‘I’m the officer,’ would get shot in the head.”

Bocquet goes on to state that he saw American journalists lying about “Russian” bombardments of certain locations.

Their answer was:  “It’s okay.  It will make great photos.”

These were American journalists who were totally cognizant about the fact that they were deliberately misattributing Ukrainian bombings as “Russian” bombings.

The bombings in question were maladjusted, poorly-calibrated Ukrainian mortars.

So the American media on the ground was lying about most everything.

According to Bocquet.

Keep in mind, he has videos of the Russian soldiers being shot in the knees and heads.

Bocquet correctly states that in urban warfare, two sides (Ukrainian and Russian) shelling each other are BOTH going to hit civilian targets.

But the news coverage has portrayed every civilian target hit as being the result of “Russian bombing”.

That is simply not possible.

Bocquet survived a Russian missile attack on Lvov.

He went to assess the damage (near his hotel).

Of the five missiles fired by the Russians, four hit arms depots.

“…arms depots with weapons from Europe which were stored in Lviv waiting to be brought to Kiev and to the units.”

“…they store them in civilian facilities and in civilian houses, without people even knowing that.”

Bocquet says that, to avoid suspicion, even DHL vans are being used to transport weapons into Ukraine.

So that civilians are not aware that weapons are being stashed near their residences.

Bocquet is correct:

“I call that using the civilian population as human shields.”

Absolutely.

Bocquet was in Bucha.

About Bucha he says,
“…cadavers were left behind on purpose.  Even some bodies were moved for pictures [sic] purposes.”

Bocquet is calling for talk,

“about the war crimes of Ukraine, because those exist.  And all the people who are on the TV sets who say the opposite…”

Bocquet also accurately points out where the Western weapons are going:

“…the weapons we give are mainly to the Azov units.”

Bocquet accurately assesses the true size of the Azov Battalion:

it is not merely 5,000 troops, but at least three or four times that big (when “committed volunteers, plus volunteers from all over the place who come” are added to that number).

15,000-20,000 neo-Nazis.

In that particular battalion.

Which has the complete blessing of Zelensky and the central government in Kiev.

Indeed, Bocquet further adjust his number to claim that the Azov Battalion has AT LEAST 20,000 troops.

Keep in mind that this interview is from at least five weeks ago (no later than May 13, 2022).

Bocquet reiterates that this neo-Nazi battalion (the Azov Battalion), which had (until perhaps two weeks ago) a patch which features not one, but two Nazi symbols, is receiving weapons from Europe and the USA which they then use to commit war crimes.

Of this he has video.

And to be quite clear:

he is talking about 19-year-old Russian soldiers who have surrendered, are tied up and unresponsive, and are being shot twice in the knees and allowed to bleed to death.

Bocquet claims his video documentation of this includes “dozens and dozens of videos”.

How did he get such video?

Well, in addition to being a commando, he was also allowed to ride in automobiles because he is paralyzed.

I am guessing these factors allowed him to position himself in such a way while documenting as to not be noticed.

Bocquet makes a final point.

There are American and French MERCENARIES fighting on the side of Ukraine.

This term is important.

Do mercenaries enjoy all the protections of the Geneva Conventions?

I will let you research and decide that for yourself.

Bocquet reiterates:

these are mostly mercenaries (as opposed to foreign volunteers).

Bocquet was kidnapped and held for ten hours by the Azov Battalion.

They searched everything including his phone.

Bocquet was exfiltrated (by whom?) to Slovakia.

[main candidate:  DGSE]

The French Ministry of Foreign Affairs is aware of what is REALLY happening in Ukraine (as a result of Bocquet’s reportage).

By the way, this Ministry has a new head as of May 20, 2022 (after Bocquet’s interview).

The current officeholder is Catherine Colonna.

From Slovakia, Bocquet was taken to Krakow and then back to France.

As you might imagine, Bocquet is now no longer welcome in Ukraine.

Bocquet’s book title in English is Get Up and Walk.

Has the book been translated into English?

These are the kind of people we need to support.

If you need a musical dissertation on these topics, I humbly ask that you start here:

https://open.spotify.com/album/11Wzm0XHozgjD5Zfz45Sv7?si=tM-hdOrjQW-VDDMOYqUL1Q

https://music.apple.com/us/album/mariupol/1619627311

If you wish to research further, I humbly ask that you continue here:

https://deathwish.substack.com/p/denazification

-PD

N.B.  The Ukrainian military (primarily the Azov Battalion) killed approximately 14,000 Russian-speaking eastern Ukrainians in the Donbass between 2014 and 2022.

Scott Pilgrim vs. the World [2010)

Edgar Wright knows how to make a film.

Emotion.

Like Samuel Fuller said in Pierrot le fou:

“Film is like a battleground. There’s love, hate, action, violence, death… in one word: emotion.”

And that from a guy who was ACTUALLY a soldier.

Fuller.

The Big Red One.

U.S. 1st Infantry Division.

Fuller.

A soldier.

And then a director.

A formative influence on Jean-Luc Godard.

But I digress.

Scott Pilgrim… is a masterpiece.

I didn’t think it would be.

It seemed too cutesy.

The signage.

Too hipster.

Faux cool.

Cookie cutter.

But it passes the test.

The moment is much like Simon Pegg’s “Oh, fuck off you big lamp” in Wright’s The World’s End.

Derrida and all golden-ratio-seeking creators would likely pinpoint a line from the redhead drummer:  “We are Sex Bob-Omb and we are here to watch Scott Pilgrim kick out teeth in!!!  One two three four!!!!”

You’ve lost a lot.

Now you win.

 

-PD

 

Un condamné à mort s’est échappé ou Le vent souffle où il veut [1956)

I wanted to write last night, but the Internet fell asleep.

This is one of my favorite films ever.

But I needed to rewatch it.  As I always do.  Every movie.

Real fear.

Real danger.

A long project.

Extracting yourself from the superjail.  The prison planet.

A Man Escaped.  We have it easy in English.

But witness the fullness of the French title.

It speaks to care.  Rope.  Hooks.  Months.  Of planning.

And it all started with a spoon.

Tin nor aluminum will do.  Neither.

We must wait for iron.

Steel?

Iron.  Hardness.

It’s World War II.

Today.  World War III.

And for the CIA, World War IV.

Chemists.  Physicists.  And now mathematicians.

Computer scientists.  Statisticians.

No, that’s post-War.  Japan.

But for now we are locked in a room of our own making.

If we can only get through the door.

tap tap tap tap tap tap tap tap tap

tap tap tap tap

tap tap tap tap tap tap tap

Which isn’t to say, taps.

We must succeed at this chess game.

Playing against an adversary with few weaknesses.

Multiple layers of defense and surveillance.

Doors and locks and gates and bars.

And silence.

It is the silence which will betray us.

And so, Dr. No, we must slip our shoes off for a little putting practice.

It is a real battle.

CIA vs. FBI.  Refereed by the NSA.

NGA vs. NRO.  Chantilly lace vs. a pretty face.

A girl and a gun.

ASIS vs. DIGO.  Or dingo.

Rich.

ASCAP vs. BM.I

But let me back up to the kebab organization known as SHISH.

Apologies to Belgium.

But it is worth noting SV/SE vs. CSIS/SCRS.

Scissors.  Suckers.  A scissor.

A pair of scissors.

He would need more leverage.  The most overused word in business.

And as meaningless as “innovation”.

What they mean is “interesting”…that’s innovation.

And by false flag, “not what it seems”.

Dear NEADS in Rome (NY) uttered collectively the phrase of Baudrillard’s lifetime:

“Is this real-world or exercise?”

But we have remembered it as simulation.

Going over his escape a million times in his head.

With poor reconnaissance.

Except the dead would-be escapee.

“He’s practically free.”

“No one’s practically free.”

Jessica Lange, incredulous.

But she’s not in this movie.

She’s headed to Roswell.

Named after Yale graduate Roswell Rudd.

A little town in New Mexico.

Out of time.  Mind.

CSE vs. GCHQ.  Or CSEC.

An animal with five eyes has no competition.

Within himself.  The owls are not what they seem.

Fifth wheel.  Hokey pokey.

Valuable antipodes.

And RCMP vs. FBI.  Horses.  Or moose.

Hippopotamus.  POTUS.  Not amused.

DND seems incorrect.

What was Fontaine in for?

And Jost?

DIPOLCAR.  Position.

MSS vs. RSS.  Seems so simple.  Really simple!  And so complex.

Pledged ΚΥΠ.

But the division.

ÚZSI vs. UZI.  Sounds dangerous.

With PET we get to canned milk or breaking wind.

A lovable Lego intelligence agency.

Of one.

Just one?

KaPo vs. capo.  Vs. ligatura.

Hitchcock’s rope vs. Bresson’s rope.

For this is Robert Bresson.  The movie.  Under consideration.

SUPO vs. sumo.

But we really get fired up by DGSE.

And it’s only appropriate.

DGSE vs. BND.

The only war which has ever been fought.

Das Fenster vs. la fenêtre.

The most delicate element of escape.

A crack in the breeze.

SIN vs. voodoo of all sorts.

GRLS.  Girls?  Gorillas?  Scalded ape?

When you need headache relief quick.  Choose BAINTELKAM!

A Buddhist temple with a surrounding population 95% Muslim.

Amazing.  Elton John.

MOIS.  Ooh…  Now we are getting serious.

Putting the me in month.

And of course “the Institute” (moving alphabethically).

Lisping along.

How will you project your escape.  Like Desargues.

And Poncelet.

The movie camera.

Go directly to jail.

Whale song matryoshka.

AISE.  Must be the coolest.  Standard issue Ferraris.  And meals in Modena.

Like Matthew Broderick’s brief moment of cool in Election.

Gid Tanner and his Skillet-Lickers…coming to the Kingdom of Jordan…real soon.

SREL.  Sreally?  That’s SRAL.  Like SalvaDali.

CISEN as sí señor.

Not quite hermeneutics.

FIB vs. SIN.

PST.  Masters of recruitment.

And FOST vs. SIE.

The big daddy ISI vs. ailleurs.

The canal of SENIS.  Central American zipper.

Could have been Lake Nicaragua.

AW 🙂 Georges Sand approaching Chopin with flowers.

He was a woman.  Mr. Sandman.

SIRP vs. usurp.

SVR vs. GRU. [now we’re making some sense]

And DEVGRU vs. GRU.

GIP is priceless.  One letter from perfection.

VOA vs. VOA.

NISA vs. NASA.  And the incomparable skills of PIS.

In joint operations with SENIS.

CITCO vs. Citgo.

Must it be?  It must be.  It MUST be.

And back to our MI6 and DIA and ONI.

These are the thoughts of a man in jail.

Where having a pencil is punishable by firing squad.

And so he builds his hope on escape.

From the mundane.

He is a true soldier.

Though he be stripped of any recognition.

Wisdom is that final step.  On a journey which started with mere data.

 

-PD

Casque d’Or [1952)

This is one of my favorite films ever made.

Maybe Jacques Becker was just a minor auteur, but he holds a large place in my heart because of this film.

It’s what we can’t have in life.

Who.

Back that reification up.

The pretty blond.

The girl will pay us no mind.

Because we are just carpenters.

Workers.

No, even lower than that.

We are failed workers.

It makes you wonder whether Hitchcock felt most alienated from the objects of his desire while directing them?

There’s that reification again.  Thingification.

If we’re learned anything from Marxism, it’s that.

Humans are not “its”.

But our language is structured to make them so.

Blonde on blonde.

Perhaps a pickguard on a Telecaster.

Even in black and white we can tell that Simone Signoret is a blond.

Her beauty is flooring.

Serge Reggiani had to play the role of a traitor in Les Portes de la nuit, but here he is the hero.

The perfect friend.

Faithful.

Criminals stick together.

A code.

And it is touching.

Because the code can bite the big cheese in the ass.

Different systems of justice.

The criminals don’t call the police.

Justice is swift.

It’s all a bit savage.

But how else should we describe the heart in love?

Here we see Reggiani maddeningly in love.

Fatal beauty.

Simone Signoret.

With her hair helmet.

Completely lost in translation.

Everyone has a mustache here.

Maybe that’s why I can relate.

Reggiani plays a schmuck like me.

And it works.

Someone falls in love with him.

All he has to do is be himself.

But most of all this film shows the sadness of love.

All the many things that can go wrong.

The tunnel vision.

The heroic focus.

The jealousy of spectators.

Two in love.

Why can’t they be let alone?

To be happy.

Les Apaches.

“un dégueulasse”

Here it is again.

Just as À bout de soufflé passed on some fashion (garments) to C’est arrivé près de chez vous, so too Casque d’Or hurls that word at a key moment.

 dégueulasse…
Could have.  Should have.  Would have.
Métro, boulot, dodo.
As long as we try, we can rest our minds.
We have fought courageous battles of love.
Perhaps we have lived to fight another day.
The soldier must always retain optimism.
When faced with survival all alone.
In the middle of nowhere.
-PD

 

Dahmer [2002)

I almost didn’t make it through this one.

Several times.

Not exactly light viewing for me.

Some people…obsessed with gore.

I’ve never been that way.

But there is something fascinating about serial killers.

Not in an adolescent worship rebellion way.

Stories about serial killers are like car crashes.

Sometimes we can’t look away.

Perhaps we feel compelled to go into that deep place within ourselves.

We want to know the horror of truth.

We want to be able to handle the truth.

The truth is sometimes disgusting.

Panic-inducing.

If you live in a war zone, you are used to blood.

If you are a soldier who’s fought in a war, you’ve seen the worst kind of dying.

Dahmer is a different sort of death.

It is a feast for psychologists.

We want to learn how these things happen so that we can prevent them.

I’m no psychologist.

Far from it.

I’m just a student of life.

And so in order to really appreciate wild sunflowers growing by the railroad tracks, we must face Dahmer.

Let me just say that this film puts Ted Bundy to shame.

First because of director David Jacobson.

It is a masterful film.  An artful film.  Everything that Schindler’s List is not.

In stories like this…there is nothing more important to remember (as an auteur) than the banality of evil.

But Dahmer introduces a star:  Jeremy Renner.

But you know who really deserves some credit?

Those people that auteur theorists often forget about.

Production designer (Eric Larson).

Art director (Kelley Wright).

Costume designer (Dana Hart).

These functional elements are essential here.

You think The Nice Guys has a cool look to it?

It ain’t shit compared to Dahmer.

And Ryan Gosling (that fucking guy annoys me…Ryan Reynolds with a mustache)…

Funny thing is, The Nice Guys looks like a good film.

But it’s vanilla…beige…compared to the cinema under discussion.

I’m not going to be wanting to see Dahmer again anytime soon, but it’s an essential film.

If you want to understand his crimes.

Bruce Davison is excellent as Dahmer’s father.

Artel Kayaru is really good!

Don’t discount the horror medium.

The “greatest creator of forms of the 20th century” (to quote Godard) kicked it off in earnest with Psycho.

Darkness is inextricably wound up in the light of cinema.

 

-PD

Senso [1954)

How does love turn into hate?

Does it ever work the other way around?

Hate into love?

Because the natural course seems to be love into hate.

Vulnerability into hurt.

Hurt into resentment.

And somewhere along the continuum, God forbid, revenge.

Senso, despite its extravagant period costumes and generous budget, is still a product of neorealism.

Sure…it’s hard for most of us to relate to a Countess.

That’s why I can’t read Tolstoy.  I can’t read Fitzgerald.  Not even out of curiosity or hatred.

I can only read Dostoyevsky.  I have only ever related to the outlaw.

Of outlaw literature.

But cinema does a funny thing.

We may not be able to really “get into” Il Trovatore or Der Freischütz, but occasionally a talented auteur can make us appreciate the truly foreign:  a higher social class.

In this case, it is the highest.

The nobility.

In English we might (but probably won’t) know it as the Third Italian War of Independence.  How confusing.  That would seem to entail a July 4th (for us Americans) three times a year (assuming there wasn’t a fourth war).

In plain terms, it was Austria vs. Italy (rather like a soccer match).

Football.  Footie.  FTSE.  Yes…

All rather humdrum after the smoke has wafted away.

Idiots, they call us.

Those who fight.

Some join an army.  Very brave.

Others expose themselves needlessly.  What might be termed “impulsive” or again “thoughtlessness”.

What does this?

In both cases, pride (generally speaking).

Sure, a professional soldier makes a decent living (as long as he or she is living), but said soldier is a chess piece of one type or another…always manipulated from above…lacking autonomy.

And yet, perhaps, no price is too high to pay people who are willing to die to defend their country.

But we must define country.

Defending those who cannot (for one reason or another) defend themselves is indeed honorable.

Defending the abstract structures and mechanisms of a state, perhaps less so…

And yet, a pride can infuse the defense of all of this (either separately or collectively).

And then there is the rebel.

Perhaps the rebel will never again find his army in the first world.

In terms of class warfare, then, the United States is a frozen conflict zone.

Just like Abkhazia or some other little-talked-about blip on the map.

Is there a class war?

Should there be a class war?

Shouldn’t wars of all kinds have been evolved out of existence long ago?

Yes?

No…the rebel shan’t find his army in America.

The battlefield has changed.

And as bathos is my witness, “love is a battlefield”!

Discourse on Benatar.

Cannot contain the dodo on his perch.

But never does Luchino Visconti stoop to such poor taste.

No.

Fever pitch, yes.

But poor taste, never.

Because he is telling Spengler’s story.

And he is still telling WWII.

There can be no avoiding that.  Nine years later.

It must be couched in allegory.

And I, like Baudelaire, am nourished by my own misery.

All of this I owe to Walter Benjamin.

Avoid the jalapeno pronunciation.  ~ath do us part.

Alida Valli gets to show more of her breadth here than in the criminally underrated Paradine Case (no pun intended).

Pennies and “the” will be eliminated from the verbal money supply.

Farley Granger is more of a maniac than in Rope (the Hitchcock closest to my snob heart).

Most importantly, Visconti sets the mood with Bruckner’s 7th Symphony.

And now Carlo Maria Giulini’s recording for Deutsche Grammophon makes more sense.

Senso in what sense?

Direction?

Love leaves you with a worthless compass.

The sun begins to revolve around the Earth.

What a perilous pleasure.

That we hope for forever until our end of days.

No matter the hurt…always more.

For the romantic.

 

-PD