https://open.spotify.com/track/06w4vTNpMzbXp7CPN4maeB?si=3bcfc5f45e14493f
Drums like Levon Helm “Up on Cripple Creek”.
Recommended if you like Beck.
Tag Archives: Levon Helm
disassemble [2021)
Way behind on Pauly Deathwish.
Right off with XTRMNTR.
Shoot speed.
Kill light.
Spirit of rock and roll.
His most popular track at this time.
Straight rock.
Bad boy.
Drugs flowing through the veins.
Overdose of light.
God is the ultimate drug.
Coming back from depression.
Girlfriend goes on a date with another bloke.
Big depression.
Drugs consume.
Always creative.
From London to Paris.
Vintage keys like French band Air.
Every touch from two tracks imbued with Radiohead experimentation.
Pink Floyd bass.
Waters lives.
Here come the warm jets.
Camera clicking photos.
Virgin suicides.
Tomita.
Amazing groove.
Levon and Robbie Robertson.
Rhythm of the saints.
This bloke has nothing to live for.
His girlfriend is a total fucking bitch.
Alone in the world.
Short circuit.
Trying to overcome.
She don’t give a fuck.
Melancholy.
Info op birthed.
Suicide Girls.
Anti-Antifa.
Bloke has sophistication in attack.
Philosophy.
Wars back started BLM.
Kept powder dry.
Amazing hip hop.
Stevie Wonder.
Shaft.
The Sea and Cake.
Jazzy Jeff.
Fresh Prince.
Young MC.
Stereolab as always.
Trump supporter smart.
Assessment of coup against Deep State.
Progress report.
Situationism.
Velvet Underground.
The balls to review his own albums.
Balls?
Toxic relationship.
Electronic music.
Chemical Brothers.
Dark side of the moon.
Fever dream.
Of the wall.
Oasis.
Noel feeding back.
Liam blowing harp.
Ringo’s son on drums.
Don’t believe the truth.
Soundtrack music.
Hanna.
How she lives now.
Soylent green…2022.
Beastie Boys.
Nigel Godrich as always.
Big Star Third.
Kanga Roo.
As important as the Velvets.
Drug withdrawal.
Big Star early albums.
Chiming.
Like The Byrds.
Phil Spector lives in the glockenspiel.
Lester Bangs lives here.
Lavage.
Many disappointed patriots.
Lamenting the shitty U.S. military.
While honoring the 13.
And Colonel Scheller.
A handful of gems in a culture of shit.
Astrology.
Drag balls.
Berlin.
I love faggots as much as anyone.
David, Lou, Iggy.
Heroes.
God is the only hope.
So I prayed tonight.
Twin peaks.
Nobody loves me.
Keeping real.
Mercury Rev.
See you on the other side.
Rolling the dice.
So long, Charlie.
I’m guessing you got the vaccine.
Poor bastard.
BBC.
AstraZeneca.
Elvis.
Gene Vincent.
Eddie Cochran.
Happy Hairy (?) Hardon Q.
QAnon Christian Slater.
The first of a long succession.
The Verve.
Anthemic melodies befitting Handel.
Air.
Matrix done right.
First song to mention Event 201?
“Follow the White Rabbit”.
Shhh/peaceful.
Very Jefferson Airplane.
Psychedelic march.
Woodstock.
Altamont.
Power to the people.
Pro-Trump psych rock.
Fucking awesome!
AMERICA!!!
Be a rebel.
Kanye poser.
No vaccines, asshole!
Good job.
Adapt.
Drozd.
Great snare work.
Verging on adrenochrome.
Hefner and Monroe.
Sexy dead bodies.
Pay to grind for eternity.
Absolute Flaming Lips.
Transmissions from the satellite heart.
Keith Cleverley.
What is God gonna do for America?
What is America gonna do for God?
Nation falling apart.
Amnesiac.
Hail to the creep.
Rollerskate Skinny.
Darth Vader.
Lloyd Austin.
Scorsese Glass Kundun soundtrack.
Well-done!
Carl Stalling project!
Helmut Lachenmann.
Deserter’s Songs.
Underture.
This is a SOPHISTICATED FUCKING RECORD.
Violent Femmes.
Tom Waits.
Bobby McFerrin.
AUSTRALIA, WAKE UP YOU CUNTS!!!
Invading Sydney!
Give me ANZAC!!
Let’s go!!!
ACK-ACK!!
Fucking awesome return to Bobby Gillespie.
Great fucking song!
“Australia, Here I Come!”
Even uses the comma correctly 🙂
Riot city blues.
“Nitty Gritty”
MC5.
Baby won’t ya?
PERTH!!!
BON SCOTT!!!!
Love and Rockets.
Bitch who dumped me.
How?
By not giving a fuck.
By proxy.
By not participating.
By being a selfish cunt.
Q Team, come in!
How many years?
Second American Revolution.
Miles Davis.
There’s a Riot Goin’ On.
Late-Godard.
Second Pauly Deathwish song to mention Jean-Luc.
Who the fuck is this nigger?!?
Def Leppard.
She’s a fucking black hole.
I take it all back.
A pathetic bleeding vagina.
Money soothes all pains.
Paul Simon.
She’s a loser.
Jack Nitzsche all the way.
Rips your heart out.
Fucking hell.
I will die lonely.
Having given it all away.
Hear the typewriter click.
Are there two people?
Or one?
QAnon stylometric analysis.
Switzerland.
Obvious split in styles.
Who?
Final track.
Primal Scream.
Manchester.
Manchester City.
Gimme the rain, the rain, the rain, the glorious rain!!!!
Luton.
I got close.
Freezing your tits off.
Seeing your breath.
We coming for the sexy bitches.
With stellar boob jobs.
Jazz funk.
Acid.
Trip hop.
Acid house.
World party.
Factory Records above all.
Baggy as fuck.
Gimme them saggy titties.
Real better than fake any day.
Ain’t returning my messages.
Would love that bitch like Cleopatra.
Suck her toes.
Conspiracy theory king and queen.
Blew it several times.
Because heartless bitch usurper.
Same birthday as Lester Bangs and Nostradamus.
Ends with Pocket Symphony.
Everybody hertz.
Ya feel me?
iTunes.
Spotify.
-PD
bucolic [2021)
It starts just like Charlotte Gainsbourg.
5:55.
Air.
Nigel Godrich.
But there is something different.
A shruti box?
A little distorto guitar.
Ah, yes.
Chuchotements.
Françoise Hardy.
A little Yo La Tengo.
Built to Spill.
Guitar carries it for a second.
Good lyrics.
All mood.
And then into an Amon Düül II warble.
Like Marc Bolan.
Jim Carrey.
Most annoying sound in the world.
Into Pink Floyd.
David Gilmour.
Circa The Wall.
Strange sadness.
Almost a premonition of impending doom.
Calm before the storm.
J. Spaceman telephony.
Floating with no highs and no lows.
All mids.
Strong opening track.
Very slow-moving.
Luxurious.
Immediate Delgados shift.
Paul Savage.
Pauly Deathwish.
Glasgow effect.
Great counterpoint for a pop musician.
But if you check this bloke’s CV…
You’ll know he went through Fux.
Gonna have to say Elliott Smith.
Gorky’s Zygotic Mynci.
Megan Childs violin.
Around the warm fire.
Welsh.
Expansive.
Strings open up.
Hate.
More Fridmann.
Pointillism.
Schoenberg.
Timbre.
Richard James.
GZM.
Beethoven.
Another Welshman.
John Cale.
Orchestral bass that Lou loved.
This guy’s a bastard.
Jaded.
Hurt.
Is this a breakup album?
I thought the last one was a breakup album?
Ahhh…
Into Gorwel Owen.
1968.
Floyd.
Atom.
Mad cow.
The last GZM album.
Rockfield.
Bohemian.
String band.
Money never runs out.
Cheap air organ.
Tubes?
Fan.
A very apropos album title.
Woody.
Tobacco.
Spring water Scotch.
And then the Great Reset arrives.
Like a fucking spaceship.
Dark shit.
What is this glitch business?
Thom Yorke blasts upon the scene.
Drums James Brown.
Good groove.
Savvy.
Whoa!
Marching band.
Drumline.
Snares.
Caught by Lee “Scratch”.
Guitar all mangled.
Melodies solid.
Mogwai?
Bert Jansch out of fucking nowhere.
Definitely Lips.
Pet Sounds.
Track rejected by Bond franchise.
Convincing.
Acoustic to electric.
Now it’s Serge.
Requiem.
Stereolab.
Break beat.
Absolutely boffo.
BOF.
More Brian Wilson.
Van Dyke Parks.
Phil Spector.
High Llamas.
Still a sadness.
That the old world is passing away.
FUCK!!!
Right into some Leonard Cohen shit!
Scott Walker.
How the FUCK was this recorded?
Sounds like 2″ tape.
Question:
how has this Pauly Deathwish released three albums in two months?
I can’t even keep up with this guy.
Mercury Rev.
Deserter’s Songs.
Levon Helm.
Chamberlin.
Mellotron?
Like a Christmas album.
See You on the Other Side.
David Fricke.
A review in the liner notes.
“Everlasting Arm”.
Definite vibe.
Record pillaging wizard.
Baritone.
Lots of fucking glockenspiel on this record.
But it’s nice.
Like Ennio Morricone.
Cinema Paradiso.
Mandolins.
Jackie Gleason.
Dean Martin.
Herb Alpert.
Tchaikovsky.
Again with sugar plum.
Slick!
Very light.
Chiaroscuro.
Fresher than the sweetness in water.
Hearing Dungen.
IV Thieves.
Makes sense.
“Frenchie” Smith.
Dig CV.
Light, British, airy.
Good hook.
Hooky.
Is this the single?
A little neo-psych Hendrix moment.
It’s definitely GZM.
Repetition until transcend.
Stereolab first album.
Not looped.
Manuel.
Carpenters.
Messiaen.
Definitely some breakup here.
Sonic Youth.
Sister.
Experimental.
Thurston.
Lots of drum machine.
Drum and bass.
Panning.
Definitely holds up with Radiohead.
How the fuck was this made?
PD tells us that it was all made on an iPhone with only a Telecaster.
That is some serious trickery.
Ear fooling.
This is COMPLEX music.
Mixes sound polished.
Clarity.
Some Chinese stuff.
Noise floor fucked for the first time ever.
Bacon?
Rollerskate Skinny.
It’s THAT good.
Shoulder Voices.
How was this made?
This heralds a new talent.
But this bloke is 44.
Tour sponsored by Ensure.
Not hearing a sophomore slump here.
Two albums in two months.
Review third forthcoming.
This dude is emo as fuck.
I dig it.
This guy is a mystery.
What is his deal?
This sounds more like a cohesive album that Introversion.
Introversion sounds like a debut album…in all the best ways.
Songs saved up.
A greatest hits.
Go big or go home.
This album deals much more in subtlety.
Not every song here is a home run.
This album breathes.
Ambiance.
Negative space.
More Beach Boys vibes.
70s.
Sad.
Bathrobe.
But mentally sharp.
A spark of genius.
A little bluegrass.
Bill Monroe.
Dock Boggs.
The old world is passing away.
Jonny Greenwood.
Georges Bizet.
Live forever.
Nonesuch.
Elektra.
Hoyt Ming.
Incredible String Band.
Wales, Scotland.
Back and forth.
And across to Ireland.
Oh, no.
There’s the single.
“Makes Me Wanna Stay in Bed”.
Emma Pollock.
Hate is all you need.
Coming in from the cold.
New Radicals.
Delayed bass from The Wall.
Pavement.
Spoon.
Good fucking song!
Eisteddfod.
All Is Dream.
Hard following up.
Unenviable.
Emma Pollock solo.
With Alun Woodward singing.
The Great Eastern.
New Spiritualized.
Banjo.
Let It Come Down.
Abbey Road.
Coldplay.
A Rush of Blood to the Head.
This bloke is serious as fuck.
Sad eyes.
I’m sensing a Jandek promotional strategy.
Final track Richter.
Ravel.
Emperor.
Philip Glass.
Conlon Nancarrow.
City/country dichotomy.
Urban/rural.
Urban encroaching.
Something felt.
Big symphony night.
Excitement of New York Phil.
The fucking french horns!
Automation.
A story in dynamics.
Lesson.
A folk album.
bucolic.
Pauly Deathwish.
iTunes.
Spotify.
-PD
Johnny English Reborn [2011)
With film reviews, a critic either reviews the film or reviews themselves. Selves? Self.
Continuing…Â There are two major modes of writing about art.
If I tell you that film was designated the seventh art by Ricciotto Canudo, am I telling you more about film or more about myself?
I would argue that I am trying to flaunt my intellect.
Every once in awhile my brain serves me well. At other times I am painfully aware of my shortcomings.
And so, Johnny English…not exactly King Lear by Godard.
Nay…Â ,,but a near piss-perfect spy spoof.
Piss-perfect?
Now there’s an odd turn of phrase. Can’t say I’ve thought of that one in awhile.
Really, it makes little sense…unless…drug test?
Who knows…
It’s certainly not timoxeline barbebutenol. No. I’m assured by my ever faithful companion Wikipedia that that (2) is a fictional drug.
It does, however, share a molecular formula with two actual drugs:Â amobarbital and pentobarbital (respectively).
C11H18N2O3
Yes…
Now<>Â If I followed this particular tangent I would be indirectly commenting on the film at hand.
The ostensible “meaning” would be that this film is so devoid of substance that I had been reduced to concocting literary small talk in its absence.
But that is not the case.
And so in the great literary tradition of the Choose Your Own Adventure books, I shall forego the pharmacological flourish and focus on what’s really important.
Johnny English Reborn, while not a masterpiece in the Palme d’Or sense, smashes both the first two Austin Powers films (and indeed its own predecessor) to infinitesimal bits.
[If I allowed myself the indulgence of an aside involving quantum computing and its version of bits (qubits) I would really be showing my arse.]
Because I don’t know quantum computing from linear regressions. [Figuratively speaking.]
And so I will be plain as day ->Â I identify with this film
I know. It’s sad in a certain way…
“The Great Pretender”…I sometimes think. I think of Richard Manuel crooning that song with such pain in his heart.
Yes, Levon Helm was right:Â the moments that Richard took the spotlight for ballads…those were the real highlights.
“Georgia On My Mind”…
A guy with a great big beard. As weird and wistful as Brian Wilson in a giant sandbox.
Uhhh…yes. Where were we?
Johnny English.
Reborn no less…
Indeed, a few things are different here.
First we must thank director Oliver Parker.
This film really holds together.
Lucky for him he had Rowan Atkinson in top form as the title character.
But there are two supporting players who deserve special mention.
The first is Daniel Kaluuya.
Mr. Kaluuya, himself of Ugandan ancestry, fills some very big shoes left vacant by his predecessor Ben Miller.
I really did Miller a disservice by failing to mention his fine performance in the first Johnny English film.
But Kaluuya takes a somewhat different tack.
I may be imagining things, but I get the feeling that Kaluuya was playing this role for all it’s worth (like an athlete or musician with a make-or-break chance).
Sure…films employ multiple takes. Drop a line? No problem. Let’s take it again.
And yet, Kaluuya adds a gentle urgency to this farce by way of truly accomplished thespian abilities.
I certainly hope someone in the film world was paying attention as his filmography does not reflect an appreciation for his immense talents.
And finally, I must mention the redemption of Rosamund Pike (reborn, if you will).
I last left her on my site as a rather tragic villain figure in the actual Bond film Die Another Day. Mercifully, she does not exit this film with a volume of Sun Tzu shishkababbed flush to bosom. [What?]
Quite the contrary…for here she is the good guy (girl)…and her acting is as impeccable as her true beauty.
But poor Johnny…poor Rowan Atkinson.
I’ve hardly mentioned him at all.
Must I tell you again what a genius this fellow is?
Perhaps so.
I haven’t been effusive enough regarding a man whose talents are of the most rare kind.
True, born-to-yuck talents. Born-to-ham. I would only put him in a race with Roberto Benigni.
Those two.
They are of another era.
Like Peter Sellers.
Like Jacques Tati.
And, of course, back to the fondateur Charlie Chaplin.
The modern world does not embrace this visual sort of humor.
Every once in awhile it reappears. Benigni wins Best Actor.
And then it’s gone again.
Atkinson, dear boy, if you’re out there on the brainwave wavelengths…
You’ve still got it, old chap!
-PD
paulydeathwish 