#8 Mr. Bean in Room 426 [1993)

First, a short list of Hulu failings:

-Pootie Tang (shite)

-Mordecai (shite)

-Lars and the Real Girl (epically shite)

-The Voices (shite)

-Mystery Team (shite)

-Hot Tub Time Machine 2 (shite squared) [catalog dilemma]

-Anchorman 2 (shite to the second power)

-Beverly Hills Cop II (repetitive shiteness) [catalog dilemma]

-Cannonball Run II (must see first episode to appreciate this shite)

-Teen Wolf Too (now with word shite!)

-The Naked Gun 2 1/2 (quasi-decimal shite)

-The Naked Gun 33 1/3 (LP shite)

-My Best Friend’s Wedding (shite)

-Cashback (shite)

-Dear White People (shite)

-Everything Must Go (shite)

-Jerry Maguire (shite)

-The Skeleton Twins (shite)

-Trailer Park Boys (shite)

-16-Love (shite)

-Novocaine (sic shite)

-Dark Horse (Judeo-Nepotistic shite)

-Little Paradise (shite)

-Frances Ha (epically shite)

-Stranger Than Fiction (shite)

-8 Heads in a Duffel Bag (shite)

-C.S.A.:  The Confederate States of America (ambitious shite)

-Trees Lounge (depressing attempt at shite)

-King of California (total shite)

-Dead Hooker in a Trunk (go-back-to-film-school shite)

-Are You Joking? (more Judeo-Nepotistic shite)

-And Now a Word From Our Sponsors (shite)

-Falling Star (Kosher Casino shite)

-Jewtopia (no comment)

-The Girl With the Dragon Tattoo (Swedish shite)

-Heathers (cruel shite)

-Sleeping Beauty (barely shite)

-Gold (Irish shite)

-The Hunger Games:  Catching Fire (quintessential shite)

-Jack Ryan:  Shadow Recruit (lazy shite)

-Mission:  Impossible (a colon-full of Scientologist shite)

-Space Milkshake (actually, not too bad…)

[I hate to say it, but the number of films by mediocre directors named Schwarz is really astonishing.]

Now, you might reason:  these are just the rantings of an anti-Semitic film snob.

I admit I don’t laugh easily.

It takes a lot to laugh, it takes a train to cry.

Mostly I don’t like waste.

Entitled filmmakers are more likely to make shite.

They didn’t earn their stripes.

They have an uncle who works for Sony Pictures.

Actually, the film school rubbish on Hulu is astonishing.

It is completely venal in nature.

I just happen to have had some bad experiences with unfunny Jewish films.

What do I mean, “Jewish films”?

I mean exactly what Brandon Tartikoff was referring to when he first saw the Seinfeld pilot.

In that instance, Tartikoff (himself Jewish) was wrong.

Seinfeld was genius!

Seinfeld is a funny show.

Yes, it exists in a Jewish milieu.

Tartikoff thought the show was “too Jewish” to appeal to Americans in general.

He was wrong.

But, sadly, now we have a gaggle of filmmakers who think they are Woody Allen or Mel Brooks.

Status update:  those two guys actually have talent!

Which is not to say they didn’t make some clunkers.

Hulu happens to have picked up two of those clunkers:  Bananas and Life Stinks.

No one’s perfect.

But please…dear world Jewry,

Please tell your precocious sons and daughters that they aren’t all geniuses.

Who’s funding this shit?

Hulu:  who the fuck is in charge over there!?!

Your catalog indicates that you enjoy wasting the monthly fees people pay for your woeful service.

Ok, ok…

A short list of Hulu successes:

-the Criterion collection

THE END.

And so…what part of the Hulu catalog presently needs the most work?

Answer:  the comedy genre of movies.

Second most problematic lack of imaginative curation?

Answer:  the drama genre of movies.

[If you think that Hulu’s selection of movies might be lacking (based on my first two points of emphasis), then you are right:  it is!]

Third crappiest category on Hulu?

Answer:  the “action & adventure” genre of movies.

Even Hulu’s genres are ass-backwards compared to the pinpoint precision of iTunes.

Korean Drama?  Really???  Ok.  I guess Hulu is really killing it in Seoul (and Pyongyang).

CEO Mike Hopkins needs to take a long look in the mirror.

Whoever got the Criterion catalog, give that person an infinite raise.

The rest of them?  Fire their sorry asses.

Beth Comstock needs to overturn the moneychangers’ tables.

Destroy YOUR business, Ms. Comstock.

Jason Kilar…you know what doesn’t work?  Faux-dreams.

Faux-tographs.

A catalog of shite.

Make a call.  Do lunch.

“Anywhere, Anytime:  Shite”

“For the Love of shite”

“Come Shite with Us”

Lot of people drawing a check at Hulu and turning out a subpar service.

The name Hulu comes from two Mandarin Chinese words…both of which translate roughly to “shite”.

Now, just to be fair…I wouldn’t sign up for Netflix if my life depended on it.

iTunes is a horribly antiquated business model (and offers very little value for consumers).

Amazon Prime Video was petty to disallow MacBooks (as incompatible devices) as late as last year.  Not to mention that Jeff Bezos is just a wannabe Rupert Murdoch who bans books like Nobody Died at Sandy Hook.  [And yes, Virginia, Murdoch is the great Satan.]

And so, with such a paltry selection of movies on Hulu, I’ve been forced to examine its television offerings.  The prospects are not much better.

But I will give credit where credit is due.

Mr. Bean was an excellent pickup.

If you want a tight, seamless work of art (unlike this rambling, frothing review), then check out the episode under consideration.

You know, not even the childlike Rowan Atkinson was above making fun of old people (in this episode) or suggesting that continental Europeans be purposefully killed by British drivers (tourists).  Check out his standup comedy album from 1995 for the latter bit.

Which just goes to show…we all lose our heads.

We all exercise poor judgment.  We all have poor taste now and then.

You may not believe it, but I have put my own sorry butt on the line to stand up for world Jewry.

I will be the first to admit that my term “Judeo-Nepotistic” is incredibly crass and insensitive.

And still, I would ask that Jews (who are no doubt hard-pressed on all sides) please exercise some judgment of their own.  Transparent nepotism is really tasteless.  It goes against our better Jeffersonian principles.

So there you have it.  Bobby Fischer was a jerk.  The Holocaust really happened.  Not so sure about the gas chambers.  You’re welcome Faurisson.  The Earth is not flat.  9/11 was an inside job (and therefore not an Israeli job).  Insofar as it was an Israeli job, the U.S. government was at least half-responsible.  It was much more likely an Israeli job than a Saudi job.  Much more likely a purely self-inflicted inside job (no substantial Israeli involvement) than an Israeli job.  And finally, Israel is a criminal country oppressing the Palestinians in a most disgusting manner.

And for good measure, yes Donald Trump is a bigot.  And he’s horribly wrong about immigration (both in regards to our Mexican brothers and sisters and our Islamic brothers and sisters).  But he’s still the only real choice for President.

Sanders has been right about one thing:  Snowden.  Snowden’s a hero.  But America is not a socialist country.  Sanders would actually be a bigger step backwards than Trump.

The other candidates (Clinton and Cruz) are worthless.

So there you go, Hulu…I need some better circuses here!

To keep me out of the political arena!!

I could use some bread as well 🙂

In any case, I’m sorry for my vile ranting.

But film is my religion.  Through film, omnism.

Stop defiling my religion, Hulu.  Your thoughtlessness is ghastly.

Hire some people who love cinema.

Get your shit together.

 

-PD

 

 

Salvatore Giuliano [1962)

When we dig into history we must wade through many boring reams of paper.

If, for instance, your FOIA request is granted, you might be inundated with a fecundity of information which makes comprehension initially prohibitive.

But we dig anyway…because we are human.

Once in awhile, a decent man or woman will tell us we have the right to know the truth.

If we find their ethics convincing, we might respect them for such a statement.

And so such is the milieu surrounding the story conveyed in Francesco Rosi’s Salvatore Giuliano.

I was tired.

And so I watched and watched and watched…and things became slower.

Nothing seemed to be happening.

It was like a particularly painful silent film.

But the sound eventually makes itself indispensable.

It is the sound of strange relationships.

Like the Mafia and the CIA.

Like the Cubans and the CIA.

Like the Mafia and the Vatican.

Like the P2 Masonic lodge and Operation Gladio.

These strange relationships.

What can we prove?

Should we cower forever beneath the hulking torts of libel and slander?

What balance of justice is there between the free speech of the impoverished and defamation?

I have nothing worth taking.

There’s a reason Palsgraf sued the Long Island Railroad Co. and not the man with the newspaper-wrapped box of fireworks.

Money.

Seeking a remedy at law (as opposed to a remedy in equity).

Such a strange language.

We don’t speak this way other than in legal circumstances.

Today, when Scalia strangely bites the dust…we remember his own supposed connection to the Propaganda Due lodge.

Strange bedfellows.

Blowback.

And Salvatore Giuliano.  A real personage.

It all seems so reminiscent of the “strategy of tension”…Operation Gladio…the “anni di piombo” (Years of Lead)…

And I’m sorry to say that Wikipedia seems pruned and poised to mislead on these subjects.  While the contributors have made certain that Daniele Ganser is profusely maligned, I find Mr. Ganser’s research and writing on the above subjects far superior to the damage-control tone of Wikipedia.

It is the same sort of failure (this damage-control tone) which pervades the potentially groundbreaking Wikipedia page on “9/11 conspiracy theories”.  Some very important (rich) people have much at stake in keeping the (false) narrative constrained to a very tight frame.

Compare, for instance, the Wikipedia articles on “9/11 conspiracy theories” (don’t even bother reading the whitewashed main article on 9/11) and “flat earth”.  There is no urgency to conceal in the flat earth article. The same, sadly, cannot be said for the “9/11 conspiracy theories” travesty.

And what does all of this have to do with Salvatore Giuliano?

Well, my friends, sometimes our enemies have very colorful histories.

Consider, for instance, Osama bin Laden.

The U.S. Republican presidential candidates (particularly the deplorably daft Marco Rubio) are (while no worse than their opposing party) willfully ignorant concerning 9/11.

Rubio and company (the six remaining Republican presidential candidates) have bought hook-line-and-sinker every bit of repugnant narrative which has emanated from the U.S. federal government since day one:  9/11/01.

How closely did we work with Osama during Operation Cyclone?

Charlie Wilson’s War doesn’t even begin to scratch the surface.

And what was the nature of the relationship between the CIA and the Pakistani ISI?

The much-maligned Michael Ruppert seems to have been right on the money in describing a confluence of oil, drugs (opium), and geopolitical chess when tracing the cui bono of 9/11 to the bonanza of Afghanistan.  Of course, Iraq would soon follow.

And so what of Thierry Meyssan’s claims regarding the translation of the words al-Qaeda from the Arabic to the English as “the base” or “the database”?  Such a translation seems entirely plausible when considering Osama’s coursework of business administration at King Abdulaziz University in Saudi Arabia.  It is, therefore, a strange mesh of false jihad (for show) and organizational acumen.  It seems that the billions (before adjusting for inflation) which flowed from the CIA to the mujahideen were, at least to some significant extent, used to fund Osama’s organization in Afghanistan during the Soviet war (1979-1989).

This is usually the place at which the spin doctors attempt to interpolate the concept of blowback.  The idea that we “abandoned” Osama after we were done with him.  But I don’t buy that for a second.  He was too valuable.  He was, literally, an investment.

Michael Ruppert said in his excellent tome Crossing the Rubicon that (to paraphrase) “the CIA is Wall Street”.

Ah, but I keep leaving Salvatore Giuliano in the dust.

Mostly because I don’t want to spoil it.

This is an essential film, but it is a lot of work for the piece of meat.

I can’t say on first viewing that it is little.

To truly appreciate this film one would need a significant knowledge of Italian history in the 20th century.  I barely caught the Garibaldi reference (and he died in 1882).

Strange alliances.  Corruption.  Italy.  Sicily.

And the Communists who peacefully organized on May Day to petition the government for assistance with running water and electricity (in 1947).  (!)

The century would go badly for socialists in Italy.  And that was no accident.  They have NATO to thank for many problems.  But they also have their own security services to blame as well.

Such a fear of communism.  Like today.  Such a fear of Islam.

And sadly, covert operations done in the coldly-utilitarian spirit of “the ends justify the means”…

But pay particular attention to the effort needed by the police (or was it the carbinieri?) to place the body (habeas corpus) in a convincing sprawl for a chalk outline.  Yeah…whoops!  Once again, the “death” of bin Laden is instructive.

It takes great lengths to hold no one accountable for internal weaknesses in such massive crimes.

And so perhaps with Salvatore Giuliano, the more apt metaphor is Lee Harvey Oswald (or, closer still, Jack Ruby).

 

-PD

 

Francesco, giullare di Dio [1950)

As a humble servant I come to you.

Speaking of a film.

About the dear St. Francis of Asisi.  San Francesco.  François.

I remember you because of the dear composer Olivier Messiaen.

And his only opera.

As a humble servant I thank God for life.

Two people playing catch with a football.

Traffic jams.

Moments of reflection.

I thank you God for Hélène Grimaud’s new album.

It is raining and soaking us to the bone.

As I walk with Harry Partch.

Bitter music.

I am but a poor sinner.

This film which is impenetrable.

Drab drab.

We thank God for the birds which laugh.

And I thank God for Pope Francis.

Yes, it is only fitting.

That he has seen the striving of all world religions.

That he has seen their imperfections.

That he has voiced the message of peace.

That we are all praying to the same God.

Whether Trinity or plethora.

Allah.

Shiva and Vishnu.

And Mr. Buddha, who are you?

Is it a koan I present?

Perhaps.

We thank God for Aldo Fabrizi.

The humor of the birds.

Chirp a little softer so that I may finish the Lord’s Prayer.

And let us not neglect Christianity.

As we are embracing our brothers around the world.

Our sisters around the world.

Thank God for holy fools.

I

am only able to relate to the dirt.

The ground.  The soil.

As we make our way without sandals.

But no.

We might need a peg and awl to fix them.

It was The Carolina Tar Heels back in 19 and 28.

1928.

There is a leper with a cowbell.

It means stay back.

Look away.  I’m hideous.

We come humble to the table of the Lord.

Face down in a field of flowers.

Grappling with the beauty of it all.

And the Saints also have sadness.

Because it is a hard road.

To leave and be uprooted.

To see friends wade across to the other shore.

To Arezzo, perhaps.  Spoleto.  Pisa.

Disarming with his smile the ridiculous tyrant in his Picasso armor.

We do not understand.

Flat round.

We are but poor country people.  Poor city folk.  Provincial yahoos.

I will sit and enjoy the day…chewing on this leek.

All the actors forgotten.

Nonprofessionals.

Except Aldo Fabrizi.

And we have not thanked the auteur Roberto Rossellini.

Such a strange, simple piety which would so affect Truffaut and Godard.

To put oneself in the 12th…13th centuries.

And to lovingly portray the Franciscans.

Yes, it is good.

Joy now is good.  Thank you God from your humble servant.

Not worthy to carry your flowers.

Pick the flowers but don’t harm the branches.

 

-PD