The Sparks Brothers [2021)

Whole world falling apart.

But falling apart in a certain way.

The Freedom Convoy in Ottawa drawing the ire of little shit Hitler Trudeau.

https://www.infowars.com/posts/video-canadian-mp-accused-of-spreading-disinformation-for-pointing-out-wefs-corrupt-influence-over-trudeaus-govt/

Klaus Schwab:  “When I mention our names…like Mrs. Merkel…even Vladimir Putin, and so on:  they all have been Young Global Leaders of the Economic Forum…but, um…what we are really proud of, now…is the young generation like Prime Minister Trudeau…um, President of Argentina…and so on…so we penetrate the cabinets…so…yesterday, I was at a reception for Prime Minister Trudeau, and I would know that half of this cabinet, or even more half [sic] of this cabinet are…for our actually Young Global Leaders of the World Economic Forum.”

David Gergen:  “That’s true in Argentina as well.”

Schwab:  “It’s true in Argentina, and uh, it’s true in France now, I mean, with the President, uh, with the Young Global Leader, but…what is important for…”

There are two parallel online databases–one shorter, and one longer–maintained by the YGL (Young Global Leaders program) of Klaus Schwab’s World Economic Forum (WEF) aka Davos.  Here is the longer, more inclusive database:

https://www.younggloballeaders.org/community

This is ostensibly a list of “alumni”.

It should be noted that in neither database is listed Justin Trudeau, Angela Merkel, or Vladimir Putin.

Indeed, I can find no record on WEF websites which draw attention to any of the these three leaders having been “trained” by the WEF.

[it should be noted that the Young Global Leaders formerly went by the name Global Leaders for Tomorrow]

Perhaps, in a strictly accurate sense, neither Trudeau, Merkel, nor Putin were in the YGL program.

But this is disingenuous.

It is the same program.

Just simply renamed.

And this is where I need researchers more talented than myself to DIG!

It is ESSENTIAL to delineate the hideous world order under which we now live.

Go back to the year the program started.

In the early-1990s.

Why is it essential?

Because Schwab is bragging (you must read between the lines…listen to his tone of voice) that these leaders are BEHOLDEN to him.

And while we cannot yet put our finger on the very years these three leaders were trained, we can cite with more authority the strange network which Schwab has built up.

Let me introduce you:

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It’s time people stopped worshipping Trump.

Face the truth.

The motherfucker has pushed the vaccine in myriad ways the past few months.

So here you go.

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Maybe Bartiromo was just gathering intelligence.

For what it’s worth, I like her more than Trump at this point.

Same with Putin.

I like him more than Trump.

I could see Putin (a former Stasi officer) treating a WEF invitation as a chance to gather intelligence.

It should be noted, there are VERY FEW Russians included in the HIGHLY-EXCLUSIVE Young Global Leaders program.

But Canada is of much concern.

If Trudeau was really in the Global Leaders for Tomorrow program and is beholden to Schwab.

Things start adding up.

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If you are looking for members of the climate cult, look no further than the YGL.

Comb through all 98 pages (as I did).

You will find some doozies!

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The head of New Zealand.

The head of Belgium.

And the Canadians beholden to Schwab just keep on coming!

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Don’t buy into the Tulsi crap.

She’s fake as a plastic lei.

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Owning politicians.

And fake news.

Wire services.

The “choke points” of the news industry.

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I’ve heard that Bono was among the Global Leaders for Tomorrow.

I can’t yet verify that.

But I can verify this.

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Heads of state (verified):

New Zealand

Belgium

France

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Do you need some vaccines to really start to round out this picture?

Right.

GAVI.

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Former (recent) heads of state:  Mexico.

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How about some really weird, pseudo-philanthropy, social-engineering stuff?

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Eyes open!

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But the Canadians keep coming hot and heavy.

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And fake news can be proffered and gate-kept by means other that simply wire services.

This is information warfare.

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Censorship can be achieved in many ways.

How about “deplatforming”?

How is that done?

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I first went through the shorter database.

A mere 60 pages or so.

Then found there to be a larger database (the 98-page one).

Who was left out of the shorter one?

This guy.

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There are so many it’s hard to remember who is on which list.

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I will have to leave some out.

Pick a concentration.

A specialty.

Trace it through the 98 pages.

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It’s astounding and heartbreaking that Kissinger protege Klaus Schwab wields this much power.

It appears that the Bilderberg group is no longer the prime focus of the New World Order.

It is, rather, the World Economic Forum.

And George Soros is no longer the living, breathing James Bond villain-to-end-all-villains.

That is, rather, Klaus Schwab.

Schwab puts the words in the mouths of Prince Charles and Pope Bergogio.

6uild6ack6etter.

Gates and Schwab are weaving the same hideous tapestry.

Fauci is a rather mid-level functionary.

At a Vatican event here.

Hand-in-glove with Gates in many other places.

But Klaus Schwab is at the top of the pile.

The pinnacle of the shit heap.

He “penetrates cabinets”.

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Former (recent) heads of state:  

Mexico

Georgia

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I’m leaving out all of the forays the WEF Young Global Leaders make into the private sector.

Neuroscience.

Pharmaceuticals.

Cyber”security”.

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Skull and Bones had their election (2004):  Bush vs. Kerry.

Win-win.

And now the WEF is starting to pick off U.S. Presidential candidates.

And “penetrating cabinets” (transportation, in this case.

Gabbard.

Buttigieg).

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Buy the regulators.

So you won’t be regulated.

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I’m not at all telling you about all of the bankers the WEF “owns”.

But here’s another government connection.

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The New World Order is not just white men.

Perhaps they are pulling the strings.

But they have puppets of every make and model.

Every color.

Every gender.

Every woke permutation.

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Some are tokens.

But many hold key, KEY positions in major economies.

Major regional powers.

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When Schwab spoke about essentially controlling half of Canada’s cabinet, he wasn’t kidding.

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Supranational banks.

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Soros buys prosecutors.

Gets them elected.

“Bail reform”.

Goal:  cause chaos/anarchy.

Societal collapse.

The antithesis of law and order.

Absurd policies which increase crime.

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So it is biblical that Canada’s truckers should have taken such a stand.

Because no government on earth appears to be owned more by the WEF than Canada’s.

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There was a lot of mention of Argentina between Schwab and Gergen (didn’t Gergen attend Bohemian Grove? [Alex Jones once did a great ambush interview with Gergen]).

Remember, Bohemian Grove is where people (like Kissinger) do a “mock” sacrifice of a child (called the “Cremation of Care”) under a giant sculpture of Moloch (in the form of an owl).

This is out in the woods near San Francisco.

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Or maybe you need some Jesuits to go with Fauci, Bergoglio, and Francis Collins?

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[Bergoglio Argentine Jesuit]

The places with the fastest-disappearing freedoms (Canada, Australia…) seem to be big focuses of the Young Global Leaders program.

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To Myanmar’s credit, they appear to have rid their country of the Soros influence.

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Need some more vaccines?

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Need some critical race theory?

Klaus Schwab controls the Elvis of that racket.

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How about the U.S. Congressman most heavily invested in Big Pharma?

Yep, Schwab has him too.

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Even Trump hired one of these dumb fucks.

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How about some transhumanism?

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Keep in mind:  I am giving you an overview that is far from exhaustive.

There are more Argentines.

More Brazilians.

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Could Chinese communist news be more fake and insidious than it already is?

Yes.

How?

Make the anchors beholden to Klaus Schwab.

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The World Economic Forum is a threat to every country on earth.

But Schwab seems to idolize China.

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Russia has been smart enough to make Soros persona non grata.

China should do the same with Schwab.

EVERY country should do the same with BOTH of them!

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Wikipedia thoroughly compromised.

Now does it make sense why you can’t find any real news or facts on Wikipedia?

Why it is so politicized and liberal-, communist-, GLOBALIST-biased?

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But this is recruiting.

EVERY.  SINGLE.  COUNTRY.

These may not be the Prime Ministers today, but they will be.

Own New Zealand, France, Belgium…own Mexico and Georgia.

These high-profile recruits make scamming the third-world even easier.

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The only type of people who could enter this Young Global Leaders program and not come out blackmailed are the Putin and Bartiromo types.

HARD individuals.

And I cannot guarantee that either of them made it out unscathed.

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Let’s check in on those current heads of state (which we can confirm were Young Global Leaders):

New Zealand

France

Belgium

Costa Rica

Finland

(and recently

Mexico

Georgia)

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Belgium and Finland, eh?

Maybe Schwab just wants to control the countries with the most pale women?

His father was a Nazi collaborator (after all):

https://unlimitedhangout.com/2021/02/investigative-reports/schwab-family-values/

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Once you control the Prime Minister and the head of finance, what can’t you do?

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How about somebody over where Fauci works?

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Make it look like charity.

Make it look like philanthropy.

Tokens.

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I am leaving out Google.

And Meta.

And AWS.

But here’s an interesting one.

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This is basically a public intelligence-gathering organization masquerading as a leadership academy.

This is a transnational conspiracy operating (mostly) in plain sight.

I am leaving out think tanks.

Brookings.

Because there are so many damned Canadians!

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Make it look like a Disney movie of diversity.

Unimpeachable.

Unassailable on the surface.

All answering to Klaus Schwab.

All thankful to have been chosen for this exclusive club.

All owing their current places in business and industry (or government) to his benison.

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I’m leaving out princes and princesses (Norway).

I’m leaving out other royals who are also ambassadors (Saudi Arabia).

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Being a European, Schwab really wants to collect all the European heads of state.

He wants the complete set.

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Not timely enough?

How about some vats???

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Everyone must bend to the will of Schwab.

He will kiss China’s ass.

But only insofar as they kiss his.

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I owe no allegiance to China.

I don’t even LIKE them.

But I would urge them to BREAK ALL TIES IMMEDIATELY with Klaus Schwab.

Not timely enough?

Need more proof that Schwab is behind the plandemic?

How did he and Bill Gates “flood the zone” with bogus information and fearmongering?

How did they economically shut down the planet (thereby gaining a death-grip on humanity)?

Here’s one vector.

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You will eat the bugs…and worship the little Scandinavian midget girl…and you will be happy.

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How were all these levers pulled?

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I rest my case.

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-PD

Histoire(s) du cinéma {Chapter 2(a): Seul le cinéma} [1989]

So here we go again.

They told Beethoven it was a horrible way to begin his 5th Symphony.

With a rest.

It’s unheard.

Of.

Unheard.

Only the players see it.

Only the conductor pays it much mind.

So the first “note” (beat) is silent.

The conductor must give it.

But there are at least two schools of thought on how this is to be done.

First, a conductor might do as they always do and swiftly move their baton downwards to indicate visually that the first (silent) beat is occurring.

The only problem with this is that the symphony players must then abruptly jump onto the very next beat (which is an “upbeat”).

They happen in very quick succession.

Nothing/Everything.

The whole orchestra.

Tutti.

And they get one shot.

To come in together.

Like an attack.

[rest] da da da daaaaaaaaaa

[rest] da da da daaaaaaaaaa

The second school of thought is more practical.

It advises that, in this particular situation, a conductor giving a downbeat is not particularly helpful to the orchestra (because no sounds occur on that downbeat).

Therefore, the conductor motions the orchestra that the UPBEAT is happening.

When the baton (or hand(s)) come down, that is the precise time to make noise.

It is not hard to see why this might lead to a more successful outcome.

For the goal is to have the orchestra stick together.

An orchestra of individuals who are a mere microsecond off from one another creates a sound which is generally not highly-valued in Western music (at least not in the performance of Beethoven).

But this STILL leaves a problem.

The conductor of this second school, whose job it is to try and lead his orchestra to a faithful rendition of this masterwork, is thereby IGNORING what Beethoven wrote (or, more precisely, HOW Beethoven wrote it).

The beginning.

Godard comes back more fit and trim in this episode of his greatest work.

1a is probably the nuke.

1b is a psychological warfare manual (perhaps)

2a returns us to kinetic warfare.

More or less.

With some lulls.

But there is genuine artistry within these 26 minutes.

Like a symphony by Beethoven or Bruckner.

The beginning is weighted heavily.

1a = 51 mins. (the longest of all eight parts)

1b = 42 mins. (the second longest “movement” of the bunch)

The entire first section is, therefore (carry the zero), 1 hour and 33 minutes.

That’s the first quarter of this “ring cycle”.

And it is truly operatic.

So now we are into a bit of a scherzo.

26 minutes.

Now you can see the influence of television.

The “producers” of this film.

Canal+ (French TV channel)

CNC (part of the French Ministry of Culture [and Godard is Swiss!])

France 3 (a French TV channel)

Gaumont (a French film studio)

La Sept (a defunct French TV channel)

Télévision Suisse Romande (a defunct, French-language Swiss TV network)

Vega Films (Godard’s production company at the time)

26 minutes.

Enough time for eight 30-second commercials.

Arriving precisely at a sum total of 30 minutes’ programming.

It’s generous (no doubt owing to the fact that this was educational programming).

If you look at the true running time of an American half-hour sitcom these days, it is roughly 21 minutes of what you want to see.

The other 9 minutes are reserved for at least 18 30-second commercials.

In the tradition of James Joyce.

The pun.

Which Hitchcock so admired.

…and the Oscar goes to.

Oscar Wilde.

Irishmen in France.

The recurring scene from Salò…

Julius Kelp.

Literary history vs. cinematic history.

Godard has a curious frame which reads, “Your breasts are the only shells I love.”

It is a line from the poet Apollinaire.

[tes seins sont les seuls obus que j’aime]

But I must say, the exciting parts here are the “booms”!

The fighter jet exploding in midair.

Bernard Herrmann’s music from Psycho juxtaposed with scenes from Disney’s Snow White…(1937).

The agitation of Stravinsky.

Cluster chords on the piano.

Godard’s voice fed through an Echoplex.

And, just as in 1a, world-class editing!

Let me be clear.

EDITING is what makes Histoire(s) du cinéma the greatest film ever made.

It’s what makes F for Fake the second-greatest film ever made.

And what makes Dog Star Man the third-greatest film ever made.

It is more pronounced in Histoire(s) and Dog Star Man.

Orson Welles’ “editing” (montage) in F for Fake is done more at the story level.

It is a juxtaposition of content.

The Kuleshov effect with ideas rather than images.

[more or less]

Godard’s camera-pen makes some of its boldest strokes in this episode.

It rivals the 1a excerpt involving Irving Thalberg.

Which brings us to a very important point.

Godard CHOSE to use the concept of “double exposure” (two images–one on top of the other–but both seen to a greater or lesser extent) to ILLUSTRATE the subject and title of his greatest film.

Though it runs 266 minutes, that amount of time STILL wasn’t enough in which to lay out the history of cinema.

So images needed to be doubled up.

Tripled up.

Simultaneous to that, words needed to be spoken.

And furthermore, DIFFERENT words than those being spoken NEEDED TO BE WRITTEN ON THE SCREEN.

If you are not a native French speaker, you will probably need to have the subtitles on when viewing this film.

Which gives you A-N-O-T-H-E-R visual stimulus which must be taken into account.

Yes.

This film should be mandatory viewing for fighter pilots.

Practice your OODA loop here.

Observe.

Orient.

Decide.

Act.

Constantly looping.

If you want to survive in this jungle of meaning.

Night of the hunter…

Klimt.

Fred Astaire.

James Dean.

Burt Lancaster.

It’s all true.

That weary look.

From Hollywood.

It’s all true.

Which brings us to value (that thing which capitalism so gloriously creates…far more efficiently and in much greater abundance than with any other economic system).

“What is the value of knowing how to read this film,” you ask?

Just this.

It allows you to know how to read the complexity of the world.

It is a brain teaser.

With an infinite layering of meaning.

Like Finnegans Wake.

Joyce’s masterpiece should be the only required reading for a codebreaker.

Or a codemaker.

Take heed, National Security Agency.

Your curriculum needs adjusting.

Assign only Finnegan.

And reap your gains.

And what of Histoire(s)?

Its most direct application would be for analysts.

Whether they be Federal Bureau of Investigation, Central Intelligence Agency, or  INSCOM.

Know how to read the image.

Know how to analyze the video.

You must think outside the box.

Sudoku the fuck out of your employees.

And thereby fight crime and keep hostile actors in check.

Which is where we musicians come in.

To analyze the phone call.

To make sense of the audio…from the video.

It cannot be taught in a bootcamp.

It has to be loved.

Nurtured.

If you had one analyst like Godard, you would have a super-soldier equal to an entire special forces unit.

The trial of Joan of Arc.

Not to be confused with her passion.

Laurel and Hardy.

Gustave Courbet.

Marcel Duchamp.

The Philadelphia Museum of Art.

Which brings us to a very delicate situation.

What is the President planning this weekend?

And with whom is he planning it?

If Ronald Reagan was an actor (and he was), then how much more talented is Donald Trump in getting a reaction with his lines…and his gestures?

HIS lines.

HIS gestures.

Accordion music.

Munch’s vampire.

A President who has been attacked from ALL sides UNRELENTINGLY for nearly four years.

And now finds himself in the midst of the hottest biological/psychological/economic war in recorded history.

Where complexity reigns.

As globalization magnifies each twitch of activity.

And this same President STILL finds himself under attack from the same “bad actors” who have unremittingly assailed him.

As in peacetime, so in war.

These enemies of the state.

Masquerading as journalists.

And their masters above them.

Straight from the latest conclave.

“…two if by sea.”

 

-PD

 

Penelope [2006)

Here we have a strangely-compelling film.

The story is perfect.

The mise-en-scène is adequate.

Ah!

Am I blaming the director?

Not at all!

Not really…

I’m blaming Lionsgate.

But not even that.

I’m blaming Hollywood.

J’accuse …!

Because the effort is there.

Christina Ricci was the right actress.

James McAvoy was surprisingly fantastic.

But Hollywood (even in a globalized coproduction) is ill-equipped to make this sort of picture.

To make a picture about a freak, you must employ freaks.

Real freaks.

People with pain in their hearts.

Thus, the finished product (as it stands) is disingenuous.

I watched the whole thing.

Hoping it would magically get over the hill.

But I’m left a bit crestfallen.

This should have been a masterpiece.

Leslie Caveny wrote a magnificent story.

Mark Palansky did everything he could as a director.

But Hollywood is incapable of thinking outside the box anymore.

And that will be its downfall.

It’s a halting effort.

A noble failure.

Peter Dinklage gives a phenomenal performance.

So here’s what needs to happen.

Remake it.

Let another director try.

No point putting a fine director (Mr. Palansky) through the torture of doing this all over again.

It’s been ten years.

Give a freak a chance.

Total artistic freedom.

Don’t worry about the box office.

Make a piece of art.

The story is there.

But does Lionsgate have the chutzpah to admit its own misstep?

The opportunity calls.

Recognize the brilliance of even TRYING to make this film.

Now make it FOR REAL.

No saccharine kowtowing to Disney archetypes.

Give the world a real film.

It’s your only chance.

 

-PD

Futureworld [1976)

My first foray into science fiction.

And is this a hell of a film!

A sort of forgotten masterpiece.

Part schlock, part genius.

Stellar entertainment.

This is really a quality picture…reminiscent of another 70s gem:  Phantom of the Paradise.

There’s just something really mysterious and compelling about Futureworld.

Sex with robots!

Jim Antonio is the Clark Griswold equivalent of Clifton James in Live and Let Die and The Man with the Golden Gun.

And so this is essential viewing for fans of the recent Ex Machina.

Sadly, director Richard T. Heffron is no longer with us.

And, yes, this is a sequel to the Michael Crichton film Westworld, but Futureworld stands alone.

Peter Fonda is the Ur- Jarvis Cocker.  And really some fine acting from Peter.

Blythe Danner is outstanding.

Stuart Margolin is very strong.

We get journalism, robots, cloning…the works.

Think Hillary Clinton has a robot/clone double?

This film appeared on Hulu at a particularly suspicious time as regards that canard.

But see the film and you might not think it’s so crazy after all.

Doubles of world leaders.

That’s the master plan.

It’s not giving much away to tell you that.

That is, after all, the elevator pitch for the film itself.

And it is compelling.

Retina scanners, biometrics, psychic driving, Antonin Artaud…

This was both advanced and historical for 1976.

Ahead and behind.

Which is to say, completely plausible.

The only hilariously bad moments (ok, there’s quite a few) are the guns which seemingly came from the set of the first Star Wars film.  Said guns completely destroy suspended disbelief (more than any actual target).

The Westworld tragedy supposedly claimed the lives of about 50 guests.

Pretty close to the fake Pulse nightclub shooting (49).

That being the exact number of the Maidan snipers’ massacre in Kiev (49).

And with Pulse we are there in theme park central.

Disney.

Alligator.

Same week.

Orlando.

Robots are all around us today.

The drones that kill innocent people in Pakistan.

And the driverless cars rolled out by Uber this past week in Pittsburgh.

[I better watch what I say or Emil Michael will sic his opposition research wet dreams on me.]

So yes…we probably have Northrop Grumman to thank for 9/11 (Global Hawk).

All around us.  Automation.  Lovely.

Watch Futureworld and you will see the technocratic extension of Operation Mockingbird.

Mimic.  Opinion leaders.  Memetics.

The gene and the meme.  Dawkins was right on it.

In the same year.  1976.

Sure, this film is not very precise in some regards.

Are they all robots?

Clones?

Hybrids?

It’s not very clear.

I highly recommend this film for connoisseurs of Baudrillard.

This whole film is an orgy of simulation.

[Though, with a PG rating, not a simulation of an orgy.]

Interesting note…a significant portion of this film was shot “at NASA” in Houston.

 

-PD