Rod Rosenstein and His Dirty Tricks Squad [2021)

https://t.me/linwoodspeakstruth/165

This is not James Clapper.

https://rumble.com/vdf4nn-james-clapper-interrogation-2.html

And this film review covers not only the first link (which Lin Wood first posted to Telegram on January 24, 2021), but all other snippets of the same sessions which Lin Wood has posted to date on Telegram.

I admit.

It sounds a hell of a lot like James Clapper.

At first, when I heard of this clip circulating, I thought, “There’s no way in hell that James Clapper is being ‘interrogated.'”

And that is likely true.

Because this isn’t James Clapper.

But as I listened to the Rumble clip (which purports that the voice speaking is that of James Clapper) I started to believe it was (or could be) him.

I will say this:  both Clapper and the voice speaking have very similar audible mannerisms…particularly the vocal cadence they share.

This is what led me on a hunt to find the truth.

My verdict is this:  for one reason or another (whether nefarious or otherwise), someone has misled people to think that these interviews are of James Clapper.

How did they mislead?

Well, first of all, they slyly edited out all clips which have details that would contradict Clapper’s biography.

For good measure, they also sped up the audio (for some inexplicable reason).

If for nefarious purposes, a person or persons may be trying to set the groundwork to undercut the information in the future (by planting the false notion that the messenger was Clapper).

If for productive purposes (in a vein similar to QAnon), shock value may have been used to capture the imagination of the populace and FORCE THEM TO DIG.

Whatever the purpose (and whoever the authors of this deception), it has caused me to dig.

And the information is important.

So I am going to parse it for you in executive summary.

What we almost certainly have here is a federal agent (whistleblower).

Is that Lin Wood interviewing him?

I think not.

Lin’s Georgia accent sounds nothing like the interviewer.

So let’s get down to the facts (and assertions of this whistleblower).

First of all, let’s get our sourcing and timeline straight.

Lin Wood began dropping these video clips on January 19, 2021:  the day before the inauguration.

The first video covers:

Epstein.

Supreme Court Justice Roberts.

Epstein “helped” Roberts with his adopted children.

Children from Wales.

Channeled through Ireland.

Epstein then facilitated adoption.

Children as a commodity.

Compromising people.

“Children are the payment and the dirt and the control.”

The FBI has copies of the videos.

Rod Rosenstein.

Shawn Henry (FBI).

Shaun Bridges (Secret Service).

The second video covers:

Pence and his two lovers (and his younger ones).

Surveillance of Roberts’ children.

The abuse of Roberts’ children.

The children were “loaned out” for these different groups.

And it was surveilled.

Plots to murder judges.

Set up by FBI.

False-flag.

They were going to use a “sovereign citizen” group.

“Obama didn’t want any terrorism unless it was white terrorism.”

FBI had infiltrated and armed and instigated.

Divorced fathers with a grudge against the court system.

Plot.

Attacks on the Supreme Court.

Roberts was aware.

Explosives.

Automatic weapons.

Rocket launchers.

Lisa Monaco was a target.

Video three covers:

Supreme Court was target.

Homeland Security were overwhelmed.

Called in FBI.

DoJ picked up whistleblower.

Martha Coakley.

Groups to assassinate federal judges:  1/3 of group made up of “sovereign citizen” patsies and 2/3 made up of FBI.

Whistleblower and his wife were going to be killed.

Plan foiled.

Plans written out.

Maps.

Would have been in the first year of Hillary’s Presidency.

She was not supposed to lose.

Roberts was helping.

He wanted to pick new judges (for those assassinated).

Purpose was to ban firearms and pack Supreme Court.

Antonin Scalia

Video four covers:

Scalia was biggest threat.

Scalia found out about plans and went to White House.

Scalia was taken out.

Cibolo Ranch.

Temp worker.

Servants.

Group there hunting.

DMSO.

Poison.

Dimethyl sulfoxide.

Fairly inert chemical.

Mix with poison.

Why found with pillow over face.

Struggling to breathe.

Can be mixed with fentanyl, etc.

Goes directly into skin.

Eric Holder as replacement.

Hillary and Obama knew about it.

Rod has an intense hatred of Hillary.

He’s only fond of himself.

Running The Hammer system through Baltimore.

Which brings us to our title film.

It covers:

how the whistleblower started working directly with Rod Rosenstein in Baltimore.

FBI would come for corroboration.

Undercover nature.

Terrorist.

Domestic terrorism.

Whistleblower was fairly well concealed.

Dirty Tricks Squad.

Baltimore.

“This is where they were using Hammer, Sunrise, Sunset, things like that.”

To illegally spy on people.

Attempt to corrupt judges.

They concentrated on corrupting people.

Under the guise of a CCIPS (DoJ) operation.

Run out of Fort Washington, Maryland.

[McInerney marker]

Illegally compromise people.

Illegally wiretap.

Break into computers.

Plant, reverse, change information.

Change emails.

Things of that nature.

Judges, Roberts, Pence.

Whistleblower squashed.

Went to DHS.

With pile of evidence.

Made its way back to FBI/DoJ.

Contacted Devin Nunes.

Whistleblower tried to warn Trump about Rod Rosenstein.

Rod, Pence, Paul Ryan.

Core of group.

Rod was “brilliant legal mind”.

Operational name at beginning was Run Silent Run Deep.

[1958 film with Lancaster and Gable about being passed up for promotion]

Pence hated Trump.

Had taken his slot.

Mitt Romney was also involved.

Trump was outsider.

Had not paid dues.

Pence was their mole inside.

Leverage.

Surveillance from way back.

2013 range.

FISA warrants.

Rod wanted VP slot.

Paul Ryan also wanted it.

So did Romney.

Vice Presidential slot under Pence.

With Trump removed under 25th Amendment.

Leverage.

Pence homosexual.

Many adults.

Throughout his time in Congress.

As Governor, felt more free.

One 20 years his junior.

One half his age.

Would introduce others.

Younger and younger people.

15 year olds.

13 year olds.

Rod and Roberts were able to get FISA warrants because.

Younger people supplied by Epstein.

Because Epstein was an intelligence asset.

When he was in USA, FISA warrant used.

FBI would not save the child.

Was more important for them to have the leverage.

Operation directed by Rosenstein.

Dirty Tricks Squad.

Nickname.

Rod.

Shawn Henry (FBI).

Shaun Wesley Bridges (Secret Service).

Joseph Rosati (DEA).

Al Borshack ? (ATF).

Greg Utz (DEA).

Another group in Fort Washington.

[McInerney marker]

For the real illegal stuff.

Illegal communications, hacking, phone tapping.

Main focus: Federal judges.

Compromising people.

Planting information.

Planting child porn.

Leverage.

100s of cases.

Plead to lesser charge.

Forfeit money.

Percentage skimmed.

Shaun Bridges.

His speciality.

#1 expert on computer forensics.

Secret Service.

Hacked Obama’s BlackBerry for fun.

Hacked Obama daughters’ phones.

A violent person.

Drinker.

Arrogant.

All about the money.

Hack people.

Steal info.

Sell intel.

Bridges and Bitcoin.

In prison.

Holds several passports.

Will disappear to Argentina or Colombia.

Al Borshack?

ATF.

Retired.

A nasty piece of work.

Illegal gun running for Fast and Furious.

Made sure paperwork stayed clean.

Serial numbers.

Gun dealer.

Lots of disposable money.

Lots of cash.

Lives very well.

Borshack and Rosati both divorce their wives.

As Rosenstein started falling out of favor as DAG.

Paid off house.

Borshack.

Gave wife 600k.

Custom van with road race bikes.

Has watercraft and cars.

Never has a problem finding cash.

Helped supply the firearm for Seth Rich.

Joseph Rosati.

DEA.

Steroid freak.

Violent, nasty, lying person.

Cases where he added drugs.

Always the cowboy.

Had to swoop in with the big bust.

Sued many times.

Over and over again.

From defendants and agents.

Borshack involved in Seth Rich.

Rosati brought in MS-13.

Rosati also brought in Kevin Doherty?

Wannabe.

USMC.

Gopher.

https://www.washingtonpost.com/local/public-safety/disgruntled-ex-employee-of-conspiracy-theorist-admits-shooting-him/2018/12/03/e5df4478-f719-11e8-8c9a-860ce2a8148f_story.html

Jack Burkman.

Borshack and Rosati.

“Fishing”.

Local version of Fast and Furious.

Like a game to them.

Thought it was funny.

Rosati poisons.

Hot shots.

Pure drugs.

Done to informants.

Bragged.

Pills.

Pharmaceutical.

Pharmacy fraud.

As DEA agent.

Pharmacy inspections once a month.

Short prescriptions.

Massive amounts of opioids.

Laundering pills.

He’s a piece of crap.

Big bodybuilder.

Cousin with same face.

Bank fraud.

Scams.

Anything for money.

Calling as a phony DEA agent.

Package intercepted.

Drugs.

Drug precursors.

But it you pay a fee, it will never get here.

He was point man for complaints.

If anything came back, it would go to him anyway.

Payphone near work.

Payphone near house.

Burner phone.

People recorded with app.

Real agents shot as a result.

He got his own agents shot.

Maryland mafia.

Conowingo Pizza.

Conowingo.

Route 1.

Maryland.

Little Tony.

Big Tony.

New Jersey.

New York.

Drugs.

Untouchable.

Rosati’s steady supplier.

Heroin for Baltimore and D.C.

Rosati can give them intelligence.

Rosati is always skimming.

They will sell what he skims.

Opioids.

Softball.

Nonprofit.

Shawn Henry (FBI).

He’s just nasty.

Dirty Tricks Squad.

Strzok.

At CrowdStrike now.

Criminal.

John Roberts.

Shawn Henry.

FBI.

False flag people.

Roberts knew.

Provided FISA warrants.

Roberts provided intelligence.

Sharyl Attkisson.

Next video:

The death of Seth Rich.

Rod Rosenstein.

WikiLeaks.

Seth Rich downloaded a lot of info.

Downloaded everything he could.

DNC, Hillary, Bowser, Brazile…

They were worried.

Rod was worried.

Intended to be a robbery.

Ended up being a murder.

DEA.

Gang specialist.

MS-13.

Thumb drive switched.

Convincing, but didn’t expose Rod.

Brazile at hospital before Seth Rich was brought in.

They wanted to recover the thumb drive.

Next video:

Rosenstein.

FBI op.

Ghost Stories.

Heavy surveillance on known Russian assets within the U.S.

Russian Reset.

Hillary.

Obama/Biden.

Cancelled Ghost Stories.

Rod.

Shaun Bridges was taking money.

Bitcoin.

Rod put Sean Wesley Bridges in jail.

[Extortion 17 marker…Tik Tok…]

Terre Haute.


That concludes a brief overview of the videos on Lin Wood’s Telegram account which feature the blurry-faced whistleblower.

Judging by his level of detail and familiarity with certain aspects of his testimony (as well as his passion level rising while recounting certain aspects of the Dirty Tricks Squad), I would guess that the whistleblower was a DEA agent.

God bless him.

It’s not Clapper.

Any connection to Coomer?

Tik Tok mystery man.

“Find out who I am.”

Real name?

Not an Extortion 17 casualty.

Court documents re: Shaun Wesley Bridges and Rod Rosenstein?

Any Coomer connection to Fort Washington facility?

Why did McInerney say that Hammer and Scorecard was at Fort Washington?

Corroboration.

UPDATE. ENTIRE SET OF INTERVIEWS TRANSCRIBED:

FULL-Transcript-of-Whistleblower-Interview

-PD

Histoire(s) du cinéma {Chapter 2(a): Seul le cinéma} [1989]

So here we go again.

They told Beethoven it was a horrible way to begin his 5th Symphony.

With a rest.

It’s unheard.

Of.

Unheard.

Only the players see it.

Only the conductor pays it much mind.

So the first “note” (beat) is silent.

The conductor must give it.

But there are at least two schools of thought on how this is to be done.

First, a conductor might do as they always do and swiftly move their baton downwards to indicate visually that the first (silent) beat is occurring.

The only problem with this is that the symphony players must then abruptly jump onto the very next beat (which is an “upbeat”).

They happen in very quick succession.

Nothing/Everything.

The whole orchestra.

Tutti.

And they get one shot.

To come in together.

Like an attack.

[rest] da da da daaaaaaaaaa

[rest] da da da daaaaaaaaaa

The second school of thought is more practical.

It advises that, in this particular situation, a conductor giving a downbeat is not particularly helpful to the orchestra (because no sounds occur on that downbeat).

Therefore, the conductor motions the orchestra that the UPBEAT is happening.

When the baton (or hand(s)) come down, that is the precise time to make noise.

It is not hard to see why this might lead to a more successful outcome.

For the goal is to have the orchestra stick together.

An orchestra of individuals who are a mere microsecond off from one another creates a sound which is generally not highly-valued in Western music (at least not in the performance of Beethoven).

But this STILL leaves a problem.

The conductor of this second school, whose job it is to try and lead his orchestra to a faithful rendition of this masterwork, is thereby IGNORING what Beethoven wrote (or, more precisely, HOW Beethoven wrote it).

The beginning.

Godard comes back more fit and trim in this episode of his greatest work.

1a is probably the nuke.

1b is a psychological warfare manual (perhaps)

2a returns us to kinetic warfare.

More or less.

With some lulls.

But there is genuine artistry within these 26 minutes.

Like a symphony by Beethoven or Bruckner.

The beginning is weighted heavily.

1a = 51 mins. (the longest of all eight parts)

1b = 42 mins. (the second longest “movement” of the bunch)

The entire first section is, therefore (carry the zero), 1 hour and 33 minutes.

That’s the first quarter of this “ring cycle”.

And it is truly operatic.

So now we are into a bit of a scherzo.

26 minutes.

Now you can see the influence of television.

The “producers” of this film.

Canal+ (French TV channel)

CNC (part of the French Ministry of Culture [and Godard is Swiss!])

France 3 (a French TV channel)

Gaumont (a French film studio)

La Sept (a defunct French TV channel)

Télévision Suisse Romande (a defunct, French-language Swiss TV network)

Vega Films (Godard’s production company at the time)

26 minutes.

Enough time for eight 30-second commercials.

Arriving precisely at a sum total of 30 minutes’ programming.

It’s generous (no doubt owing to the fact that this was educational programming).

If you look at the true running time of an American half-hour sitcom these days, it is roughly 21 minutes of what you want to see.

The other 9 minutes are reserved for at least 18 30-second commercials.

In the tradition of James Joyce.

The pun.

Which Hitchcock so admired.

…and the Oscar goes to.

Oscar Wilde.

Irishmen in France.

The recurring scene from Salò…

Julius Kelp.

Literary history vs. cinematic history.

Godard has a curious frame which reads, “Your breasts are the only shells I love.”

It is a line from the poet Apollinaire.

[tes seins sont les seuls obus que j’aime]

But I must say, the exciting parts here are the “booms”!

The fighter jet exploding in midair.

Bernard Herrmann’s music from Psycho juxtaposed with scenes from Disney’s Snow White…(1937).

The agitation of Stravinsky.

Cluster chords on the piano.

Godard’s voice fed through an Echoplex.

And, just as in 1a, world-class editing!

Let me be clear.

EDITING is what makes Histoire(s) du cinéma the greatest film ever made.

It’s what makes F for Fake the second-greatest film ever made.

And what makes Dog Star Man the third-greatest film ever made.

It is more pronounced in Histoire(s) and Dog Star Man.

Orson Welles’ “editing” (montage) in F for Fake is done more at the story level.

It is a juxtaposition of content.

The Kuleshov effect with ideas rather than images.

[more or less]

Godard’s camera-pen makes some of its boldest strokes in this episode.

It rivals the 1a excerpt involving Irving Thalberg.

Which brings us to a very important point.

Godard CHOSE to use the concept of “double exposure” (two images–one on top of the other–but both seen to a greater or lesser extent) to ILLUSTRATE the subject and title of his greatest film.

Though it runs 266 minutes, that amount of time STILL wasn’t enough in which to lay out the history of cinema.

So images needed to be doubled up.

Tripled up.

Simultaneous to that, words needed to be spoken.

And furthermore, DIFFERENT words than those being spoken NEEDED TO BE WRITTEN ON THE SCREEN.

If you are not a native French speaker, you will probably need to have the subtitles on when viewing this film.

Which gives you A-N-O-T-H-E-R visual stimulus which must be taken into account.

Yes.

This film should be mandatory viewing for fighter pilots.

Practice your OODA loop here.

Observe.

Orient.

Decide.

Act.

Constantly looping.

If you want to survive in this jungle of meaning.

Night of the hunter…

Klimt.

Fred Astaire.

James Dean.

Burt Lancaster.

It’s all true.

That weary look.

From Hollywood.

It’s all true.

Which brings us to value (that thing which capitalism so gloriously creates…far more efficiently and in much greater abundance than with any other economic system).

“What is the value of knowing how to read this film,” you ask?

Just this.

It allows you to know how to read the complexity of the world.

It is a brain teaser.

With an infinite layering of meaning.

Like Finnegans Wake.

Joyce’s masterpiece should be the only required reading for a codebreaker.

Or a codemaker.

Take heed, National Security Agency.

Your curriculum needs adjusting.

Assign only Finnegan.

And reap your gains.

And what of Histoire(s)?

Its most direct application would be for analysts.

Whether they be Federal Bureau of Investigation, Central Intelligence Agency, or  INSCOM.

Know how to read the image.

Know how to analyze the video.

You must think outside the box.

Sudoku the fuck out of your employees.

And thereby fight crime and keep hostile actors in check.

Which is where we musicians come in.

To analyze the phone call.

To make sense of the audio…from the video.

It cannot be taught in a bootcamp.

It has to be loved.

Nurtured.

If you had one analyst like Godard, you would have a super-soldier equal to an entire special forces unit.

The trial of Joan of Arc.

Not to be confused with her passion.

Laurel and Hardy.

Gustave Courbet.

Marcel Duchamp.

The Philadelphia Museum of Art.

Which brings us to a very delicate situation.

What is the President planning this weekend?

And with whom is he planning it?

If Ronald Reagan was an actor (and he was), then how much more talented is Donald Trump in getting a reaction with his lines…and his gestures?

HIS lines.

HIS gestures.

Accordion music.

Munch’s vampire.

A President who has been attacked from ALL sides UNRELENTINGLY for nearly four years.

And now finds himself in the midst of the hottest biological/psychological/economic war in recorded history.

Where complexity reigns.

As globalization magnifies each twitch of activity.

And this same President STILL finds himself under attack from the same “bad actors” who have unremittingly assailed him.

As in peacetime, so in war.

These enemies of the state.

Masquerading as journalists.

And their masters above them.

Straight from the latest conclave.

“…two if by sea.”

 

-PD

 

Winter of Frozen Dreams [2009)

What a beautiful title…like Bashō, Li Po, or even François Villon.  In this age of over-medication, we hear of new disorders every day (accompanied by ridiculous commercials we have to endure with relatives at Christmastime).  Of special note in these cold days is seasonal affective disorder.  It’s legend as something independent of general depression lives on as most people do not have the DSM-IV or DSM-5 by their bedside.

And so, “with seasonal pattern” there are many of us who struggle especially in the wintery days of the year…especially if we feel our dreams have been suspended.  Ah, suspended animation…it can be beautiful…like insects caught in amber (that Greek touchstone which lends our word “electricity” an etymology).  Static electricity and ēlektron (the classical name for amber)…  Such irony that flies and gnats would meet their demise drowned in the same substance…and countless days later we wonder at the beauty of their death.  It is one of the few times death can be generally agreed on as beautiful.  In the spider frozen in amber, we marvel at the beauty of the creature.  Their life is preserved.  While they have ceased to exist as a living creature, their form lives on through the sepia light which attests to them having existed.  Grammar becomes difficult in such a state of was/is/will be.

But alas, as they say, this film is not really a poetic tour de force.  It is, however, a time capsule which presents a haunting portrait of the northern U.S. in the late-’70s.  One wonders whether the props department of Boogie Nights was lifted whole-cloth (!) as the action unfolds during this strange movie.  Indeed, it is more strange than haunting.  It is not frightening or repulsive like a Silence of the Lambs, but rather disjunct like a lesser cousin of Mulholland Dr.

I do not want to disparage this film because it is actually quite good, but I must admit that my sole reason for watching was to see Thora Birch act.  Thora was the first actress I ever fell in love with.  We all have our celebrity crushes.  She was/is mine.  Her trio of films American Beauty, Ghost World, and Homeless to Harvard (a Lifetime “joint”) was really an acting triumph which I can only compare to Bob Dylan’s trilogy of Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.  I know it sounds ridiculous to say so, but Birch directed those three films as much as did their auteurs/metteurs en scène.  Call it la politique…in reverse…unlike King Midas…

This film presents a problem in its representation on Wikipedia.  After viewing a film, I like to recall what I’ve just seen.  Wikipedia is good for that, but not in this case.  It’s as if this film was a Falconetti one-reeler from 1916 and not an American feature from 2009.  In this dearth of information, one begins to suspect that Thora’s claims of having been forgotten and overlooked after Ghost World might just be right on the money.  That’s where film critics step in.  Though it be five years late and $991,679 short, I can (with my little voice) once again assert that Thora is an acting genius.

Poor Eric Mandelbaum…his name isn’t even a hypertext link on Wiki, but he did a fine job here painting a snow-drift picture of the not-so-old, weird America.  Dan Moran at least has a dead link (empty page).  The trouble with Harry, that!

All jokes aside, Brandon Sexton III is very convincing as the bearded, lonely Jerry.  His stoic visage becomes as much a motif as Birch’s radiant beauty over the film’s course.  Poor Jerry gets duped into some accessory to murder business…we think.  None of it is very clear.  Based on the true story of Barbara Hoffman, this tale plays with time and the facts like Lynch directing Pynchon.  I can’t help but wonder if PTA’s Inherent Vice might converge with this film in some way…no doubt at a locale with an angry cropduster.

Keith Carradine is good here (resembling Burt Lancaster in Field of Dreams).  Also good is Colleen Camp in the small role as Jerry’s mother.  There are scenes of unspeakable sadness and ennui at the dinner table and near the end as she takes the phone call.  We sense a connection to Ellen Burstyn’s performance in Requiem for a Dream (with the mise-en-scène of a Harmony Korine).

One thing is certain: my little piece of shit website shall always sing the praises of one Miss Thora Birch.

-PD