The grey suit in NXNW [1959/2017)

Maybe.

After many long years.

I finally got a decent suit.

But the pinnacle is still Cary Grant in North by Northwest.

Perhaps more important than Dorothy’s slippers.

The grey suit.

Gray?  Grey.

Because Archibald Leach (Grant’s real name) was from Bristol.

Now.

The debate rages on.

Was it Norton & Sons (Savile Row) or Quintino (Beverly Hills)?

And this is a very important matter.

Basis in fact.

Innocent lives are at stake here.

Vanity Fair (at least they employed Tosches for a time) contends it was a British suit.

http://www.vanityfair.com/news/2008/03/behindthescenes200803

But The Independent counters that it was an American (Beverly Hills) tailor.

My first thought is always The Man in the Gray Flannel Suit (novel 1955, film 1956).

1959.

Something in the air.

Advertising.

Madison.

Shopping.

5th.

Whatever you do, don’t buy a property at 666 5th Avenue.

Mr. Kushner made that mistake.

Can you change an address?

Can we inch the building over a bit?

666 1/2?

But finally, that eternal quote of Mike Ruppert:

“The CIA is Wall Street.  Wall Street is the CIA.”

What could all this mean?

What could ANY of this mean?

It’s well-known.

But the real danger is Finnegans Wake.

Is it unpredictability?

The real danger is changing stripes.

Spots.

Markings.

Camouflage.

A mask.

My daily trousers are sweatpants.

And then we must bring in Erik Satie.

As dangerous (harmless) a man as ever lived.

The “Velvet Gentleman”.

Seven gray velvet suits.  All identical.  One for each day of the week.

A revolution in simplicity.

But there are many, many hours of piano music to wade through.

Through which.

It’s not just the Gymnopédies.

Or even the Gnossiennes.

SS.

It’s a veritable Voynich manuscript of eccentricity.

Quixotic.

Mercurial.

Bizarre!

But with Magritte we got the grey bowler.

And Max Ernst:  “The hat makes the man.”

But did he say it in English?

Not bloody likely!

And so rail-thin Cary Grant, almost certainly homosexual, looks stunning…dapper…a paragon of class in North by Northwest.

And it is a rare time where I (and many other men) say:  “Wow…I want that business suit!”

Because I didn’t grow up rich.

And it took me till age 40 to get a passable sack.

Brooks Brothers was expensive.

Still is.

I’m low-rent.

High-brow.

A conundrum.

I don’t want to sell oil.

I’m a city boy.

They won’t take me on the farm.

So what am I?

Do I ride around on a horse?

Do I spit tobacco into a cuspidor?

[not anymore]

We must go away.  To come back.  And see for the first time.

What was Jia Zhangke talking about?

Or from?

The I Ching?

Or some Zen text?

Advertising.

Memetics.

Messaging.

COMMUNICATIONS

We are drawn to the suit.

The breezy ease with which Cary Grant negotiates New York sidewalk traffic.

Every remark quick.

Never at a loss for words.

And the characters all pay attention.

From Martin Landau to Eva Marie Saint:  menswear.

Three buttons.

[a detail I missed…too late]

Buttons on cuffs.

Cufflinks.

Two-piece.

The most remarkable aspect, though, might be the “grey suit with grey tie” effect.

I mean, “what the fuck”?!?

It is slightly “off”.

Not the color-matching.

That’s fine.

But the concept.

Or this hypothetical exchange:

“What’s your favorite color?”

“Gray.”

“Gray?”

“Yeah, I don’t know…I just like gray.”

“What about it do you like?”

“I don’t know…it’s sorta mysterious?”

“Ok…but, I mean, it seems sorta drab, don’t you think?”

“Well, I’m not in the market for a gray bikini…”

Ah!

There’s the gender.

Men.

Do men fancy grey?

Is it one of the colors they’ve been “given”?

And women.

Do they really fancy pink?

I suppose some diabolical seamstress has plotted the complementary colors of all the world’s hetero couples.

Grey and pink.

Pink and green.

Orange and blue.

Red and green.

Purple and yellow.

Ad absurdum.

All I can say is this.

I feel spectacular in my new gray suit.

I’m a little closer to Daniel Craig, though mostly in the Cary Grant body type.

Or, put differently, I’m an extremely-poor-man’s Daniel Craig 🙂

I, too, would look scrawny next to James Bond.

Which segues nicely into the 007 franchise.

Suits…again.

Whether in Jamaica or parts unknown.

The sartorial fastidiousness would play a major role in framing Bond as “not just another guy”.

Taste.

An eye for detail.

Quality.

And personality, though understated.

The grey suit.

It the biggest weapon in my fashion arsenal (as of today).

And thus we turn towards commerce.

Another run, perhaps, of job searching.

Selling myself.

But at a certain point you just gotta say, “Fuck it!”

I’m a cool person.

I ain’t out to hurt nobody.

I read books.

Big fucking books.

About math and shit like that.

I’m a nerd to the nth power.

I know that.

And I’m fine with that.

Because I see the value in that.

So now I may have to bludgeon the HR receptors with a whole new level of qualifications.

Can I do it?

Can I be a lawyer?

Can I be a PhD?

[notably, perhaps, in advertising]

And beyond.

Because life has led me to this impasse.

We worry about bread on the table.

And some milk to stay healthy.

Heat in the winter.

Cooling in the summer.

Most of all…in all this mess of writing…I am thankful.

Thankful for a chance.  A chance to do the right things.

And thankful for family.  Thankful for time.

Thankful for intuition.

And thankful for failure.

Have your cake.  Or eat it.

Thank you, my friends…for your support.

I am happy today.  Hard day, as always.

And I pray the good happenings for each of you…in your lives…

-PD

Tu dors Nicole [2014)

Here is filmic perfection.

God damn!

Fucking hell!

Excuse my Tourette’s outburst.

But it’s like a geyser.

Because this film really, really (REALLY) got me!

[the boy who cries wolf must get ever more creative]

Wolf!

A big, bad, beautiful wolf here…

I had no idea coming into this film–what I was getting into.

No idea about country of origin.

Or province.

No idea about actors or director.

No idea about language.

Or subtitles.

Just the least thumbnail sketch of plot.

But other than that.

Nothing.

Rien.

In French it’s shorter.

Nothing is even less of a thing in French.

By three letters.

An economy of means.

And that serves as as good a point as any (whew!) at which (yikes!) to start talking about this MASTERPIECE MASTERPIECE MASTERPIECE.

Because I don’t have to get drunk.

I don’t drink.

I don’t have to get high.

I only take my boring medications.

As prescribed.

But you know what really lights my fuse?

Cinema.

And love.

And love when it is cinematic.

And hope.

Optimism.

The hope of love.

The promise of love (however distant the possibility) when it is expressed cinematically.

In a film I feel like I’m the only one watching.

So i must first [sic] thank the universe for Julianne Côté.

As Borat would say, wah-wah-way-woe!

For nerds like me.

That little in-between haircut.

But fuck it…

Hair doesn’t matter.

It’s soul.

It’s shining through.

Ms. Côté is a very attractive girl.

But not in the meretricious sense.

That is left to the less-than-sterling character played by Catherine St-Laurent (who’s also great in this film).

Every film needs a villain.

Frenemies!

As the singularly-poetic Liam Gallagher once penned (and sang):

“You could be my enemy/I guess there’s still time”

Yeah…

But we need to get back to Julianne Côté.

Because she changed my DNA with this film.

She wrecked me (as Tom Petty might have said).

She took my soul and balled it up like dough and made gingerbread men out of it.

[ok, that’s stretching it…]

Because Catherine St-Laurent is the magazine cover girl.

It’s no accident we see her in a bikini…poolside.

But Ms.Côté just floats on the foam spaghetti.

Submersed.

Weightless.

Her face as beautiful…as the moon.

I MUST STOP HERE TO SAY THAT A GOOD MANY OF MY MORE SUBLIME THOUGHTS JUST DISAPPEARED DUE TO SOME COMPUTER GLITCH

And it is only appropriate.

As Nicole’s life is a grand series of fuck-ups and almosts.

Yes, thanks a fucking lot, WordPress.

And Apple.

You jerks.

Ten minutes of writing down the drain.

Ok, so the milk is spilt.

How to get back on track?

I don’t know where I was.

I spun my loveliest sentences.

Turned my most gossamer phrases.

And hit “Save” ever fucking second.

But it didn’t matter.

So we will go to tech metaphor.

Always fall in love with the typewriter.

Even the electric typewriter (like Histoire(s) du cinéma).

And give Microsoft no quarter.

Granted.

They are, for once, innocent.

The answer is.

There is no getting back.

Not some Thomas Wolfe trip.

But simply to say that nothing I can write will sum up the brilliance of Stéphane Lafleur’s direction.

I am exercising zero hyperbole when I say that THIS IS A PERFECT FILM.

And nothing will ever sum up my admiration (yes, love) for Julianne Côté’s performance.

Nay, for her.

Let’s quote Elton John…

“Someone saved my life tonight…”

Yeah!

Thank you, Julianne!

I will just say Julianne from now on…because my computer doesn’t like diacritical marks 🙂

I’ll say it again a few times.

Tu dors Nicole has changed my perception of film.

Of cinema.

Of what a movie can be.

It’s that good!

It’s that important!

I can’t believe what I just saw… […]

-PD

Fathom [1967)

Stay classy, San Diego.  That’s right…Raquel Welch was indeed a weather forecaster for KFMB in San Diego before she moved to Dallas, Texas in the early 60s.  She was a cocktail waitress at the Cabana Hotel:  the same hotel Jack Ruby visited (multiple times?) the night before J.F.K. was assassinated.

This is the sort of logic which strings together (like a lime-green bikini) the film Fathom.  For those unfamiliar with the visual presence of Welch, this is a good place to start.  Indeed, I feel sympathy for Serapkin (Clive Revill).  He stood no chance up against such an explosive honeypot as Fathom Harvill (Welch).

Ah, but there isn’t much substance here. I mean, this is really a forgettable film on many levels.  And so the best question then becomes, “Did Welch ever cross paths with Ruby or J.F.K.?”

Yes, this film is that bad.  Watching the portion with Welch in the green bikini on loop might be a solution.

So let’s return to the Babushka Lady.  Was it Beverly Oliver?  Carcano or Mauser?

“[Oswald] was employed by the CIA and was obviously drawn into a scapegoat situation and made to believe ultimately that he was penetrating the assassination. And then when the time came, they took the scapegoat—the man who thought he was working for the United States government—and killed him real quick. And then the machinery, disinformation machinery, started turning and they started making a villain out of a man who genuinely was probably a hero.”

–New Orleans D.A. Jim Garrison

And we all know this chestnut [or should]:

“On Wednesday, Nov. 20, 1963, an advertisement under “Club Activities” was published in the Dallas Morning News stating that George Bush, president, Zapata Off-Shore Co., would be speaking for the American Association of Oilwell Drilling contractors at 6:30 p.m., the next day at the Sheraton-Dallas Hotel.

The advertisement places George H. W. Bush in Dallas the day before JFK was assassinated; there is no public record indicating when Bush left Dallas on that trip.

Hoover’s warning

Further, an FBI memo written by J. Edgar Hoover on Nov. 29, 1963, advised that the FBI office in Miami warned the Department of State on Nov. 23, 1963, one day after the assassination, that “some misguided anti-Castro group might capitalize on the present situation and undertake an unauthorized raid against Cuba, believing that the assassination of President John F. Kennedy might herald a change in U.S. policy, which is not true.”

image: http://www.wnd.com/files/2013/09/JFK-photo-GEORGE-H-W-BUSH-cia-memo-1-256×300.jpg

In the last paragraph of the memo, Hoover noted that “Mr. George Bush of the Central Intelligence Agency” furnished the background information contained in the report. Spokesmen for George H.W. Bush have said the reference might be to a different George Bush.”

[credit to Jerome Corsi and World Net Daily]
Read more at http://www.wnd.com/2013/09/did-george-h-w-bush-witness-jfk-assassination/#UrCTKJ6hUSGkQzHC.99

Can you fathom that?  Fathom=six feet.  Under.
-PD