Super Bowl LI [2017)

In what can only be described as an act of God.

force majeure

Almost one-to-one correspondence with U.S. election.

Two of the only celebrities to endorse Trump.

Tom Brady and Bill Belichick.

It wasn’t a popular position.

Unenviable, really.

Like being 25 down.

When the biggest turnaround in 50 years had been 14.

Right?

Well, one thing’s for sure:  the first overtime.

In 51 years, the big game had never needed extra minutes.

Quite simply the best football game I’ve ever seen.

I almost didn’t watch it.

Sure, I liked the underdog Falcons.

But when a team is getting stomped, the tables turn.

Overdog becomes underdog.

Patriots got no shot, right?

It’s over.

Hillary’s our next President.

Might as well not even go to the polls.

But they started chipping.

You’re gonna have to score twice.

And convert two two-point conversions.

[a sentence which only makes sense in America]

It was a sweet victory.

Even with one of the worst companies on Earth (PepsiCo) sponsoring the halftime show.

[headed by the world’s worst CEO:  Indra Nooyi]

And even with Lady Gaga spirit cooking her “heil Hillary” butt off under the aegis of Pepsi.

And even with all the liberal, rubbish commercials.

And especially with the NFL commercial which took a shot at Tom Brady for being a sore loser.

Nice try, NFL.

But you just got owned by a winner.

Fucking hell…

Tom Brady.

So Mr. Brady and Mr. Belichick, thank you for sticking your necks out when you had nothing to gain.

You were pro-Trump.

When the world had their heads up their asses.

And tonight proved what heart and hard work do.

No panic.

Just steady determination.

You don’t win them all.

But you are never in a position to win if you don’t keep on fighting till the very end.

-PD

Stromboli, terra di Dio [1950)

Trying to get over that mountain.

A volcano.

Stumble, fall.

Not meant to be.

In this place.

A sadness of place.

But I’m just a simple fisherman now.

Pulling in tunas.

Folkways.

She’s had it.

Ingrid in her plain pattern dress.

The wind never stops messing with her hair.

And it’s painful just to look around.

Out to sea.

Mario Vitale.  Takes a simple job.

But the town surveils.

So that the empty winds blow like in LAvventura.

On an island.

Ingrid from Sweden playing Karin from Lithuania.

Argentina does not accept her.

And so she marries.

The best option of no options.

But she has her spirit broken.

By tradition.

By dumb muscle.

She’s a little flower crushed by the rock.

But it’s true.

She’s a mean melancholic.  A flailing tuna with one last whip of the tail.

Hoping to return to the ocean.

And she is pricked on all sides.

Hoisted.

And piled with the other creatures lengthwise.

My heart breaks for Ingrid.

Because of Roberto Rossellini.

A new style of filmmaking here.

Similar to his other film of 1950:  Francesco, giullare di Dio.

The flowers of introspection.

Existentialism.

Italy.

And now in Ginostra you might find Jacopo Fedi catching octopi or Marco Nicolosi relaxing.

In real life (away from celebrities), it is hard to make friends.

What Žižek might call “the desert of the real”.

Some turnovers you can eat, others you just have to live with.

 

-PD