Pee-Wee’s Big Adventure [1985)

This movie is kinda like LSD.

Not that I would know.

But from what I hear…

If you come into it with fear and anxiety, it will be a grating, disorienting, annoying experience.  Frightening.

But if you come into it at peace and relaxed, you might just have a wonderful time viewing this movie.

The first third of the film was tense for me.

Everything is tense for me.

Thank God for drugs.

And so the rest of the film was quite charming and (dare I say?) meaningful.

We probably all know the Pee-Wee story…how he got caught whacking off in an adult movie theater.

But everyone deserves a second chance.

Sure, a guy who wakes up in the morning wearing lipstick and rouge might be a little suspect to some, but this whole film is fantasy.

Back to psychedelics…

It’s only appropriate that my old computer has just come down with the trippiest virus I’ve ever seen.

But no matter.

We push on.

Five more days.

Yes, Pee-Wee is like Mr. Bean.

And when Pee-Wee dances, it presages Napoleon Dynamite’s talent show jaw-dropper by some years.

Paul Reubenfeld –> Paul Reubens –> Pee-Wee Herman

In Hollywood, you can be anyone you want to be.

That’s entertainment (as The Jam sang).

But we have to give a shout out to the adorable Elizabeth Daily who plays Dottie.

Madame Ruby only accepts cash…even on a rainy night.

But she also does income tax.

Sure, Pee-Wee looks a little too comfortable in his Audrey-Hepburn-meets-Laverne-&-Shirley frock, but that’s part of his oblivious joy.

Large Marge is, of course, unforgettable.

Diane Salinger is really great as Simone.

With that aching dream to get to France.

I know.  This dream.

I lived it.

And how I’d so like to go back.

“Au revoir, Simone…”

Nothing like sitting on a tongue…watching the sun come up between some teeth.

But then we get my hometown.

San Antonio.

And a lot of it!

Please don’t think we all speak like Jan Hooks 🙂

As an amnesiac, Pee-Wee can recall but one thing:

“Remember the Alamo!”

Yee-Haw!!!

So let’s see…fainting after bike theft (Truffaut) followed by EMS and oxygen?  Check.

Amnesia after being thrown from a bull?  Check.

Hospitalization after riding a Harley through a wooden sign?  Check.

I am remiss to mention that I forgot the appendectomy in Spies Like Us.

These signs that God is looking out for us.

And France.

A story which didn’t resonate during my youth.

But only after I’d fallen in love to Messiaen.

Only after I became Tropic of Cancer.

A duck in Milton Berle’s pants is enough to get Pee-Wee on set at Warner Brothers.

What ensues is truly a zany take on the car chase cliche.

Then Pee-Wee frees the animals at the zoo.  XMAS

And with handfuls of snakes, faints again (trumping Truffaut) before first responders revive him.

Breaking the rules was a way to promotion in the 1980s.

And when it’s couched in playful imagination, it is charming indeed.

When it’s funny.  A farce.  Comedic.

Pee-Wee as bellhop is like Jason Schwartzman’s understudy in The Grand Budapest Hotel.

Director Tim Burton deserves heaping credit for making this an actually timeless film.  It is creative throughout.

It’s really a joy to see.

Just don’t take the brown acid.

-PD

里見八犬伝 [1983)

[LEGEND OF THE EIGHT SAMURAI (1983)]

Woof.  I really got my years mixed up.  Not by much, but a few years in technological terms is quite meaningful nowadays.  And it started really exploding in the 80s.

In some respects we have Japan to thank.  And while we might think strictly of Atari when remembering the techno 80s there were other advances outside of home entertainment.

But yes.  I thought I was watching a movie from 1979.  I misread the box.

I missed the fine print (Made on Mars).

We have previously seen Sonny Chiba as an ass-kicking karate expert, but here the name of the game is swordplay.

Yet that is just the tip of the iceberg.

Really, this film makes my recent proclamation of The Good, The Bad, and The Ugly as being a weird film almost completely meaningless.

THIS is a weird film!

It is weird even when it’s not weird, and when it’s actually weird?  This is some far-out David Icke kind of stuff.

But first a word about the atrocious title.

For all I know there may actually be a story of seven samurai in Japanese history, but the reference (and plot) to eight samurai is to Kurosawa what 14 Minute Abs would be to 15 Minute Abs.  Put differently, “If you liked The Seven Samurai, then you’ll LOVE The Eight Samurai.”  Or, “Purchase admission to Seven Samurai and receive an additional samurai at no extra cost.”

But wait…there’s more!

Director Kenji Fukasaku really had a dodgy band of art directors/set designers to work with.  It’s not that they don’t have the chops…it’s their taste which we question.  And the music supervisor should absolutely be made to sit in the corner and listen to John O’Banion for all eternity.

Plain and simple:  this film is as cheesy as a Velveeta milkshake.  Indeed.  Bottoms up.

And yet, for all of that maudlin naivete it still passes muster as not only a watchable film but (dare I say?) a good film.  Not great, good…

Why?  Mostly the acting.  Yes, amidst this candy store of sugary-sweet special effects and fantasy costumes there are moments of real, inspired acting with actual technical proficiency.

Hiroko Yakushimaru is really pretty good as the princess (always has to be a princess in these kinds of stories).

Hiroyuki Sanada plays what for perceptive Western audiences would be the Han Solo character (though Solo’s precedent is almost certainly in the older, classic samurai films).

Sadly, Sonny Chiba doesn’t really get a chance to shine here.  There are all sorts of ridiculous hand-weapon battles, but not much in the way of empty-fist war ballet.

As with the ubiquitous princess, we also have lots of crystals…glowing crystals.

If it seems I’m making fun of this film, that’s because I am.  But the truth is that I really liked it.

Would I watch it again?  Sober?  Probably not.

But am I disappointed to have sat through it?  Absolutely not.  It was entertaining and, in its own way, touchingly artful.

One last note.  Mari Natsuki is one bad bitch.  Ever wanted to see a smoking-hot undead person (reptilian?) bathe in a pool of blood before lasciviously kissing her grown son?  Me neither.  But I saw it.  And in some strange way my life is richer for having had that experience.  Happy viewing!

-PD