I was alive.
I thought about one way, but took another.
Because the unpredictable had become routine.
We write until we die.
It is a masterpiece from Julien Duvivier.
Jean Gabin is trapped in the Casbah.
Like the digital ghetto known as Facebook.
I didn’t coin the phrase.
But it is not my primary impetus.
It comes secondary.
Pépé from Toulon. It’s been too long.
Not long enough.
Just as Yves Montand dreamed of Pigalle in Le salaire de la peur.
Here Jean Gabin dreams of Le Métro.
Like Baudelaire’s “La Chevelure”…
Gabin inhales the perfume of freedom.
Sick of his life.
Sick of life.
But Fréhel teaches the most poignant lesson.
Mon tabac et mon bistrot du coin?
Tous les jours pour moi c’était dimanche!
Où sont-ils les amis, les copains?”
Where’s my tobacco shop and my corner bistro?
I dreamt of France for ten years. Finally I made it there.
And Paris? I was there for an hour or two. In the back of a van. Gazing out the windows.
And like Fréhel I had my day of glory.
The very name of this website. Pauly Deathwish. My stage name.
And so, for us, a picture from our youth becomes a mirror.
And we wind the phonograph like the engine of a Ford Model T (pre-1919).
But I have my memories of Doc.
Of the thatched roof.
I thought only Debussy hung the moon.
But it was also dear Ravel who made the birds sing and the flowers bloom.
And so perhaps Ravel’s Piano Concerto…middle movement…in the hands of Arturo Benedetti Michelangeli.
Perhaps this is my “Où Est–il Donc?”
Algiers. Alger. Algeria. Kabyle.
ⵟⴰⴳⴷⵓⴷⴰ ⵜⴰⵎⴻⴳⴷⴰⵢⵜ ⵜⴰⵖⴻⵔⴼⴰⵏⵜ ⵜⴰⵣⵣⴰⵢⵔⵉⵜ
Berber or Tamazight in the Maghreb.
Yes, there are no English words to sum up the emotion I have for this film.
The secret of the world can be found in French films.