Twin Peaks “Realization Time” [1990)

Always apologize to the authorities.

What the French call cache-cache.

There are two great series of propaganda of which I’m aware.

One is the James Bond franchise.

The other is Twin Peaks.

External intelligence (I/O).

Internal intelligence (RB).

I/O (:OT)

RB (SW:)

I might suck at chess, but so did Napoleon.

Admitting one does not really understand does not have to lead to abject sellout.

Certain information is classified for a reason.

It was hard to come by.

It does not exist in an open source.

And so I try real hard to imagine an honorable employee of the CIA.

Maybe somebody like “Buzzy” Krongard who forgets to unpack a couple of Walther PPKs from his overnight bag before heading to the airport.

Oops…

Could happen to the best of us.

But why A.B.?

Why the lapse??

9/11:  where are they now???

When we imagine external intelligence, we might think of a world completely ruled by consequentialism and Realpolitik.

We like to think of Daniel Craig.  Sean Connery.  Roger Moore.

We like to think of our operatives as protectors.

But my guess is they perform some of the ugliest jobs on the planet.

For the state!

The dear, sweet NSA knows every book I’ve bought (unless I paid cash).

Knows my library withdrawals.

So I might as well cite Burckhardt.

The State as a Work of Art.

Seems pretty self-explanatory (if fanciful).

But German can be slippery.

And so we come to,

War as a Work of Art.

The “dilettante” Machiavelli gets the usual translation (Art of War), but not Burckhardt.

Not in my edition.

1958.

Imagination lets me conceive of a good FBI agent.

Like Coleen Rowley.

Robert Wright.

These, perhaps, are the forward projections of Special Agent Dale Cooper.

But let’s get deeper.

The turf war.

Two agencies of the same government.

Working at cross purposes.

I can easily imagine a unique relationship.

You don’t investigate our wholesale illegal activities,

and we don’t disappear your agents.

So that the CIA is beyond the law.

Perhaps it must be that way.  Beethoven might even resign it.

But it is naïve to think of the FBI as merely an investigative entity.

They too get creative.

In Twin Peaks we have an honorable man.  One of the best and brightest.

Dale Cooper.

Doing a job.  Innocent as a dove, but wise as a serpent.

When dealing with Log Lady, one gets crosswise with Elf Power and Stereolab.

Ending up, Gus the Mynah Bird with the Candy Bar Head.

There is an information hierarchy.

Pertinent to all forms of intelligence gathering and interpretation.

Data–>Info–>Knowledge (–> Wisdom)

The final stage is not optional, but it is elusive.

It is the most valuable.

It’s the part that says, “Hey, CIA man (or woman)…don’t take The Fugs too seriously.”

It’s also the fine line between bravery and stupidity (practically the same phenomenon) which inspires Sherilyn Fenn to smoke a fag in the closet.  [Err…]

Nothing to lose.  Fearless.

And what if such fire is married to morals?  Ethics?

We’re no saints, but we do a lot of selfless stuff.

And yet we spout our shit and muck up the mission of consummate professionals.

Differing perspectives.

Two meanings of intelligence.

We don’t have the intelligence (because we are civilian nobodies…combing the net for OSINT).

But we have intelligence.

It may not be Ivy League.

But it’s relentless.

 

-PD

The 39 Steps [1935)

Oh, to be a spy.  At once the dream of the adventurous and the curse of the actualized.  Why?  Why does Robert Donat let Annabella Smith come home with him from the music hall???  Perhaps it is her allure…  Her strange foreign accent.  Once you take the first step, the case collapses to become a chute…a slide.

Perhaps Richard Hannay (Robert Donat) was simply curious.  We know how the cat ended behaving thusly…

Perhaps Hannay was horny?  It was, after all, 1935…things were lightening up a bit.  No Tinder, but still…one might luck out at the music hall.

Well, Hannay has the misfortune of true cloak and dagger.  Annabella Smith…Hannay asks if she’s ever heard of persecution mania?  Yes, a good question until she comes stumbling from the kitchen with a knife in her back.

And so Hannay sees her fears materialize before his very eyes.  Sure, she could have stabbed herself in the back, but it’s not bloody likely!  And what’s this?

Her last words…cryptic…and a map of Scotland clutched in her hand.

Hanney has become a believer.  It is that moment when hypothetical (suppose she’s right?) becomes, to a certain extent, proven.

No time to split hairs quibbling…she makes it clear with her last breath:  they killed me and you’re next.

Why trust?  Perhaps the spy becomes tired.  She is, after all, a mercenary in a foreign country.  Yes, she is protecting the Kingdom, but for a price…  Her homeland is elsewhere.

And so an act of transference occurs.  Robert Donat now bears the burden of a secret…a hint of a secret…a trail.

He has a couple of choices.  The decision he makes ends up saving his life, yet it is completely counterintuitive.

He decides to get the hell out of there.  Annabella Smith is dead on the bed.  Hanney makes a deal with the milkman (1935) and creeps off towards the train station.

To Scotland.

Things begin to go very hard for Mr. Hanney.  He is pursued relentlessly.  A daring escape from a train stopped on a bridge brings him eventually to the Scottish moors and the village circled on Annabella’s map.

On the way he must overnight with a farm couple…  The man of the house is an overbearing null…the woman, an angel trapped in an unhappy provincial cage.

This is really the beginning of the James Bond idea.  In 1935, they shared but a kiss.

Now, if you have made it this far you will be spared further spoilers…because that is not the purpose of my site.  This isn’t Cliff’s Notes.

We must talk of the Central Intelligence Agency of the United States.  Perhaps you have noticed the news element of my homepage?  It is really not fair to criticize our CIA…it is too easy.  There can be no doubt as to the difficulty of their work.

As a citizen of the USA I have dreamed of being a secret agent…just as many people do.  It would be a treasonous dream for me to wish employment by the MI6.  I am not British.  So my thoughts have turned now and again to my own country’s external intelligence organization.

Oh, I am too old to be a covert agent…too out of shape to have a fistfight with a Daniel Craig type.

But we remember certain things from our readings.  Wall Street = CIA.  This was Michael Ruppert’s assertion in his excellent book Crossing the Rubicon.  May Mr. Ruppert rest in peace.  No doubt he tried to do the right things during his time on this earth.  It was not until recently that I learned of his death.

Perhaps I began studying business as a roundabout way to court adventure.  There is no doubt that my future is not on Wall Street.  In fact, I don’t see much future at all.

Why?  Because I am like Robert Donat’s character in this film.  I can’t leave well-enough alone.  Killing in self-defense or in the defense of others can be honorable, but stretched to its limits by tenuous connection it eventually becomes murder.  When I read about the leading intelligence agencies of the world, I get the whiff of murder.  I get the scent of those who are “just following orders”…just like those good little Nazi soldiers.

It is this thirst for justice which makes me unemployable.  I know it.

And so I soldier on.  I do my cardio.  I lift my weights.  I study my texts.  I enrich my mind.

I am just a loner with my films.  I would like to contribute, but I was born of no prestigious family.  I don’t speak Dari or Pashto.

There are two camps of which I wish to be part of neither.  Camp one holds that everything America does is just and good. Camp two holds that nothing America does is just nor good.

I do not wish for a clean slate.  It is not possible.  Those who wish for the collapse of society are fools.  They are wishing for their own death and are far too optimistic about the practicality of starting over.

Now, dear film lover…you must be asking what this has to do with The 39 Steps.

Mr. Memory.

Office of Strategic Services.

Office of the Coordinator of Information.

Robert Sherwood.  movie critic.  Vanity Fair.  Dorothy Parker and Robert Benchley.  Algonquin Round Table. Rebecca and Foreign Correspondent.  Hitchcock.  Yes, it is a tenuous link.

Continuing…

Admiral John Godfrey.  “M”

Centre for Spastic Children, Chelsea.

…and finally

William Stephenson (c’est-à-dire) James Bond

the Icelandic orphan

alluded to in Casino Royale (2006)

to wit

British Security Coordination

Camp X (Whitby, Ontario) [the original Farm]

Ian Fleming, Roald Dahl

Rockefeller Center (35th and 36th floors of the International Building)

under the cover of British Passport Control Office

For better or worse, CIA is MI6.  Where does one stop and the other begin?  To what extent is this a private army for the corporate members of the Council on Foreign Relations (Royal Institute of International Affairs)?

Surely we’re all playing by the Chatham House rules here, aren’t we, gents?

-PD