C’est arrivé près de chez vous [1992)

Writing is a healing exercise.

We try.

We do the best we can.

Sometimes we have to laugh at how bad things are.

Nietzsche would say we’ve lost something.

And he’s right.

But still we must laugh.

Because nobody knows the troubles we’ve seen.

Jesus wept.

Jesu swept.

We must laugh because the walls are closing in on us.

Our lives should have turned out so much better.

But let’s be optimistic.

Let us remember the good times.

Times when we sang.

Cinema…CINEMA!!!

Times when we shat and sang.

And shits yet to come.

Future shits.

It is not wrong to count life in such base terms.

When we venture out in the world, we only hope that a pretty girl smiles at us.

It’s like a bunch of flowers.

And so we must smile.

With all the bravery we have.

If you drink, drink.

If you smoke, smoke.

If you do nothing, do nothing.

Life is too very sad.  Doesn’t make.

So very sad.  Oui!

In Belgium, perhaps, they can laugh.

As in my heart song Aaltra.

Always a dark song.  Like Jeanne Dielman.

And here is Tarantino back through the French.

Au contraire!  This film predates all Quentin-directed features.

But not by much.

However, QT had the distribution advantage by a few months.

Seems Man Bites Dog (our film “in English”) beat Reservoir Dogs to market by way of film festivals.

In particular TIFF.

But really this is like a Belgian Pulp Fiction (and so much better than that hunk of shite which was still two years away).

As you might know.

Two directors I can’t stand:

Spielberg and Tarantino.

In that order.

Quentin has some redeeming qualities.

Spielberg very few (if any).

But you might want to know about the film I’m reviewing.

Ultraviolence meets Spinal Tap.

Yes, I know that’s not the full title.

But you probably know what I mean.

Kubrick of A Clockwork Orange meets mockumentary.

If someone had described this film (or any other) on such terms, I wouldn’t have watched it.

So I’m glad I didn’t encounter my own review.

Because C’est arrivé près de chez vous is brilliant.

The camaraderie chez Malou…

Rémy Belvaux supposedly committed suicide in 2006.

But it’s probably just as likely that Bill Gates had him whacked.

God damn it…

André Bonzel hasn’t died (according to English Wikipedia), but neither has he been born.

A precarious situation, that.

But Benoît Poelvoorde is gloriously alive!

Damn it!!!

Is it strip-tease or stripe-ties?

Une Femme est une femme.

We are learning the language.

French speakers English.

And English speakers French.

And Turkish.

And Romanian.

And Farsi.

Allors…

Tarantino has acknowledged his debt.

And so I too apologize to Mr. T.

It’s a sad life.  When you’re 39.

Rest in peace, dear Rémy.

 

-PD