National Treasure [2004)

The funny thing about propaganda…

You don’t realize you’re under its sway…until you’re no longer under its sway 🙂

Ahh…

Like that great song by the Stones.

Just what ARE those lyrics???

But never mind.

Let’s back to the point.

JUST WHAT KIND of propaganda would this be?

It is with every bone of logic in my body that I soberly assess National Treasure to be Masonic propaganda.

Watch it.

Prove me wrong.

Especially from the beginning.

Near the top of the film.

This is OVER THE TOP endorsement of Freemasonry AND of the Knights Templar.

Ok.

So what?

It’s STILL a good film.

A REALLY ENJOYABLE FILM!

And we’re gonna get down to the nuts and bolts of it…

But I just want to point out another thing which had previously escaped me about this flick.

Nicolas Cage is effectively channeling Alex Jones throughout the entirety of this motion picture.

The accent.

The posture.

The wardrobe.

THE MANNERISMS!

I can’t believe I never caught this!!!

So there you have it.

The protagonist (not at all an “anti-hero” in the context of this film) is a “conspiracy theorist”.

But!  BUT!!!

The protagonist also emanates from a clear lineage in thrall to Freemasonry.

You think I’m kidding?

Watch this flick and observe the clear propagandistic tone* re: George Washington and the rest of America’s “founding fathers”.

“At least nine…”

Signers of the Declaration of Independence.

But I fucking love this movie.

Let me get to a very important component right off:  Diane Kruger.

Though she seriously sullied her career by appearing in what might be the worst film ever made (Tarantino’s Inglorious Basterds), Kruger is a goddess of IQ herein.

And her chemistry with Cage is palpable.

Not least, Justin Bartha makes this whole thing quasi-believable.

On its own merits, National Treasure “works”.

Bartha is a lot like Ben Whishaw in the recent Bond films.

A computer geek cast in a very sympathetic light.

And Jon Turteltaub made a pretty fucking great film here.

A lot like a 007 flick!

Witness Cage as he shucks his janitor uniform for a tux.

Straight out of the opening from Goldfinger.

But Benjamin Franklin Gates [Nicolas Cage] is more a “workingman’s” Bond.

A nut job.

A reader.

A NERD!

Yes.

Although Gates tries to use his “Submariner” as collateral to get his $100 bill back, we don’t really believe it.

We don’t for a second believe that Gates wears a Rolex.

Cage yes, Gates no.

Which is one of the ways this film goes off the rails.

For all of Cage’s acting prowess, he comes off more as a “star” than a true nerd.

Unfortunately, that is damaging for the narrative of this picture.

But all-in-all, National Treasure is a film I want to return to time and again.

The story seduces.

For God and country.

The Freemasonry stuff is a little weird.

[ok, a LOT weird]

But it makes us face the facts re: George Washington, et al.

And brings up a tangential and potentially-timely question:

“Is President Trump a Mason?”

I must admit:  I have seen Trump make this hand gesture ABOUT A MILLION FUCKING TIMES!

trumpMason

So what?

In fact…there is AT LEAST another possibility.

Is Trump’s ostentatious display of “Freemason” hand signals a PRETENSE?

In other words, is Trump PRETENDING to be a Freemason??

It’s possible.

But who the fuck really cares???

If George Washington was a Freemason (and he was), then that kinda serves as a cornerstone of expectations (to say the least).

I’m not a Freemason.

I could care less.

Fuck ’em.

But there is an important caveat.

Q:

Was the secrecy of Freemason lodges an essential aspect of communications security leading to victory in the American Revolution?

And what about the French Revolution??

Again, these possibilities seduce.

Suffice it to say, National Treasure can be a strangely enthralling work if viewed through the lens of theory on propaganda films as well as through the kaleidoscopic peephole of current events.

Something certainly seems afoot in the USA.

I am even reluctant to utter its name.

Mostly because I know not what it is.

This new era of the republic.

Trump as President.

Hard-pressed on all sides.

The winner, fair and square.

Elected by the rules of the country.

The Electoral College.

Which rewards the residual “statehood” of lands which chose to join the USA.

At any rate, things seem far from settled.

Indeed, there is a war going on in the United States.

And it is mostly being waged in the realm of “the spectacle”.

President Trump has an OVERWHELMING MAJORITY of the mass media AGAINST HIM.

It is almost comical 🙂

I would liken it to rats having been driven from a burning ship.

Or termites running for cover during a house fire.

Something is off.

Clearly, the media “darling” (that repulsive shell of a human being, Hillary Clinton) did not ascend the throne.

And the owners of the corporate mass media continue to take her defeat VERY POORLY 🙂

Indeed, Trump is positively “mature” compared to the childish response of the U.S mass media.

Which begs the question:  WHAT ARE THEY SO AFRAID OF???

And further:  did an “outsider” REALLY win the White House 12 months ago?

Judging from media reaction, Trump must be a fucking Messiah.

And further judging from the bungling media info warfare, the psychological operations techniques being employed IN CONCERT by the U.S. mass media ARE HOPELESSLY DAFT 🙂

Every time Jim Acosta tries to rip Trump, it just adds fuel to the #MAGA fire.

Every time the White House press corps comes off as a Mormon Tabernacle Choir of homogeneity (anti-Trump in tenor), the “deplorables” who voted Trump in are proven right.

To be quite frank, I would hate to be on the other side.

The U.S. Democratic Party appears to be trying to reinvent the wheel…AND FAILING BADLY 🙂

But let us leave the chisel of disingenuous chiselers behind for the time being.

Merry Christmas.

May you know joy.

May the Lord Jesus Christ shine upon you today.

May that grace which surpasses all understanding soothe your heart and uplift your spirit.

May a twinkle of love float lightly into your life tonight.

And may it bloom into charity and generosity forevermore.

 

-PD

 

The Host [2013)

Science fiction is often a metaphor…and this movie is about the national security state (whether it knows it or not).  It would be easy to fault this film for its trite trappings, but if one has reason to give the film a chance…  My reason was Saoirse Ronan.

I remember being a big fan of Thora Birch after seeing Ghost World.  [I’m still a big fan.]  The lengths to which film fans go to see their favorite players is sometimes remarkable.  My admiration went so far as to watch Dungeons & Dragons (2000).  Boy, I wish I could get those 107 minutes back!

I can’t echo the same sentiment about The Host.  This is truly a fine film.  Granted, it is a pale imitation of Hanna (2011), but I believe that Hanna will stand as one of the best films of all time.

What we do have is a dystopian “failure to communicate.”  This is essentially the problem with the national security state.  No reasonable person can seriously believe that the men and women of the CIA, NSA, and other such agencies are truly sitting around frying up babies on spits.  The problem is that the technology has far outstripped the human skills of these agencies.  For every action which is automated–every process given over to a computer…these agencies lose the war they think they are winning.

When agencies such as MI6 and Mossad no longer have popular support, their days are numbered.  The American intelligence community has failed to recognize that the war is not against “terrorists,” but rather for Americans.  “Hearts and minds” went the old phrase…  The world’s most powerful intelligence agencies are losing the human relations race almost as much as they are losing the information race.

Every once in a while there is a crack in this monolithic façade.  Not so long ago, Zbigniew Brzezinski (perhaps inadvertently) blurted out the real score of both the information and interpersonal communications races during a speech in Canada (Toronto, I believe).  It may have been a Council on Foreign Relations function, but really:  who cares?  The sentiment was echoed on the floor of Congress some years back by Hillary Clinton.  Whether explicit or not, these cracks indicate the panic of highly intelligent and heavily-invested players on the world stage.

Technology brings with it a certain uncertainty:  an undefinable amount of risk.  The same can be said of democracy.  It is no wonder that certain American Founding Fathers (Alexander Hamilton, for instance) felt ill at ease about the prospect of “government by the people.”  But this fear only shows weakness.  When power is fearful, power shows its ass.  Obverse and reverse.  We are used to seeing the obverse, but we must remember there is a man behind that wizard curtain.

Diane Kruger impressed me with her articulate acting in the National Treasure movies.  Here, she represents the sheen of the national security state.  She is like Shannon Bream on FOX News:  a neocon trophy anchor.  In truth, her character is staged in almost an identical way as that of Cate Blanchett in Hanna.  The accoutrements of power in The Host also have a ubiquitous and literal sheen in the form of mirrored-paint (chrome).  It is not far from the cheese factor of Sphere (1998).

Yet, The Host truly does have something to offer…and that is primarily due to the acting prowess of Ronan.  The major addition is the superb support of William Hurt.  In his character “Jeb” we see the dreamer mentality of American ingenuity which stretches back at least to Benjamin Franklin.  We also see in Hurt’s depiction the presence of John Wayne and other noble examples of simple morality from the American western genre of film.  What is really at issue is consequentialist morality vs. deontological morality.  Consequentialists (such as the rational aliens of our film) would argue that their ends justify their means.  Deontological circumspection (as in the case of Hurt’s character) holds that certain acts are repulsive in and of themselves (ontology) and therefore to be considered in such light.

Hurt’s character goes against the grain (Huysmans, anyone?) by refusing to kill the alien which has occupied the body of his niece.  His hunch turns out to be right:  his niece is still alive somewhere deep down inside there.  In Hurt’s character and his milieu we see the “prepper” mentality which has remained strong in America, but most of all we see the imagination to think conceptually.  Uncle Jeb is the only one to give credence to the thought which those around him spurn.  It is possible.

Much has been made about the American intelligence community’s “failure of imagination” regarding 9/11 all those many years ago, but I believe that’s rubbish.  However, the only way the U.S. will ever heal and move forward in an evolutionary way is for those “in the know” to come forward in numbers and ways heretofore unseen.  Likewise, those upset with even the most senior of the military-industrialists must be prepared to embrace the unique wisdom they have.  It is hard to talk about such things in precise terms owing to the nature of the dispute, but ultimately the powerful and the powerless need each other.

-PD