Elliott Gould improved.

I dished it out pretty severely concerning his first go at hosting this show, but he was much better here.

I suppose part of the lesson was to stay out of the way of The Not Ready For Prime Time Players.

But also, there’s just something unique about the format of this show (especially when it is/was done live).

First things first, however.  I forgot to mention a very important part of the preceding episode.  Gilda Radner’s turn as Baba Wawa (Barbara Walters) in conversation with Lina Wertmüller was high humor indeed.  So, yes:  a reason to back up one to episode 21.

Pushing ahead…

The highlights here are mostly thanks to John Belushi.

His performance as William Shatner in a Star Trek parody is pretty remarkable (though Chevy Chase as Spock really cracks me up).

Second, the employment of The Bees (a long-running gag on SNL) to populate a parody of The Honeymooners television show is also rather stellar.  Belushi takes the part of Ralph Kramden (Jackie Gleason’s old role) and does quite well.

But the singular aspect of this episode is the skit involving U.S. diplomacy in Ghana.  In particular, it stars Laraine Newman as Shirley Temple (aka Shirley Temple Black [aka U.S. Ambassador {to Ghana} Black]).  She was ambassador from 1974-1976.  The skit pokes fun at the idea that a former child star (Temple) could make a substantive difference in such a conflicted country.

Shirley Temple Black would go on to be the U.S. Ambassador to Czechoslovakia from 1989-1992.

What is less-clear is the role which the supporting cast plays in the aforementioned skit.

Acheampong?  I don’t know.  My ears were not quick enough.

But I know one thing…

Like the Lina Wertmüller skit from the previous episode, this was an attempt at far-reaching humor.  In retrospect, it is very valuable indeed.  I wish I could give a more cogent breakdown on the Ghana feature.

But at least I can tell you that musical guest Leon Redbone (himself also returning to the show for a second time in this Season #1) is excellent as one might expect.  He is, incidentally, joined on the tuba (as he was the first appearance) by Jonathan Dorn.  The combination is quite nice…just a parlor guitar and that New Orleans low end.

Less convincing is the supplementary musical act (in addition to Redbone’s two songs) Harlan Collins and Joyce Everson.  To be fair, Mr. Collins gets off to a bit of a shaky start with some of his acrobatic falsetto jumps.  Ms. Everson, on the other hand, is both poised with pristine singing and exquisite beauty.  My main complaint is the song.  It’s just not very good.  It only exacerbates the situation when Howard Shore is wanking on soprano sax for a large chunk of the song (and he is).

On the other hand, the extra musical act means less of Elliott Gould.  That’s a good thing (even though he had tweaked his game since attempt #1 [Episode 9]).  All in all, not a bad showing.

 

-PD