Fargo [1996)

America is getting crazy.

Perhaps we’ve always been crazy.

But it seems like people are flipping out for a multitude of reasons.

Life is unpredictable.

We can only plan so much.

And then random events impress themselves upon us.

In America we had pre-election stress.

Very immense.

And now we have post-election stress.

Perhaps one half of the country was more stressed before, and the other half is more stressed now.

But the side which is stressed now (the losing side) is really pissed off.

And they are baiting.  With night crawlers.

And racing.  With illogic.

It’s a sort of contagion one must be removed from often in order just to survive.

This tension, as it turns out, is aptly symbolized by the film Fargo.

I have never reviewed a Coen brothers film on here till now.

And this is a good one.

I hesitate to call it great.

It’s a little too self-conscious to be great.

But it is a compelling watch nonetheless.

Our director is Joel Coen.  Ethan was producing.

1987.

A tangled web woven by a rather mundane fellow named Jerry Lundegaard.

Up in the Scandinavian north of the USA.

A piece of shit towing a piece of shit.

Fargo, North Dakota.

It’s a sad story.

But funny in its idiosyncrasies.

The everyday life of the Dakotas.

Minnesota.  Iota.

It’s edgy.

Murders.

But in steps the marvelous Frances McDormand.

Such a humanizing presence here.

To draw out “funny-looking”…just “funny-looking”…other than being uncircumcised?

Steve Park is excellent as Mike Yanagita…with a Minnesota accent.

We don’t think of these things as possible.

Down here in Texas.

Like getting cut shaving.

Ouch.

And then a Paul Bunyan axe.

But the bizarre calmness of William H. Macy might take the cake.

Calm until the very end.

Perhaps we would call it bourgeois denial.

And so perhaps panic is natural.

When we see a complete lack of panic replaced by the Nile.

“Funny-looking” comes back.

In several feet of snow.

It might get cold tomorrow (!)…front blowing in.

One socked foot.  Like a periscope.

The sweetest thing is the romance between McDormand and John Carroll Lynch.

At the buffet.  Smorgasbord.  The Swedish meatballs.  Watching TV in bed.

Every night.

And waking up together, every morning.

It is quaint.

It is America.

It is the electoral college.

You have 50 states to which you must appeal.  Convincingly.

Buscemi is pretty priceless.

Foulmouthed small-time criminal…in over his head pretty quick.

Peter Stormare, as it turns out, is actually Swedish.

And taciturn.

And of course we can’t forget the brief candles of José Feliciano.

Not a masterpiece, but strangely compelling.

 

-PD