Иван Грозный Часть II: Боярский заговор [1958)

[IVAN THE TERRIBLE, PART II:  THE BOYARS’ PLOT (1958)]

заговор.

It gets many people in trouble.

In Stalinist Amerika.

We don’t know what list we’re on.

We don’t know when our identity has been appropriated.

Or misappropriated.

No man can be prepared for such a state of techno-terror.

And so we clap together our stones of flint.

We eat what we have caught.

We waste nothing.

Because we have offended the great dictator.

14 years in the desert ye must wander.

40?  No, fourteen.

This was The Empire Strikes Back.

There would be no Return of the Jedi.

[and certainly none of the other rubbish]

THis was when intercutting between BW and color was bleeding edge.

And only in the hands of Eisenstein did it work.

This was a voice crying out in the wilderness.

Eisenstein the prophet, predicting.

But a voice as cryptic as Shostakovich.

Today.

We might see the propagandists with their unenforceable contracts give the game away in little breadcrumb details.

To let us know that certain “realities” have been faked.

For our benefit.

And it was ever the same.

That Stalin needed a role to play.

That of Ivan IV.

But what he saw in the mirror displeased him.

And so he smashed that mirror.

Seven years of oprichniki.

1947.

Gentlemen do not read each other’s mail.

Houellebecq.  Perec.  Borges.

Finally we get Lithuania.

And Mikhail Zharov with his Elvis eye.

Wasn’t nothing but a hound dog.

An absolutely devastating chess move.

And again.

And again.

Blitzkrieg.

Hansa.  Livonia.

And now the Poles in NATO.

Ah!  …

Always a new wrinkle of literary ingenuity.

Disruptive innovation, gentlemen.

Cheap cheap cheap (funding) ECLIPSE.

<laurels Laurel (MD) laurels CHECK MATE>

I would really like to help you out, but I fear I’m too dumb to do that.

I’m certainly too old.

Because cost accounting must be strictly observed.

And local efficiencies must trump complete conception.

I understand.

It takes many losses to understand the causal mechanism.

The unclaimed coins will indicate our casualties.

And so we finally see that, historically, the CIA has been a crystallization of class warfare.

Operatives, analysts, technicians…were not the dogs of the upper crust.

They were not slaves.

But perhaps now there is a difference.

Not all Harvard grads are created equally.

Epic breaking of the fourth wall.

Brechtian epic.

Identify, friend or foe?

I’m an American.

I like our military.

I respect them.

I like our intelligence professionals.

I look up to them.

I loathe whomever is pulling the really nasty levers.

Whomever is giving the orders.

It’s only natural to look to the top.

And over their shoulders.

Beware of the researchers.

Brothers, do not kill your own.

Sisters, we might not have your erudition and immaculate logic.

Our rhetoric may be daft.

But do not reject us.

 

-PD

Licence to Kill [1989)

It may sound like heresy to say it, but this is the third great James Bond movie up to this point in the series.  Furthermore, it is particularly rich that it came out during the presidency of George H.W. Bush.  The pleasant surprise is that Carey Lowell takes the cake as hottest Bond girl through the first 16 films.  These are controversial claims and allusions.  Buckle up.

1974.  The first great Bond film.  There is no denying the palpable rush of Dr. No–no topping the exotic sensuality of From Russia with Love.  It has less to do with Connery, perhaps the best Bond, than it does with cinema.  The first great James Bond film came under the watchful eye of auteur Guy Hamilton.  He lives.  The Man with the Golden Gun.  Yes, it was a Roger Moore film.  So sue me.

1985.  The second great James Bond film.  Travesty of travesties!  He’s going to name two from the 80s.  Yes, that’s right.  A View to a Kill.  John Glen made an auteurist bid with this flick.  Again with the Roger Moore.  John Glen lives.

1989.  The third perfect Bond film.  John Glen achieves immortality.  Hyperbole.  Hyperbole.  This is to take nothing away from our cherished Guy Hamilton.  He too made more that just Golden Gun.

But let us stretch out a bit…  What makes these three films so strong?  Answer:  the villains.  Christopher Lee.  Christopher Walken.  And Christopher…er, Robert Davi.

George H.W. Bush.  There was a book from 1992 called The Mafia, CIA and George Bush written by Pete Brewton.  That’s back when there was only one George Bush known on the world stage.  Middle initials were unnecessary.  I haven’t read the book in question, but it bears mentioning that I remembered the pithy title mistakenly…as The CIA, Drugs, and George Bush.  There’s more than an Oxford comma’s difference between the two…obviously.

1998 brought the world a book called Dark Alliance: The CIA, the Contras, and the Crack Cocaine Explosion by Gary Webb.  I have not read this book either.

So what, you may be asking, is my fucking point?

Let me note a few poignant books I have read.  9/11 Synthetic Terror:  Made in USA by Webster Griffin Tarpley.  Crossing the Rubicon by Michael Ruppert.  The Big Wedding by Sander Hicks.  9/11 The Big Lie (L’Effroyable imposture) by Thierry Meyssan.  Pentagate also by Meyssan.  The Shadow Government:  9/11 and State Terror by Len Bracken.  The Arch Conspirator also by Bracken.  Body of Secrets by James Bamford.  America’s “War on Terrorism” by Michel Chossudovsky.  The 9/11 Commission Report:  Omissions and Distortions by David Ray Griffin.  The Bilderberg Group by Daniel Estulin.  Inside Job:  Unmasking the 9/11 Conspiracies by Jim Marrs.  The Terror Conspiracy also by Marrs.

If you’re still reading you are likely laughing or transfixed.  And again I can sense the question:  what is the fucking point?

Well, dear reader, it is that I can wholeheartedly agree with Mark Gorton’s reservations regarding George H.W. Bush.  I used to think Dick Cheney was the scariest guy in the world (thanks Mike Ruppert).  Donald Rumsfeld always seemed in the running.  But after reading Gorton’s fastidious research, I concur that the prize should probably go to Poppy Bush.

At wikispooks.com, one can find the following articles by Gorton:

Fifty Years of the Deep State

The Coup of ’63, Part I

and

The Political Dominance of the Cabal

Gorton is not your average conspiracy theorist.  His degrees are from Yale, Stanford, and Harvard (respectively).  His business successes include founding LimeWire and the Tower Research Capital hedge fund.

And that brings us to sex.

Carey Lowell.  With her androgynous hairstyle, she still (because of?) manages to be the hottest Bond girl through the first 16 films.  Sure, Timothy Dalton is great, but Carey Lowell is fan-fucking-tastic.  The message of the establishment is that if you don’t play by the rules, you don’t get the sex cookie.  Carey Lowell is not an establishment actress in this movie.  Her character is the anti-Bond girl in some respects.  For this series, anyway, that’s as good as it gets.  Until Anamaria Marinca is cast alongside (or as) 007, the bar is memorably set by Lowell.  Perhaps as I critically watch the more recent films I will find other Bond girls who truly stand out in a believable way, but Lowell takes the cake through the first 16 films.

Lowell lived in Houston for awhile.  Back to Bush.  Right down the road is the scariest man in the world?  Dear readers…the Internet remains free for only so long.  Soon we may have to get all Bradbury and become book people.  If Carey ever gets tired of Richard Gere, maybe she’ll meet us in the forest.  I’ll be Histoire(s) du cinema.  The book.

-PD