https://open.spotify.com/track/5YYaGYJvAHLJvFI5jEarQC?si=aa737481136046a0
Recommended if you like The Boo Radleys
https://open.spotify.com/track/5YYaGYJvAHLJvFI5jEarQC?si=aa737481136046a0
Recommended if you like The Boo Radleys
Cobra and phases.
Emptying a sampler.
Pierre Henry.
Schaeffer.
Always Flaming Lips.
A twist on bass.
Fridmann.
The church of Michael Ivins’ hair.
Jazz odyssey.
He wrote this.
Straight up.
Bold start to Pauly Deathwish’s 5th album.
Stretching out.
Space jazz.
Squiggle.
Sonic Youth.
Watch for upcoming single.
Cleared.
Glenn Branca.
Bitches brew.
Live eviL.
Mercury Rev.
Grassy.
Hit to death.
John McLaughlin.
Tribute to Jack Johnson.
Steve Gadd slow nerve action.
Hendrix.
Chuckin’.
Television.
Tom and Richard.
Hippies cool at CBGB.
Makeover.
Bowery toughened.
Are you experienced?
Paul Simon never sounded this tough.
Or desperate.
Always too cool.
But the lyrics give him a run.
Into Radiohead.
Another COVID album.
The best.
Pauly Deathwish.
Headlines.
Zeitgeist.
Epstein.
McAfee didn’t uninstall himself.
Charlotte Gainsbourg.
Lady Godiva.
A dentist chair in Florida.
Soros’s scumbag Rubin.
Forgot a fuck.
Not for kids.
Not safe for work.
F-bomb Ferguson.
Plastic Ono.
Primal.
John Paul Jones keys.
Real.
Frustration key of E.
The pitched song.
Godspeed You! Black Emperor.
Remember this connection.
“Montreal Heartbreak”.
Pure perfection.
Repetition.
Bravery.
Transient random-noise.
Hal Blaine on Harvest.
Trying to make it pay.
Hotel to Tango.
Stopped in Oklahoma.
Back when concerts were played in Austins.
Tonight’s the night.
Neil in Ontario.
A Canadian pastiche.
Bowie low.
Cohen Quebec.
Visconti.
The cure.
Ivermectin.
Hydroxychloroquine.
Disintegration.
The only artist to review his own albums.
Because, you know, fuck it!
9/11 will come out.
Everything building to a head.
First Zeppelin album.
Black mountain side.
Jimmy’s eyes glowing magenta.
They tell me he’s evil.
Maybe.
But you gotta know the story of the blues.
I tried to sell my soul to the Devil.
But I am saved by the blood of Jesus Christ.
Jesus protected me.
Satan wasn’t buying.
Down in the basement of the Gunter Hotel.
I tried to sell my soul for the world.
But God didn’t let it happen.
Thinking it was bad enough.
Only through Jesus am I saved.
The worst among sinners.
Trying to gain the whole world.
Willing to forfeit my soul.
God is good.
And I can out-produce Jimmy Page.
Because God is my guide.
I have a dirty mouth.
Mary Magdalene.
Go and sin no more.
We’re in a fucking war.
We gotta put Jesus first.
On the battlefield.
Out greatest stealth.
Delta blues.
Emerald Mound.
Barbecue.
Poor.
Rural.
I don’t know how to make copies.
And my black neighbors don’t know how to use the internet.
Joe Biden can get fucked.
But me, I like women with big tits.
Alex Jones quote.
I relate.
I don’t wanna be a part of this sick cult.
We need God on the battlefield.
Mercy is waiting even for Jimmy Page.
Turn from the evil ways.
Recognize King Jesus.
The sky is crying.
Hound dog.
Muddy.
Wolf.
Flange.
Phase.
Straight Thelonious.
With Coltrane.
Miles.
Pre-electric.
Second jazz tune.
Straight off blues.
The Monk solo.
Dissonant as a motherfucker.
MTHRFCKR.
Acciaccatura.
Who, me?
Carnival.
Honing in.
D.
Watery solo.
Buttholes.
Kuntz.
Is a joke?
Weird Al.
The Residents.
Don Cherry.
Malachi Thompson.
Soprano trombone.
Roland Kirk.
Reeded brass.
Klang.
Straight jazz.
Philly Jo.
Watch for first cover.
Unpredictable.
Mercury Rev.
John Peel.
Straight into a QAnon song.
Reggae.
Durham.
CodemonkeyZ.
Flynn, in fact, did not go to jail.
Spy dub.
Bob Marley gets all conspiratorial.
Haiti.
Obama gets arrested at his own birthday party.
Strzok blocked on Twitter.
Army Counterintelligence.
A bunch of cunts?
Not Seth Keshel.
The real deal.
Tony Shaffer.
Counterterrorism.
Will the FBI be shut down?
Department of Justice is the very heart of the Deep State.
Rosenstein is linchpin.
Bill Barr was miss.
Cymbals Eat Guitars.
Each given a chance.
Lou Reed.
Rollerskate Skinny.
Music like this hasn’t been made in 30 years.
Bowie would be proud.
The debris from the Nirvana signing.
The truly good bands.
Some Boo Radleys here.
Gorky’s Zygotic Mynci.
Beach Boys.
Good production.
Lee “Scratch”.
Black (Oak) Ark.
A disgusting record collection.
Mildew.
Lovingly preserved in filth.
Vinyl still good.
Cop shoot cop.
Strong statement against Antifa.
Dylan.
This guy is bold.
Deserter’s.
Amy Helm?
Rambo.
J. Spaceman.
Jack Fate.
Dylan tongue cheek.
Summer 2020.
BLM.
Only person to listen to this.
Pet Sounds.
Bellingham.
Fredonia.
SUNY.
Boces.
Wanker jazz.
Deep.
Boys peeling.
Give the anarchist a cigarette.
This is a fucked up record.
Calling David Lynch.
Gonna be hard for the Left to write off this guy.
Paradigm shift.
This dude troublemaker.
Name fits.
Trail of dead.
We know you, but do you know us?
Debord, eh?
Capitalism!
Soundgarden.
Chossudovsky.
Deep Pieczenik research.
9/11.
Space Force.
Satellites.
Leonardo.
NRO.
NGA.
And the beloved NSA.
More accurately: CYBERCOM.
Not yet split?
Nakasone double duty?
Architecture?
Who could bring down?
Two QAnon songs in a row.
Beatles.
White Album.
Magical Mystery.
Macca bass line.
Welcome to the revolution.
Sgt. Pepper.
Euros Childs.
Megan Childs.
Gorwel Owen.
Beautiful breakdown.
Bert Williams.
Good shit!
The jazz and blues build up into rock and roll.
Conspiracy songs.
Fort Meade on repeat.
780thC.
Army G2.
Cheyenne Mountain Alerts.
Air Force Cyber.
MARSOC.
Strobo.
Marquee Moon.
Big Pink.
Rhythm of the saints.
Tuatara.
Crime podcast.
Tettix Wave Accumulator?
The Supremes.
Berry Gordy trippin’ balls.
A Lisbeth Salander ballad.
Noomi Rapace.
FBI + CIA.
Both worthless.
But serves to delineate.
Interior and exterior.
Intel romance.
Smarter than Strzok and Page.
Richard Lloyd.
Too fucked up to catch Velvets.
I hear you.
It’s a bitch.
Rick Danko.
Thom Yorke knob twiddler.
Eno in Roxy.
Bogart.
The big sleep date.
Noir and chill.
Mulholland.
Breathless.
The harder they fall.
Shoot the piano player.
Doug Sahm.
We are here in San Antonio.
We are making the best of it.
Driving around.
Eating ZZ Top nachos.
Beer drinkers and hell raisers.
A real jalapeno.
Australia to steam like teapot.
Last song.
Spiritualized?
Joshua Tree.
Bono.
Epic.
Adam Clayton.
Comes with new iPhone.
An anthem like U2 ain’t written for a bit.
This is Dublin territory.
Sexy God believers.
Cigarette.
Irish whiskey.
A Guinness.
Cloves.
The wraparounds.
Luna.
My heroes.
Sterling Morrison.
And Jack Nitzsche.
But Bono can sing opera.
A good dude.
Needs to drop the carbon bullshit.
Global warming is giant fucking hoax.
Just like COVID.
The Edge knows.
Grow some balls.
Stop kissing the Pope’s ass.
This commie Pope is a fucker.
Jesuit dipshit.
Epic lift.
Pauly can play guitar!
Fucking hell!!!
Album builds up to last song.
Even last song builds up.
Fucking brilliant.
Glitch.
iTunes.
Spotify.
-PD
Wikipedia generally gives a nice overview of some of these early Saturday Night Live episodes, but not in this case.
Even so, that’s alright.
We’ll make do.
It might be enough to focus on the divide between droll host Dick Cavett (his pitch for “his” Nebraska Pimp book as part of “Looks on Books” kinda sums it up) and impassioned musical guest Jimmy Cliff.
Cavett is that sort of personality that everyone likes. Always a warm smile. A wry smile, perhaps. A smart guy, but not too smart. Cavett was, in some ways, in the exact middle of the cultural road.
He was just hip enough to be marginally “with it” in a revolutionary era (witness the Weekend Update attempts to cover “war-torn” Luanda, Angola) steaming with frustration.
And so the natural way to play off his image is to have him do risqué things. For example, the skit “Our Town” substitutes New York City for the Grover’s Corners of playwright Thornton Wilder.
Cavett describes the more prurient details of NYC. At one point, it is fairly obvious that he is describing the old Times Square full of sex shops and massage parlors. As always, the exercise of watching this show gives us an opportunity to reflect on days gone by. For example, this must have been around the time of a sanitation workers strike in the Big Apple.
[Speaking of Big Apple, the home movie sent in by someone (whose name I have forgotten) makes nice use of apples (and plums) as actors in a stop-motion Super-8 experiment.]
But yes…Dick Cavett is kind of like a bathroom sanitizer. You’re glad he’s there (when the place is sullied), but he is generally harmless and flavorless.
What is staggering about this episode is that I remember a friend from college who (on second thought) reminds me quite a bit of Cavett. The craziest part is that Jimmy Cliff does a song in this episode which played a part in my college days (funny enough, in relation to the aforementioned gentleman).
It’s funny how the mundane can make us sentimental. However, Jimmy Cliff is not at all himself mundane on the song in question: “Many Rivers to Cross”.
Jimmy Cliff couldn’t be more different in persona from Dick Cavett. Cliff delivers the first great, desperate performance in SNL history. Sure, Simon & Garfunkel were great in the early season, but they were pretty…composed…easily poised.
On “Many Rivers to Cross” Jimmy Cliff sings like his life depends on it. The guitars are out of tune. The drummer is barely in control of the song. A bongo player (who alternates on timbales…with brushes) adds a bit of flavor. The SNL horns (Howard Shore’s band) add some nice stabs and swells of excitement.
But it is Jimmy Cliff. Singing right in tune. Dead serious. Pinging each note in absolute perfection.
Closing his eyes. Lifting his head back. Singing so the veins bulge out in his neck. …ending the performance out of breath.
Cliff absolutely deserved to perform the three songs he did on this episode. However, neither of the other two match the intensity of “Many Rivers to Cross”.
And so it takes me back.
These memories I mentioned. They’re important to me.
If I’d only chosen to have my taxes done by H. & L. Brock…I coulda been a contenda.
How do we become losers?
Is it from the very first hand we’re dealt?
Some things feel like a lost cause.
Life is unkind. Sometimes.
But what I want to know is…will it pay off?
Jimmy Cliff was ready when the opportunity arose.
How significant was this performance for the acceptance of reggae in America?
It doesn’t matter.
Those questions don’t matter.
What matters is what each one of us feels…in little moments of reflection.
I’d like to think that I’d belt it out just like Jimmy Cliff.
That’s when you give it all you have.
It’s when your passion raises you head and shoulders above the rest.
It’s a passion. A hunger. Of going from nothing to something.
I think quite a few of us feel like nothings.
It’s all we ever get to be.
We’re behind.
I can only speak for myself.
No wife. No kids.
In school for the millionth time.
And my dreams seem light years away…in the rearview mirror.
Will I find them again down the road?
Is this a loop? A mere episode?
-PD