Taxi “Bobby’s Acting Career” [1978)

The trademark of these early Taxi episodes is tragicomedy.

We get a laugh, but something makes us think.

It should come as no surprise that artists are naturally inclined to tell their own stories.

Put another way, artists are quite comfortable describing the artist life.

And that is essentially what we have here.

Bobby (Jeff Conaway) is approaching a self-imposed impasse.

Hollywood or bust!  [Or in this case, Broadway or bust.]

Three years.

Reminds me of David Bowie’s haunting “Five Years” (the lead track from the Ziggy Stardust album).

That’s all we’ve got.

For Bobby, it’s three years.

Well, I have to say that it’s one of those plotlines that really got to me.

I can really relate.

I never set quite a quantified limit for myself, but by a similar mechanism I have found myself in my current situation.

Bobby wants to be an actor.  I wanted to be a musician.

I spent about 10 years getting to the professional level.

After four years, my dreams came crashing down around me (to quote Danny DeVito’s line from this episode).

Yeah, so I started anew.  Business school.  Wow, what a change!

But there’s something else about this episode.

Bobby’s last day.

He’s waiting for a call.  He gets turned down.

He auditions for a commercial.  He gets turned down.

Till the very end, Bobby is out hustling to beat the deadline.

And in the end he is surrounded by his friends.

The phone has to ring before midnight.

He needs that validation.  That outside validation.  That unequivocal measure of progress.  Being paid to do what he loves.

And so the group sits around the phone.  Each imploring it to “Ring!  Ring!” (while Latka chimes in with an urgent “Blop!  Blop!”).

Andy Kaufman doesn’t get much of a chance to shine here, but that’s alright:  this was Jeff Conaway’s episode.

Mr. Conaway is no longer with us.  But you know what?  He made it!  He was on Taxi.  Here I am all these years later watching this show with rapt attention.

But back to that artist’s life.

To quote Tom Petty, “The waiting is the hardest part.”

Yeah.  It reminds me of one of the greatest books I ever read:  Waiting Period by Hubert Selby, Jr.

If you were reading yesterday, you know that I made a decision to seek help for my depression.

But there were no appointments available today.

Fortunately I go tomorrow.

Funny how that is a cause of anxiety.

I’m scared.

Well, anyway…

I hope to be back with you all soon.

Keep your dreams!  Dream baby dream!

 

-PD

Taxi “Like Father, Like Daughter” [1978)

For those of us who, like me, can’t get enough of Andy Kaufman there is (mercifully) Taxi.

In my readings about Andy it came to my attention that Kaufman didn’t particularly like being on the show.

I can see where he was coming from (I think).  The show must have felt awfully restrictive for such a vast personality like him.

But this is where America at large got to know Andy Kaufman.  Taxi.  And so we shall start (or continue) here.

Andy’s appearances on Saturday Night Live (from its very inception) were inspiring performances which predated his new steady gig as Latka Gravas on Taxi by about three years.

But let’s let everyone get into the act here.

Judd Hirsch:  What a presence!  This guy…  You just immediately like him.  He’s unassuming.  He has a kind face–kind mannerisms.  And so he is, somewhat like Jerry Seinfeld on Seinfeld, the focal point of the show.  Kaufman might be the star for weirdos like me, but Hirsch was no doubt the star for the masses.  What an impressive acting job in this the pilot episode!

Danny DeVito:  Still going strong…the little man in the cage was a classic in his day.  What vigor!  What vitriol!  Yeah, it gave the nation (America) a little taste of New York City life.  Five-feet-tall in platform shoes and he doesn’t take attitude from anyone.  What a scrapper!  What an actor!!

Marilu Henner:  She doesn’t get a chance to do very much acting in the pilot, but I must say:  what a beauty!!!  I had forgotten.  It had never crossed my mind.  In retrospect, she is a revelation.  Kudos to casting for finding such a star!!!  [It should be pointed out that her character is named Elaine (a name picked up later for Seinfeld‘s main female role).]

Tony Danza:  Hey!  Ho!!!  But seriously, really a great role for Danza.  The stereotype would be lifted by the television show Friends later on for their character Joey (played by Matt LeBlanc).  Watch Taxi for the original article.

Jeff Conaway:  The late Mr. Conaway was perfect as Bobby Wheeler.  His “magical” phone call to Sir Laurence Olivier is priceless!!  Conaway helps set the era with his open-chested polyester (?) shirt.  He almost looks like Peter Frampton in this opening episode.

Those were the major players in this pilot episode.  AND we can’t forget the stunning Talia Balsam (who plays Alex’s daughter).

But the real focus is Latka.  For me.  That’s the real focus.

Latka doesn’t have a lot of lines, but he has at least one classic bit:  his effort to flirt with Marilu Henner.

Latka’s pickup line is simply, “Bed?”

Not bad from a guy learning English out of a Berlitz travel guide.

And so our dear little hero Mr. Gravas struggles with some phrases about chambermaids and such.  Fortunately Alex (Judd Hirsch) is helping him with English.  Useful phrases like, “Hold on a minute while I use the can.”  [Or something like that.]

And so we must thank the creators of Taxi for getting Kaufman on the show.  Thank you to James L. Brooks, Stan Daniels, David Davis, and Ed. Weinberger.  Thank you gentlemen for seeing the talent in Andy Kaufman and giving him a chance to have a lasting body of work.

Or as Andy would say, “Tank you veddy much.”

 

-PD