What a deeply-moving film.
I would like to talk about Tony Gatlif, the director.
You might know him from Latcho Drom.
Or from the Asia Argento film Transylvania.
Let me assure you of one thing.
Djam (known as Journey from Greece in English) is MUCH BETTER than Transylvania.
Which brings me to the crux.
The star, Daphné Patakia (truly a star!), is MUCH MORE TALENTED AND BEAUTIFUL than Asia Argento.
Mark my words.
This young lady is amazing!!!
Which is not to denigrate Asia Argento.
She’s a very good looking lady.
Her film Incompresa (which she directed) is amazing.
But Daphné Patakia is in another league altogether.
Simon Abkarian does a wonderful job here.
Maryne Cayon is indispensable.
But Daphné Patakia sends this film into orbit!
How can I describe it?
Like “the blues”.
Very much like:
Do you remember?
Which brings us back to Greek-French.
Another fantastic actress.
Yes, Djam approaches the artistry of La Vie d’Adèle–Chapitres 1 & 2, but Djam is more special somehow to me.
Sure, there’s some nudity, but not much.
And we feel that this film might go the lesbian route, but instead it goes Lesbos.
It’s hard for me to overstate how important Daphné Patakia is to this film…and to film in general.
Very few actresses have done what she’s done.
It is, in truth, BEYOND our favorites in Hollywood:
Because it is done from left field.
And most related to these brilliant actresses:
And less-so to:
One might even make a comparison to Moran Rosenblatt.
But I think the comparisons to Marinca and Petre are most apt.
Patakia is plumbing some serious depths in Djam.
And doing it with the joie de vivre of Anna Karina in Vivre sa vie.
One senses even a bit of Audrey Hepburn here.
That Funny Face bohemian dance routine.
But mixed with Anna Karina’s famous jukebox strut:
Text can be extracted (if there’s anything worthwhile).
But images moving make it flow.
People want everything all at once.
But sadness can be healed.
When we care for the crazy.
God does not ignore our efforts.
And the world knows and recognizes mental illness.
Reach out a hand and console.
An essential film.