The essence of Twin Peaks is make-believe FBI.
Our main character (arguably) is a Special Agent of the Federal Bureau of Investigation.
He is a shining example of honor. A professional. A vestige of Norman Rockwell’s America.
And before we go crying kitsch and digging up old Soviet propaganda posters in the spirit of Milan Kundera’s distillation (“Soviet kitsch” from Nesnesitelná lehkost bytí), let’s pause for a Mom and apple-pie moment…and a damn good cup of coffee.
Do one nice thing for yourself every day.
Says agent Cooper.
And he’s right.
Fit as a fiddle. Healthy as an apple. A strapping young man. Not to be confused with the boy with the Arab strap.
Lime in the coconut. I knew but I didn’t know.
No, I never spent hours on the beach.
Always a day late and a dollar short.
But we learn.
Attack the attackers.
Neutralize the threat.
While setting Mexican standoff traps to protect all of your resources. Capabilities. Core competencies.
You might just achieve a competitive advantage. And achieve strategic competitiveness.
THis is the meaningless parlance of business.
Leverage without mechanical advantage–without the amplification of force.
And always a metaphorical lever without the equally necessary fulcrum.
Stay with me!
Twin Peaks was the era of VHS. And cassette tapes.
And mixtapes… [Now don’t we miss those?]
Something beautiful about the analog warmth.
Analog to digital and back to analog.
And when the tape would unravel…? Oh well, as long as the tape player is alright 🙂
IT’s really a nasty prank. But Lara Flynn Boyle fits the Nancy Drew role like a reincarnated Bonita Granville.
And James with his Harley-Davidson…by her side. like Sade. Sha-day.
Not as Yoshimi as Saoirse Ronan in Hanna, but I digress.
THe drum-machine universe keeps on boppin’.
Seagrams? AMF? Seeburg? Seberg?
I can remember the magic fingers of Merlin at the Wurlitzer.
That suitably sums up “and Russ Tamblyn as Dr. Jacoby”.
That old television credits ritual. Need a history on that. Stat!
Wigs and fake mustaches. In a little undersized briefcase. Like Lon Chaney.
Walter Olkewicz seems quintessentially from “down the bayou”, but it’s a mashup with QUebecois generalizations…transposed to British Colombia.
Ahh, how my heart years for Bellingham…
[film is truth 24 times a second]
Can’t blame Michael Horse.
The lesson here is, Never wash your hair.
Which is to say, Keith Richards has a method to his madness.
His long life. His longevity.
So much intercutting. Such convergence.
The strands are not tied up, yet we come to a significant knot in a series of many mini-loops.
D’you know what I mean?