Starring Jill Clayburgh!!! Who???
Yeah, kinda like the Jimmy Hoffa Memorial (?) High School.
This is one of those episodes which reminds me that I know a lot more about music than I do about anything else.
Leon Redbone I knew. Had a record of his as a kid. The one with “Sheik of Araby” on it.
But back to Jill Clayburgh.
Twice nominated for the Best Actress Oscar. Ok, see…this brings up my claim to be a film critic.
It’s kinda, “Fake it till you make it.” I know I’m not a realll film critic, but I take pride in what I do. I’m an amateur. It’s a passion. I’m always seeking to learn.
Well, here’s a great opportunity.
The two films for which she got an Oscar nod? An Unmarried Woman (this goes back to the play on words I was discussing in an earlier piece…the French word for woman [femme] being the same as the French word for wife [femme]…hence the wordplay of Godard’s Une Femme est une femme [not to mention Une Femme mariée]) and Starting Over.
Please excuse the momentous interpolation.
That is, An Unmarried Woman and Starting Over. Those career highlights were ahead of Ms. Clayburgh when she hosted Saturday Night Live in 1976.
The auteurs in question were, respectively, Paul Mazursky and Alan J. Pakula (the latter having a surname which is, perhaps, the only conceivable rhyme with Dracula [not counting Blacula]).
Ok, so…apparently this is going to take a lot of parentheses and brackets.
For all of you conspiracy theorists (I usually fall into that category), Clayburgh starred in a 1970 Broadway musical about the Rothschilds (!) called, appropriately, The Rothschilds. The libretto was by Sherman Yellen. No easibly-identified relation to Janet.
The end of 1976 would see her in Silver Streak with Gene Wilder and Richard Pryor.
One further C.V. note: Clayburgh won (in a tie with Isabelle Huppert) Best Actress at Cannes for An Unmarried Woman.
Ok, so that’s who she is. A charming lady. I had no idea who she was. I’m an idiot 🙂
Sadly, Ms. Clayburgh passed away in 2010 after a 20-year battle with leukemia.
Well, she was pretty great in this episode! And I must say…SNL once again reached a new height in intelligent writing with this installment.
One really senses that the writers were toying with the censors. It was dangerous. It’s impressively counterculture.
One of the funniest skits is Clayburgh as guidance counselor Jill Carson (a fictional personage). She is the overly-optimistic crusader for social justice. It is quite a complex, multi-staged piece. John Belushi plays a delinquent whom Carson (Clayburgh) is attempting to rescue from “squalor”.
The opening sequence of the show, however, really sets the tone for what’s to follow. Chevy Chase shows up in Lorne Michaels’ office insistent that the pratfalls and “newsman” stuff should be retired. Chase’s subsequent weave through the studio audience is really priceless. The comedy is just so damned smart!
Speaking of which, we finally get my hero Andy Kaufman back. [On the hero worship scale he’s nowhere approaching Jean-Luc Godard (for me), but he’s definitely the comedic actor who (along with Peter Sellers) most got into my head.]
Well, Kaufman here does another lip-sync piece with immaculately-memorized dialogue. The song is “Old MacDonald Had a Farm” and the special part is Andy in a cowboy hat directing the traffic of four audience participants. It is a sweet piece, and yet it still shows off Andy’s genius as resplendent and unique.
Leon Redbone is really fantastic in his two songs…particularly the first (“Ain’t Misbehavin'”) where he conjures the “me and the radio” loneliness at the heart of a usually-raucous song.
One of the weirdest sequences is a visit by The Idlers (a singing group of the United States Coast Guard Academy). The show’s producer (Michaels) and writers take the opportunity to remind the viewing audience that dolphins are definitely smarter than The Warren Commission. No doubt!
It’s a strange, bold sequence. Chase’s Weekend Update is similarly racy (particularly the bit about the Mattel anatomically-correct male dolls…in white and black…the former $6 and the latter $26.95 or something). Good god…
Most necessary was the political prodding. Michaels begins the show with a photo of Nixon on his desk. By Weekend Update, it is the People’s Republic of China which is pardoning Nixon for Watergate (and Generalissimo Francisco Franco is still dead, of course).
But I must admit my ignorance once again. I had no idea Gary Weis’ (sp?) film featured William Wegman (!)… The dog should have given it away. Duh!
Well, anyway…thanks to Wikipedia for a generally informative blurb about this episode (though I have expanded upon that information quite a bit).
The running series Great Moments In Herstory punctuate this episode at various intervals. Particularly risqué is the Sigmund Freud (Dan Aykroyd) and daughter Anna (Laraine Newman) dream interpretation featuring a titillating banana. A later episode highlights Indira Gandhi and father Jawaharlal Nehru. It is a bit of a clunker…
Walter Williams’ famous Mr. Bill debuted on this episode as part of the solicited home movies from viewers. Williams and Mr. Bill would become a significant part of the show in the coming years.
Once again, this episode is not to be missed. It was an essential step for a show on the rise.
There was a musical about Rothchilds?
You have to forgive me and explain your parenthesis and bracket use. When do you use parenthesis and when do you use brackets?
Yes, The Rothschilds was even nominated for a Tony award in 1970. I use parentheses and brackets in my own idiosyncratic way. Usually, I need to use them when there are a lot of complex details to convey. I save brackets for special occasions. [Like an aside in Shakespeare.] Parentheses I use much more often. However, if I’m inside parentheses and need to express something one level deeper or further removed, then I might use brackets inside the parentheses. It’s just my own way of doing it and I’m not sure if it is “correct”. 🙂 –Paul
Ok, it must be a Pauly’ism. 🙂
Most likely 🙂