Goodbye Connery. Barring an unlikely return to the character after the age of 84, this would seem to be the last of the Eon Productions’ series of Bond films to feature the original actor. I am holding out hope that Connery will team up with fellow octogenarian Jean-Luc Godard and make the 007 picture to end all 007 pictures. No doubt, it would be a disjointed masterpiece and would deflate the mythical secret agent that Connery grew so tired of playing. But I’m not holding my breath on the odds.
What we do have is a brilliant movie. While it’s true that Connery would once more act as Bond in Never Say Never Again, his run in the canon in some ways ends here. I, for one, think he left on a truly high note.
Jill St. John and Lana Wood are both gorgeous in this film. Kudos to casting 🙂
Willard Whyte (a thinly-veiled depiction of Howard Hughes) was actually made possible by Mr. Hughes himself. Howard was friends with producer Albert Broccoli. Hughes’ pull certainly came in handy for the location-filming in Vegas.
Speaking of pull…Sidney (the socks make the man) Korshak has his imprint on this film in several ways. I would imagine his assistance in Las Vegas was immeasurable. He also just so happened to represent St. John. What luck! 😉
Some viewers might give pause (variously) at the first appearance of Plenty O’Toole (Wood). She does make quite a splash.
Guy Hamilton did another fine job as director (previously doing Goldfinger in the series). Seems Hrundi V. Bakshi was “on set” during the oil rig scene. And though the explosives went off prematurely, there were a couple of cameras rolling. (whew)
How can one object to a film that basically starts with the actual Miss World 1953 being strangled topless with her own bikini? Yes, it was a “bit part” for Denise Perrier, but pithy. Pity about the PG version.
Students of architecture will appreciate the Slumber Mortuary with its lozenge-shaped stained-glass window. Good taste is timeless.
And phooey regarding continuity! Car on two wheels passenger side entering the alley? Car on two wheels driver’s side exiting the alley? That is the mystery of cinema. Throw in some jump-cuts and you have Breathless. 🙂