SNL Season 1 Episode 6 [1975)

This one ain’t very good either.

Yikes.

It’s really a cost-cutting episode.

Sure, we don’t mind a replay of a good commercial (like the one for Triopenin).

But to replay an Albert Brooks film?!?  And not even the “surgeon for a day” one???

Ugh.

But the cost cutting didn’t stop there.

Again, there’s not really a musical guest this time.

But I do have to tell you why this episode is worth watching.

Two words.

Lily Tomlin.

She is amazing as the host!!!  What talent!  What pizazz!

Her contributions are all pretty stellar.

But let’s get back to that cost cutting.

Howard Shore was already the band leader.

So to have Howard Shore & the All-Nurse Band as the musical guest is really cheap.  Frugal.  Kinda lame.

I mean, it’s a funny bit to see the cross-dressing band members, but it wears pretty thin pretty quickly.

And Lily Tomlin.

She’s an awesome host.  A fabulous actress!  But do we really want to hear her sing “St. James Infirmary”?  Not particularly.

It’s not that she’s a bad singer.  She’s quite good.  And so is Garrett Morris.  And Gilda Radner.  And Chevy Chase.  And Laraine Newman.

But we don’t tune in to hear them sing.  We tune in to see them work their comedic magic.  [Actually, Lily’s duet with the Muppet known as Scred is quite sweet and heartwarming.]

There is, however, a bit of dilettantism which does work in this episode.

And that is, namely, John Belushi as Beethoven.

It is a classic bit.

Belushi really did have a grasp on what made silent films fantastic.

Facial expressions.

And so Beethoven experiments with a little boogie-woogie.

The anachronism of it all makes us grin.  And those are the skits which are the cream rising to the top of this whole affair.

 

-PD

SNL Season 1 Episode 3 [1975)

From the musical smörgåsbord of episode 2 to the absolute lack of musical guests in episode 3…SNL was a work in progress.  Even the name, Saturday Night, had yet to add the “Live”.

We do, however, get some music thanks to a few unlikely candidates.  The first is host Rob Reiner.  It’s almost as if Rob were goofing on Tony Clifton (in retrospect).  Yes, a pretty decent lounge act by Reiner gives us a swing version of “Blowin’ in the Wind” with Howard Shore and his band backing up.  [Not exactly Arturo Toscanini, Studio 8H’s famous former inhabitant, but pretty competent stuff from Shore.]

John Belushi tops Reiner with an impersonation of Joe Cocker.  It’s really pretty outstanding!

Also in the musical, or dance, category are The Lockers (as in poppin’ and lockin’).  Formed in part by Toni Basil (who would go on to have a hit with “Mickey” in 1982), The Lockers bring that inimitable breakdancing which one might witness (even to this day) on subway cars in New York City.  It really is an astounding art!

And finally, the musical stand-ins are rounded out by one of my heroes Andy Kaufman doing a lip-sync of a very difficult, dialogue-peppered “Pop Goes the Weasel” recording (Roud Folk Song Index number 5249).

Though she appears only a small amount, Penny Marshall adds to the night’s fun festivities (she was Reiner’s wife).

“The Bees,” a running gag through the first three shows, finally score some points as Belushi gives a soliloquy while his slinky antennae list to and fro.  Quite a genius juxtaposition!

We must remember that Al Franken was one of the original writers.

“The Land of Gorch” Muppet sketches continue (a bit I quite like).

But the real highlight of this episode is Albert Brooks’ film on heart surgery (as much as I hate to admit it).  Brooks’ first two contributions to this series were painfully lackluster, but then he pulls the rabbit out of the hat with quite a jaw-dropping bit of humor.

All in all, these episodes are a joy to watch.  What an American treasure!

 

-PD

 

 

SNL Season 1 Episode 1 [1975)

This is more like it.  Man…talk about some good, old days.

George Carlin.  What a sharp, intelligent man.  With his scruffy beard and baby-blue turtleneck.  Except someone has cut off the neck.  Or it’s tucked in.  And then that charcoal suit…(with a vest?)…like he just popped over to Goodwill a few minutes before the show.

The best bit is about baseball in relation to football.  Brilliant standup!

But really we must thank Lorne “Bud” Michaels for pulling this all together.  [watch the end credits and you’ll get the “Bud”]

John Belushi is classic in the first ever sketch as an immigrant learning English by way of ludicrous examples (wolverines, etc.).

But the best bit of all is Andy Kaufman reaching the performance art height of Joseph Beuys in the Mighty Mouse sketch.  It is timeless.  It is watching genius at work.  It is the best television ever.

Billy Preston rocks it will a killer band (bellbottoms and groove), but the surprise is how well Janis Ian’s performances have aged.  What a presence!

There’s some Jim Henson.  Some weird Muppets.

And it’s political.  Carlin is pretty scathing.  It was a different era.

God bless America!  This is when we rocked!!!

 

-PD