Groundhog Day [1993)

Same day.  Really feels surreal.

Disorienting.

Wake up.  Some food.

Tired.  Moving slowly.

Pull yourself together.

And you’re off to see Punxsutawney Phil.

Cassavetes Shadows.

Same day.  But different content.

Learning the subtleties and dimensionality of situations.

You feel dreaming.

Heavy.

And you do your job.  Same as previous.  And the next day.

Will be a carbon copy.

For instance.

You need to do the same thing the next four days in a row.

And maybe, just maybe, it will all work out alright.

And that’s starting from complete mental exhaustion.

Well, that’s how I feel.

About Groundhog Day. 

It’s a damn fine film.

Harold Ramis as director.

But Bill Murray is the star.

He just doesn’t give a fuck.

Starts off as a cross between Ron Burgundy and Dick Tremayne from Twin Peaks.

But he settles into a surly sarcasm which melts faces.

It’s endearing.

Very few can pull it off.

Thora Birch in Ghost World.

Bill Murray here.

And then there’s the lovely Andie MacDowell.

I used to be so in love with her when I was a little kid.

My first celebrity crush (if I remember correctly).

I was just fascinated with her hair.

A perfumed jungle.

Certainly some Baudelaire in there.

Maybe I can’t say anything really enlightening here.

Because I’m really tired.

But I wanted to write.  Needed to write.

And needed the laugh that great comedy provides.

Thank you Bill Murray!

Bill gives freaks like me hope 🙂

 

-PD

 

 

Rozmarné léto [1968)

I’m not going to blow smoke up your ass.

This one starts out slowly.

Too long at the first location.

The river bathhouse.

The dread of boredom begins to creep in.

No girl.  No gun.

Until Jana Preissová makes her first appearance.

It was unbearable.

A rainy summer.

Every day the same as the last.

In a small town.

A closed circle.

But like Fellini, the circus comes to town.

Thank God for the circus.

Cotton candy.  شعر البنات

Is it girl’s hair?  Pink.  A one-piece pajama.

Or a pig.

It is like the sweet words of the beautiful Haneen Elhaj in Bethlehem.

Girl’s hair.

Running on the electricity of a car battery.

Spinning sugary magic.

Sandy stone (when the mirror of translate is turned upon itself).

We want to know literally what Heidegger Derrida was talking about.

And so it only took director Jiří Menzel two years to lose his voice.

It was perfection in ’66.

Ostře sledované vlaky.

That is the cynical view.

But we must realize that Menzel was literally walking a tightrope.

It’s not funny.

It’s not engaging.

It’s slow.

It’s effective.

By the end you see that Fellini is the right reference.

Capricious Summer (our film) bridges the gap between the antics of La Strada and the lovable freak show of local color that would be Amarcord (1973).

But this was 1968.

A very serious year.

The Czech and Slovak (respectively) socialist republics came into being the following year.

We know the legend.

Mai ’68.

All hell broke luce.

Even Cannes was cancelled.

[Cannescelled]

But what is a film festival compared to an invasion?

Before our Capricious Summer was the Prague Spring of 1968.

Lasting well into the summer.

And blooming well before winter had ended.

January 5 – August 21.

Then the invasion.  The Warsaw Pact countries.

Operation Danube.

Romania (and Albania), to their credit, refused to participate.

108 Czechoslovak civilians killed.

Liberalization.  Decentralization.  Democratization.

Like the beautiful Anna.  Fleeting.

Because the circus always has to pack up and leave town.

Our film.

Released May 24.  During the Prague Spring.

Pražské jaro (or jar).

Czech.  Slovak.

The only difference between my bank balance and Bill Gates’.

More zeros at the end.

Infinitely more.

Later these “Springs” would become manufactured (if they weren’t already).

Libya…

We all know about color revolutions…but the Czechs would have a textured revolution in 1989.

From velvet…we could have had the corduroy revolution (ribbed, for her pleasure), silk revolution, cotton (the revolution of our lives)…etc.

The “nonviolent” Prague Spring resulted in the deaths of 96 Soviet soldiers.

84 of them by “accident” (friendly fire?)

and the accidental/”suicide” deaths of 10 Poles.

Apparently none of the Poles died conventionally.

At least the two Bulgar soldiers killed perished from intent.

The four Hungarians all slipped on banana peels in front of Škodas.

This is the tone.

Lola Montès.

Plucking the feathers from chickens.

The chubby wife returns.

Drench the nubile.

Menzel, then, was many months ahead.

Knowing that summer would really begin when autumn usually fell.

Another 20 years before the circus returned.

 

-PD

Bande a part [1964)

I need a word.  Just a word.  A word.  To start it off.  Nothing fits.  Frustration?  Yes, perhaps.  Ferment?  That might work even better.  It is a feeling.  I search for it on the Internet.  I cast my net to the blog sea.  Ahh, Valentine’s Day…  Yesterday.  How I wanted to write, yet I abstained.  Abstinence.  Discipline.  Youthful anarchy.

I needed a word.  As so I sought.  Abandoned, abandonment, abstract expressionism.  No.  Alex Chilton, Anna Karina.  Yes.  After two films she was back.  Here.  Anne Wiazemsky?  No.  We will wait for her at the Tout va bien café.

Art house, arthouse, Astruc?  Yes. Alexandre. camérastylo.  A free-flowing style.  Freewheeling.  Big Star, Bilinda Butcher?  Yes.  Feed me with your kiss.  Do you know how to kiss?  With the tongue?  That’s correct.  You stick your tongue out and I will kiss you on the cheek.

So I found my word?  No.  I found Bob Dylan, Boise, bored to tears.  A phrase.  Bresson.  Wiazemsky.  No, not yet.  But, pickpocket.  Yes.  Money.  A big stack of money!

Broken heart.  Ok, now we are getting somewhere.  And how does a heart break?  Neil?  Love.  CSS.  No, not the computer language.  Language?  We are barely passing English class.  Romeo and Juliet.  Verona.  Valentine’s.  The world’s shittiest Starbucks.  Right by my house.  Trust me.  I’ve been to Starbucks in middle-of-nowhere Arizona…in a fucking Albertson’s.  No, Target.  Maybe Wal-Mart.  No more depressing than the one by my house.  Sure, the buck-toothed high school senior was not much on the eye candy scale, but I am living in the same wasteland.  Neu Mexique.  The place where they tested the bombs.  Long ago.  Trinity.  I have become the destroyer of worlds.

No, the other CSS.  Tired of being sexy.  That one.  And Cary Grant.  Yes, my jacket’s at the dry cleaner…and I don’t have any money…so I won’t take off my coat.  Tou bi or not tou bi contre votre poitrine:  dat iz ze question.  Something like that.  Claude Brasseur.  What a brute!  What a fucking asshole!! !

Chris Bell.  The singer.  The white one.  Yeah.  Dead.  No.  Cinémathèque Française.  O-kay!  Now we are getting somewhere.  But I keep searching.  The English classes are not enough.  Maybe the Chinese will prevail.  Sami Frey is betting Chinese:  5-2.

Cocteau.  Yeah.  We’ll sit in the car and listen to the radio.  No, I’m not allowed to do things like that.  Hey, how old are you anyway!?!  Conlon Nancarrow?  Yes.  And the last time Michel Legrand on the big screen [English broken].

When it should be sad, the jazz kicks up impossibly happy.  Happily.  Hereusement?  I don’t know.  I am on the other side of the pond.

Crying.  Depressed, depression, depress-o-rama.  And then she feeds a tiger.

Doldrums.  No.  The other ones.  Not the horse latitudes.  Ennui.  Yes. She is bored, but she doesn’t know she’s bored…until she’s not bored anymore.  Euros Childs.  No.  Completely inappropriate.

Farfisa.  Maybe.  Pasolini.  Frankenstein.  Rasputin.  Claude Brasseur.  What’s your family name, Arthur?  Rimbaud, like my father.  But he’s dead.  As I pump a bull’s eye into the midway target.  Can I keep my chart?  [Crumples and throws away.]

Leave no traces.  Like the Situationists.  No more poetry.  Arthur Craven.  Shitty family.  It’s no joke.  We need that money.  I was in Indochina.  Don’t fuck with me.  Like Raoul Coutard.

Back to black and white.  Truly a film noir. Série noire .  Gallimard.  Says so at the end.  Dolores Hitchens.

Forlorn.  Ooh!  That’s a good one!  Any catch?  French cinema.  French film?  Harmony Korine.  No.  Later, later.

Henri Langlois.  Yes.  Now we’re back on track.  A name.  We needed a name.  Like Tarantino.  His production company.  Like the car scene with Travolta and Samuel L. Jackson.  Same thing.  They’re talking about nothing.  But they are incredibly rude.  Crude.  Blow a fucker’s brains out.  2.0

But the travesty is that Godard is forgotten in France.  ;that Quentin is cooler than Jean-Luc.  Quel dommage.

Howard Hawks.  To Jean-Luc.  And then who?  David Lynch?  Not very often.  Too many misses.  Same with Harmony Korine.  But those two are as good as it gets now.

Balls.  Giant figurative testicles.  The Madison.  Joseph Beuys balls.  Wolves and coyotes and felt and fat and goldleaf.  Heathen child youthful anarchy.  La Düsseldorf.  Klaus Dinger?  Motorik.

Driving like madmen.  Park on the curb…like Billy the Kid.  Drive on the sidewalk.  The Simca.  Do wheelies…no, donuts.  The mud.  The giant spools for wire.  Tightrope.

Lovelorn.  Ooh!  Nice!!  Lovesick.  Mauricio Kagel.  Yeah, now we’re getting somewhere.  Because, obviously, there’s a smokin’ hot girl out there in blog land into Mauricio Kagel.  Good strategy.

We are Sami Frey, here at Dossier du cinema.  We are Anna Karina.  We are schmucks.  We haven’t learned yet to embrace our inner Claude Brasseurs.

How ’bout that chick?  Yeah, like her!  Except……………….monotony.  Morose?  Yeah, book it!  Nerval.  Hanging from the streetlamp.  Certainly.  Ophüls?  Nothin’.

Psychogeography.  Clichy.  The Louvre in 9:43…surpassing Jimmy Johnson of San Francisco.

AND THE SUBWAY SCENE!!!

Regret, rejection?  Yes.  Print it.  The man sleeping on the sidewalk.  Teddy bear or TNT.  Richard Hell or Richard Lloyd.  Routine.  Buy groceries.  Aunt Victoria.  Like the Queen.  And a big pile of money upstairs with the door unlocked and just a jacket draped over it.  200 million francs perhaps.  In 10,000 franc notes.

Silver screen.  It has to be silver, you fucks!  Spider Man does not qualify.  It has to be Louis Feuillade.  Jurassic Park does not cut it.  Did you see her thighs?  So white.  Black stockings over your heads.  Undo the garters.  It’s like Le Petit soldat all over again, but this time the terrorists are up and walking around.  That’s what terrorists do.  They terrify.  Burglers burgle.  Etc.  No torture…handcuffed to the robinet.

I don’t have time for this shit.  Shortcut.  Dying.  “Cheat death on the other side.”  J. Spaceman.

Someone to be nice to me for like five minutes and then I’ll leave you alone.  This was Jean-Luc “Cinema” Godard on fire.

-PD