Rozmarné léto [1968)

I’m not going to blow smoke up your ass.

This one starts out slowly.

Too long at the first location.

The river bathhouse.

The dread of boredom begins to creep in.

No girl.  No gun.

Until Jana Preissová makes her first appearance.

It was unbearable.

A rainy summer.

Every day the same as the last.

In a small town.

A closed circle.

But like Fellini, the circus comes to town.

Thank God for the circus.

Cotton candy.  شعر البنات

Is it girl’s hair?  Pink.  A one-piece pajama.

Or a pig.

It is like the sweet words of the beautiful Haneen Elhaj in Bethlehem.

Girl’s hair.

Running on the electricity of a car battery.

Spinning sugary magic.

Sandy stone (when the mirror of translate is turned upon itself).

We want to know literally what Heidegger Derrida was talking about.

And so it only took director Jiří Menzel two years to lose his voice.

It was perfection in ’66.

Ostře sledované vlaky.

That is the cynical view.

But we must realize that Menzel was literally walking a tightrope.

It’s not funny.

It’s not engaging.

It’s slow.

It’s effective.

By the end you see that Fellini is the right reference.

Capricious Summer (our film) bridges the gap between the antics of La Strada and the lovable freak show of local color that would be Amarcord (1973).

But this was 1968.

A very serious year.

The Czech and Slovak (respectively) socialist republics came into being the following year.

We know the legend.

Mai ’68.

All hell broke luce.

Even Cannes was cancelled.

[Cannescelled]

But what is a film festival compared to an invasion?

Before our Capricious Summer was the Prague Spring of 1968.

Lasting well into the summer.

And blooming well before winter had ended.

January 5 – August 21.

Then the invasion.  The Warsaw Pact countries.

Operation Danube.

Romania (and Albania), to their credit, refused to participate.

108 Czechoslovak civilians killed.

Liberalization.  Decentralization.  Democratization.

Like the beautiful Anna.  Fleeting.

Because the circus always has to pack up and leave town.

Our film.

Released May 24.  During the Prague Spring.

Pražské jaro (or jar).

Czech.  Slovak.

The only difference between my bank balance and Bill Gates’.

More zeros at the end.

Infinitely more.

Later these “Springs” would become manufactured (if they weren’t already).

Libya…

We all know about color revolutions…but the Czechs would have a textured revolution in 1989.

From velvet…we could have had the corduroy revolution (ribbed, for her pleasure), silk revolution, cotton (the revolution of our lives)…etc.

The “nonviolent” Prague Spring resulted in the deaths of 96 Soviet soldiers.

84 of them by “accident” (friendly fire?)

and the accidental/”suicide” deaths of 10 Poles.

Apparently none of the Poles died conventionally.

At least the two Bulgar soldiers killed perished from intent.

The four Hungarians all slipped on banana peels in front of Škodas.

This is the tone.

Lola Montès.

Plucking the feathers from chickens.

The chubby wife returns.

Drench the nubile.

Menzel, then, was many months ahead.

Knowing that summer would really begin when autumn usually fell.

Another 20 years before the circus returned.

 

-PD

Napoleon Dynamite [2004)

If this film makes you cry, then you have problems.  Welcome to my world.  Hopefully this will be the best thing I have ever written.

There are a couple of times.  Laugh out loud.  But those parts which pass by like strange quirks.  The space in between laughs.  That is the pathos of marginalia.

People.  Marginalized.  What the hell am I talking about?

There’s awkward and aw-kward.  It is the latter with which we are concerned.  A whole new level of pariah.

But also mundane.  And not to be forgotten…endearingly strange.

Preston, Idaho.  It’s real.  Really exists.

Napoleon and his brother Kip.  Lots of weird mustaches here.  But Napoleon is just the geeky gawky gangly guy growing up.

As Kip shows, some of us never grow up.  And Uncle Rico…whoa mama.  All regrets and what-ifs.

Grandmother was at the dunes and broke her coccyx.  Tailbone.

Riding the four-wheeler.

Grandma’s got a boyfriend.  Or a girlfriend.  Or something.

This is one time when some Wikipedia contributor has actually done a loving portrait of a film.

Perusing.

Rico is our campervan Beethoven.  A real jerk.  But not without his humorous (humerus?) moments.  Funny bone.

Fortunately LaFawnduh’s cousin is apparently Jamiroquai (they being a band and not a person).

Whoa…aw-kward.  Writing.

Jon Heder approaches the greatness of Peter Sellers in this film.  Heder is our lead…our anti-Bond (James).  Not cool.  Never was cool.  Painfully existing.

Tina Majorino brings an indispensable side ponytail grace to this story.  Such a beautiful girl.  A real person.  This film succeeds by employing a sort of Robert Bresson technique.  It also is the laughing equivalent of the Romanian New Wave.  To wit, Jared Hess made one of the most important American movies of recent decades.  Kudos to Fox Searchlight Pictures for giving this the distribution it deserved.  We know they later picked up Beasts of the Southern Wild.  Nice job Fox Searchlight!

And why do we cry?  Part of it is Efren Ramirez as Pedro.  Down here in San Antonio.  People living for their Spurs.  I know.  Me too.  Small victories seem so big.  El Presidente.  He builds her a cake.  The vacuous Summer.  No!!!  (little hearts beneath the exclamation points)

It’s hot.  Pedro doesn’t have air conditioning.  Napoleon’s top-loading VCR comes in handy after he scores a sweet Kid ‘n’ Play video at the thrift store.  Kip backs over the Tupperware in a failed Ginsu demonstration.  “Dang it!”

Pedro from Juarez.  In Idaho.  That’s like a Martian in Indiana or Iowa.  It’s real.  We all end up someplace.  For some reason.  And the cousins with the sweet low-rider.  The cousins with the hookups.  A short segment about banding together.  People with odds stacked against them helping other people with odds stacked against them.

A very humble project.

And someday Napoleon’s ligers will hang in the MoMA…and his portrait of Trisha (with the deftly-shaded upper lip) will fetch $100 million at Sotheby’s.

And LaFawnduh from Detroit.  Definitely AOL-era.  No cellphones in this movie.  Deb (Majorino) has to go to a payphone to tactfully reprimand Napoleon.  But it was all Rico’s fault.  Uncle Rico.  Hell, Napoleon even got a job moving chickens…for $1 an hour.  And they had big talons!  Just drink the raw eggs and mingle with the farmers.  The old people have good stories.  About Shoshone arrowheads in the creek bed.  White-bread sandwiches.  I don’t understand a word I just said.

It’s that I don’t have any skills.  Nunchuk skills.  Computer hacking skills.  Cage fighting skills.  Rex kwon do skills.

Oops.  Yeah, I dress like Peter Pan.  Forever the butt of a joke.

Napoleon runs like Forrest Gump…with Trisha’s corsage.  But it’s lonelier.  It’s stranger.  Like Peter Sellers doing Camus.  Chaplin and Sartre.  Les Temps modernes.

So when the antihero finally succeeds it elicits an honest firestorm of support.  Lots of people with nothing to live for. A little saint for the hallway.  A prayer has been answered.  They already tore down my high school.  Same name, different building.  I pass it everyday.  It wasn’t supposed to be this way.  Some might say.  I know there’s a place for me somewhere.

It’s not all about tetherball.  It’s the determination.  A solitary game.  A clueless dork.  Thanks be to god.  THis movie.

-PD